Posts Tagged ‘ schoeps ’

Heartless Bastards: July 24, 2011 Mercury Lounge – FLAC and MP3 Downloads + Streaming Songs

August 1, 2011
By

HB ML
[Photo by acidjack]

It’s hard not to like the Heartless Bastards.  They’re one of those bands that never lets you down performance-wise, that’s always on their game, that always gives their fans something special.  This pair of shows at Mercury Lounge (our recording of night 1 here) certainly qualifies as that, as the band played these sets in “acoustic” (but really just sans-drummer) mode, and showed off considerable new material.  The most immediate effect of going drummerless was to focus even more attention on lead vocalist Erika Wennerstrom’s old-soul voice.  The opening lines of one of my Bastards favorites, “Done Got Old” proved she can carry a show without any accompaniment at all, and she remained note-perfect throughout a 90-minute set that was a bit longer than Saturday’s performance.  Most of this group stood respectfully as Erika, Jesse and Mark debuted new numbers like “Skin and Bones,” and the Western-tinged “The Arrow Killed the Beast.”  While the new record will not be acoustic, and some of the material was so new it didn’t even have names, what we heard on this night showed the level of promise we’ve come to expect from this band.  As Johnny mentioned in his review of the Saturday show, this only ups the anticipation for the new record.

I recorded this set from the same spot that Johnny used for the Saturday recording, focusing the sound a bit more toward the perfectly balanced soundboard feed from Kevin at the Mercury Lounge.  As with Saturday’s recording, the sound quality is outstanding.  Enjoy!

Stream “Skin & Bone”:
[audio:https://www.nyctaper.com/H6602HB9922/07 Skin & Bone.mp3]

Stream “You Ain’t Goin’ Nowhere [Bob Dylan]”:
[audio:https://www.nyctaper.com/H6602HB9922/13 You Ain’t Goin’ Nowhere.mp3]

Direct download of MP3 files [HERE]

Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on Twitter

Heartless Bastards
2011-07-24
Mercury Lounge
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps Mk41>CMC6>Sound Devices USBpre2 + Soundboard >> Edirol R-44 [Oade Concert Mod] (24/48)
Position: At soundboard, DFC, mics at 7.5′, PAS
Mastering: 2x24bit/48kHz WAV>Audition (mixdown, effects)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks [Total time: 89:29]
01 Done Got Old
02 [new song]
03 Sway
04 Hold Your Head High
05 [banter]
06 The Will Song
07 Skin & Bone [new]
08 The Arrow Killed the Beast [new]
09 Blue Day
10 [new song]
11 [banter]
12 Searching for the Ghost
13 You Ain’t Goin’ Nowhere [Bob Dylan]
14 Runnin’
15 Be So Happy
16 [encore break]
17 [new song]
18 The Mountain

If you download this recording, we expect that you will PLEASE SUPPORT Heartless Bastards, visit their website, visit their MySpace and Facebook pages, and purchase their official releases and merchandise [HERE].

Weird Owl: July 14, 2011 Union Pool – FLAC and MP3 Downloads + Streaming Song

July 27, 2011
By

weird owl
[Photo Credit]

Weird Owl make bad-ass stoner rock for the modern era, and this show at Union Pool found them rocking the living hell out of an expectant crowd that was about to see headliner White Hills. It is hard to hear a songs like the reverb-heavy monster “Stral Proj” or the space rock of “Mind Mountain” and not imagine them being played to a crowd of feathered haircuts, bell bottoms and tie-dye rather than modern-day BK hipsters. Weird Owl’s music has a deep, satisfying heaviness to it, with the rich roar of classic analog amps and wah-wah pedals. Their new record, Build Your Beast A Fire, just released on Tee Pee Records, is a fifteen-song monster that finds the band tightening up their songwriting a bit, crafting slightly more approachable songs that deliver on the promise suggested by their 2009 debut, Ever the Silver Cord Be Loosed. Though short, this set gave expectant fans a dose of the new songs’ greatness. Make Weird Owl and Build Your Beast A Fire part of your summer, now. Because we told you so.

hi and lo and I recorded this set with four microphones and a soundboard feed. The split wide cardiod microphones, in particular, give the recording a huge, detailed sound. Enjoy!

Stream “Straj Proj”:
[audio:https://www.nyctaper.com/W1407WeirdOwl1120/04 Straj Proj.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on Twitter

Weird Owl
2011-07-14
Union Pool
Brooklyn, NY USA

Recorded by acidjack and hi and lo for nyctaper.com
Produced by acidjack

Equipment: AKG C414 B-XLS (wide cardiod mode)>Oade M248 + Schoeps mk41>CMR>tinybox + Soundboard >> Tascam DR-680 (24/48)
Position: AKGs split 6′ on balcony, Schoeps DINa on balcony, DFC
Mastering: 24bit/48kHz WAV>Audacity (mixdown, set fades, amplify and balance)>FLAC ( level 8 )

01 Saucer-Shaped Shadow>
02 Skin the Dawn
03 Up From the Root
04 Stral Proj
05 Parallax Eyes
06 Mind Mountain
07 Mountains On Top of Buried Stars

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Weird Owl, visit their MySpace page, and purchase their records from Tee Pee Records [HERE]

Eternal Summers: June 17, 2011 Knitting Factory (Northside Festival) – FLAC and MP3 Downloads + Streaming Songs

July 11, 2011
By

Photo courtesy of Jessica Amaya @ Brooklyn Vegan
[photo courtesy of Jessica Amaya and Brooklyn Vegan]

The Northside Festival of Brooklyn brought us some amazing music this year and Friday night’s Kanine Records Showcase at Knitting Factory was no exception. An incredible line-up of seven bands took the stage that night, including Eternal Summers which played just before headliner Surfer Blood took the stage. We last saw Eternal Summers play a great show at Glasslands earlier this spring, and the crowd was buzzing in anticipation of Friday’s show.

Eternal Summers delivered an intense 40-minute set packed with 14 songs of pure energy. For this recording, I parked in our usual sweet spot and recorded the show with a pair of Schoeps hypercardioid microphones. I mixed my tape with a fantastic soundboard feed and hope you enjoy it!

Stream “Pogo”:
[audio:https://www.nyctaper.com/E1504EternalSummers2011/eternalsummers2011-06-17.pogo.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Eternal Summers
2011-06-17
Northside Festival
Knitting Factory
Brooklyn, NY USA

Recorded and released for nyctaper.com by hi and lo.

Source: Soundboard + Schoeps MK41/CMR > Naiant PFA > E.A.A. PSP-2 >> Tascam DR-680 @ 24 bit / 96 kHz
Edit : WaveLab v5 (fades/dither/+11dB gain), Izotope SRC/Dither
Final Format : 16 bit, 44.1 kHz
Tracking: CD-Wave v1.98
Encoding: FLAC v1.2.1 (Level 8) with TLH v2.6.0 (Build 168)

Tracklist:
01. Intro
02. Prisoner
03. Cog
04. Running High
05. Able To
06. World’s Away
07. [Unknown]
08. Silver
09. I Love You
10. Pogo
11. As Good As You
12. Pure Affection
13. Bully in Disguise
14. Goodnight Goodbye

Running Time: 41:23

Please support Eternal Summers by visiting their their MySpace page and by purchasing their debut album and EPs on iTunes or from the Kanine Records Shop.

A huge thanks to Kanine Records and Eternal Summers for this amazing show!

Givers: June 18, 2011 Backyard Brunch Sessions – FLAC and MP3 Downloads + Streaming Song

July 1, 2011
By

givers2011-06-18-1
[photo by acidjack]

Before heading over to McCarren Park a few Saturdays ago to catch Guided By Voices and others on the Northside Festival main stage, I had the privilege of catching the inaugural show of the 2011 Backyard Brunch Sessions, starring Lafayette, LA’s Givers.  With their good attitudes and laid back vibe, I liked this band before hearing a note of their music. Having recently signed to Glassnote Records for the release of their debut album, In Light, the band are enjoying a big push in the press lately, having been nominated as “buzzworthy” by MTV, a “band to watch” by Stereogum, and written about favorably by NPR.  It’s not hard to see why; not only is this five-piece eminently likable, but their music has that “something extra.”  In this case, that something is a touch of Afrobeat that gives their music a bouncy, percussive feel.  Male lead vocalist/guitarist Taylor Gaurisco’s sweet voice is nicely paired with female lead/percussionist Tiffany Lamson’s more smoky, soulful vocal approach.  For this backyard show, the band did not have their full arsenal of instruments, which pushed the emphasis to their songwriting.  I am pleased to report that the songwriting held up to the stripped-down scrutiny, particularly their much-talked-about leadoff single “Up Up Up.”  Though this set was short, it told us all we needed to know about the talent level of this young and exciting band.

hi and lo and I recorded this set with a variety of high end microphones (pictured) miking individual band members.  The results are outstanding, possibly the best Backyard Brunch recording we have offered to date!

Stream “Up Up Up”:
[audio:https://www.nyctaper.com/G1806Givers1102/03 Up Up Up.mp3]

This recording is now available for download in FLAC and MP3 format at Archive.org [HERE].

Follow acidjack on Twitter

Givers
2011-06-18
Backyard Brunch Sessions
Brooklyn, NY  USA

An acidjack master recording
Recorded by acidjack and hi and lo for nyctaper.com
Produced by acidjack

Equipment: Schoeps Mk5 (omni)>EAA PSP2 + AKG C414 B-XLS (hypercardiod and omni modes) + DPA 4021 >> Tascam DR-680 (24/48)
Mastering: 6x24bit/48kHz WAV>Audition (multitrack mixdown, normalize, set fades)>Audacity (tracking, amplify)>FLAC ( level 8 )

Tracks
01 Saw You First
02 [banter]
03 Up Up Up
04 Meantime

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Givers, like them on Facebook, and purchase In Light from iTunes or your favorite retailer.

Guided By Voices: June 18, 2011 Northside Festival, McCarren Park – Streaming Songs + Download Link for Offsite Purchase

June 27, 2011
By


[Photos courtesy of MaryAnne Ventrice]

There is no doubt that the single most highly anticipated performance at all of this year’s Northside Festival was the McCarren Park performance of Guided By Voices.  Touring with the reunited mid-90s “classic” lineup of the band since last year, frontman Robert Pollard has proven that he hasn’t lost a step – or his ability to guzzle alcohol onstage.  The first time I saw GBV, with this same lineup, he went through a case of beer during a 90-minute set.  Here, Pollard did himself one better, throwing back a bottle of Cuervo as he complimented our neighborhood (lots of bars, after all), mused negatively about Pittsburgh and some of his non-classic lineups, and – oh yeah – performed a monster 40-song set (equaling, thanks to GBV’s short songs, just under 110 minutes).

True to the best years of the “classic lineup,” this set focused on the band’s mid-90s classics Alien Lanes (with “Pimple Zoo,” “Watch Me Jumpstart,” “Striped White Jets” and “Motor Away”, among others) and Bee Thousand (“Tractor Rape Chain,” “Hot Freaks”, “I Am A Scientist,” etc.) among the many other records covered.  For this show, Pollard was his usual freewheeling, unhinged self, swigging his drink and belting out the lyrics to his songs like a rock star 25 years his junior.  GBV were among the first bands to be referred to as “lo-fi” because of Pollard’s use of barely-functional recording equipment on his earlier records, but live, it is evident how tight these songs are, filled with classic hooks and absent filler.  Pollard has long had the rare gift of churning out these nuggets of greatness in vast quantities, and bless him for that –  he has more good songs on one record than most bands have in their careers. (It should be added that he has more good records out than ten good bands are likely to put out in their careers).  As a result, this set never faltered, even through three encores, with Pollard delivering humorous crowd banter with an economy equal to his songwriting and the familiar hits coming and coming, punctuated by between song chants of “GBV! GBV!”  It rarely slowed down, either, except for a tidy acoustic “Awful Bliss,” after which Pollard reminded us, “You’ve gotta do the acoustic songs, man.  That’s what makes a rock concert… it’s like Emerson, Lake and Palmer.”  And then he played another song.  And another.  And another.

When the show finally wrapped up at nightfall with a rocking “Weed King,” we knew we had gotten our money’s worth.  We also knew that of all the “lo-fi” bands we might see during the weekend, they’d have a hell of a time competing with the gold standard, even if the gold standard was born in 1957.  I don’t know whether Pollard thrives because or in spite of all that alcohol, but he does.  And our night, our weekend, our Northside Festival, wouldn’t have been half of what it was without him.

This show presented a unique opportunity for the NYCTaper crew.  GBV has been officially releasing all of their reunion performances on their online store, gbvdigital.com.  Because we wanted the band and the fans to have the best recording possible for the site, we agreed to record this show for gbvdigital for free, in exchange for the chance to record the show and host a couple of the streaming tracks on this site.  As a result, the full show cannot be downloaded here, but can be purchased from gbvdigital in MP3, FLAC or AAC format via the link below.

Stream “Don’t Stop Now”:
[audio:https://www.nyctaper.com/G8160GBV2011/GBV-Don’t Stop Now2011-06-18.mp3]

Stream “I Am A Scientist”:
[audio:https://www.nyctaper.com/G8160GBV2011/GBV-I Am A Scientist2011-06-18.mp3]

PURCHASE THE FULL SET [HERE]

Guided by Voices
2011-06-18
Northside Festival
McCarren Park
Brooklyn, NY  USA

Recorded and produced by NYCTaper.com for gbvdigital.com
[nyctaper, hi and lo, johnny fried chicken boy, and acidjack]

Equipment: Soundboard + Schoeps Mk41>NBox+ + Schoeps Mk5 (omni)>EAA PSP2 >> Tascam DR-680 (24/48)
Position: FOB, DFC, Mk5s NOS, Mk41s DINa
Mastering: 6x24bit/48kHz WAV>Audacity (EQ omni source, Dyson compression on soundboard source, adjust and balance levels, mixdown, set fades, tracking,  additional EQ, smooth peaks)>FLAC ( level 8 ) and >MP3 (VBR0)

Tracks [Total Time 1:48:53]
01 [Intro]
02 Pimple Zoo
03 Expecting Brainchild
04 #2 In the Model Home Series
05 Watch Me Jumpstart
06 Melted Pat
07 Shocker In Gloomtown
08 Kicker of Elves
09 Buzzards and Dreadful Crows
10 Always Crush Me
11 Gleemer
12 Tractor Rape Chain
13 Hot Freaks
14 Striped White Jets
15 Squirmish Frontal Room
16 14 Cheerleader Coldfront
17 Dodging Invisible Rays
18 Gold Star For Robot Boy
19 Goldheart Mountaintop Queen Directory
20 Cut-Out Witch
21 Sad If I Lost It
22 Matter Eater Lad
23 A Good Flying Bird
24 Awful Bliss
25 Quality of Armor
26 Jane of the Waking Universe
27 Unleashed! The Large-Hearted Boy
28 Exit Flagger
29 I Am A Scientist
30 Game of Pricks

ENCORE 1
31 [First Encore Intro]
32 Echos Myron
33 Bright Paper Werewolves
34 Motor Away
35 Don’t Stop Now
36 Smothered In Hugs

ENCORE 2
37 A Salty Salute
38 My Valuable Hunting Knife
39 Over the Neptune>Mesh Gear Fox

ENCORE 3
40 [Third Encore Intro]
41 My Impression Now
42 Some Drilling Implied
43 Weed King

We encourage you not only to purchase this set from GBVdigital, but to also support Guided By Voices by visiting their website and buying their official albums (which you should already own anyway).

Magik Markers: June 17, 2011 Northside Festival, St. Cecilia’s RCC – FLAC and MP3 Downloads + Streaming Song

June 23, 2011
By

magik-markers-1
[photo by Nate Door for Impose Magazine]

When you have the opportunity to open for Woods in a setting as dramatic as St. Cecilia’s Roman Catholic Church in East Williamsburg at the Northside Festival, you have to bring your A game. Hartford, CT psych rockers Magik Markers were more than up to the challenge as they played an impressive set of layered, hypnotic songs that were completely new to us (we also checked with a good friend who has released a record for them, and he didn’t know, either). In a mere four songs that spanned a half-hour, the Markers gave the crowd a dose of their magnificent, dense new material that resounded throughout the cavernous church. Although we can’t claim to know even when this material will see the light of day in officially released form, it is no doubt a return to the more freeform style typified by the band’s work before their most recent album, Balf Quarry.

I recorded this set from the same location as the Woods recording, but with the addition of an analog preamp to add a more natural sound. The result is quite good, although one should note that the low vocal mix is a band choice, not a failure of the sound engineers or recording. Enjoy!

Stream “untitled”:
[audio:https://www.nyctaper.com/M3091Markers1002/magikmarkers2011-06-17stcecilias_acidjack-02.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Magik Markers
2011-06-17
Northside Festival
St. Cecilias RCC
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Soundboard + Schoeps Mk41>CMC6>Oade M248 >> Edirol R-44 [Oade Concert Mod] (24/48)
Position: Slightly LOC, at soundboard, mics at 7ft
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, smooth peaks, amplify and balance)>FLAC ( level 8 )

Tracks
01 [unknown]
02 [unknown]
03 [unknown]
04 [unknown]

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Magik Markers, visit their website, and purchase their excellent album Balf Quarry from Drag City Records here.

White Suns: June 16, 2011 Northside Festival, Glasslands – FLAC and MP3 Downloads + Streaming Song

June 23, 2011
By

white suns
[Photo courtesy of L Magazine]

The arresting noisecore squall of White Suns is not for everybody. The band makes challenging, relentless music that pushes boundaries and often defies conventional understandings of song structure and composition. To the unitiated or unready, their music might just sound like an unholy racket – discordant, squealing guitars, sporadic gunfire bursts of drumming, demolished electronics. But White Suns are clearly fine with that – this is not a band that bends its will to the masses, clearly. But unlike a lot of the bands of their type, they are not merely cerebral avant-rockers pushing boundaries for boundaries’ sake. Their songs seethe volatility and anger a la more traditional punk and hardcore, but without their often rote structure and dynamics. The crowd at Glasslands on this opening night of Northside Festival was clearly ready for White Suns, and the band gave a short but powerful set, opening up with a brooding, clangorous improvisation into the song “Voyeur,” followed by an untitled new number that was the most straight-ahead hardcore song of the night, and ending with a seven-minute “Fire Sermon,” a masterful exploration of noise dynamics that found singer/guitarist Kevin Barry repeatedly knocking his mic stand to the floor. Although their set came and went in about 20 minutes, White Suns left an indelible impression.

hi and lo and I recorded this set from the same location as the Mr. Dream and Sleepies recordings. The sound of this one is particularly good. Enjoy!

Stream “Fire Sermon”:
[audio:https://www.nyctaper.com/W1606WhiteSuns2011/whitesuns2011-06-16glasslands_acidjack-03.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

White Suns
2011-06-16
Northside Festival
Glasslands Gallery
Brooklyn, NY  USA

An acidjack master recording
Recorded by acidjack and hi and lo
Produced by acidjack

Equipment: Schoeps Mk5 (omni)>EAA PSP2 + Soundboard >> Edirol R-44 [Oade Concert Mod] (24/48)
Position: Clamp to center post, about 7.5ft up, 30cm split
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Improv>Voyeur
02 untitled
03 Fire Sermon

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT White Suns, visit their website, and purchase their latest record [HERE]

Sleepies: June 16, 2011 Northside Festival, Glasslands – FLAC and MP3 Downloads + Streaming Song

June 20, 2011
By

sleepies
[Photo from Sleepies Facebook page]

Sleepies are a Brooklyn punk band that I have now had the pleasure of seeing twice, both times on bills shared with their friends Mr. Dream. This Northside Festival show found them in fine form, delivering their raw brand of punk rock to a crowd that was hungering for it. The band’s sound takes several cues from the Sex Pistols, such as on the ragged “Summer Bummer.” Sleepies already have some solid recorded output, including two songs on bandcamp that are produced by Mr. Dream’s Nick Sylvester, and an LP available here. Check them out the next time you can!

Stream “Feelers”:
[audio:https://www.nyctaper.com/S0616Sleepies2011/Feelers.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on Twitter

Sleepies
2011-06-16
Northside Festival
Glasslands Gallery
Brooklyn, NY USA

An acidjack master recording
Recorded by acidjack and hi and lo
Produced by acidjack

Equipment: Schoeps Mk5 (omni)>EAA PSP2 + Soundboard >> Edirol R-44 [Oade Concert Mod] (24/48)
Position: Clamp to center post, about 7.5ft up, 30cm split
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Hypochondriac Blues
02 Summer Bummer
03 Combat
04 Cool Boy
05 Feelers
06 Temporary Setback
07 Sludge River Mouth

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Sleepies, like them on Facebook, and purchase their official releases from the links above.

Woods: June 17, 2011 Northside Festival, St. Cecilia’s RCC – FLAC and MP3 Downloads + Streaming Songs

June 19, 2011
By

woods northside
[still from this video]

Having already seen Woods perform in front of the Joshua Light Show last year at Abrons Arts Center (possibly the best show I saw that year), I wasn’t sure Woods could top the unique setting or outstanding performance. But then they announced that their Northside Festival performance would be held at St. Cecilia’s Roman Catholic Church, an impressive old-style cathedral nestled on a quiet block of East Williamsburg, and I knew they would have the opportunity to do both. Set against an imposing backdrop of religious icons and an American flag, Woods played a majestic set that, yes, could probably be called a religious experience. Although the band was celebrating the release of their well-received new record, Sun and Shade, rather than playing through the new record, they took the journey in a different direction reminiscent of the Abrons Arts Center show. All the qualities that led me to call them the “preeminent indie rock jam band” after that show were on full display on this night, as they wove deep psychedelic experimentation throughout some of their best-known songs. Combined with the cavernous room, the effect was magical, spiritual and satisfying. The set kicked off with “Pushing Onlys” from the new record, followed by a string of favorites – “Blood Dries Darker”, a typically extended “Bend Beyond” and “Rain On,” before taking a mellow interlude with “Be All Be Easy” and “Say Goodbye” from Sun and Shade. Things picked up after that with a mix of old and new material, with the set climaxing with a trippy, mind-blowing twelve-minute version of “I Was Gone” that rivaled the incredible “Bend Beyond” from the Abrons show. The band also played a new song, “Mind Them Empty,” which will be out next month on a 7″ on Sacred Bones Records. This is why Woods shows are always exciting experiences, and why I continue to believe they could very well be Brooklyn’s best live band right now. The band will hosting the upcoming Woodsist Festival in Big Sur, which will feature some natural beauty that Northside perhaps lacks. But for man-made incredible shows in equally grand surroundings, this show at St. Cecilia’s will be a very, very difficult one to top.

I recorded this set with a well-mixed soundboard feed from the house engineer Chris (who like many of the hardworking engineers at Northside, seemed to be inundated with late-breaking requests for board feeds), combined with Schoeps supercardiod microphones that picked up the natural sound of the room. The results are excellent. Enjoy!

Today is the final day of the Northside Festival, and there are still many great evening shows to go to – including ours! Please check out our showcase, co-sponsored with Pop Tarts Suck Toasted, at Public Assembly, starting at 8pm, featuring eleven incredible up-and-coming bands!

Stream “Be All Be Easy”:
[audio:https://www.nyctaper.com/W2206Woods2990/06 Be All Be Easy.mp3]

Stream “I Was Gone”:
[audio:https://www.nyctaper.com/W2206Woods2990/12 I Was Gone.mp3]

Direct download of MP3 files [MP3]

Direct download of FLAC files [FLAC]

PLEASE DO NOT REPOST THE DIRECT LINKS – IT WILL CRASH OUR SERVER

Follow acidjack on Twitter

Woods
2011-06-17
Northside Festival
St. Cecilia’s Roman Catholic Church
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Soundboard + Schoeps Mk41>CMC6 >> Edirol R-44 [Oade Concert Mod] (24/48)
Position: At soundboard, slightly LOC, mics at 7.5ft PAS
Mastering: 2x24bit/48kHz WAV>Audacity (smooth peaks of SBD source, Dyson compression on SBD source, envelope on SBD source, mixdown, tracking, amplify)>FLAC ( level 8 )

Tracks [Total Time: 1:01:03]
01 Pushing Onlys
02 Suffering Season
03 Blood Dries Darker
04 Bend Beyond
05 Rain On
06 Be All Be Easy
07 Say Goodbye
08 Find Them Empty
09 To Have In the Home
10 To Clean
11 Get Back
12 I Was Gone

If you download this recording from nyctaper, we expect that you will PLEASE SUPPORT Woods, visit their website, and purchase their official releases, including Sun and Shade, from Woodist Records [HERE].

The Caribbean: June 5, 2011 Mercury Lounge – FLAC and MP3 Downloads + Streaming Song

June 18, 2011
By

carribean
[Photo by acidjack]

No, there is nothing tropical about The Caribbean. Hailing from Washington, D.C. (not exactly Antigua, by any stretch), this experimental pop trio has been putting out their challenging brand of music since 1999, after the DC bands Townies and one of my personal favorites, Smart Went Crazy, imploded. Their latest record, Discontinued Perfume, continues the band’s tradition of marrying traditional softcore indie rock songwriting to jazz and ambient textures. If you want fist-pumping, major-chord-driven rock, keep moving – The Caribbean aren’t interested in delivering the big hooks and immediate melodies that drive today’s car-commercials-first mainstream. Theirs is a style that rewards repeat listens and a little deep thinking. Lucky then, that we caught them on a very subdued Sunday night at the Mercury Lounge, where we had a chance to fully appreciate the band’s set without distraction. The material from Discontinued Perfume was the focus, and it deservedly stood out, including the closer (and one of the catchier songs on the record), “The Clock Tower.”

hi and lo and I recorded this set from our usual location in the venue with Schoeps supercardiod microphones running into an ultraquiet preamp. This is an excellent capture, especially thanks to the use of the high end preamp and the respectful crowd. Enjoy!

Stream “The Clock Tower”:
[audio:https://www.nyctaper.com/C6500Caribbean2011/09 The Clock Tower.mp3]

Direct download of MP3 files [MP3]

Download the Complete show in FLAC [HERE].

Follow acidjack on Twitter

The Caribbean
2011-06-05
Mercury Lounge
New York, NY USA

An acidjack master recording
Recorded by acidjack and hi and lo for nyctaper.com
Produced by acidjack

Equipment: Schoeps Mk41>CMC6>EAA PSP2>Sony PCM-M10 (24/44.1)
Position: At soundboard, ROC, mics PAS
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, tracking, amplify and and balance)>FLAC ( level 8 )

Tracks
01 Collapsitarians
02 Artist In Exile
03 [unknown]
04 Do You Believe in Dinosaurs?
05 Mr. Let’s Find Out
06 [tuning]
07 Supply Lines
08 [unknown]
09 The Clock Tower

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Caribbean, visit their website, and buy their records directly from Hometapes [HERE]

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nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.