Posts Tagged ‘ nyctaper ’

MANAS: September 9, 2016 Three Lobed / WXDU Day Show, King’s (Raleigh, NC)

September 23, 2016
By

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We were floored by Tashi Dorji‘s performance at Hopscotch Music Festival last year, so it seemed almost inevitable that the relentless guitar improviser would somehow become part of our favorite of the weekend’s events, the the annual Three Lobed / WXDU Day Show at King’s, the following year. This very special show featured the band MANAS, which is normally a collaboration between Dorji and Thom Nguyen on drums. For this show, the band was joined by Tyler Damon on an additional drum kit. Like Dorji’s solo work, many MANAS performances are fully improvised, and this was no exception. This twenty-five minute performance rose and fell, with the tinkling percussion that began it giving way to Dorji’s initial guitar meditations before exploding into a furious, expanding universe of sound. Dorji’s performances have a way of hitting you differently the more times you listen to them; he has a way of producing a tangle of emotions with his instrument. This performance began the day, and set a high bar for what was to come. It was work to be admired, and in true Three Lobed tradition, that made you think.

I recorded this set with Brad Womack’s soundboard feed together with Schoeps MK4V microphones onstage. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Stream the complete show:

MANAS
2016-09-09
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip, DFC, PAS)>KC5>CMC6 + Soundboard (engineer: Brad Womack)>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 improvisation

Band:
Tashi Dorji – Guitar
Thom Nguyen – Drums
Tyler Damon – Drums

PLEASE SUPPORT MANAS: Bandcamp | Dorji-Damon Collaborations | Feeding Tube Records | New Body Tapes | Korper Leib

Matthew Shipp and Bobby Kapp: September 17, 2016 Trans Pecos

September 22, 2016
By

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[photos by nyctaper]

If there is a valid criticism of this site’s work, its our paucity of recordings of NYC’s vibrant modern and avant jazz community. We have been steadfast (particularly since EricPH joined the crew) in our documentation of the local noise scene, which has on occasion crossed the line into jazz (Zs at Bowery) but when it comes to the legendary performers playing in our midst, we’ve been remiss. But what we experienced and captured on Saturday at Trans-Pecos should go a long way towards rectifying the slight.

Matthew Shipp has been a fixture in the NYC jazz scene for more than three decades. His solo work has been lauded since he became a regular in the downtown new jazz clubs in the early 90s for his unique expressive freeform style. He’s also been a collaborative performer most notably as a longtime member of the David S. Ware group. My first experience seeing Shipp live was at the old Knitting Factory on Leonard Street in the late 90s at a show where he teamed with frequent partner bassist (and current Trans-Pecos curator) William Parker.

Bobby Kapp too has a long and storied history in NYC jazz that dates even further back, as Kapp first came onto the scene in the 1960s, most notably as the drummer for the great and recently-departed Gato Barbieri’s on his first album, the 1967 classic In Search of the Mystery. Kapp’s lengthy musical journey now finds him in San Miguel De Allende, the artistic center of Mexico City. In between, Bobby Kapp has appeared on countless albums, played on several continents, and indeed has been recognized by the US State Department officially as the “Ambassador of Jazz”.

Matthew Shipp and Bobby Kapp first collaborated for Kapp’s 2014 EP Themes 4 Transmutation in a quartet. But earlier this year, the two met as a duo for an improvisation session that became Cactus, an album ultimately released on Northern Spy Records on September 16. The following day, this Trans-Pecos performance operated as the official CD release event. But instead of attempting to recreate the Cactus session, the duo instead performed a nearly fifty-minute new improvisational session that the artists have entitled “Live at Trans Pecos”. The piece offers a unique opportunity to experience the live creation of once-only music by two jazz legends. The ability of Shipp to construct melodies and then meticulously descontruct them is matched by Kapp’s profound touch on the drums — the on-the-dime movement from subtle taps on the cymbals to crashing snares perfectly in sync with Shipp’s journey. I’ve now listened to this piece four times and I’m still flabbergasted at the ability of these two artists to work so well in tandem and produce such breathtakingly moving music.

I recorded this set with the Neumann LD’s mounted in front of the stage to capture the drums in stereo and mixed with two separate feeds of the piano mics. The sound quality is superb. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set:

Matthew Shipp and Bobby Kapp
2016-09-17
Trans Pecos
Queens NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 47:36]
01 Live at Trans Pecos

Support Matthew Shipp: Website | Purchase Cactus from Northern Spy
Support Bobby Kapp: Website | Purchase Cactus from Northern Spy

bobby-kapp-at-trans-pecos

Nick Millevoi’s Desertion Trio: September 15, 2016 Silent Barn

September 21, 2016
By

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Since we sung the praises of guitarist Nick Millevoi and his Desertion Quartet after a show at Palisades earlier this year, Millevoi has not only been hitting the pavement with Chris Forsyth’s Solar Motel Band, but he’s been developing more of his own work as well. This show at Silent Barn (which has never looked or sounded better) gave us a taste of that new material as well as some of the songs we love from his current album, including the noise freakout “The Fire That Damaged City Hall.” This show was played as a trio, with Kevin Shea on drums and Johnny DeBlase helming the other guitar. Millevoi’s unique style is a joy to watch live, as it shifts effortlessly between choogling rock to free jazz, and it’s something that sets him apart in a more-than-worthy field of contemporaries. Being able to see Nick is still a too-rare treat, so we’re especially grateful to him for inviting us. We’re sure you’ll agree.

I recorded this set with Schoeps MK5 microphones split wide onstage (as you can see above) in the omnidirectional pattern. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC/ALAC]

Stream the complete set:

Nick Millevoi’s Desertion Trio
2016-09-15
Silent Barn
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5o (stage lip, DFC, 3’ split A-B)>KC5>CMC6>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades, normalize)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, downsample, dither)>FLAC ( level 8 )

Tracks
01 Desertion and the Arsonist’s Match
02 [banter]
03 [new]
04 [new2]
05 The Big Moment Is Always Out There Waiting
06 The Fire That Partially Damaged City Hall

Band
Nick Millevoi – Guitar
Johnny DeBlase – Bass
Kevin Shea – Drums

Support Nick Millevoi’s Desertion Quartet: Website | Order Desertion via Bandcamp

PS Eliot: September 15, 2016 Market Hotel

September 19, 2016
By

P.S. Eliot at Market Hotel
[photo courtesy of Amanda Hatfield – originally posted at brooklynvegan]

On Saturday December 9, 2011, PS Eliot played its “final” show at Death By Audio in Brooklyn in front of less than 100 people. A lot has changed in the subsequent five years not the least of which is the enormous success enjoyed by the two sisters who anchored the original band. Katie Crutchfield’s Waxahatchee has released three well-received albums and is currently signed to Merge Records, and Allison Crutchfield’s band Swearin’ has also released two excellent albums and Allison recently signed as a solo artist also with Merge. Although the band played a brief one-off reunion at Silent Barn in 2013, this year became the right time to look back and do the full-on reunion. Earlier this year Don Giovanni Records released 2007-2011, a thorough compilation of the band’s original discography, which also includes bonus home demos and a complete oral history of the band in zine format that was assembled by the writer Liz Pelly.

The release of the complete discography has also fortunately been accompanied by a band reunion and a mini-tour. The Crutchfield sisters joined again with bassist Katherine Simonetti and guitarist Will Granger to play a six-date tour that included stops in San Francisco and Chicago and completed with a headlining spot at Don Giovanni’s New Alternative Music Festival this past Friday and two final dates at Philadelphia’s MOCA last night and tonight.

The fourth date of the tour was at our own Market Hotel on Thursday when the band played in front of more than 500 people. From the very outset PS Eliot and crowd were fully engaged in the experience. Throughout the night, the Crutchfield sisters were out and about at the Market and there were a lot of excited greetings and hugs for old friends. When the set began it was clear that the quartet were fully in sync and for the hour-long set they passed around a bottle of pink champagne while they worked through a large assortment of classic PS Eliot material. The band was tight, energetic and seemed to be having a great time. If playing PS Eliot material is this much fun for the group, I would venture a prediction that this is not the last we will see of them. And that would be great news.

I recorded this set with the installed AT mics mixed with House FOH Jason Kelly’s superb feed. The sound quality is outstanding. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

PS Eliot
2016-09-15
Market Hotel
Brooklyn NY

Digital Master Recording
Soundboard + Upfront Audience

Soundboard [Engineer: Jason Kelly] + Audio Technica 4051 > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 59:24]
01 Broken Record
02 We’d Never Agree
03 [banter – thanks]
04 Hail Mary
05 Asphalt
06 Pink Sheets
07 [banter – the zine]
08 Cry Uncle
09 Bear Named Otis
10 Shitty and Tragic
11 Crosseyed
12 [banter – NYC]
13 Sadie
14 Like How You Are
15 Tonight [Spica]
16 Sore Subject
17 Watch On Mute
18 Troubled Medium
19 [encore break]
20 Untitled
21 Tennessee

Support PS Eliot: Bandcamp | Purchase 2007-2011 from Don Giovanni Records

Bachman-Toth Band: September 9, 2016 Three Lobed/WXDU Day Show, King’s, Raleigh, NC

September 15, 2016
By

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[photo courtesy of David Schwentker]

If the Watery Love set was the volume plateau of the Three Lobed / WXDU Day Show at King’s during Hopscotch Music Festival, the joint appearance by longtime site faves James Toth aka Wooden Wand and Daniel Bachman was undoubtedly its whimsical peak. This day happened to not only be one of the consistent musical highlights of the year, but also it was Toth’s birthday, so he and Bachman were probably in a celebratory mood. Whatever the reason, reality was that this combination of players had never existed before — Bachman, Toth, Forrest Marquisee on guitar, and Ian McColm on drums — and they hadn’t even soundchecked. What would happen was a mystery to everyone, even to some degree the people on the stage.

However much the 20+-minute drone-ified version of Black Sabbath’s “War Pigs” that emerged was or wasn’t planned, the outcome felt like more than a mere lark. As with everything these players do, this was done with spirit, turning this into one of those off-the-cuff, daring improvisational moments that have come to define what is always the highlight of this music festival. There’s not much more to say about it than that — listen to it and you’ll understand.

I recorded this set with Brad Womack’s soundboard feed and Schoeps MK4V microphones onstage. The sound quality is outstanding. Enjoy!

Download the complete set: [MP3/FLAC/ALAC] [Note: the files need to be re-tagged with the correct band name]

Stream the complete set:

Bachman-Toth Band 
2016-09-09
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Brad Womack) + Schoeps MK4V (stage lip, DFC, PAS)>KC5>CMC6>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 War Pigs [Black Sabbath]

Support these artists: Daniel Bachman website / facebook | Wooden Wand website bandcamp

The Body / Full of Hell: September 9, 2016 Market Hotel

September 12, 2016
By

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[screenshots courtesy of Frank from Pit Full of Shit]

Earlier this year, two of metal’s premiere bands collaborated on an album with exceptional results. The release of One Day You Will Ache Like I Ache (Neurot Recordings) was met with universally positive reviews and fortunately a tour would soon follow. The Body and Full of Hell are from different regions and offer different takes on the genre, with The Body’s New England (Providence based) sludge complimenting the mid-Atlantic (Maryland based) grindcore from Full of Hell. The tour reached Market Hotel on Friday night and the results were as you might expect — a stage filled with bodies and a sound churning with sturm und drang. The set was culled partially from the album, but also included a couple of individual band numbers and one very cool cover of Devo’s “Gates of Steel”. Both bands have an excellent history of collaboration — including two superb albums of The Body with Thou, and Full of Hell’s recent work with Merzbow. But this melding of the minds reached full peak at Market Hotel with an intensity not often witnessed at the many shows we see. But sadly, as the bands return to their separate careers, we are not likely to see a repeat of Friday’s show soon again. Indeed, the final show of this collaborative tour took place Saturday in Providence.

I recorded this set with the installed AT mics in the venue mixed with an outstanding feed provided by house FOH Jason Kelly. The sound quality is quite excellent. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set:

The Body / Full of Hell
2016-09-09
Market Hotel
Brooklyn NY

Digital Master Recording
Soundboard + Upfront Audience

Soundboard [Engineer: Jason Kelly] + Audio Technica 4051 > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 32:03]
01 One Day You Will Ache Like I Ache
02 Bottled Urn
03 World of Hope and No Pain
04 Himmel und Holle
05 Empty Hearth – Thrum in the Deep
06 The Little Death
07 Gates of Steel [Devo]
08 [encore break]
09 Cestoda

Support The Body: Facebook | Bandcamp | Buy One Day You Will Ache Like I Ache

Support Full Of Hell: Website | Merch | Buy One Day You Will Ache Like I Ache

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People of the North: August 10, 2016 Secret Project Robot

September 1, 2016
By

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Our lovefest with all things Oneida and Oneida-related continued earlier this month when, on the heels of the final Oneida set at Secret Project Robot, we caught People of the North in the same venue. While POTN shares personnel with Oneida (regulars Kid Millions and Bobby Matador, plus Barry London for this set), the band’s vibe is distinct, with an even-more fluid and keyboard-driven approach. The band has a new album, The Caul, on its way from Thrill Jockey, but who knows whether this material is reflective of that, or just the bandmembers’ mind-state at showtime. Whatever the reason, this 45-minute improv was yet another reminder that with this group of musicians, you can always count on an interesting trip.

I recorded this set with a pair of Schoeps MK4V microphones at the stage lip. The sound quality is outstanding. Enjoy!

Download the complete set: [MP3/FLAC/ALAC]

Stream the complete set:

People of the North
2016-08-10
Secret Project Robot
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip, DFC, PAS)>KCY>Z-PFA>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 improvisation

If you enjoyed this recording, PLEASE SUPPORT People of the North by buying their records from Thrill Jockey.

Enemy Waves: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

August 30, 2016
By

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It’s a rarer and rarer thing these days to discover a truly local phenomenon, especially in rock(ish) music, where even if a band doesn’t tour nationwide, their music can become the province of bloggers in Sydney and Tokyo even if their music is made in a basement in Anaheim. Well, Enemy Waves remain, for the most part, such a phenomenon, a band whose experimental prowess and musical bona fides haven’t yet overcome the fact that, to put it bluntly, these guys have a few other things going on in life. When we saw these guys do the Hopscotch Music Festival in 2014, we were blown away; the addition of Thurston Moore was an easy bonus.

This show featured a couple of songs from the Hopscotch outing, plus a couple of new numbers. Once again, the band showed how adept they are at improvisation, one of many reasons why they belonged at the Threelobed Sweet Sixteen Spectacular (other sets here). While the band’s recorded output remains minimal to date, hopefully a set like this is an invitation for people to encourage them to do more (maybe even on Three Lobed(?)). As with everything that went on during this day-long extravaganza, this set was special, in this case, as a fairly rare chance to catch a band whose name should be (much) more widely known.

I recorded this set in the same manner as the other sets of the day, with multiple soundboard channels, Schoeps MK22 microphones onstage, and MBHO cardiod microphones in the crowd. The sound quality is excellent. Enjoy!

Download the complete show: [FLAC/MP3/ALAC]

Stream the complete show: 

Enemy Waves
2016-03-26
Three Lobed Sweet Sixteen Spectacular
Kingís
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

4x Soundboard channels (engineer: Brad Womack) + MBHO 603a/KA200N (FOB, DFC, PAS) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 >> Zoom F8>8x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro-Cory Rayborn]
02 Bleechie
03 [unknown1]
04 [unknown2]
05 [banter/tuning]
06 Radiant III

If you enjoyed this recording, please support Enemy Waves by visiting their bandcamp page.

Palehound: August 13, 2016 Trans-Pecos

August 18, 2016
By

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[photo by nyctaper]

It was a sunny afternoon on one of the hottest days of the year, but inside the cool confines of Trans-Pecos last Saturday’s show hosted by PopGun was a winner. Palehound was the headliner and it is true that we had not seen the band since our CMJ show in 2014. In the interim, Ellen Kempner compiled a new band — which is essentially now a power trio of Jesse Weiss on drums and Dave Khoshtinat on bass. With a superb rhythm section behind her and on the tails of last year’s well received album Dry Food, Ellen’s stature has been all upwards since our last meeting. At Pecos to a large crowd relieved to be indoors and cool, Palehound played a well-paced set that featured three new songs but relied primarily on Dry Food material. Sure, we got a couple of “oldies” including the fave “Pet Carrot” but this is a band that is clearly looking forward where the future is rosy as hell.

Palehound will be playing the Wild Honey Pie’s Welcome Campers event next weekend. Details here. The band will return to more active dates in the Fall.

I recorded this set with the Schoeps cards mounted in front of the stage and mixed with a board feed. The sound is quite representative of the room that excellent day. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Palehound
2016-08-13
Trans-Pecos
Queens NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Soundboard [engineer Chris] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (mixing) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 54:43]
01 [new song – Don’t Come Near Me]
02 Psycho Speak
03 Healthier Folk
04 Molly
05 Easy
06 [banter – bad week]
07 Dry Food
08 Drooler
09 Cinnamon
10 Seekonk
11 Cushioned Caging
12 [banter – Wyoming]
13 Pet Carrot
14 [banter – sleep-away camp]
15 [new song – At Night I’m Alright]
16 [new song – Stuck With the Weight]
17 Dixie

Support Palehound: Facebook | Bandcamp | Exploding In Sound Records | Twitter

Dinosaur Jr.: August 5, 2016 Rough Trade NYC

August 9, 2016
By

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Any story about Dinosaur Jr. in New York really must start with the shows that didn’t appear on this site — the band’s singular string of seven shows at Bowery Ballroom back in December of 2015 (they’re going to be officially released in some form). There, the band celebrated the thirtieth anniversary of their debut album — an extraordinary feat for almost any act, even more of one for a band who some would argue didn’t hit their commercial potential even during the heyday of their style of music. Joined by an all-star roster of guests every night, J. Mascis, Lou Barlow, and Murph proved how much they’ve meant, and continued to mean, to the music that’s been made during their run. That old saw about being defined by the company you keep? There’s a reason for it.

Which brings us to this much more intimate show at Rough Trade NYC, on the heels of the band’s latest tour with fellow late 80s/90s stalwarts Jane’s Addiction. These homecoming nights are always fun, giving a band a chance to unwind in front of friends after a touring slog. The band rewarded us with some first-time playings of their just-released new record, Give A Glimpse of What Yer Not, which could as easily be the mantra of a band whose consistency and quality has been remarkable through lineup changes and a hiatus. If their first shot at “Goin’ Down” was a little rough (in Barlow’s opinion, anyway), the crowd wasn’t bugged by it, as the band showed off the new album tracks alongside many of their best-loved favorites, including their biggest commercial hit, “Feel the Pain.” Of course, the diehards were there for the older classics like “Freak Scene,” “Gargoyle” and “The Lung,” as well as my personal favorite, the night’s closer of “Out There.” If it wasn’t a two-plus hour bonanza of rare tracks and guest stars, this show was closer to what any band really wants to be about — enduring classics played to enduring fans, in a set that proves that their new material is just as vital as the old. After some much-needed rest, I’m sure we’ll see them back at it to tour the new record in full. We’ll be there.

I recorded this set with Schoeps MK5 cardiod microphones in our usual spot in the venue with an Aeta PSP3 preamp for extra clarity. The sound quality is excellent. Enjoy!

Thanks to Dinosaur Jr.’s management team and the Rough Trade staff for helping to make this happen.

Download the complete show: [MP3/FLAC/ALAC]

Stream the complete show:

Dinosaur Jr.
2016-08-05
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (FOB, DFC, PAS)>KC5>CMC6>Aeta PSP3>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:17:19]
01 The Lung
02 Goin’ Down
03 Love Is…
04 [banter1]
05 I Told Everyone
06 Pieces
07 Tiny
08 Feel the Pain
09 In A Jar
10 I Walk for Miles
11 Start Choppin
12 Freak Scene
13 Gargoyle
14 [encore break]
15 The Wagon
16 Out There

SUPPORT Dinosaur Jr.: Facebook | Website | Buy Their Records

Support nyctaper

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