Posts Tagged ‘ nyctaper ’

Wilco: June 29, 2019 Solid Sound Festival

July 15, 2019
By
photo by Qbertplaya

Pete reports:

“Saturday night’s show kicked off with “Hell is Chrome”. For me, Jeff could have said “Thanks and good night” and walked off stage after that, and I would have been satisfied. But the festivities continued with another AGIB entry (Muzzle of Bees) followed by a couple from YHF (IATTBYH and War on War), and back to AGIB’s “Company in My Back”. A few songs later, they debuted two brand new songs, “Empty Corner” (which had been featured earlier in the day in a surround sound installation at the museum) and “White Wooden Cross.” Overall, the Saturday night installment was classic, good-as-it-gets, Wilco fare. 24 songs, solid entries from the entire body of work, and a nice two-song encore to cap off the night. Absolutely electrifying, and exactly what one would expect from this band at their own festival in the Saturday night, beachfront real estate portion of the weekend.”

Pete recorded this show with the trusty Neumann cards from a very advantageous position at the Soundboard cage. The sound is superb, enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set:

Wilco
2019-06-29
Solid Sound Festival
North Adams MA

Digital Master Audience Recording
Recorded at Soundboard Cage

Neumann KM-185s > Sound Devices 702 > 24bit 48kHz wav file > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar

Recorded by gr8fulpete
Produced by nyctaper

Setlist:
[Total Time 1:54:01]
01 Hell Is Chrome
02 Muzzle of Bees
03 I Am Trying to Break Your Heart
04 War on War
05 Company in My Back
06 I’ll Fight
07 Shouldn’t Be Ashamed
08 An Empty Corner
09 White Wooden Cross
10 Box Full of Letters
11 Remember the Mountain Bed
12 Hesitating Beauty
13 Bull Black Nova
14 Laminated Cat
15 Reservations
16 Side With the Seeds
17 Theologians
18 Someone to Lose
19 Impossible Germany
20 Red-Eyed and Blue
21 I Got You
22 Outtasite
23 [encore break]
24 A Shot in the Arm
25 [Glenn standing on drums]
26 I’m A Wheel

PLEASE SUPPORT Wilco, visit their website, and purchase their Star Wars and their other releases from their website [HERE]

Russo Harrington Bogie Zahn Goldberger: June 29, 2019 Nublu NYC

July 3, 2019
By
photo by nyctaper

These are the types of nights that NYC music aficionados live for. A one-time-only live improvisation session by a group of five local stellar musicians in an intimate setting, who could really ask for more. Local guitar wizard Dave Harrington has made a nice career playing with a variety of musicians, and indeed bassist Spencer Zahn, horn player Stuart Bogie, and percussionist Joe Russo all performed at the release shows in February for Dave’s 2019 release Pure Imagination, No Country.

This night at Nublu though was a truly collaborative effort by the quintet (also including guitarist Jonathan Goldberger) as each segment of the set was improvised. Harrington revealed to me in between sets that there was one point where he and Zahn began to riff on a piece they had rehearsed earlier that week, but for the most part these tracks are all the work of expert musicians using their interpretive skills in real time. The result is two hours of breathtaking wholly unique music that was both a joy to hear live and will forever be a thoroughly engaging listen.

Dave Harrington returns to Nublu on July 19 for another night of magic with his Merry Pranksters (members this time are secret!), and attendance is highly recommended.

I recorded this set from a spot about 15 feet from the stage with the Schoeps cards and the sound (other than a little chatter) is superb. Enjoy!

Download the Complete Set from Archive.org [HERE]

Stream the Complete Set:

Russo Harrington Bogie Zahn Goldberger
2019-06-29
Nublu
New York NY

Digital Master Recording
Upfront Audience

Schoeps CCM4u’s > Sound Devices 744t > 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
Set 1
[Total Time 54:23]
01 Improvisation 1
02 Improvisation 2
03 Improvization 3
04 Improvization 4
Set 2
[Total Time 1:02:23]
05 Improvisation 5
06 [band introductions]
07 Improvisation 6
08 Improvisation 7
09 Improvisation 8

Joe Russo – percussion
Dave Harrington – guitar, effects
Stuart Bogie – sax, flute, clarinet
Spencer Zahn – stand-up bass
Jonathan Goldberger – guitar

Please SUPPORT these artists: websites for Joe Russo, Dave Harrington, Stuart Bogie, Spencer Zahn, and Jonathan Goldberger

Ryley Walker feat. Garcia Peoples: June 20, 2019 Rocks Off Concert Cruise

June 21, 2019
By

When you’re already committed to playing a show on a low-ceilinged boat with stripper(?) poles and questionable stabilizers, you might as well take some risks musically, too. Last Saturday’s Rocks Off Concert Cruise with Garcia Peoples (recorded live by yours truly, natch) was a choppy-watered success, but I didn’t expect to be back on that boat quite so soon.

But the return of Ryley Walker to a New York stage (even if a floating one), coupled with the fact that his backing band would in fact be Garcia Peoples, was more than enough justification. If the weather outdoors was a bit more inconsistent this go round, the water presented fewer challenges and the vibes onstage were good as ever.

What we got here were two extended solo versions of “Summer Dress” (firmly back in the rotation, it seems) and “The Roundabout,” including an expanded take on Ryley’s hilarious Nick Drake imitation (practically daring him to turn this thing into an actual song). Walker looked strong and in command up there after a little time off, and in excellent spirits even when some rough water stumbled him away from the mic once or twice. After that set, the boat-tested crew from GP came and joined Walker for a thirty-five minute collab of psychedelia, drone, and other genres that Ryley’s Twitter will surely make jokes about this morning. The jam made an already-unusual show completely one of a kind, and yet another example of how with Ryley on center stage, you really don’t ever know quite what you’re gonna get.

Given the challenging acoustics of the boat, I recorded this set up close with Schoeps MK4V microphones in a mobile setup. That turned out to be a good decision — the sound quality is excellent. Hope you dig it!

Download the complete show from its page on the Live Music Archive

Ryley Walker feat. Garcia Peoples
2019-06-20
Rocks Off Concert Cruise
The Lucille
New York, NY USA

Recorded and produced by acidjack for nyctaper.com

Schoeps MK4V (FOB, DFC, DIN)>KCY>Z-PFA>Sound Devices MixPre6>24/48 WAV>Adobe Audition CC>Izotope Ozone 5>Audacity>FLAC ( level 8 )

Tracks [Total Time 57:40]
01 [intro]
02 Summer Dress
03 [banter-pirate band]
04 The Roundabout
05 Rocks Off Jam

PLEASE SUPPORT RYLEY WALKER: Bandcamp | Dead Oceans

Monks Of Doom: May 23, 2018 Berlin NYC

June 9, 2019
By


[photo from Ehud Lazin Instagram]

It had been ten years since we last encountered Monks Of Doom when this fortuitous event occurred. Those two shows in early 2009 at the now defunct Brooklyn venue Club Europa were the last time Monks appeared in the New York area. The Bay Area supergroup, containing mostly members of Camper Van Beethoven along with sometime CVB member and longtime guitarist for Counting Crows David Immerglück, tends to play intermittent west coast dates when the members’ other projects are not active.  In 2018, the quartet finished an album that has been in the works for that last decade and went on tour for the first time in who knows how long.  The Brönte Pin is the band’s first new material in twenty-five years, but sounds just as tight and focused as their best work. Immy shares lead vocal work with bassist Victor Krummenacher, with guitar wizard Greg Lisher and percussionist Chris Pedersen providing the backbone.  This set opening for the special Escovedo/Barone show (here) was a treat that we literally had no idea was going to occur, and we hope it isn’t another ten years before the band comes back to NYC.  In the spirit of long delays, I inadvertently sat on this recording for over a year, but I guess its better late than never.

I recorded this set in the same manner as the Escovedo recording and the sound is equally superb. Enjoy!

Download the Complete Show from Archive.org in FLAC or MP3 [HERE]

Stream the Complete Show via Archive.org:

Monks Of Doom
2018-05-23
Berlin
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Mike] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 47:35]
01 In Anticipation Of The Pope
02 Hieroglyphic
03 The Traveler
04 The Bastards Never Show Themselves
05 Going South
06 Up From The Cane
07 Oh Well [Fleetwood Mac]
08 Vaporize Your Crystals
09 [band introductions]
10 The Better Angels Of Our Nature
11 Tanguedia (Reprise)
12 Let’s Split
13 Ukrainian Technological Faith Dance

PLEASE SUPPORT Monks of Doom:  website | buy The Brönte Pin

Wooden Shjips: May 22, 2019 Brooklyn Bowl

May 24, 2019
By

We here at nyctaper are fans of all things Ripley Johnson. Of late, that’s meant attending the shows of his excellent project Moon Duo, who’ve graced us here in NYC several times in the past few years. But as for his larger vehicle Wooden Shjips, it’s been since 2012 that we’ve caught a live show by the band.

I’m happy to say that drought has now ended, with a show worthy of the wait. Ripley and his bandmates rolled into Brooklyn Bowl with purpose and a light show that almost made you forget you were in a bowling alley. This set spanned the band’s entire career, including their most accessible album to date, V. Two of that album’s strongest songs, “Ride On” and “Staring at the Sun,” provided a mellow tempo downshift in the middle of a set that was largely a burner, including the very-early album track “Death’s Not Your Friend” into a Ripley-fied version of the VU’s “What Goes On” to close out the main set. Not to be ignored, too, is the band’s cover of New Zealand psych lords Snapper’s “Buddy,” which we’d last seen them play in 2011.

Ripley has another important piece of news today: It’s the release date of his latest project, Rose City Band, the name a nod to his current hometown of Portland. Hopefully we’ll be seeing them around these parts before too long — and it’ll be a shorter distance between our next cruise with the Shjips.

I recorded this set with MBHO microphones up front in the venue. The sound quality is excellent. Hope you dig it!

Download the complete set: [FLAC/Apple Lossless/MP3]

Wooden Shjips
2019-05-22
Brooklyn Bowl
Brooklyn, NY USA

Recorded and produced by acidjack for nyctaper.com

MBHO KA200N>MBP603a (FOB, ROC)>Sound Devices MixPre 6>24/48 WAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.2.2>FLAC ( level 8 )

Tracks [Total Time: 1:14:44]
01 Eclipse
02 In the Fall
03 For So Long
04 Other Stars
05 Ride On
06 Staring at the Sun
07 Motorbike
08 Ghouls
09 Lazy Bones
10 Death’s Not Your Friend>What Goes On
11 These Shadows
12 Buddy [Snapper]

PLEASE SUPPORT Wooden Shjips: Buy their records from Thrill Jockey | Website

Dream Syndicate: May 16, 2019 Mercury Lounge

May 20, 2019
By
Photo Courtesy of PSquared Photography

Steve Wynn is universally acknowledged as one of the true good guys in rock music, so its a very rewarding thing to see him and his legendary band The Dream Syndicate receiving a fresh wave of popularity and support. The two sold-out shows at Mercury Lounge were attended by a who’s-who of local music luminaries there to both pay tribute but also to celebrate the superb new album by the band, These Times. But if the crowd was expecting a nostalgia set, it got a very different experience. The Dream Syndicate came right out of the gate with raging versions of the new album and kept the pace up for the entire set. Wynn is the charismatic leader center-stage, but these late era DS shows have featured the incendiary guitar work of Jason Victor and on night one his genius was on full display. The band saved some of the older material for late in the set by which time the audience had already received its money’s worth.

Dream Syndicate continue this tour with shows in the midwest, including two nights at the Hideout in Chicago on May 31 and June 1, before the band goes to Europe through June, dates here.

I recorded this set with the Schoeps cards set up next to the soundboard cage, and blended with a fine board mixed by the band’s FOH Mark. The sound is quite excellent. Enjoy!

Download the Complete show via Archive.org [HERE]

Stream the Complete Show:

Dream Syndicate
2019-05-16
Mercury Lounge
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Mark Griffin] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:21:52]
01 The Way In
02 Put Some Miles On
03 Filter Me Through You
04 Black Light
05 Out of My Head
06 How Did I Find Myself Here
07 [band introductions]
08 Bullet Holes
09 Still Here Now
10 Recovery Mode
11 That’s What You Always Say
12 Then She Remembers
13 [thanks]
14 Glide
15 [encore break]
16 Tell Me When It’s Over
17 Burn
18 The Days of Wine and Roses

PLEASE SUPPORT Dream Syndicate: website | tour | buy These Times

Mountain Goats: April 30, 2019 Brooklyn Steel

May 5, 2019
By
photo courtesy of Drew Messinger-Michaels

It was about eighteen months ago when the Mountain Goats played an epic show at Brooklyn Steel that we were fortunate to attend and capture. So the band’s return to the venue on the tour to support their excellent new album In League with Dragons, came with some real anticipation. And man, did the band deliver. John Darnielle was particularly loquacious on this evening (check out the number of “banter” tracks), but his comments were all on point. The Mountain Goats have achieved a level of stature that’s been earned in years of tours and albums, and it seems like the band has reached that point where it can enjoy and revel in its well-deserved respect. And while Dragons dominated the setlist early-on, the band did still deliver the types of old rare nuggets that still satisfy the grizzled veterans of tMG shows. Indeed rare songs like “Jaipur” (played less than 10 times in the last 10 years), “Spilling Toward Alpha” (3 times in the last decade) , and “The Coroner’s Gambit” (played two times before 2019) are the types of setlist surprises that make us keep coming year after year. But ultimately this night was about the new album, the strength of which makes us believe that the Mountain Goats will continue to be the gift that keeps giving.

I recorded this set with the Schoeps cards raised high inside the soundboard booth and mixed with a board feed mixed expertly as always by longtime tMG FOH Brandon. The result is another superb recording of this band from this venue. Enjoy!

Download the Complete Show at Archive.org [HERE]

Stream the Complete Show:

Mountain Goats
2019-04-30
Brooklyn Steel
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Brandon Eggleston] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:38:40]
01 [Vivaldi introduction]
02 Done Bleeding
03 Younger
04 [Coroner’s intro]
05 The Coroner’s Gambit
06 Jaipur
07 In League With Dragons
08 Sax Rohmer 1
09 [banter – old song partisans]
10 Spilling Toward Alpha
11 [banter – seeds]
12 Going to Port Washington
13 [banter – play what you want]
14 Maybe Sprout Wings
15 [banter – not going to die]
16 Waylon Jennings Live
17 [banter – country album]
18 Clemency for the Wizard King
19 [banter – pitchfork review]
20 Cotton
21 [banter – inner ear monitors]
22 Cadaver Sniffing Dog
23 [banter – Ozzy]
24 Passaic 1975
25 Lion’s Teeth
26 Sicilian Crest
27 [encore break]
28 Have to Explode
29 Possum by Night
30 See America Right
31 Game Shows Touch Our Lives
32 [banter – the long encore]
33 No Children
34 The Best Ever Death Metal Band in Denton
35 Spent Gladiator 2

SUPPORT the Mountain Goats: Website | Twitter | Buy In League With Dragons | Tour Dates

Garcia Peoples: March 24, 2019 Trans-Pecos

April 3, 2019
By

Those in the know around these parts have probably seen Garcia Peoples a handful of times or more by now — they’ve maintained a hyperkinetic schedule of local and tour shows that would be the envy of any hungry young band.

Listen to this set from Trans-Pecos a couple Sundays ago and you can understand why no promoter ever says no to these guys . This band is absolutely on fire right now, its players dialed in to a level that normally takes years. Being a private event, this was a “play what you want” set for the band, and they took that to heart, leading off with an extended improv that transitioned into their cover of “Laila Pt 2” by Agitation Free (which we first heard at Union Pool) followed by “High Noon Violence” from their brand-new breakout album, Natural Facts. After a spot-on “Total Yang,” the band were joined by Ryley Walker for an extended 16-minute improv that found Walker joining Tom Malach and Danny Arakaki as a third guitarist. Adding to the special nature of the proceedings, the band was joined by semi-regular member Pat Gubler (aka P.G. Six) on keys.

As the writer Jesse Jarnow memorably puts it, Garcia Peoples are “your heady, friendly reminder that it’s alright to let the sunshine in”. Arakaki, Malach, Derek Spaldo (bass) and Cesar Arakaki (drums) are after something here that’s so much more than being a Grateful Dead-referencing tribute band. In fact, their principal resemblance to a musician named Garcia is that each of these guys are skilled musicians with a hot improvisational streak, rarely playing a song the same way twice. Their sound lives in a zone all its own, and seems sure to cast a wide net far beyond the GD/Phish crowd. It’s no accident that they cover the likes of Agitation Free and Relatively Clean Rivers more frequently than, say, this alchemical rendition of “The Other One” with Chris Forsyth.

So yes, New York-based heads will probably end up seeing Garcia Peoples whether they specifically plan to or not. But really, you ought to plan to. A band this good should be top of mind for anyone who cares about how the best live music should sound.

I recorded this set with a soundboard feed and Schoeps MK5 cardiod microphones onstage. The sound quality is excellent. Enjoy!

Download the complete show from its Live Music Archive page.

Garcia Peoples
2019-03-24
Trans-Pecos
Queens, NY  USA

Recorded and produced by acidjack

Schoeps MK5c (onstage, XY)>KC5>CMC6 + Soundboard>>Sound Devices MixPre6>24/48 polyWAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.3.0>FLAC ( level 8 )

Tracks
01 Jam>
02 Laila Pt. 2 [Agitation Free]>
03 High Noon Violence
04 [banter]
05 Total Yang
06 Pecos jam*

* w/ Ryley Walker

PLEASE SUPPORT GARCIA PEOPLES: bandcamp | Facebook

Ryley Walker & Ryan Jewell: March 24, 2019 Trans-Pecos

April 2, 2019
By

Making music is an act of generosity — the sharing of your inner self with a public that may or may not appreciate or understand it. The music in the world that is great is also the music in which the artist is most honest with her/himself. Honesty often means getting close to the dark places inside you.

Ryley Walker’s music has always embodied a certain conflict. When Walker takes a fairly straightforward folk-rock album track and turns it into a live 15-minute jazz-psych freakout, I don’t think the change is just about the “freedom” of the live setting or a fundamental dislike of the album track. Maybe that’s part of it, but I see a contest of impulses — to be a commercially approachable troubadour or the more esoteric, improvisational player he’s been since his career began. Do you want to be the guy who wears British tailoring in leafy photo shoots, or do you want to be the guy who uses his trio show with Ryan Jewell and Steve Gunn to play 50 minutes of psych jams? Walker is both of those things — he’s good at being both of those things — but one gets the sense that he isn’t totally comfortable living solely as either. I get it: A lot of us want to be more than our headline.

There’s a well-known paradox of the “sad clown” — that people who are funny are often people who aren’t happy. Anyone who has caught Ryley live or read him in Vice or reads his Twitter knows that he is certainly the former: he can be very, very funny. Listen to his lyrics as sung, and you might be surprised: Most of Walker’s songs are varying degrees of melancholic. Even a whimsical-sounding tune like “Summer Dress,” if you listen to his delivery, is more anxious than it seems: for a person with a belly full of wine singing about green pastures of desire, the narrator sounds ill at ease. The song is especially vivid for me because it’s the first one I ever heard Ryley Walker play. That very first song lacerated me; I believed the voice I heard.

Generosity. It’s sharing those darkest places in yourself, but it’s also playing a huge fan’s birthday party at Trans-Pecos in the middle of the day, even though you’ve got another show in town that Tuesday (which ends up being a jaw-dropping improv set with Jewell, David Grubbs, and C. Spencer Yeh—check back here soon). This set (a duo of Walker and Jewell) encapsulated all of the different sides of Ryley Walker at once — from his best-known song (and total live jammer) “The Roundabout” to the not-often-played-anymore “Summer Dress,” to the ending jam, which hews closer to his most recent Union Pool shows — and also kills.

That Walker puts his conflicts out there for everyone to see is not a flaw, nor is one choice he makes more true or “real” than another. They’re who and what he is — honest to the point of ache, always pushing to be something more. The late 2010s don’t feel like a moment for generous spirits, but you don’t choose when you’re born, anymore than you choose to whom, or where. Yet here he is: a generous spirit, one for whom, on this particular day, I was especially grateful.

Download the complete set from its page on the Live Music Archive.

Ryley Walker & Ryan Jewell
2019-03-24
Trans-Pecos
Queens, NY  USA

Recorded and produced by acidjack

Soundboard + Schoeps MK5c (onstage, XY)>KC5>CMC6>>Sound Devices MixPre6>24/48 polyWAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.3.0>FLAC ( level 8 )

Tracks
01 The Roundabout
02 [banter]
03 Summer Dress
04 [American Primitive rap]
05 Primrose Green
06 [HBD]
07 Pecos psych jam

PLEASE SUPPORT RYLEY WALKER: Bandcamp | Dead Oceans

Garcia Peoples: March 29, 2019 Nublu NYC (with Chris Forsyth)

April 1, 2019
By
photo courtesy of Jeff Conklin

This Nublu night was ostensibly organized as the release party for Garcia Peoples new album Natural Facts with good friend of the site Ryley Walker as special guest. When Ryley decided to take some time off for personal reasons, the band invited another friend of this site Chris Forsyth, and Chris came north from Philadelphia on very short notice. The result was one of the more memorable shows in recent memory. The first set was a solid run through GP material, but it was the second set where the magic was revealed in an incredible hour-long jam sequence that approached legendary status. With Forsyth surrounded by the GP guitar section, the band added percussionist Ryan Jewell, and the double-drummer attack propelled the action through a 32-minute jam on a new Forsyth composition “Techno Top”. What followed were two covers that took the jam-packed crowd into another stratosphere. Of particular note is the tasty 1968-style high-energy “The Other One” which started on a buzz that never wavered through 19 minutes of pure bliss.

If you live in the Philadelphia area, Garcia Peoples is returning the release show favor to Chris Forsyth, as the two will perform together at Jerry’s On Front on April 27 when Forsyth releases his new record All Time Present. Our sincere recommendation is that anyone within any reasonable distance of that show on that night should not miss another magic night.

Eric and I recorded this set from an upfront location in the venue directly behind the DJ booth. The positioning did not permit a board feed, but the fortuitously placed high-end mics have yielded recordings of superb quality. We offer both for your enjoyment!

Download the Complete Recording at Archive.org

NYCTaper version [HERE]

Eric PH version [HERE]

Stream the Complete Set:

Garcia Peoples
2019-03-29
Nublu
New York NY

Digital Master Recording
Upfront Audience

Schoeps CCM4u’s > Sound Devices 744t > 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
Set 1
[Total Time 40:07]
01 Rolling Tides
02 Feel So Great
03 Break Me Down
04 Total Yang
05 High Noon Violence
06 The Spiraling
Set 2
[Total Time 1:04:44]
07 Techno Top
08 The Calvary Cross [Richard Thompson]
09 The Other One [GD]

PLEASE SUPPORT These Artists: Garcia Peoples | Chris Forsyth

Support nyctaper

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