Posts Tagged ‘ nyctaper ’

Tom Carter / Barry Weisblat Duo: February 24, 2015 FLAC/MP3/Streaming

March 24, 2015
By

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The guitarist Tom Carter has made a couple of appearances on this site, being one of this city’s most exciting innovators on the instrument. While Carter was already known for his eclectic tastes, both as a solo act and with Charalambides, this combination of Carter and the multi-instrumentalist Barry Weisblat took things further into the out realm. The two appeared at last month’s installment of the “Music From NY Underground: On the Way Out” event held monthly at Freddy’s Bar in Park Slope, and produced an improvisational composition worthy of that title. Weisblat arrived armed with a host of obscure devices able to create a host of tones and textures, to which Carter overlaid his signature guitar sound. The end result was a thought-provoking, almost cinematic drone sequence that was revelatory to see created, but will reward patient repeat listening even more. We are excited to have been able to witness and capture this unique musical interaction, and hope you feel the same.

I recorded this set with Schoeps MK5 microphones in the ORTF configuration near the performers, together with a feed from the small PA system mixer. The sound quality is outstanding. Enjoy!

For those interested, the next installment of this series happens tonight (March 24, 2015) at Freddy’s. Check it out.

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Tom Carter/Barry Weisblat Duo
2015-02-24
Freddy’s
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DFC, ORTF)>KC5>CMC6 + Soundboard>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, fades)>Izotope Ozone 5 (light effects and EQ)>Audacity 2.0.5 (amplify, dither)>FLAC ( level 8 )

Tracks [Total Time 33:28]
01 improvisation

If you enjoyed this recording, please support Tom Carter by buying his music from Wholly Other, the “Buy Music” links at the Help Tom Carter page and visiting the Tom Carter page maintained by Kranky, and please support Barry Weisblat by visiting the Q-02 page for him and checking out his work on the Free Music Archive.

 

Alejandro Escovedo: March 6, 2015 Capitol Theatre, Port Chester – Flac/MP3/Streaming

March 17, 2015
By

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[photos by PSquared Photography]

It is not hyperbole to say that Alejandro Escovedo is an American treasure. The authenticity and intensity of his songwriting abilities have produced a forty-year body of work that places him among the very upper echelon of his era’s artists. It is perhaps the greatest acknowledgement of the quality of an artist when other artists cover the material, and for Escovedo’s work this happens so often that a two-CD tribute called Por Vida was released in 2004 featuring a veritable who’s-who of the best alt-country and americana artists. My own personal experience was seeing Joe Ely cover Escovedo at the Bowery Ballroom in the late 90’s, playing (what else) “Down in the Bowery”. It was a stunning rendition that gave great tribute to his friend — Ely and Alejandro have toured together several times.

You can tell a lot about the quality of artist through their friends. And with Escovedo, this time around he’s on tour with Los Lobos — artists who have also toured together many times over the years. When this tour came through the Capitol Theatre in Port Chester a couple of weeks back, it was truly a show to catch. We arrived early to make sure not to miss any of Alejandro’s set, which began at a very prompt 8:10pm. Playing acoustic guitar accompanied only by superb violinst Warren Hood (the son of another Escovedo friend Champ Hood), this was the stripped-down and intimate Alejandro set, even given the size of the venue. As he has done in recent tours, Escovedo’s set was a career retrospective, accompanied by song introductions where he talked about his time in The Nuns, with Rank and File, and finally his personal history. It was a thoroughly enjoyable hour-long set and convinced me that we need more Alejandro Escovedo on NYCTaper in the future. Alejandro will be hosting his annual SXSW shows in Austin this coming weekend, dates and information here.

I recorded this set in the same fashion as the Los Lobos set posted earlier and the sound quality is equally superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Swallows of San Juan”:

Stream “Down in the Bowery”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Alejandro Escovedo
2015-03-06
Capitol Theatre
Port Chester NY

Digital Master Recording
FOB Audience

Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:04:34]
01 Sally Was a Cop
02 [banter – Billy Smith]
03 Five Hearts Breaking
04 [banter – California]
05 San Antonio Rain
06 Dear Head on The Wall
07 Rosalie
08 Swallows of San Juan
09 [banter – Nuns]
10 Chelsea Hotel ’78
11 [banter – too much fun]
12 Arizona
13 [banter – Austin]
14 Bottom of the World
15 [Bowery off-mic aborted]
16 Down in the Bowery

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Alejandro Escovedo, visit his website, and purchase his official releases from the Store at his website [HERE].

moe.: March 13, 2015 Best Buy Theatre – Flac/MP3/Streaming Full Show

March 14, 2015
By

moe Best Buy (2)

Last month we took a look back at some 1990’s classic moe. in tribute to our fallen friend. We have a lot of good memories from that period in moe.’s history, but rest assured they are still a very active and compelling live act. On Friday at the Best Buy Theatre in Times Square we experienced that first hand. moe. is in NYC for three shows in celebration of their 25th year of existence, the first of which was an intimate performance at Le Poisson Rouge, but this night was the first of two nights at Best Buy and the band was clearly on. The first set was nearly ninety minutes and contained just six “songs” — but plenty of outstanding jam sequences and extended work on some of their most classic material. “Meat” has always been a highlight song for me and this set-closing version was one for the ages. Al Schnier in particular was manic during the climax of the song and ended the set on a great high note. moe’s second set started with a very apt song, their classic tribute to “New York City”, played obviously as a dedication to the location of the show but also I suspect as a tribute to Eric and his wife who often requested this number. After a run through some of their newer songs, moe.’s second set ended with a lengthy and peak segue performance of “Akimbo” into “Rebubula”, which began with some nice interplay between the guitars that hinted several times at the Grateful Dead’s “Playing in the Band”. After an extended encore break, the band returned for an exceptional “The Road” before bidding goodnight. The band plays again at Best Buy tonight, and the tour continues through the Midwest and South, dates here. We will be catching up with moe. again at Mountain Jam in June.

I recorded this set with the Schoeps cards from a very advantageous location in a very well placed taper’s section — about 40 feet back and centered on the floor. I used hi and lo’s V3 pre-amp which really added some nice color to this prime Schoeps capture of a very nice sounding room. The result is a really superb recording. Enjoy!

This Recording is available to Download in FLAC and MP3 format at Achive.org [HERE]

Stream the Complete Show:

moe.
2015-03-13
Best Buy Theatre
New York NY

Digital Master Recording
FOB Center Audience

Schoeps CCM4u Cardioids > Grade Design Lunatec V3 > Sound Devices 744t > 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac

Recorded and Produced by nyctaper

Setlist:
Set 1
[Total Time 1:24:49]
01 Paper Dragon
02 Waiting For The Punchline
03 Darkness
04 Bring You Down
05 Annihilation Blues
06 Meat
Set 2
[Total Time 1:36:24]
07 New York City
08 Do or Die
09 Kyle’s Song
10 Same Old Story
11 Don’t Fear The Reaper
12 Spaz Medicine
13 Akimbo
14 Rebubula
15 [encore break – announcements]
16 The Road

If you download this recording, we expect that you will PLEASE SUPPORT moe., visit their website and purchase their official releases from the moe. store here.

Suuns: February 28, 2015 Rough Trade – FLAC/MP3/Streaming

March 13, 2015
By

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[photos by Jill Harrison]

Suuns seem to have almost grown into the current moment, what with their reliance on atmospheric electronics to put a new spin on Joy Division-y guitar rock. We first saw the band in 2011, at south Brooklyn’s tiny-but-sweet Rock Shop, where they proved themselves ready for more. On this night at Rough Trade, coming off their second proper album, Images du Futur, Suuns gave an assured, dialed-in performance. The bill co-featured Chicagoans Disappears, and the pair made a perfect match, with Suuns’ own slow evolution on display right after their contemporaries’. The band’s live approach is an even slower burn than their albums, built together from segue elements that don’t appear on the records, allowing sounds to linger for extra minutes. There wasn’t an encore break on this night, so much as a break in the action while the last notes held on, waiting for the band’s return. Coming from one of the world’s most acclaimed music cities (Montreal), perhaps it’s not surprising that Suuns put so much effort into their live show. Though Images du Futur is still what they’re touring, the band has already moved beyond it, playing four new songs, three of which I believe are tentatively titled “Delay”, “Resistance” and “Pray” (the fourth is anyone’s guess). If those new songs are any guide, Suuns intend to keep doing what they’re doing, only getting better at it over time. It’s no shock that the crowd got most into Images’ strongest track, “2020”, but there were plenty of other good moments, including the closer on “Edie’s Dream”, a hypnotic, almost-pretty song amidst the dark tones in the band’s catalog.

Suuns are off the road for now, but be sure to catch them next time they’re through. It’ll be worth it.

I recorded this set with Schoeps MK4V microphones and a soundboard feed from Suuns’ touring engineer, whose name would be appreciated if you know it. The sound quality is the equal of the Disappears recording, meaning it is flawless. Enjoy!

Direct download of the complete show: [FLAC] | [MP3]

Stream the complete show: 

Suuns
2015-02-28
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard [Engineer: Suuns FOH (please share name if you have it)] + Schoeps MK4V (inside SBD cage, PAS)>KCY>Z-PFA>Aerco MP-2>> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, limiter, fades)>Izotope Ozone 5 (EQ, exciter)>Audacity 2.0.5 (track, amplify, balance, downsample, dither>FLAC ( level 8 )

Tracks [Total Time 1:09:14]
01 Images du Futur
02 Music Won’t Save You
03 Powers of Ten
04 Delay [new]
05 Sunspot
06 2020
07 Resistance [new]
08 Pray [new]
09 [unknown1] [new]
10 Pie IX
11 Arena
12 [encore break]
13 Edie’s Dream

Note: New song titles may be subject to change.

If you enjoyed this recording, PLEASE SUPPORT Suuns, visit their Facebook page, and buy Images du Futur directly from Secretly Canadian.

Los Lobos: April 25, 1996 Mercury Lounge – Flac/MP3/Streaming (uncirculated ericv recording)

March 12, 2015
By

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I’m not entirely certain of the exact date that I met Eric Vandercar, but my best guess is February or March of 1996. We met through the old NYC-DAT-heads email list, and the immediate connection was the fact that we both had enormous DAT tape collections. When I first visited Eric in the Elizabeth Street apartment that he shared with his wife Jill, one of the first DATs he played for me was a March of 1996 Neil Young show in a small club in Santa Cruz — a recording that inspired me to purchased the very microphones that were used for that show. Eric and I traveled to shows in several different cities in the late 90s, and I’ve talked about those roadtrips in previous posts, but I believe that the first show Eric and I actually attended together was this Los Lobos show at Mercury Lounge on April 25, 1996. I am certain that Eric recorded this show from a mic stand mounted at the front left side of the soundboard booth at the Merc — in other words, at one of the most foot-traveled spots in the venue. My job was to block people from bumping into Eric’s rig and from the sound of this recording I did a pretty good job — up until the encore break when there are a few bumps on the mic stand.

At this point in their history Los Lobos was a very well established band, and when they released their 1996 album Colossal Head, there was a traditional round of promotion for the band to do. One of the best means of early album promo in the old days was a visit to Letterman, and on April 24, 1996, Los Lobos played David Letterman’s Late Show in the Sullivan Theatre, performing “Mas Y Mas” on national television. So with the band in NYC for a few days, there was a “secret show” scheduled at Mercury Lounge for which we were fortunate to snag a ticket. A venue the size of Mercury was a very intimate show for Los Lobos in 1996 and on this Thursday night the place was absolutely packed, including a reporter from the New York Times, who wrote a review of the show. Lobos worked through much of the then-new album, and seemed to be having a great time interacting with the crowd — there’s quite a bit of banter on this recording besides the tracked portions. When the set came to a close with an extended and well-jammed “Peace” it seemed very much as if the show was over. Indeed Eric faded out and turned off his deck when house music came over the PA. But the capacity crowd was having none of that and after a long break Los Lobos returned for two encores, including an outstanding Neil Young cover that we are streaming below.

This recording has not previously circulated in flac format as far as I can tell. There is no entry at db.etree and no reference to this recording on any online trade lists. Eric recorded this set on a stand in the location described above with his trusty B&K cards. There is a decent amount of crowd chatter but overall this is a superb recording and certainly up to par with Eric’s high standards. The DAT that I possess was cloned digitally from Eric’s master and extracted without a single error. There is one brief bit of digi-static in the first song likely from the original transfer (no error shows up on my DAT). I edited a few loud claps, joined the fade-out portion of the encore break, boosted the levels and added fades in and out. Otherwise this is Eric’s recording in its 19 year old glory. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Cinnamon Girl” (Neil Young cover):

EPSON MFP image

Los Lobos
1996-04-25
Mercury Lounge
New York NY

Digital Master Recording
FOB Audience – Front Left Corner of SBD Booth

B&K 4021 > Apogee AD-1000 > Tascam DA-P1 > DAT Master

DAT Clone > Sony PCM R-300 > Sound Devices 744t > 2 x 16/44 wav files > Soundforge (mastering) > CDWave 1.95 (tracking) > TLH > flac

Recorded by Eric Vandercar (ericv) (nyctaper DAT clone)
Produced by nyctaper

Setlist:
[Total Time 1:42:09]
01 Colossal Head
02 Revolution
03 Shakin’ Shakin’ Shakes
04 Dream in Blue
05 Angel Dance
06 Can’t Stop the Rain
07 Manny’s Bones
08 That Train Don’t Stop Here
09 Little Japan
10 [banter – new record]
11 Everybody Loves a Train
12 Kiko and the Lavender Moon
13 [banter]
14 Maricela
15 [banter – bass line]
16 How Much Can I Do?
17 Ay Te Dejo en San Antonio
18 Volver, Volver
19 Georgia Slop
20 I Walk Alone
21 Peace
22 [encore break]
23 Evangeline
24 [tuning]
25 Cinnamon Girl [Neil Young]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Los Lobos, visit their website, and purchase their official releases from the Store at their website [HERE].

Los Lobos: March 6, 2015 Capitol Theatre, Port Chester – Flac/MP3/Streaming

March 10, 2015
By

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[photos by PSquared Photography]

Its the result of a bunch of missed connections, but the strange reality is that I have never recorded Los Lobos for NYCTaper before in the nearly eight years of existence of the site. Los Lobos is one of the most powerful and prolific live bands and last year they celebrated their 40th year of existence, and I’ve seen them a bunch of times over the years, but not for NYCTaper. Only Acidjack and JFCB have recorded them for the site — a Brooklyn Bowl show back in 2012. They’ve also traditionally welcomed tapers going back decades. And as a special celebration, tomorrow I will post a “new” transfer of a 1996 recording of Los Lobos at Mercury Lounge — a show recorded by my friend Eric Vandercar that I attended as Eric’s “blocker”.

In Port Chester on Friday, the Capitol Theatre was really the perfect venue for this band. After a superb opening set by Alejandro Escovedo (coming soon), Los Lobos took the stage to a very engaged crowd. There was none of the persistent yapping you hear at other shows. This was a seated and attentive crowd that Los Lobos acknowledged from the outset. The band took their time working their way into this show with an early run through some classics before they welcomed Alejandro out for a couple of numbers. It was an extended and well played version of “The Neighborhood” that kicked this show into another gear. David Hidalgo’s blues guitar riffs were showcased during an incendiary 14-minute “Just A Man” before the fan favorite “Kiko” brought the crowd to their feet for the remainder of the show. The band gave a nice acknowledgement to Jerry Garcia (the venue’s side bar is called “Garcia’s”) before the performance of the set-closing “Bertha”, a song Los Lobos covered all the way back in 1991 for the Deadicated compilation. We’re streaming it below. But the band wasn’t done. The encore segment began with a brief blues jam that led directly into Cesar Rosas’ “Don’t Worry Baby” which then transitioned to “May Y Mas” — another extended version that we are streaming below. The final segue was a neat back and forth between the band’s one Top 40 hit “La Bamba” and the same-three-chords rock classic Good Lovin’ after which the band bid an appropriate good night. Los Lobos tour continues next week with a brief run through the Northwest, dates here.

I recorded this show with the Schoeps mounted on a seven foot pole located at the front right corner of the soundboard cage. As this was seated show, my location was Orchestra Row J, Seat 109. The direct line at the stacks and the wonderful sound quality of a well mixed room resulted in an outstanding recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Bertha”:

Stream “Mas Y Mas”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Los Lobos
2015-03-06
Capitol Theatre
Port Chester NY

Digital Master Recording
FOB Audience

Schoeps CCM4u Cardioids > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:53:25]
01 Short Side Of Nothing
02 My Baby’s Gone
03 Evangeline
04 [banter – first time]
05 La Venganza De Los Pelados
06 Chuco’s Cumbia
07 [banter – Escovedo intro]
08 Rebel Kind
09 The Giving Tree
10 Down on the Riverbed
11 Why Do You Do
12 Emily
13 The Neighborhood
14 I Walk Alone
15 Just A Man
16 Kiko and the Lavender Moon
17 Volver, Volver
18 [banter – Jerry]
19 Bertha
20 [encore break]
21 Don’t Worry Baby
22 Mas y Mas
23 La Bamba – Good Lovin – La Bamba

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Los Lobos, visit their website, and purchase their official releases from the Store at their website [HERE].

Diane Cluck: February 17, 2015 Trans Pecos – Flac/MP3/Streaming

March 4, 2015
By

Diane Cluck Pecos 2
[photo courtesy of Terri Wise]

Ever since we captured Diane Cluck‘s inspired performance at Joe’s Pub in early 2013, I’ve been trying to work with Diane on a show. This NYCTaper Presents event at Trans Pecos was the culmination of that desire and frankly it could not have gone any better. On a cold Tuesday night in Ridgewood Queens, Diane, Jeffrey Lewis and their curated opener Kid In The Attic filled up Pecos and each performer delivered an outstanding set. This was the final night of Diane and Jeff’s East Coast tour and the night had a celebratory feel. Diane’s setlist featured a nice career-spanning selection of material with an emphasis on her newest and perhaps most consistently excellent release Boneset. After the main set when Diane asked for requests and a sharp fan asked for “The Turnaround Road”, the off-the-cuff version became my own personal highlight of the set. We are streaming it below. Afterwards, Diane was joined by Jeff for three songs before closing the show with perhaps her most well known song “Sara”. We thought that the show was over at that point but the still-packed crowd gave the performer an enthusiastic ovation and Diane returned for an encore. Diane Cluck will not be performing in the US until the Fall, but she will be on an extensive European tour in April and throughout May, dates here.

I recorded this set with the Schoeps cards on a stand at the front of the stage and mixed with a board feed. I didn’t raise my live levels enough during this set so that when the levels were boosted in post there are some artifacts of the process — mainly some hiss at quieter moments. Otherwise, the sound quality is excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “The Turnaround Road”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Diane Cluck
2015-02-17
Trans Pecos
Queens NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Soundboard [engineer Angus] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (mixing) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:03:31]
01 Heat from Every Corner
02 Love You This Much
03 Maybe a Bird
04 Heartloose
05 [banter – Kid in the Attic]
06 Mystery Over Mind
07 Far Too Witchy
08 Trophies
09 Grandma Say
10 Not Afraid To Be Kind
11 Why Feel Alone
12 [banter – drive]
13 The Turnaround Road
14 [Jeffrey Lewis intro]
15 Travel Light
16 The River
17 [banter – thanks]
18 Perigee Moon
19 Sara
20 [encore break]
21 Macy’s Day Bird

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Diane Cluck, visit her website, and purchase Boneset from her Store [HERE].

Grooms: February 17, 2015 Music Hall of Williamsburg – FLAC/MP3/Streaming

March 3, 2015
By

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Many bands are forced to admit that their best album was probably their first. Grooms can take pleasure in having just released their high watermark four albums in. That album, Comb the Feelings Through Your Hair, marries their sense of melody and pop appeal to a level of musical skill befitting a band that has stayed together long enough to see personnel come and go, but emerge stronger in the process. A three-piece, Grooms manage to make their music rhythmically complex (thanks in no small part to drummer Steve Levine, who recently enjoyed notoriety on TV’s Better Call Saul) without overcomplicating it, and that works especially well live. Watching the three men onstage, you more appreciate how their arrangements leave room to feel what each player is doing.

This show at Music Hall of Williamsburg, on a bill shared with A Place to Bury Strangers (that set here), celebrated the new record’s release, but didn’t park the setlist there. Starting with a rapid succession of new songs, Grooms then dug back in to 2013’s under-toured Infinity Caller and even their debut Rejoicer, the band gave us a sense of the continuity in their music as well as some of the new ideas percolating in Comb the Feelings. While the album itself is the band’s best-produced to date, adding lush electronics to the band’s guitar-bass-drums mix, the live versions proved that the record isn’t just a success on that account. Songs like the title track are more than just well put together; they’re just good songs. Grooms were one of many bands tied to Death By Audio (including A Place to Bury Strangers), and now, like their scene itself, they will enter a different phase. So far, it’s working for them.

I recorded this set with Schoeps MK41 microphones in the soundboard cage. The sound quality is quite good for a straight audience recording. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream “Comb the Feelings Through Your Hair”

Grooms
2015-02-17
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (DFC, at SBD, PAS)>KCY>Z-PFA>Sound Devices USBPre2>Edirol R-44 [OCM]>24bit/48kHz WAV>Izotope Ozone 5 (effects, EQ, imaging)>Adobe Audition CS 5.5 (adjust levels)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 37:30]
01 Bed Version
02 Comb the Feelings Through Your Hair
03 Infinity Caller
04 [banter1]
05 Grenadine Scene From Inside
06 Doctor M
07 Lion Name
08 Foster Sister
09 [banter2]
10 Cross Off

If you enjoyed this recording, PLEASE SUPPORT Grooms, visit their Facebook page, and buy Comb the Feelings Through Your Hair here.

This Will Destroy You: February 27, 2015 Saint Vitus – FLAC/MP3/Streaming/Video

March 1, 2015
By

IMG_8333

This Will Destroy You, of San Marcos, TX, just crossed the decade mark as a band last year, with the excellent record Another Language. In the broad sense, they share company with the dynamic instrumental bands that get lumped together as “post-rock” — Mogwai, Explosions In the Sky, Caspian, etc. But if this two-night stand of shows presented by BrooklynVegan at Saint Vitus proved anything, it’s that they don’t let labels stop them. Saint Vitus, best-known as NYC’s destination for the heaviest of heavy music, made a good fit for the band, as they led off with the thunderous “Little Smoke” that pummeled us from start to finish. TWDY may not be a black metal band, but their sonics are definitely toward the darker end of the spectrum, a kind of soundtrack to the end of the world.

But just when you think you’re going to get nothing but 80 minutes of soft-loud dynamics and blaring guitars, TWDY changes things up. Bursts of electronics seep in, between the ratcheting drumbeats and the mournful guitars of “A Three-Legged Workhorse”. Or there’s “Grandfather Clock”, basically a full-on IDM track, followed by the texturally dense standout track from Another Language, “Dustism”. But if the band proved there was more to them than just getting loud, when they were loud, they made it count, as on the climax to “Black Dunes” or “There Are Some Remedies Worse Than The Disease”. This show ran a touch longer than the previous night’s effort, closing with the ironically-titled “Quiet”. This burner of a Friday night show had been anything but.

I recorded this set with Schoeps MK4V cardiod microphones and a soundboard feed of the mix by TWDY’s engineer (if you have his name, please give him a shout out). As with everything at Saint Vitus, the sound quality is outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Video of the complete show:

This Will Destroy You
2015-02-27
St. Vitus
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (LOC, at SBD, PAS)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard (engineers: Nick + TWDY’s engineer (please provide name if you have it))>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels)>Izotope Ozone 5 (harmonic exciter, EQ, imaging)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:23:24]
01 Little Smoke
02 A Three-Legged Workhorse
03 War Prayer
04 Burial On the Presidio Banks
05 Grandfather Clock
06 Dustism
07 Black Dunes
08 There Are Some Remedies Worse Than the Disease
09 Communal Blood
10 [banter]
11 New Topia
12 Quiet

If you enjoyed this recording, PLEASE SUPPORT This Will Destroy You, visit their website, and buy Another Language here.

Helmet: February 22, 2015 Saint Vitus – Flac/MP3/Streaming

February 25, 2015
By

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[photos courtesy of unartignyc – his excellent video below]

Helmet is taking a look back this tour and celebrating the 20th anniversary of their seminal album Betty beginning each show by playing the album straight through. On Sunday night the band added a special wrinkle by playing a small club the size of which they haven’t played in years. As Page Hamilton noted at the first break in the action, the “first Helmet show ever” was played at a club very similar in style, location and size to Saint Vitus — the late great Lauterbach’s in Brooklyn. For a time in the 80s and 90s, Lauterbach’s was the place for punk, hardcore and metal in the “outer boroughs”. And out it was, all the way in the South Slope on Prospect Avenue. And like the long gone venue, Helmet themselves are a product of that era in Brooklyn. As the band’s founder and only remaining original member Hamilton was a known quantity in music circles when Helmet formed in 1989, but there was a period when places like Lauterbach’s were their venues of choice. Helmet would go on to play a vast arragy of huge venues in the 1990s. While Saint Vitus in 2015 is an established and well-respected home for heavy music, its nice to see that Page has a sense of history — respect enough for the band’s legion of fans — to return to his roots and come “full circle” as he described. For this set, Helmet ripped through Betty in forty-five minutes staying pretty close to the album’s sound. The final half of the show has varied throughout this tour and on Sunday we got some rare oldies and of course the hits. I was particularly impressed with the raging extended version of “Driving Nowhere” which gave Page a chance to stretch out and display his guitar chops. We are streaming that track below. The Betty tour continues in the US and Canada through the end of March, dates here.

I recorded this set with the Schoeps mounted in front of the soundboard and mixed with a feed that Page earlier in the week had encouraged us to use. The sound quality is superb. Enjoy!

We also recorded the Bowery Ballroom show on Saturday and that will be coming very soon.

Download the Complete show [MP3] / [FLAC]

Stream “Driving Nowhere”:

Stream “Biscuits for Smut”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links

Helmet
2015-02-22
Saint Vitus
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (mixing) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:39:49]
01 Wilma’s Rainbow
02 I Know
03 Biscuits for Smut
04 [banter Lauterbach’s]
05 Milquetoast
06 Tic
07 Rollo
08 Street Crab
09 Clean
10 Vaccination
11 Beautiful Love
12 Speechless
13 The Silver Hawaiian
14 Overrated
15 Sam Hell
16 [intros – Pariah story]
17 It’s Easy To Get Bored
18 So Long
19 Renovation
20 [banter – the ghost]
21 You Borrowed
22 Diet Aftertaste
23 Bad Mood
24 Driving Nowhere
25 [banter – bass player]
26 FBLA
27 Unsung
28 On Your Way Down
29 [encore break]
30 Iron Head
31 In the Meantime

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Helmet, visit their website, and purchase their official releases, including Betty, directly from their web store [HERE] or from your favorite online retailer.

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