Posts Tagged ‘ Three Lobed ’

Hiss Golden Messenger: September 7, 2012 Three Lobed/WXDU Day Show, Hopscotch Festival (Raleigh, NC) – FLAC/MP3/Streaming

October 9, 2012
By


[Photos by acidjack]

This second day of this year’s Hopscotch Music Festival has to have been one of the best days of music I’ve had all year. Though there were many high points, the main reason was getting the chance to see the Durham, NC recording artist MC Taylor, aka Hiss Golden Messenger, for the first time – and twice in the same day, at that. The first of those was Taylor’s stripped-down acoustic set at the Three Lobed Recordings/WXDU Day Show at King’s Barcade, and it held a singular beauty that was the equal of, but distinct from, the full-band set that HGM played later that night (that recording [HERE]). Taylor began the set with the a cappella “Father Sky”, and it’s a beautiful, brief religious allegory. The next songs were two of my absolute favorites – the band’s most approachable number, “Call Him Daylight” and the new “Red Rose Nantahala”, with its simple refrain of “Oh Lord, let me be happy”. Sung in Taylor’s voice, such a simple line can strike a deep emotional chord; he delivers the line with a canny mix of resignation, pleading, and hope.

Joined at points by Nathan Bowles, Scott Hirsch and Terry Lonergan, who would play in the full band that night, Taylor’s arrangements were much simpler during this day show. Compared to the full band set later that night, this show necessarily placed the emphasis on Taylor’s vocals and, thus, his actual words, and it was absolutely riveting to listen to. Taylor followed “Red Rose Nantahala” with “A Working Man Can’t Make It No Way”, “Bad Debt” from his Bad Debt debut LP, and ended with another stellar country-blues number, “O Little Light”, from his critically acclaimed current album, Poor Moon. He will eventually be putting out a follow-up to Poor Moon that should include “Red Rose Nantahala” as well as “Brother, Do You Know the Road”, which was played at the night set. Until then, settle in with this recording, and let Tyalor bend your ear.

I recorded this set with a soundboard feed provided by the King’s staff combined with Schoeps MK5 mics in the omnidirectional setting split wide onstage.  The results are excellent. Enjoy!

Stream “Red Rose Nantahala”

Stream “Father Sky”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Check out all of NYCTaper’s Hopscotch Festival recordings

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.


Hiss Golden Messenger
2012-09-07
Three Lobed/WXDU Hopscotch Festival Day Show
Kings Barcade
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK5 (omni, onstage, 3ft split)>KC5>CMC6>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition CS 5.5 (mixdown)>Izotope Ozone 5 (tape effect exciter)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro – Cory Rayborn]
02 Father Sky
03 Call Him Daylight
04 Red Rose Nantahala
05 A Working Man Can’t Make It No Way
06 Bad Debt
07 O Little Light

Players:
MC Taylor (vocals, guitar)
Scott Hirsch (guitar)
Nathan Bowles (banjo)
Terry Lonergan (percussion)

If you enjoyed this recording, PLEASE SUPPORT Hiss Golden Messenger, like him on Facebook, and purchase Poor Moon on digital or vinyl from Paradise of Bachelors [HERE] and all of his releases on vinyl [HERE].

Gunn-Truscinski Duo: September 7, 2012 Three Lobed/WXDU Day Show, Hopscotch Festival (Raleigh, NC) – FLAC/MP3/Streaming

October 2, 2012
By


[Photos by acidjack]

The duo of the guitarist Steve Gunn and drummer John Truscinski, better known as Gunn-Truscinski Duo, was a perfect closer to the Three Lobed Recordings/WXDU Day Show during the Hopscotch Music Festival. The pair epitomizes some of the highlights of the Three Lobed aesthetic – rhythmically complex, guitar-based music with psychedelic overtones that occupies no obvious musical niche, that advances the state of its art while giving a subtle nod to its forebears. With no words sung during their set, it is still easy to locate Gunn-Truscinski as distinctly American; although he melds Eastern elements to his work, Gunn is nonetheless a successor to this country’s folk tradition. What we got at King’s Barcade on this fine Friday afternoon was a short barnstormer of a set consisting of three of the five songs from the duo’s latest release on Three Lobed, Ocean Parkway.  Gunn and Truscinski kicked off with perhaps that record’s best song, “Banh Mi Ringtones”, given some extended jamming treatment, followed by “Don’t Lean On Door” and “Ocean Parkway”. For those who would doubt that an instrumental guitar and drum duo can unrepentantly rock, I submit this recording as Exhibit A.

I recorded this set in the same manner as all of the other sets from this show, with Schoeps MK5 microphones onstage in the omnidirectional setting and a soundboard feed provided by the King’s staff. As I was able to get the mics closer to the performers for this set, this is one of the best quality-wise of the day. Enjoy!

Thanks to WXDU, Cory Rayborn and Three Lobed. Also check out our post of Gunn and Truscinski playing as a trio in support of Tom Carter, which is coming soon.

Stream “Banh Mi Ringtones”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]
If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Check out all of NYCTaper’s Hopscotch Festival recordings

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Gunn-Truscinski Duo
2012-09-07
Three Lobed/WXDU Day Show
Kings Barcade
Raleigh, NC USA

Recorded and produced by acidjack

Soundboard + Schoeps MK5 (omni, onstage, split)>KC5>CMC6>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition CS 5.5 (mixdown)>Izotope Ozone 5 (light EQ and tube effects)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Banh Mi Ringtones
03 Don’t Lean On Door
04 [banter]
05 Ocean Parkway

If you enjoyed this recording, PLEASE SUPPORT Gunn-Truscinski Duo, visit Steve Gunn’s website, and purchase Ocean Parkway and their other releases directly from Three Lobed [HERE]

Wooden Wand: September 7, 2012 Three Lobed/WXDU Day Show and Berkeley Cafe (2 shows! Hopscotch Festival (Raleigh, NC) – FLAC/MP3/Streaming

September 25, 2012
By


[Photos by acidjack]

Back when he was in law school, my college buddy Cory Rayborn decided to put out a 10″ record for the band Bardo Pond, on a new imprint he called Three Lobed Recordings. Cory didn’t have any grand cred-building mission or even a firm direction in mind; he just wanted to give wider exposure to the outsider music he held dear. So after the Bardo Pond release came another, then another, then many others, until the tiny North Carolina label that my friend founded as a hobby suddenly found itself compiling a tenth anniversary vinyl-only box set – which sold out in a matter of days. And at this year’s Hopscotch Music Festival, Three Lobed and the Durham, NC-based WXDU (nominally Duke’s college radio station, but staffed almost completely by locals) brought together an incredible lineup of artists who have released records on Three Lobed, together with other artists who are friends and admirers.

James Jackson Toth, aka Wooden Wand, first joined the Three Lobed family on the label’s 14th release, with the Wooden Wand and the Vanishing Voice album l’un marquee contre la moissoneuse. Toth has a staggering catalog of releases to his name, including everything from homemade tapes and CD-Rs to the recent deluxe version of his current record Briarwood (which, if you Kickstarter funded enough money, included a USB drive filled with over 100 demos, live recordings, alternate mixes, and outtakes). While Briarwood and Toth’s other most recent material could be best described as country-driven rock, Toth’s work has taken many twists and turns, with deep dives into free jazz, noise and acid folk. Toth has a new album on the way by the name of Blood Oaths of the New Blues, which promises to continue in the extremely accessible (and well-produced) vein of Briarwood. Here at the WXDU/Three Lobed Day Show at Raleigh’s King’s Barcade, we had the pleasure of seeing Toth take the stage to perform a short-but-satisfying set that included several of the new Blood Oaths tunes.

After a heartfelt thank you to Rayborn and his accomplishments with Three Lobed, Toth dug right in with “Mother Midnight”, from his 2006 record Second Attention, a mid tempo rocker that showcases the deep soul in Toth’s voice. You’d never know, from listening, that he is originally from upstate New York. From there, the new material began with the brooding “Southern Colorado Song”, one of several of Toth’s new songs that demonstrates the further refinement to his songwriting even as it stays true to his essential aesthetic.  Perhaps the most moving song of the set was the new “Dungeon of Irons”, whose lyrics were culled by Toth from a compilation of the actual last words of death row prisoners. In Toth’s hands, these scattered musings become a profound statement about mortality and the essential unfairness that plagues both life and death. As this set wound down with the new song “Jhonn Balance” (in tribute to the lead singer of the experimental band Coil), Toth’s day was just beginning; Wooden Wand played Berkeley Cafe down the street later that night.

For this post we are offering both the Three Lobed/WXDU Day Show set that I recorded, as well as a partial recording of the Berkeley Cafe set that was recorded by a local taper Evan Lamb. While the Berkeley recording was done with less complicated equipment, Toth felt that this was the better of the two performances, and this recording adds an extra song not played at the earlier show.

Thanks to James Toth for allowing us to post these sets.

Stream “Dungeon of Irons” from the Three Lobed/WXDU Day Show:

Stream “Eagle Claw” from Berkeley Cafe:

Download the WXDU/Three Lobed set [MP3] | [FLAC]

Download the Berkeley Cafe set [MP3] | [FLAC]

If the FLACs link are no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Check out all of NYCTaper’s Hopscotch Festival recordings

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wooden Wand
2012-09-07
WXDU/Three Lobed Hopscotch Day Party
Kings Barcade
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK5 (omni, onstage)>KC5>CMC6>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition (mixdown)>Izotope Ozone 5 (EQ, effects)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Mother Midnight
03 Southern Colorado Song
04 Winter In Kentucky
05 [banter]
06 Dungeon of Irons
07 Days This Long
08 Jhonn Balance
______________________

Wooden Wand
2012-09-07
Hopscotch Music Festival
Berkeley Cafe
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded by Evan Lamb
Produced by Dan Schram and acidjack

AKG Perception 170>unknown recorder + soundboard>unknown recorder>unknown processing>WAV>Audacity (tracking, set fades, amplify)>FLAC ( level 8 )

Tracks [Total Time 22:53]
[set cuts in]
01 Days This Long
02 [banter]
03 Mother Midnight
04 [banter]
05 Winter In Kentucky
06 [banter]
07 Eagle Claw
08 Jhonn Balance

If you enjoyed these recordings, PLEASE SUPPORT Wooden Wand, visit his website, and buy Briarwood and the forthcoming Blood Oaths of the New Blues from Fire Records [HERE]

SUPPORT NYCTaper




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