Posts Tagged ‘ nyctaper ’

Wilco: October 28, 2014 Capitol Theatre – FLAC/MP3/Streaming Full Set

October 29, 2014
By


IMG_0445
[photos by acidjack]

Wilco, themselves the spawn of the No Depression greats Uncle Tupelo, are touring to celebrate their twentieth year as a band. Look around at acts of their longevity, and you tend to see one of two things: strict and competent adherence to a winning formula (Foo Fighters, Pearl Jam) or aggressive experimentation and reinvention (Radiohead). Wilco may claim to do both — there’s a straight line from the rock n’ roll stomp of a song like A.M>‘s “Casino Queen” (the second to last song of the night) to a song like “Wilco (The Song”), which opened the night. But there is also that seismic shift to point to that began on Being There and solidified on Yankee Hotel Foxtrot which catapulted the band beyond their existing limits into the realm of something special. The kind of band that, in gracing the renewed Capitol Theatre for the first time, belongs firmly in the first rank of bands that made that place famous.

This set was, if one can call it such, the usual harassment of riches from this band — two hours and twenty minutes long, 30 songs, and many old and underplayed favorites. “Casino Queen” joined Doug Sahm’s “Give Me Back the Key To My Heart” and “Too Far Apart” in a semi-amplified acoustic set that closed the evening, and early material (and a fair number of ballads) was the rule for much of the night. “Hummingbird” found touring guitarist Nels Cline on a tear that left Tweedy to say “I don’t think you’ll hear it like that ever again”. The beauty of this band is that even with three nights of shows in the same venue (all of which we are covering), you’ll never hear something the same way again.

I recorded this set with Schoeps MK5 and an MK8 microphone in the “mid-side” configuration to maximize control over reverberation and crowd noise. The sound quality is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

IMG_0458

Wilco
2014-10-28
Capitol Theatre
Port Chester, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c+MK8 (M-S, at SBD, slightly ROC)>KCY>Z-PFA>Sound Devices USBPre2>Sony PCM-D50>24bit/48kHz WAV>Voxengo MSED (decode M-S)>Adobe Audition CS 5.5 (adjust levels, fades, compression)>Izotope Ozone 5 (light EQ, light effects)>Audacity 2.0.5 (tracking, fades, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 2:22:15]

01 Wilco (The Song)
02 I Must Be High
03 You Are My Face
04 Shouldn’t Be Ashamed
05 At Least That’s What You Said
06 Handshake Drugs
07 Side With the Seeds
08 Promising
09 Sunken Treasure
10 Reservations
11 Muzzle of Bees
12 Spiders (Kidsmoke)
13 [banter]
14 She’s A Jar
15 War on War
16 Magazine Called Sunset
17 Hummingbird
18 On and On and On
19 How to Fight Loneliness
20 Kamera
21 [banter2]
22 Country Disappeared
23 Hate It Here
24 Theologians
25 Monday
26 Dawned On Me
27 Shot In the Arm
28 [encore break]
29 Kingpin
30 I’m A Wheel
31 [encore break 2]
32 Too Far Apart*
33 Casino Queen *
34 Give Me Back the Key To My Heart [Doug Sahm]*

* performed semi-amplified

If you download this recording, PLEASE SUPPORT Wilco, visit their website, and purchase their official releases at their website [HERE].

IMG_0466

Purling Hiss: October 23, 2014 NYCTaper CMJ Day Show, Cake Shop – FLAC/MP3/Streaming

October 28, 2014
By


IMG_8003
[photos by acidjack]

Purling Hiss, the scuzz-rock project of Philadelphia-based guitarist/songwriter Mike Polizze, has emerged from his early records’ soup of fuzz with the band’s best-recorded, best album of righteously weird rock n’ roll, appropriately titled Weirdon. We couldn’t have been happier as longtime fans to feature this band as the headliner of our annual unofficial CMJ day show at Cake Shop, where the Hiss gave us thirty minutes of the most badass shredding we saw all weekend. Appropriately enough, we first caught the band opening for fellow Philadelphian Kurt Vile, another artist who has cultivated his early sound into something still-vital but more accessible to the masses.

A set like this shows you another thing, which is that while Weirdon is certainly Polizze’s most complete song cycle yet, it’s as much a triumph of production as evolved songwriting. When you hear a Hiss classic like “Run From the City” next to some of the best new numbers like “Forcefield of Solitude” and “Learning Slowly”, you realize just how much the aesthetics of a recording actually do matter, even in the earbud age. Despite a CMJ-typical truncated set time, Polizze and the band put everything into what they had, with Polizze on his knees bent over his guitar at several points in front of a crowd that, in the best Cake Shop tradition, was practically on top of him. Closing out with the very early PH song “Almost Washed My Hair”, Polizze drew a straight line from then to now. To hear the live version below is to realize that, if you weren’t, you should have been on this bandwagon from day one.

I recorded this set with Schoeps MK4V microphones mounted just in front of the band on the ceiling, plus Clint’s excellent soundboard feed of the house mix. The sound quality makes this likely our best Purling Hiss recording. Enjoy!

Purling Hiss plays more New York dates, including this Wednesday at Death By Audio, and Friday night at 338 Moffat.

Download the complete show: [MP3] | [FLAC]

Stream the complete show (you can also download the MP3s from the Soundcloud page):

Purling Hiss
2014-10-23
NYCTaper CMJ Day Party
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>KC5>CMC6 + Soundboard (engineer: Clint)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression, fades)>Izotope Ozone 5 (light EQ, exciter)>Audacity 2.0.5 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 30:26]
01 Mercury Retrograde
02 Forcefield of Solitude
03 Rat Race
04 Airwaves
05 Learning Slowly
06 Run From the City
07 Where’s Sweetboy
08 Almost Washed My Hair

If you enjoyed this recording, PLEASE SUPPORT Purling Hiss, like them on Facebook, and buy Weirdon directly from Drag City.

J Mascis: October 17, 2014 Bowery Ballroom – Flac/MP3/Streaming

October 21, 2014
By

j-mascis-13
[photos by PSquared Photography]

As we’ve noted before, Dinosaur Jr holds a special place in the history of NYCTaper. One of my first recordings for the site and the one that seemed to put us on the blog map was a Dinosaur Jr. show at Irving Plaza in 2007. Over the years, we’ve recorded the band many times, and most recently acidjack and JFCB’s captures of the mega-Dino Jr show at Terminal 5 with a plethora of special guests has been one of the most popular recent offering at the site. So it was only natural that a solo J Mascis show at our favorite venue would be the natural evolution of our relationship with this artist. J recently released what is essentially his second proper solo album Tied To A Star (Sub Pop), and he’s currently on tour to support the record. At Bowery Ballroom, it was just J and several acoustic guitars with a ton of pedals. For the most part, he played it pretty straightforward, while occasionally taking advantage of the looping and sampling capability to jam with himself. The setlist included half of the new album and healthy dose of Dinosaur Jr tracks. We are streaming below our two favorite parts of the show, including a blistering guitar solo that extended the new song “Heal The Star” to beyond six minutes and the very J-like cover of the Mazzy Star classic hit “Fade Into You”. J’s tour picks up again in mid-November when he goes West before touring Europe in December.

hi and lo and I recorded this set in our usual location at Bowery, front of the balcony next to the soundboard. hi and lo employed the MBHO cards on a clamp pointed out in front of the board area while I mounted the Schoeps cards on a stand. I blended the sources fairly evenly, each offering a slightly different locale and microphone style so that the result is a pretty excellent full-bodied capture of this solo acoustic show. Enjoy!

Stream “Heal The Star”:

Stream “Fade Into You” (Mazzy Star cover):

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

J Mascis
2014-10-17
Bowery Ballroom
New York NY

Digital Master Recording
Audience Four-Mic Matrix

Schoeps CCM4u Cardioids + MBHO KA-200n > Naiant PFA > Sonosax SX-M2 > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by nyctaper and hi and lo
Produced by nyctaper

Setlist:
[Total Time 1:08:57]
01 Listen to Me
02 Me Again
03 Little Fury Things
04 Ammaring
05 Every Morning
06 Stumble
07 Get Me
08 [tuning and crowd]
09 Drifter
10 Heal the Star
11 [banter - tuning]
12 Not the Same
13 Out There
14 Pond Song
15 Fade Into You [Mazzy Star]
16 Not You Again
17 Alone
18 [encore break]
19 Just Like Heaven [Cure]

If you download this recording, we expect that you will PLEASE SUPPORT J Mascis, visit his website, and purchase Tied To A Star from the Sub Pop Records website [HERE].

White Fence: October 13, 2014 Baby’s All Right – Flac/MP3/Streaming

October 20, 2014
By

white-fence-10
[photos by PSquared Photography]

When I think about CMJ week, White Fence always comes to mind. It was 2011 when they played our show — a frenetic set that was one of the best if not the actual best set ever in the many years we’ve presented CMJ parties. Three years later, White Fence has become exactly what we believed possible back then — a consistently excellent band that has produced a plethora of remarkably pure and faithful sixties and seventies styled psychedelia and garage rock in 3 to 4 minute bursts of goodness. The band now records for Drag City Records and their latest album is their first for this excellent label. For The Recently Found Innocent is also the first album recorded outside of Tim Presley’s home studio and he chose an excellent collaborator to help produce this album — the equally prolific Ty Segall. Found Innocent is a more conventional White Fence album, although it certainly does not deviate from the the band’s overall sound. Last Monday, White Fence was back in town and they will be on the East Coast through CMJ week. Their set at Baby’s All Right was a headline spot on an excellent three-band bill and it didn’t start until almost 1am on a school night, but the crowd for the most part stuck around. Tim has employed a couple of new players for this touring band, but the result was consistent with prior live White Fence experiences. The live show gives a different energy to the material and the songs take on altered arrangements from the recorded versions. The Baby’s set maintained a high energy for over an hour and while the setlist covered much of the new album, it was two older numbers where the band stretched out and jammed a bit. “Baxter’s Corner” has for years been the go-to for extended performance and this night it was again a burner, but also “And by Always” was a sprawling treat and we are streaming that number below.

This week White Fence will be playing at least four CMJ shows, including the Panache Booking CMJ “Hangover Brunch” at Baby’s All Right on Sunday where they will be playing an acoustic set. We will be there to record that special set.

This set was recorded by House FOH Devin, who provided a superb live mix of the multitrack. There are also cardioid microphones installed near the lighting rig about 15 feet in front of the stage. In post-production, I mixed the two sources and the results are quite excellent. Enjoy!

Stream “And by Always”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request

White Fence
2014-10-13
Babys All Right
Brooklyn, NY USA

Digital Soundboard + Audience Multitrack Recording

Multitrack Soundboard (engineered and recorded by Devin Foley) > Devin mix Wav files + Room mic wav files > Soundforge (level adjustments, setfades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 1:03:32]
01 Chairs in the Dark
02 Fragility
03 Arrow Man
04 Wolf Gets Red Faced
05 Like That
06 Trouble Is Trouble Never Seen
07 [banter - fix a drum]
08 Baxter Corner
09 Actor
10 Hard Water
11 Makers Nest And Words Freeze
12 Anger Who Keeps You Under
13 Sandra
14 And by Always
15 Get That Heart
16 Pink Gorilla
17 Paranoid Bait

If you download this recording, we expect that you will PLEASE SUPPORT White Fence, visit the Facebook page, and purchase For The Recently Found Innocent from the Drag City Records website [HERE].

white-fence-6

Wussy: October 11, 2014 Private House Larchmont NY – Flac/MP3/Streaming

October 17, 2014
By

Wussy Larchmont
[photo by nyctaper]

The nights like this one are the ones to cherish. After Wussy’s Friday show while I was breaking down equipment, I was invited to a private house concert by Wussy for the following night up in Larchmont in Westchester County. Fortunately, I had no plans so that I was able to take the quick drive up to attend and record this event. It was clear from the outset that this was going to be special as a spread of gourmet Indian food was presented to the band and all the guests. After setting up my equipment with the help of the band, all of the guests made it downstairs to a family room large enough to host a small concert. Lisa Walker and Chuck Cleaver played seated with Lisa on acoustic and Chuck on a steel guitar — or as Lisa called it “Campfire Wussy”. The band also put together a very unique setlist including some Wussy Duo numbers, some deep cuts, and the first full band performance of an Ass Ponys track. And of course, the band spent much of the between-song banter as they often do, ribbing each other and telling amusing anecdotes. From my vantage point sitting less than ten feet from the band, it was truly a unique and special experience. We remarked that Friday’s show featured a wonderful version of “Motorcycle”, and Saturday’s show featured a different arrangement that was equally breathtaking. That song is streaming below. Wussy will return to the NYC area on January 17 for gig at a venue that is not yet announced. See you then.

I recorded this set with the Schoeps cards positioned directly in front of the band. I also used a single DPA omni microphone and a single line out from the modest PA used to amplify the vocals and guitars. With the onstage Schoeps as the primary recording, I used the other sources to supplement the depth and also the vocals (upon which I applied some reverb). I’m quite pleased with the excellent results. Enjoy!

Stream “Motorcycle”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wussy
2014-10-11
Private House Concert
Larchmont NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [mono] + Schoeps CCM4u Cardioids + DPA 4061 (mono) > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wavs > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:01:52]
01 Little Paper Birds
02 [banter - Queensryche]
03 Motorcycle
04 [banter]
05 Pretty as You Please
06 [banter - rehearsal]
07 Crooked
08 Humanbrained Horse
09 [banter - Marshall Tucker]
10 Airborne
11 Acetylene
12 Donald Sutherland [Ass Ponys]
13 [banter - Duo]
14 Maglite
15 Gene I Dream
16 Halloween
17 [banter - false start]
18 Don’t Leave Just Now
19 [encore break - thanks]
20 Loaded for Bear

If you download this recording, we expect that you will PLEASE SUPPORT Wussy, visit their website, and purchase their official releases from the Music link at their site [HERE] or from the Shake It Records website [HERE].

Ryley Walker: September 6, 2014 Hopscotch Music Festival, Fletcher Opera Theater, Raleigh, NC (FLAC/MP3/Full Set Streaming)

October 15, 2014
By


unnamed
[Screen capture by Dan Schram]

Maybe that whole “old soul” saw is lame. Does a man need to have aged many decades to have lived hard, or to have seen the world through enough other people’s eyes? Does a man need to have suffered the physical indignities of age for his voice to be mournful? Is twenty-four too young to really know evil, to make heartbreak sound believable? Ryley Walker is that age. Define it by whatever trope you must, but Ryley Walker performs with a rugged grace and gut-wrenching, soul-searching level of realness that don’t come to men his age all that often. He sat down, at the rightmost end of a semicircle on Fletcher Opera Theater’s broad stage, as the final act to play there during this Hopscotch Music Festival. By the time he got up I felt a way that I hadn’t quite since seeing Hiss Golden Messenger take that same stage with a large band two years before. I don’t put any artist in the company of HGM lightly, but there I believe Ryley sits. He’s that good, the real deal, all of the great things it’s even possible to be when you’re sitting on just one album of “this kind” of material (Ryley’s previous work fell more to the experimental/noise end of the spectrum).

That LP, All Kinds of You, just arrived on Tompkins Square this April, but that material has new company in the incredibly strong output which dominated this set. Walker led off with a new song, followed by his first single, “The West Wind”, before heading into the gorgeous “Primrose Green”. Walker has already earned comparisons to Bert Jansch and Tim Buckley, and his current sound has a classicism to it that makes that fair. Walker huddled in his chair like an older man, taking long breaks between songs to get his tuning right, maybe set his head straight for the next song. Walker sings with depth, in a way that makes each song seem like it takes its own reserve of him. Away from the mic, he’s as amiable as a person comes; faced with his songs he’s transformed. These are songs that operate at some remove from even updated versions of traditional sounds; they seem almost unconcerned with modern flourishes. Kudos belong to Walker’s band, too, which includes a killer roster of players who give these songs not only shape but a live fluidity that makes them all the more special.

But don’t take our word for it. Walker will be appearing at CMJ on Friday, October 24 at an Aquarium Drunkard-sponsored showcase at Rough Trade. Don’t miss it, as the lineup contains many veterans of this site as well as special new bands.

We owe a large dose of gratitude to North Carolina-based taper Larry Tucker for recording and contributing this outstanding capture, made with Peluso American-made cardiod microphones and a soundboard feed. The quality is outstanding. Enjoy!

Direct download of full set: [MP3 (faster)] [MP3 (permanent)] | [FLAC]

Stream the full set

Ryley Walker
2014-09-06
Hopscotch Music Festival
Fletcher Opera Theater
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by Larry Tucker

Peluso CEMC6-CK4 (Room center hung from balcony rail)>Fostex FR2-LE @ 24/48 + Soundboard> Edirol R09-HR @ 24/24>Adobe Audition (Mixing)>Izotope Ozone 5 (multi-band compression>lower sample rate> CD Wave>Flac

Tracks
01 Summer Dress
02 The West Wind
03 Primrose Green
04 Hide In the Roses
05 Love Can Be Cruel
06 On the Banks of the Old Kishwaukee
07 Same Minds
08 Sweet Satisfaction

Band:
Ryley Walker – vocals, guitar
Ben Boye – keys
Anton Hatwich – bass
Brian Sulpizio – electric guitar
Frank Rosaly – drums
Jeb Bishop – trombone on final song

If you enjoyed this recording, PLEASE SUPPORT Ryley Walker, like him on Facebook, and buy his records here.

Wussy: October 10, 2014 Knitting Factory – Flac/MP3/Streaming

October 12, 2014
By

Wussy @ Knitting Factory
[photo courtesy of Johannes Andersen - Soundcloud photo by nyctaper]

Wussy’s first NYC show in six months was perhaps their most important East coast show thus far — a headlining gig on the Friday night of the CBGB Festival at Knitting Factory. Back in the Spring, a high profile gig like this would have been not likely for Wussy, but since the release of their latest album Attica and the universal praise it received, there has been a groundswell of support for the band and a higher national profile. To be fair, Wussy has had a modest but fervent and faithful fanbase for the entirety of their existence. Back when they played Cake Shop back in 2010, we noted that fans had come from as far as Canada to see the show. Those fans are still supporting the band — at the Knit there were travelers from Seattle and from Peru — but there are just more of them. And that’s a good thing. This is a band with a unique male/female dichotomy and truly superb supporting instrumentalists with solid songwriting, an authentic take of mid-Americana rock and a healthy dose of humor. If any band deserves a greater audience, its Wussy. At the Knit on Friday, we saw a band operating on all cylinders. In particular, Lisa Walker continues to impress with her growth as a performer. As a request, the band performed a rarely heard Lisa song “Motorcycle”, which on the album (2012’s Funeral Dress) is a sweet but sad ode, while Lisa’s vocal performance on Friday gave depth to the song with a world-weariness and longing in her voice. A truly remarkable performance that encapsulates what is special about this band. My other favorite part of this show was during the encore segment when the band jammed on a theme from their own “Yellow Cotton Dress” before breaking into a tremendous cover of the Joy Division/New Order classic “Ceremony”. That performance earned the band a second encore call and its streaming below. Wussy returns to NYC in January and we’ll certainly be there then too.

I recorded this set with the Schoeps positioned on a high stand at the soundboard booth and mixed with an excellent feed from the band’s local FOH David. The sound quality is quite outstanding. Enjoy!

After this show, I was invited to a private house concert by Wussy on Saturday night. That recording will require some extra mixing, but should be posted on the site by the end of the week.

Stream “Ceremony” (New Order cover):

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wussy
2014-10-10
Knitting Factory
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer David Fine] + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wavs > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:21:32]
01 Teenage Wasteland
02 Pulverized
03 Bug
04 Death By Misadventure
05 Pizza King
06 Mountain of Tires
07 Rigor Mortis
08 Gene I Dream
09 To The Lightning
10 Rainbows and Butterflies
11 Airborne
12 Motorcycle
13 Beautiful
14 [encore break]
15 Maglite
16 Ceremony [New Order]
17 [second encore break]
18 Don’t Leave Just Now

If you download this recording, we expect that you will PLEASE SUPPORT Wussy, visit their website, and purchase their official releases from the Music link at their site [HERE] or from the Shake It Records website [HERE].

Mr Twin Sister: October 4, 2014 Babys All Right – Flac/MP3/Streaming

October 8, 2014
By

Mr-Twin-Sister-17
[photo by John Harrison - courtesy of Neat Beet]

The simple fact that Mr Twin Sister still exists as a band is in itself quite remarkable. The vast majority of groups that go through the buzz cycle do not come out the back end intact. In 2010 when the band was simply “Twin Sister”, we were among the earliest media outlets to sing the band’s praises — and rightfully so. “All Around and Away We Go” was their first major breakthrough song and it was a clever earworm and interesting dance-rock mix, akin to influences as wide at Tom Tom Club and Sade. But there was always something more than just a pop band to Twin Sister — something a little offbeat and perhaps dark — and when they signed to Domino Records, the relationship only produced one record before an amicable parting. This would be where most bands call it quits. But Twin Sister consists of a bunch of friends from Suffolk County of all places, and they perserved through this period (which also included a nasty tour bus crash) and have come out stronger. With a new-ish band name and an outstanding new self-titled self-released album, Mr Twin Sister 2014 is a band poised to take the path for which they were originally intended. The coming out party took place this past week at Baby’s All Right where the band played two very sold out shows — indicating that the fanbase has remained and that the album is generating excitement. We caught the second of the two nights on Saturday and from the outset of their set, it was clear that Mr Twin Sister is truly back. Lead singer Andrea Estella is in good voice and exhibited confidence and a little playfulness, but the multifaceted (two keys, guitars, sax, effects) band also impressed. And there were guests, in particular a string section played on the final two tracks of the main set, and we are streaming below the strong version of “Blush” with strings. If the strength of the album and of these Baby’s sets are an indication of things to come for Mr Twin Sister, vindication will soon be theirs. And it will be hard earned and well deserved. There are no local dates currently scheduled for Mr. Twin Sister, but they begin a brief tour next week opening for Julian Casablancas in Philadelphia, Washington DC and dates further south.

This set was expertly mixed by the band’s touring FOH Jonathan Low and recorded by house FOH Jeff Swart from the venue’s multitrack system. I have matrixed the house mix with the two room mics and the result is superb. Enjoy!

Stream “Blush”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Mr Twin Sister
2014-10-04
Babys All Right
Brooklyn, NY USA

Digital Soundboard Multitrack Recording

Multitrack Soundboard (engineered and recorded by Jeff Swart) > Jeff mix Wavs + Room mic wavs > Soundforge (level adjustments, setfades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 1:11:24]
01 Part of Two
02 Bad Street
03 Rude Boy
04 Set Me Free
05 The Blue
06 Fantasy
07 Sensitive
08 Poor Relations
09 Out of the Dark
10 Crime Scene
11 [banter - strings intro]
12 Blush
13 [banter - thanks]
14 In The House of Yes
15 [encore break]
16 All Around and Away We Go
17 [outro]

If you download this recording, we expect that you will PLEASE SUPPORT Mr Twin Sister, visit their website, and purchase Mr Twin Sister from Bandcamp [HERE].

Landlady: September 6, 2014 Hometapes / Trekky Records Day Show, Pour House, Hopscotch Music Festival, Raleigh, NC – FLAC/MP3/Streaming

October 6, 2014
By

IMG_7736
[photos by acidjack]

Brooklyn’s Landlady is a really good live band, and they’re good in a way that flatters their musical skill as well as drawing a crowd. Where most music has to make a choice between being interesting or mass-appealing, they seem able to do both, to hang in a narrow band that includes acts like Vampire Weekend, TV On the Radio, and The Dirty Projectors. That I pulled those references from the prior decade isn’t unintentional; Landlady feels like the pleasing synthesis of a few different strands of late-aughts rock, created and executed by Adam Schatz and his bandmates since 2010. Schatz has called Landlady’s songs his “big songs”, and the veteran brings a certain big-tent gusto to the songs that makes them distinct from other projects in which he has been involved, like Man Man or Father Figures. It’s as if Schatz — a multi-instrumentalist himself, including saxophone — distilled some of his other project’s textural complexity and general weirdness into something still-complex but more ready and willing to be liked.

That was all in evidence on the final day of the Hopscotch Music Festival, as Raleigh’s Pour House packed in for the Hometapes / Trekky Records day show. Landlady were representing the former, an outfit recently moved to Durham, North Carolina, and made their label proud. It’d be easy not to care about a day show crowd on a festival’s last day, just near the end of a month-long tour. The band had played Hopscotch Thursday, traveled to Richmond, VA on Friday, then back to Raleigh on Saturday because, as Schatz put it, “we like you”. The band treated us like a special crowd, too, giving us a brisk but powerful set that awakened even the most jaded and hungover festivalgoers. Landlady’s music has an at-times tribal quality to it, abetted in part by the use of two drummers, and that gives the music a festive air. Songs rarely stand still, shifting textures and ideas more often in the space of a single number than many bands achieve in entire albums. True to Schatz’s reputation as a showman, the band saved probably the two biggest standout tracks — “Maria” and “Above My Ground” for the end, though “The Globe” would come in a close third. That final number “Above My Ground” gave Schatz a chance to give a mini-speech mid-song in which he ruminated on the impermanence of things before exhorting the audience to sing the song’s one-word refrain — “always”. As Schatz said, the song is about having lost something, and you got the sense that Landlady would genuinely miss us. They are, after all, a band that stands out the most when they have a packed crowd to watch.

I recorded this set with Schoeps MK41 microphones and a soundboard feed from the Pour House engineer Jack. The sound quality is excellent. Enjoy!

Download the full set: [MP3] | [FLAC]

Stream the full set: 

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request. Feel free to re-post the Soundcloud links.

Landlady
2014-9-06
Hometapes / Trekky Records Day Show
Hopscotch Music Festival
Pour House
Raleigh, NC USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KCY>Z-PFA + Soundboard (engineer: Jack)>>Roland R-26>x24bit/48kHz WAV> Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

01 Under the Yard
02 Girl
03 Washington State is Important
04 [banter]
05 Dying Day
06 The Globe
07 [banter2]
08 Maria>
09 Above My Ground (extended version)

If you enjoyed this recording, PLEASE SUPPORT Landlady, like them on Facebook, and buy Upright Behavior from Hometapes.

So Cow: September 20, 2014 Cake Shop – Flac/MP3/Streaming

October 3, 2014
By

So Cow Cake Shop
[photo by nyctaper]

So Cow released their excellent new album The Long Con on September 16, a date that fell square in the middle of a rare US tour. The tour was scheduled to coincide with the excellent Gonerfest thrown by their record label Goner. The tour also included two NYC shows, and we caught the second one at Cake Shop last week. This was the first time we’ve seen So Cow in over four years since a great set at the now long-departed Monster Island Basement in early 2010. At that point, Brian Kelly was playing with a tour band and recording alone, but now So Cow is a proper working band and The Long Con is the first full length album with the trio. The result is that the album sounds more like the live show we encountered in 2010 and again last week, and less like a Kelly bedroom recording. At Cake Shop, the band worked through a nice mix of material old and new, including the first single from the album “Barry Richardson” that we are streaming below. The album has received some excellent reviews, including a fine piece in PopMatters this week. We expect that the positive attention will propel this excellent band and that it won’t be four-plus years before we see them live again. At least I hope it won’t be.

I recorded this set with the Sennheiser cards mounted to the short ceiling in front of the stage and mixed with DPA omnis positioned in front of the stacks. The stage-mount provides a clear capture of the instruments while the stack tape is vocal heavy. The mix is adjusted to accentuate the positives of both sources and the result is a superb recording. Enjoy!

Stream “Barry Richardson”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

So Cow
2014-09-20
Cake Shop
New York NY

Digital Master Recording

Sennheiser MKH-8040s + DPA 4061s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 41:10]
01 [intro]
02 Sugar Factory
03 Get Down Off that Thing
04 To Be Confirmed
05 League of Impressionable Teens
06 [banter - fly]
07 Operating at a Loss
08 Waltzer
09 Ruane vs The A Bomb
10 High Standards
11 I Hardly Know You
12 [banter - far right]
13 Barry Richardson
14 [banter - thanks]
15 Nutbush City Limits [Ike Tina Turner]
16 Casablanca
17 [banter - Scottish Independence]
18 To Do List

If you download this recording, we expect that you will PLEASE SUPPORT So Cow, visit their artist page at the Goner Records site, and purchase The Long Con from the Goner Records website [HERE].

Support nyctaper

DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.