Posts Tagged ‘ soundboard ’

Cracker: January 14, 2012 Highline Ballroom – Flac and MP3 Downloads + Streaming Songs

January 18, 2012
By


[screen cap from this youtube video]

As we noted in the Camper Van Beethoven post, there will be another East coast “Camp Out” this year. The main event for the multi-day show at the 40 Watt Club in Athens Georgia (March 1 to March 3) is the celebration of the twentieth anniversary of Cracker’s debut album. On Saturday night at Highline Ballroom, Cracker headlined the show and played an energetic 75 minute set. Although this show was not exactly a preview of the Camp Out celebration, five songs from Cracker were performed, including the album’s opening track “Teen Angst” in the encore slot, which we’re also streaming below.

I recorded this set in the same manner at the Camper set and the sound quality is superb. Enjoy!

Stream “Teen Angst”:
[audio:https://www.nyctaper.com/C0109Camper9002/17.%20Teen%20Angst.mp3]

This recording is now available for download in FLAC and MP3 at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Cracker
2012-01-14
Highline Ballroom
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-01-16

Setlist:
[Total Time 1:13:27]
01 Seven Days
02 Don’t Fuck Me Up (With Peace and Love)
03 100 Flower Power Maximum
04 Big Dipper
05 [banter – San Jose]
06 I See The Light
07 Mr. Wrong
08 Been Around The World
09 Gimme One More Chance
10 Wedding Day
11 Lonesome Johnny Blues
12 Turn On Tune In Drop Out
13 Happy Birthday To Me
14 Eurotrash Girl
15 Low
16 [encore break]
17 Teen Angst

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Cracker, visit their website, and purchase their official releases directly from the Store at their website [here] or from the 429 Records website [here].

Camper Van Beethoven: January 14, 2012 Highline Ballroom – Flac and MP3 Downloads + Streaming Songs

January 17, 2012
By


[screen cap from this youtube video]

Camper Van Beethoven has an extensive catalog dating back almost thirty years to their early 80s formation, which permits the band to play divergent setlists on any given night. But CVB has not released a new album since 2004’s brilliant New Roman Times. So it was a bit of a surprise to hear that Camper has three new fully formed songs that have been played on each night of the current tour, including Saturday night at Highline Ballroom. Of the three, the most impressive was “Too High For The Love-In”, a very Camper-like irreverent and catchy song that we’re streaming below. The balance of the set consisted of a variety of classics culled democratically from each of their albums. The set ended in high form with an energetic take on “Pictures of Matchstick Men” that we are also streaming below. The current tour ended last night in Boston, but Camper Van Beethoven returns to the East coast for another “Camp-Out” Fest, this time at the 40 Watt Club in Athens GA from March 1 through March 3.

I recorded this set with the Neumann microphones set up at the front right corner of the soundboard and mixed with an outstanding stereo board feed. The sound quality is superb. Enjoy!

The Cracker set was also recorded and will be posted in the coming days.

Stream “Too High For The Love-In”:
[audio:https://www.nyctaper.com/C0109Camper9002/15.%20Too%20High%20For%20The%20Love-In.mp3]

Stream “Pictures of Matchstick Men”:
[audio:https://www.nyctaper.com/C0109Camper9002/18.%20Pictures%20of%20Matchstick%20Men.mp3]

This recording is now available for direct download in FLAC or MP3 at Archive.org [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Camper Van Beethoven
2012-01-14
Highline Ballroom
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded by nyctaper and Johnny FCB
Produced by nyctaper
2012-01-15

Setlist:
[Total Time 1:06:03]
01 All Her Favorite Fruit
02 Sweethearts
03 Tania
04 Summer Days
05 O Death
06 Eye of Fatima Part 1
07 Eye of Fatima Part 2
08 You’ve Got to Roll
09 Sad Lovers Waltz
10 Tina
11 Ambiguity Song
12 Take the Skinheads Bowling
13 Balalaika Gap
14 The Poppies of Balmorhea
15 Too High For The Love-In
16 [banter – rock operas]
17 Seven Languages
18 Pictures of Matchstick Men

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Camper Van Beethoven, visit their website, and purchase their official releases directly from the store at their website [HERE].

The Lemonheads: January 11, 2012 Knitting Factory – FLAC and MP3 Downloads + Streaming Songs

January 16, 2012
By


[Photos by Ken Grand-Pierre.  See his Flickr stream here]

As acts from the early 90s have continued to take victory laps over the past few years, I have had a chance to reflect on how different the personalities were that dominated the music scene then than those from today’s self-affirming generation making vital new music today.  In an era principally concerned with authenticity, its troubadours were often people who lived hard and felt deeply – addicts, romantics, and the generally self-destructive.  And if you wanted a picture of the archetypal musician of the era, you might consider Evan Dando of The Lemonheads (which he actually formed in ’86, but rose to stardom in the early 90s).  A soft-spoken singer whose lyrics tell tales of broken romance, addiction, and self-doubt, Dando has had his ups and downs professionally.  I last saw the band headline the 9:30 Club in Washington, DC in 1997 – the last year the band was together before going on hiatus – and they packed the place.  In fact, a little known Orlando, FL band called Matchbox 20 opened.  The next time I encountered the band, Dando was playing a show in an out of the way honky tonk near a Vermont ski resort.

Dando brought the band back in 2005 and has put out two new records, The Lemonheads and the covers album Varshons, as well as a greatest-hits collection in the UK, Laughing All the Way to the Cleaners: The Best Of.  While Dando has struggled at times on this current tour – I heard reports from other cities of shows completely falling apart due to him being too impaired to play – the quality of his music and his songwriting hasn’t wavered.  To see a Lemonheads show is to see song after song that you know, each as good as the last, each intensely, searingly personal.  Listen to “All My Life”, streaming below, and see if it hits close to home.

At this show at the Knitting Factory in Brooklyn, Dando was every bit the musician I had seen nearly 15 years ago, playing an epic show that consisted of multiple solo sets, a full run-through of The Lemonheads’ breakout album, It’s A Shame About Ray, and a second full-band set.  The show ran for an epic 105 minutes – even more impressive considering the average song length of about three minutes.  Dando delved into some of the covers from Varshons, as well as some of his other concert favorites.  Some of these covers could have been written especially for Dando; he chooses covers that tell his story as much as the orignal authors’.  As Dando continued to play a string of classics, it was hard not to yearn for the era that spawned them, when cred and emotions were a band’s currency, and musicians didn’t need car commercials to earn enough money for the booze and drugs that fueled their damaged art.

Wrapping up a set that never faltered, Dando closed with the twofer of “Rick James Style” – whose refrain “don’t wanna get high / but I don’t wanna not get high” is lent added menace by James’ eventual end – and the Angry Samoans’ “You Stupid Jerk,” a short, chaotic burst of silliness that ended this show on a happy note.  The band continues their U.S. tour westward today, and I hope fans in the Midwest don’t miss a chance to see Evan Dando back at the top of his game.

I recorded this set with Schoeps “open cardiod” microphones and an excellent soundboard feed by the Knitting Factory team.  The recording is an outstanding capture of the night.  Enjoy!

Stream “All My Life”

[audio:https://www.nyctaper.com/L1111Lemonheads0002/lemonheads2012-01-11knit_mixdown-06.mp3]

Stream “Confetti”

[audio:https://www.nyctaper.com/L1111Lemonheads0002/lemonheads2012-01-11knit_mixdown-09.mp3]

Stream “How Much I’ve Lied [Gram Parsons]

[audio:https://www.nyctaper.com/L1111Lemonheads0002/lemonheads2012-01-11knit_mixdown-26.mp3]

Direct download of the complete set: [MP3/FLAC]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Lemonheads
2012-01-11
Knitting Factory
Brooklyn, NY USA

Digital Master Recording hosted exclusively at NYCTaper.com
Recorded and produced by acidjack

Schoeps MK22 (ROC, DIN, 8ft)>KCY>Naiant littlebox + SBD >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mastering effects on SBD source, align, mixdown, amplify and balance, downsample)>24bit/44.1kHz WAV>Audacity (set fades, tracking, downsample to 16bit)>FLAC ( level 8 )

Tracks [Total Time 1:44:00]
[Evan Solo]
01 Being Around
02 My Idea
03 Why Do You Do This To Yourself?
04 The Outdoor Type
05 Frying Pan
06 All My Life
07 [intro the band]

[The Lemonheads perform “It’s A Shame About Ray”]
08 Rockin Stroll
09 Confetti
10 It’s A Shame About Ray
11 Rudderless
12 My Drug Buddy
13 The Turnpike Down
14 Bit Part
15 Alison’s Starting to Happen
16 Hannah & Gabi
17 Kitchen
18 Ceiling Fan in My Spoon

[Evan solo (finishing “It’s A Shame About Ray”)]
19 Frank Mills

[Evan solo]
20 It’s About Time
21 No Backbone
22 Tenderfoot
23 Your Home Is Where You’re Happy [Charles Manson]
24 Streets of Baltimore [Gram Parsons]
25 A Song For You [Gram Parsons]
26 How Much I’ve Lied [Gram Parsons]
27 Ride With Me

[The Lemonheads]
28 [intro band]
29 Hospital
30 Down About It
31 If I Could Talk I’d Tell You
32 Big Gay Heart
33 The Great Big No
34 Rick James Style
35 [encore break]

[Evan solo]
36 You Tore Me Down [Flaming Groovies]
37 Don’t Tell Yourself
38 Rain [Blake Babies]
39 Favorite T
40 It Looks Like You
41 Like A Rose [Lucinda Williams]
42 Nighttime [Big Star]
43 $1000 Wedding
44 You Stupid Jerk [Angry Samoans]

If you enjoyed this recording, PLEASE SUPPORT The Lemonheads, see them on tour, visit their website (which contains those tour dates) and purchase Laughing All the Way to the Cleaners and their other records from Amazon or your favorite retailer (their online store is not yet up).

Wires Under Tension: December 17, 2011 285 Kent – Flac and MP3 Downloads + Streaming Song

January 12, 2012
By


[photo from Wires Under Tension Facebook page]

Wires Under Tension is one of those bands formed out of a happy accident. After he left his condemned Brooklyn practice space for a building in the Bronx, Christopher Tignor met and teamed with drummer Theo Metz to form the band. The 2011 release of Light Science (Western Vinyl) was one of those “out of nowhere” albums that took many critics by surprise. But really, WUT is a duo of incredibly talented individuals who produce compelling instrumental post-rock music, and its no surprise that they’re quite good — Tignor is a classically trained violist after all. Last month at 285 Kent, Wires Under Tension played the Printed Matter Benefit gig, and worked through the entire album in re-ordered fashion. The songs are performed live with violin and guitar, but with both players manipulating electronics to complete the full band sound. We are streaming the show’s finale “Position And Hold”, which provided a powerful finish to the excellent set.

I recorded this set with the DPA Cardioid microphones mounted on a pole 15 feet from the stage and mixed with a soundboard feed. The sound quality is excellent. Enjoy!

Stream “Position And Hold”:
[audio:https://www.nyctaper.com/W1712WiresTension1102/07.%20Position%20And%20Hold.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wires Under Tension
2011-12-17
285 Kent
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-01-07

Setlist:
[Total Time 38:54]
01 Irreversible Machines
02 Electricity Turns Them On
03 A List Of Things To Light On Fire
04 Mneumonics in Motion
05 Cka3an, Cka3ana
06 Wood, Metal, Bone
07 Position And Hold

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Wires Under Tension, visit their website, and purchase Light Science from Western Vinyl Records [HERE].

Suuns: December 10, 2011 Webster Hall – Flac and MP3 Downloads + Streaming Song

January 11, 2012
By

Suuns Ventrice
[photo courtesy of Maryanne Ventrice and Impose Magazine]

When acidjack recorded Suuns in January at Rock Shop, he noted the versatility of the band and the “controlled intensity” that the band brings to each song. By December, when I recorded their show at Webster Hall opening for The Antlers, Sunns seem to have perfected that approach. In one of the best-received opening sets we’ve seen in quite some time, Suuns began with the new 12″ b-side “Red Song” (streaming below), which presaged the compelling tension and release of the post-rock they delivered in spades. The balance of the setlist included much of their excellent 2010 release Zeroes QC (Secretly Canadian Records) and one new song. We expect that the continued development of this talented and imaginative quartet will bring to them to larger stages and audiences — it won’t be long before they’ll play Webster again as the headliner.

I recorded this set in the same manner as the Antlers set from the same show, and the sound quality is superb.

Stream “Red Song”:
[audio:https://www.nyctaper.com/S0125Suuns0211/01.%20Red%20Song.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Suuns
2011-12-10
Webster Hall
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2011-12-18

Setlist:
[Total Time 31:46]
01 Red Song
02 Arena
03 Pie IX
04 [new song – Cities]
05 Sweet Nothing

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Suuns, visit their Facebook page, and purchase Zeroes QC from Secretly Canadian Records [HERE].

Kevin Devine: January 7, 2012 Maxwell’s – Flac and MP3 Downloads + Streaming Song

January 10, 2012
By


[screenshot from video here]

It almost unfathomable, considering the many many shows we’ve attended over the last decade, that we had not previously crossed paths with Kevin Devine. His abundant vocal and songwriting talents, and the picture perfect nature of his intelligent indie-pop records are exactly what we look for in a performer. So when we finally got the chance to catch Kevin at Maxwell’s on Saturday, the entire show felt completely natural. And when we met and chatted with Kevin after the show, he seemed like a kindred spirit. The songs themselves make it obvious that we are listening to a writer with vision, emotion and fortitude — dealing with life’s difficulties while persistently finding the beauty in it all. On Saturday, Kevin performed solo acoustic and while surrounded by diehard fans in an intimate venue, and delivered a powerful set that included much of his new album Between the Concrete & Clouds (Razor & Tie), but also dug deep into his catalog including classics “Cotton Crush”, “Tap Dance” and “Ballgame” (streaming below). Kevin even included a song from his old band Miracle of ’86 (“Knife”), and two new songs. Kevin Devine will be touring Europe in February, and will be back in the US for some Midwest dates in March, but promised some East coast dates in the Spring.

Stream “Ballgame”:
[audio:https://www.nyctaper.com/K7010KevinDevine1202/21.%20Ballgame.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Kevin Devine
2012-01-07
Maxwell’s
Hoboken, NJ USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-01-08

Setlist:
[Total Time 1:26:30]
01 [intro]
02 Petite Mort
03 Tap Dance
04 Off Screen
05 Afterparty
06 Brooklyn Boy
07 Time To Burn
08 [banter – Maxwells]
09 Knife
10 [banter – dream]
11 Awake in the Dirt
12 A Story A Sneak
13 Noose Dressed Like a Necklace
14 [banter – I know how its gonna go]
15 Tomorrows Just Too Late
16 Carnival
17 No Sides
18 [banter – encore]
19 Country Sky Glow
20 Cotton Crush
21 Ballgame
22 [crowd – teases]
23 I Used To Be Someone
24 Between the Concrete and Clouds
25 [banter – thanks]
26 Brother’s Blood

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Kevin Devine, visit his website, and purchase Between the Concrete and Clouds from Razor and Tie Records [HERE].

Clear Plastic Masks: January 4, 2012 Mercury Lounge – FLAC and MP3 Downloads + Streaming Song

January 9, 2012
By


[Photo courtesy of the band and hosted at the band’s Facebook page]

I started my musical 2012 off right with a dose of feel-good rock from Brooklyn’s Clear Plastic Masks at the always-welcoming Mercury Lounge in Manhattan.  Despite the continuing interest in various forms of bedroom recordings and keyboard-and-loop heavy atmospherics in the Brooklyn scene, there remain a solid cadre of new bands making organic, straight-ahead rock, and CPM fall into that category.  The most obvious reference for their bluesy rock sound is The Black Keys, but being a four-man act (Charlie Garmendia on drums, Eddy DuQuesne on bass/keys, Matt Menold guitar/keys and Andrew Katz guitar/keys/vocals), they have a denser, richer sound that also draws from classic acts like Sam and Dave, the Violinaires, and Jimmie Rodgers.  The band puts that dense sound – and good humor – to good use in the live setting, cranking out the type of songs that shake asses and sell drinks.  It’s not clear whether their new single, “Working Girl”, intends the double-entrendre for that title, but this modern-day version of a blue collar lament makes a good starting point for understanding the band.  The song was recorded at the Bomb Shelter in Nashville for a forthcoming 7″ single, which will accompany the band’s self-released, self-titled EP available at their bandcamp page.  The band have a relaxed, easy rapport with the crowd and clear enthusiasm for what they’re doing, besides the ability to shred pretty hard – witness the guitar work on “Phoenix is Rising”, streaming below. You can find out for yourself at their next NYC show tomorrow (Tuesday Jan 10) at Union Pool, after which they head on a southward tour that will wind up in New Orleans. Clear Plastic Masks also plan to dive in to recording a full-length record while down South – a good way to immerse themselves in their source material, for sure.

I recorded this set in our usual manner for Mercury, with Schoeps supercardiod microphones and a soundboard feed from Kevin, the head engineer at the club.  The results are outstanding. Enjoy!

Stream “Phoenix is Rising”
[audio:https://www.nyctaper.com/C1004ClearPlasticMasks2012/14 Phoenix Is Rising.mp3]

Stream “Working Girl”
[audio:https://www.nyctaper.com/C1004ClearPlasticMasks2012/06 Working Girl.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE].

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Clear Plastic Masks
2012-01-04
Mercury Lounge
New York, NY USA

Recorded and produced by acidjack
for nyctaper.com

Soundboard + Schoeps MK41>KCY>Naiant littlebox >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (mixdown, downsample to 44.1kHz, set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 [intro]
02 Death of Me
03 I’m Free
04 Outcast [Eddie and Ernie]
05 [banter]
06 Working Girl
07 [banter]
08 Pegasus and Glue
09 Rolling Down A Hill
10 [tuning]
11 Uncle Chris
12 Everything’s Gonna Be Alright
13 [banter]
14 Phoenix Is Rising
15 Baby Come On

If you enjoyed this recording, PLEASE SUPPORT Clear Plastic Masks, visit their Facebook page, and download their self-titled EP from their bandcamp page.

Yo La Tengo: December 27, 2011 Maxwell’s – FLAC and MP3 Downloads + Streaming Songs

January 2, 2012
By

photo
[Photo from night one courtesy of EarDrumNYC]

That life is short is one of those well-worn cliches.  It’s also true.  Knowing that this would be the only Yo La Tengo Hanukkah show I would see this year – and knowing that YLT frontman Ira Kaplan might not have been able to make it at all – that old cliche came to mind in full force.  This is a band that consistently holds nothing back – a band that, whenever its career is over, will wind up its run with no regrets.  The same can be said of this Hanukkah run at Maxwell’s, which found classic acts like Pussy Galore and The Trypes reunited, showed off Lee Ranaldo’s post-Sonic Youth project, and found critical darlings like the Sea and Cake and Kurt Vile opening.

The openers are always a big part of the story with these shows, but Yo La Tengo rightfully remains the focus.  Once again, they delivered a set that was by turns fiercely jammy and rocking, quiet and pensive, and funny.  And as with virtually every Hanukkah set they play, it was full of surprises and special guests.  Continuing the tradition of covering Jewish musicians, after a solemn opener of “As the Hour Grows Late,” the band moved on to Bob Dylan’s “I Threw It All Away”, followed by a nearly ten-minute guitar-freakout version of Velvet Underground’s “Heroin,” that featured Eleventh Dream Day’s Rick Rizzo ripping it up on guitar.  Though still early in the night, that could easily be my top highlight.  On the other hand, it’s hard to argue with the sprawling sequence of “From A Motel 6” into two Beatles numbers “Flying” and “It’s All Too Much” each featuring The Trypes.  But then, if you were Ira, you’d probably pick the song that closed out the eight-night session – his mother, Marilyn, performing Bob Hilliard and Lee Pockriss’ “My Little Corner of the World”.  Ms. Kaplan and her son can now check another item off of their bucket list.  And so do we.

nyctaper and I recorded this set with four microphones and soundboard feed running into two clock-synced decks, providing rich, fantastic sound.  Enjoy!

Thanks to Jesse Jarnow of The Village Voice and Frank & Earthy for the setlist and his outstanding coverage of all eight nights.  Also, our final YLT recording of 2011, the December 24 show, will be posted Wednesday.  

Stream “Heroin [Velvet Underground]”:
[audio:https://www.nyctaper.com/Y6644YLT9879/04 Heroin.mp3]

Stream “From A Motel 6”:
[audio:https://www.nyctaper.com/Y6644YLT9879/12 From A Motel 6.mp3]

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Yo La Tengo
2011-12-30
Maxwell’s
Hoboken, NJ USA

Digital Master Matrix Recording
Hosted exclusively at nyctaper.com

Recorded by nyctaper and acidjack
Produced by acidjack

Soundboard + DPA 4021>Sound Devices USBPre2 + Neumann KM150 >> 2x Edirol R-44 [Oade Concert Mod] (decks clock synced via the USBPre2)>6x24bit/48kHz WAV>Audition (mix down, light EQ, downsample to 44.1kHz)>Audacity (set fades, tracking, amplify, downsample to 16bit)>FLAC ( level 8 )

Tracks [Total Time 1:40:23]
01 [intro]
02 As The Hour Grows Late*?
03 I Threw It All Away [Bob Dylan]*
04 Heroin [Velvet Underground]^
05 I Should Have Known Better?
06 Swing For Life
07 Damage
08 Liz Beth [Eleventh Dream Day]^?
09 Big Day Coming (acoustic)^
10 [banter]
11 The Empty Pool [Yung Wu]%
12 From A Motel 6> %
13 Flying [The Beatles]>#
14 It’s All Too Much [The Beatles]>#
15 I Heard You Looking!
16 Take Care [Alex Chilton]
17 [encore break]
18 Blue Line Swinger
19 [banter]
20 My Little Corner of the World [Bob Hilliard, Lee Pockriss]@

* with Rick Rizzo on guitar and John Baumgartner on accordion
^ with Rick Rizzo
% with Glenn Mercer
# with the Trypes
! with Glenn Mercer, John Baumgartner and Stan Demeski
@ with Marilyn Kaplan on vocals

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and purchase their official releases from the store at their website [HERE].

Kurt Vile: December 26, 2011 Maxwell’s – Flac and MP3 Downloads + Streaming Song

December 31, 2011
By


[photo courtesy of Charles Chawalko]

2011 has been a tremendous year for Kurt Vile, and the kicker was that his last show of the year was an opportunity to open one of the legendary Yo La Tengo Hanukkah shows on Monday. Smoke Ring For My Halo has been on every end of the year best-of list for 2011 — I’m not exaggerating, its literally been on every list I’ve seen. And for good reason. Smoke Ring is an album that seems to finally realize the full potential of Vile’s rich talents. The 2011 release is well-produced, but still captures the artist’s underground qualities and esoteric lyrics while also featuring fully formed melodies. At Maxwell’s, Kurt performed with what is most likely the final gig of this version of the Violators. Adam Granduciel was on lead guitar for this show, but has growing commitments as the War On Drugs continues its ascent in stature. On Monday, the band opened with a cover of the Feelies, one of Maxwell’s “house bands”, and then continued with much of Smoke Ring. We are streaming “Ghost Town”, the albums’s final climactic track.

I recorded this set in the same manner at the Yo La Tengo recording from this night and the sound quality is superb.

Stream “Ghost Town”:
[audio:https://www.nyctaper.com/K1016KurtVile1001/05.%20Ghost%20Town.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Kurt Vile
2011-12-26
Hanukkah Night 7
Maxwell’s
Hoboken, NJ USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2011-12-30

Setlist:
[Total Time 52:14]
01 For Awhile [Feelies]
02 Puppet to the Man
03 Runner Ups
04 Jesus Fever
05 Ghost Town
06 Hunchback
07 Freak Train
08 Peeping Tomboy
09 [banter – tuning]
10 Society is My Friend

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Kurt Vile, visit his website, and purchase Smoke Ring For My Halo from Matador Records [HERE].

Yo La Tengo: December 26, 2011 Maxwell’s – Flac and MP3 Downloads + Streaming Song

December 30, 2011
By


[photo courtesy of Will Hermes and Love Goes To Buildings on Fire blog]

A couple of years ago, Jesse Jarnow wrote a piece in the Village Voice about NYCTaper. Although I’m obviously not completely unbiased about the writer, I felt it was not a puff piece, and I am certain that it was a well researched and thorough article on the culture of taping and the modern wrinkle that nyctaper represents. So it was a nice bit of news we got last year when we learned that Jesse received a book deal with Penguin Books to write the definitive biography of Yo La Tengo. His research and writing strengths aside, Jesse also happened to be one of the foremost experts in the details of the music of YLT — his yearly annotated Hanukkah setlists have been a great assistance in the compiling of our recordings. Given that Jesse’s book Big Day Coming: Yo La Tengo and the Rise of Indie Rock is due for release this coming June, it was a bittersweet coincidence that this year’s Hanukkah shows have been, in large part because of the Ira’s recent health scare, thoroughly historical retrospective shows. The yearly December shows have always had their fair share of rare numbers, but this year has been special. YLT has broken out multiple songs we’ve never seen before. The guests have included original bassist Dave Rick, and on this Night 7, the incomparable Dave Schramm played the entire set. Dave was an integral part of the development of the band in the early years of Yo La Tengo, and his distinctively sweet guitar tone was the highlight of evening. We are streaming the show’s climax, YLT’s 1987 semi-obscure single “Asparagus Song”. The irony of course is that this show was one of the few over the last several years that Jesse actually missed. Hopefully, this recording can be a partial substitute.

I recorded this show in the same manner as the two previous YLT posts, and the sound quality is superb. Enjoy!

Stream “Asparagus Song”:
[audio:https://www.nyctaper.com/Y6644YLT9879/17.%20Asparagus%20Song.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Yo La Tengo
2011-12-26
Hanukkah Night 7
Maxwell’s
Hoboken, NJ USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2011-12-28

Setlist:
[Total Time 1:29:55]
01 Sudden Organ
02 Can’t Forget
03 How To Make A Baby Elephant Float
04 I Can Hear Music [Ronettes]
05 When It’s Dark
06 Here Comes My Baby [Cat Stevens]
07 Cone of Silence
08 Little Eyes
09 I Feel Like Going Home
10 [banter – Stampfel intro]
11 Griselda
12 One PM Again
13 The One To Cry [The Escorts]
14 Wasn’t Born To Follow [Byrds]
15 Mr. Tough
16 The Summer
17 Asparagus Song
18 Center of Gravity
19 [encore break]
20 I Can’t Make It On Time [Ramones]
21 Gates of Steel [Devo]
22 Prisoners of Rock and Roll [Neil Young]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and purchase their official releases from the store at their website [HERE].

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