Posts Tagged ‘ nyctaper ’

Ultimate Painting: May 7, 2016 Music Hall of Williamsburg

June 16, 2016
By

FullSizeRender

Just look at their crowds on their recent tour opening for Woods, and you can tell Ultimate Painting are on the way up. The young band is already two albums in, with new material still coming, and they’ve mastered a capable and engaging live show to go with it. For their slot at Music Hall of Williamsburg last month, the band decided to roll out a few new tunes to go with regulars from their self-titled debut and last year’s Green Lanes, including the the band’s eponymous tune and their widely-beloved “Rolling In the Deep End.” The band’s low-key, 60s psych-influenced approach has found an audience not just because of nostalgia, but because of the band’s ability to craft good songs that mine that territory, the sort of numbers that you remember after hearing them only once. True to the spirit of the Velvet Underground — one of several flattering comparisons the band has enjoyed — they don’t let even their shorter performances end without some music exploration, and “Ten Street” has become that for them, with guitarist James Hoare (ex-Veronica Falls) in particular enjoying the chance to stretch his wings. Expect to see Ultimate Painting around for quite a while.

I recorded this set with Kevin Mazzarelli’s flawless soundboard feed plus Schoeps MK41V supercardiod microphones. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show: 

Ultimate Painting
2016-05-07
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kevin Mazzarelli) + Schoeps MK41V (at SBD, DFC, PAS)>KC5>CMC6>Aeta PSP3>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5
(align, mix down, light compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)
>FLAC ( level 8 )

Tracks
01 Ultimate Painting
02 Rolling In the Deep End
03 [unknown]
04 [unknown2]
05 Break the Chain
06 Central Park Blues
07 Sweet Chris
08 Ten Street

If you enjoyed this recording, PLEASE SUPPORT Ultimate Painting, visit their website, and buy their albums from Trouble In Mind Records.

Jason Isbell: June 3, 2016 Mountain Jam

June 12, 2016
By

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[photos by Jill from For The Love of Brooklyn]

You would have been safe to assume that his 2007 departure from Drive By Truckers would have been fatal to Jason Isbell’s career, but in the near-decade since the split Isbell’s solo work has eclipsed that of the Truckers. Indeed earlier this year Jason Isbell secured his first two Grammy Awards for his brilliant 2015 album Something More Than Free and its stand out track “24 Frames”. Isbell has also split stylistically from his Truckers material, as his solo records have steered towards traditional country and roots — a more natural fit for the artist.

At Mountain Jam this year, despite his high profile Isbell was given an early evening slot during the daylight. Although he would later appear as a superb guest during the Wilco set, Isbell’s daytime set was anything but uninspired. In fact, this was one of the best sets I’ve seen in many years at Mountain Jam. The band was tight, the music top notch and the performer wasn’t holding anything back. Isbell worked through a very representative set, including all of his hits, a few rare numbers, and he even stepped back in time to do a couple of this Truckers numbers.

Jason Isbell will be touring literally all summer in US and European Festivals, outdoor gigs and some club dates. He plays Bonarroo today. All dates HERE.

I recorded this set in the same manner as the Wilco set and the sound quality is comparable. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set:

Jason Isbell
2016-06-03
Mountain Jam
Hunter NY

Digital Master Recording
FOB Audience

Neumann TLM 102s > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:15:42]
01 Stockholm
02 Go It Alone
03 Something More Than Free
04 Twenty Four Frames
05 The Life You Chose
06 Traveling Alone
07 Decoration Day
08 Alabama Pines
09 Codeine
10 Cover Me Up
11 If It Takes a Lifetime
12 Flying Over Water
13 Never Gonna Change
14 [band introductions]
15 Children of Children

Support Jason Isbell: Website | Facebook | Purchase Something More Than Free and other Merch

2016-MountainJam-JasonIsbell-5

Journalism: May 21, 2016 Trans-Pecos

June 7, 2016
By

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You can’t always be sure that a band that sounds good in the studio — and Journalism sounds great on their debut, Faces — will measure up live. We’re extra-excited to report that Journalism are one of those bands, and then some, and we were grateful to host them at Trans-Pecos on a recent Saturday night. Lead singer/guitarist Kegan Zema is a savvy live performer, one who works to look and act the part, and the crack band of Mike Greene (guitar), Owen Keiter (bass) and Brendan Mehan (drums) has a well-oiled and well-practiced sound. Sound-wise, I hear a little bit of Television and Ride in them, as well as some later younger bands like DIIV and Cloud Nothings. This show led off with a new song, “Passenger,” before taking us through most of Faces. The band saved their best song (so far) for last, the propulsive, engaging “Faces I,” a rather dark take on the business of rock n’ roll itself, especially coming from a young band. In this day and age I wouldn’t disagree with Zema’s cynicism, but for his sake and ours, I hope Journalism keep on finding this ride to be worth it.

I recorded this set with Schoeps MK22 microphones at the stage lip, plus Schoeps MK41V supercardiod mics on the room and a stereo soundboard feed. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Stream Faces (then buy it!):
Journalism
2016-05-21
Trans-Pecos
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22>NBob Cables>PFA> + Soundboard + Schoeps MK41V (at SBD, ROC, PAS)>KCY>Z-PFA>Zoom F8>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels)>Izotope Ozone 5 (EQ, compression, tube effect)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Passenger
02 Watching & Waiting
03 Faces II
04 Time Being
05 Night of Knife
06 Denim Jesus
07 Faces I

SUPPORT Journalism: Facebook | bandcamp

Wilco: June 3, 2016 Mountain Jam – Hunter NY

June 5, 2016
By

Wilco Mt Jam Jill 1
[photos by Jill from For The Love of Brooklyn]

This weekend I came across a photo of Jeff Tweedy with Bob Dylan at Bonnaroo in 2004. In the photo, Dylan is wearing a cowboy hat and looking very much like the bemused elder statesman and Tweedy is wearing a baseball cap, an exposed laminate pass and a look of a satisfied fan. To be fair, at that point in his career Jeff Tweedy had already founded one of the most influential alt-country bands (Uncle Tupelo) and carried Wilco through a series of superbly received albums and tours for nearly ten years.

Fast forward to this weekend at Mountain Jam and twelve years later its now Tweedy wearing the cowboy hat and taking the role of elder statesman. The large video screens give the crowd an ability to see closeups even if we’re fifty feet from the stage, and throughout the set it was a hoot to see the bemused look on Tweedy’s face as the Jam crowd roared for every familiar song. But like Dylan before them, Wilco’s set wasn’t just a band churning out the hits — this is an active group with new material and although Star Wars wasn’t played straight through as with the Portchester shows a few months back, the newer songs were well represented in the show, and fit well sprinkled among the familiar songs. The highlight of the set was another veteran/protege appearance, as current alt-country star Jason Isbell joined Wilco for a tremendously well played “California Stars” with dueling guitar solos between Nels Cline and Isbell. And at that high point of the set, Tweedy didn’t look bemused but truly pleased with the superb collaboration.

I recorded this set with the large diaphragm Neumann cards set up in the taper’s “section” on the hill. The sound quality absords some of the crowd chatter and some of the outdoor elements, but overall its an excellent capture. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Wilco
2016-06-03
Mountain Jam
Hunter NY

Digital Master Recording
FOB Audience

Neumann TLM 102s > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:37:13]
01 [EKG intro]
02 More
03 Random Name Generator
04 The Joke Explained
05 I Am Trying to Break Your Heart
06 Art of Almost
07 Pickled Ginger
08 Hummingbird
09 Handshake Drugs
10 Where Do I Begin
11 Cold Slope
12 King of You
13 Via Chicago
14 Spiders
15 Jesus Etc
16 Box Full of Letters
17 Heavy Metal Drummer
18 I’m the Man Who Loves You
19 Dawned on Me
20 Impossible Germany
21 The Late Greats
22 California Stars
23 Red Eyed and Blue
24 I Got You
25 Outta Site Outta Mind

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Wilco, visit their website, and purchase their Star Wars and their other releases from their website [HERE].

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Spacin’: April 30, 2016 Trans-Pecos

May 12, 2016
By

Spacin Pecos
[photo by rubinbooty]

Our readers may have noticed that we’ve been producing and promoting a lot of shows this year. In the past we dabbled with showcases and occasional nights, but with our involvement in Market Hotel and its sister venue Trans-Pecos, we will be presenting roughly one or two shows a month for the foreseeable future. This past month, our guests were the phenomenally underappreciated Philly psych/garage outfit Spacin’. The nice part of producing your own shows is the ability to select the bands — and we were extremely pleased that Spacin’ accepted our invitation. We’ve been fans of the band for quite some time, going all the way back to a magical night at 285 Kent in 2013, and then again at Hopscotch later that year. And Spacin’ was everything that we’d hoped at Pecos. The set was a mix of material old and new, including two songs from the band’s 2016 album Total Freedom, the live debut performance of brand new “I Don’t Know What to Do About It”, and a cover of the 90s punk band Dead Moon. But details and descriptions aside, the best evidence of the phenomenal performance of Spacin’ is to just listen to this recording — its crackling with energy and authenticity. We said back in 2013 that we were never going to miss another Spacin’ show in NYC. And in 2016 we had to make it happen ourselves, and will hopefully get that chance again.

I recorded this set with the Schoeps cards at the front of the stage picking up the live sound from the band’s amps and mixed that with a fine board feed provided by house FOH Chris. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Spacin’
2016-04-30
Trans Pecos
Queens NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Soundboard [engineer Chris] + Schoeps CCM4’s > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (mixing) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 52:51]
01 Half the Time
02 Human Condition
03 [tuning]
04 Over the Edge [Dead Moon]
05 Sunshine No Shoes
06 I Don’t Know What to Do About it
07 Ego-Go
08 Empty Mind
09 Total Freedom

SUPPORT Spacin’: Bandcamp | Website | Facebook | Twitter

Woods: May 7, 2016 Music Hall of Williamsburg

May 9, 2016
By

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[photo courtesy of P Squared Photography]

At one point during this Woods show at Music Hall of Williamsburg, keyboard/sax player Kyle Forester remarked that North 6th Street in Brooklyn was like the “Broadway of shows.” Coming from the longtime New York musician, it was a statement both ironic and, weirdly, kind of true. It’s old news that what was once the epicenter of DIY has long-since ceded to luxury boutiques and corporate outposts, and, of course, Woods have been in the rotation at the city’s fancier clubs for some time now — we’ve covered them at Bowery Ballroom as far back as 2009, Music Hall as early as 2010. But there’s a message in there somewhere about the trajectory of this band versus their surroundings. Woods have never exactly been an overtly “anti-corporate” band — they simply haven’t played that game. Yet, to call them a “DIY” band understates the professionalism of what Jeremy Earl, as bandleader, has accomplished. If you compare the band that took the stage this Saturday to the one we saw at, say, Market Hotel in 2009, or now-defunct Monster Island in 2011, there is a “next level” that this band, and Earl’s vision, have reached without any of the negative trappings that tend to come with it. What you saw this past Saturday was a now-six-piece (seven when Cole Karmen-Green jumps in on trumpet) full-on spectacle of a rock band, creating some of the most musically complex work of their career.

The band was back in town after touring their latest and ninth album, City Sun Eater In the River of Light, and as tends to be the case with homecoming shows, they came ready to bring their best. The new material, with its sax, trumpets and Afro-Cuban style percussion, takes full advantage of the expanded band, with Aaron Neveu on main drums and John Andrews running a second kit and additional percussion. While this show reflected the new record’s relatively downshifted tempo and accessible, focused songwriting, Woods continued their tradition of adding new “jam songs” to the mix. In this case, that’d be “The Take,” which merge a 1970s Lauren Canyon vibe to the band’s trademark psychedelic sound. Likewise, “With Light and With Love,” from the band’s last album, continued its role as the band’s other longform offering, with a classic guitar freakout that gave Earl and Jarvis Taveniere the chance to fully stretch their wings. Not that the longtime fans weren’t taken care of by this set, either — among the band’s earlier tunes, the combo of “Suffering Season” and “Cali In A Cup” was there for the early decade stalwarts.

The band closed on the oldest number of the night, their cover of Graham Nash’s “Military Madness” from 2009’s Songs of Shame. We first recorded the band playing that song at that Market Hotel show in 2009, as ramshackle of an affair as this evening at Music Hall wasn’t. Since that time, that DIY club has closed and been reborn as a (mostly) grown-up venue, and Woods have produced an embarrassment of musical riches. In the end it isn’t the spaces in cities that matter, but what inhabits them. We continue to be grateful that Woods visits so many of ours.

I recorded this set from our usual spot in the venue, together with a direct feed of Kevin Mazzarelli’s flawless mix. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC/Apple Lossless]

Stream the complete show:

Woods
2016-05-07
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kevin Mazzarelli) + Schoeps MK41V (at SBD, DFC, PAS)>KC5>CMC6>Aeta PSP3>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, light compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:16:57]
01 Morning Light
02 Politics of Free
03 Leaves Like Glass>
04 Hollow Home
05 Sun City Creeps
06 The Take
07 [banter1]
08 Shepherd
09 Suffering Season>
10 Cali In A Cup
11 [banter2]
12 Creature Comfort
13 With Light and With Love
14 [encore break]
15 Moving to the Left
16 Military Madness [Graham Nash]

Band:
Jeremy Earl – vox / guitar
Jarvis Taveniere- guitar
Aaron Neveu – drums
Chuck Van Dyck- bass
Kyle Forester – keys / sax
John Andrews- percussion/ drums
Cole Karmen-Green – trumpet

Support Woods: websiteFacebook | store

 

Nathan Bowles: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

May 5, 2016
By

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[photo courtesy of Eric PH]

Nathan Bowles has made in appearance in all kinds of bands connected to Three Lobed Recordings in one way or another, from Pelt to the Black Twig Pickers to Hiss Golden Messenger to Steve Gunn‘s band to his own fine work. And that’s not even solely as a banjo player, either; Bowles is an accomplished drummer, as his work with Gunn in particular has shown. As essential as he has been to the greater Three Lobed family, it was of course an honor to have him for the label’s sixteenth birthday party.

Originally slated to be a bit of a reprise of his 2014 duo performance with Daniel Bachman here at King’s in Raleigh, NC, this set ended up being a special kind of Bowles solo show, as he tried out some new material slated to appear on his forthcoming album on Paradise of Bachelors. The thirteen-minute “I Miss My Dog,” which Bowles recently performed at Pickathon, is as powerful a statement as he has made musically, and furthers the notion that his command of this instrument is not about some kind of “revival” but rather a true evolution. You have only to listen to the short and sweet “Burnt Ends Rag” that came after it to understand what a talent Bowles is, and why we’ll be so fortunate to see him in so many different settings in the years to come.

I recorded this set in the same manner as the other recordings of the day, with a soundboard feed from engineer Justin Perrachon and a combination of onstage and audience mics. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the set (minus banter tracks):

Nathan Bowles
2016-03-26
Three Lobed Sweet Sixteen Spectacular
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

2x Soundboard channels (engineer: Justin Perrachon) + MBHO 603a/KA200N (FOB, DFC, PAS) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 >> Zoom F8>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Words Spoken Aloud
03 [tuning/banter]
04 I Miss My Dog
05 [banter2]
06 Burnt Ends Rag

If you enjoyed this recording, PLEASE SUPPORT Nathan Bowles, visit his website, and buy Nansemond from Paradise of Bachelors.

Chuck Johnson: March 24, 2016 Union Pool and March 29, 2016 Trans-Pecos

April 29, 2016
By

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We saw a lot of our friend Chuck Johnson lately, between his one-of-a-kind full band performance at the Three Lobed Sweet Sixteen Spectacular, to these two NYC shows, the latter of which we sponsored. Both of these performances — the first at Union Pool, the second at Trans-Pecos — showcased Chuck’s recent album on Trouble In Mind Records, Velvet Arc. It’s a more electric-focused project than some of his other recent work, but continues with their strong sense of narrative, and Chuck’s refreshing, ingenious phrasing. We were grateful that Chuck was able to make time for two New York performances — and that we were able to sponsor one of them. Chuck is back out west and off the tour trail for a bit, but we’ll be waiting for his return.

The Union Pool set was recorded by EricPH in our usual manner in the venue, with engineer Doug’s soundboard feed and AKG microphones. The Trans-Pecos show was recorded with Schoeps MK4V microphones at the stage lip only. The sound quality of both is excellent. Enjoy!

Download the Union Pool show: [MP3/FLAC]

Download the Trans-Pecos show: [MP3/FLAC/ALAC]

Stream the complete shows:

Chuck Johnson
2016-03-24
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Doug) + AKG C480B/CK63 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [37:43]
01. Florets
02. [tuning]
03. Sail Away Ladies
04. [tuning]
05. Anamet
06. Middle Water
07. [tuning]
08. Velvet Arc

________________________

Chuck Johnson
2016-03-29
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>NBob Cables>PFA>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Florets [fades in]
02 [tuning]
03 Sailaway Ladies
04 [tuning2]
05 Anamet
06 Middle Water
07 Velvet Arc

Support Chuck Johnson: Website | bandcamp | Trouble In Mind Records 

Lee Ranaldo: March 29, 2016 Trans-Pecos

April 28, 2016
By

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One of those only-in-New York things: you’re out in Ridgewood on a Tuesday night to see a solo guitar player (Chuck Johnson), and the opening act is freaking Lee Ranaldo. Since the demise of Sonic Youth, Lee has been a busy man, putting out two well-received solo records. If these new songs are any guide, there’s going to be a lot more where that came from. What’s striking about seeing Ranaldo in the many settings where we’ve seen him — from the Sonic Youth days to a mind-bending improv performance with Tim Barnes at the opening of Market Hotel, to this solo acoustic performance at Trans-Pecos — is the assuredness with which he plays, the singular dedication and quality that comes through in every single thing he does. The decades under his belt as a professional musician serve not to weigh him down, but as with the finest artists, to free him to do exactly what he chooses, when he chooses, and do it well. These new songs show Lee’s continuing development during the post-Sonic Youth Between the Times & the Tides and Last Night On Earth era, when Ranaldo first embraced more straight-ahead songwriting in the solo realm versus his previous experimental efforts. While we’ve heard “Let’s Start Again” before, at last year’s Trans-Pecos show, the rest of these songs were new numbers, some of which Lee has tried out sporadically at other appearances. Even in their stripped-down form, the complexity and strength of these songs was obvious, and Ranaldo’s vocals have never sounded better. This was a welcome burst of energy from a master of his craft; we can’t wait to see what comes next.

I recorded this set with Schoeps MK4V microphones at the stage lip near Lee and his guitar, coupled with a soundboard feed and Audio Technica 853 microphones in the audience to capture the ambiance of the room. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set: 

Lee Ranaldo
2016-03-29
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK4V (stage lip, DFC) + Audio Technica 853c>PFA (ROC, at SBD)>>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 31:11]
01 [intro]
02 Let’s Start Again
03 Circular
04 Electric Trim
05 Last Looks
06 Thrown Over the Wall

SUPPORT Lee Ranaldo: Website | Store

the Mountain Goats: April 19, 2016 City Winery

April 24, 2016
By

tMG Winery 3 Lowden
[photos by Andrew Lowden]

Over the course of three shows at City Winery, John Darnielle gave his Mountain Goats bandmates a subtle but meaningful tribute that you would have missed if you were not paying close attention. For the first song of each of the three John “solo” segments in each show, a different band member was featured in a duo with the band’s protagonist. On Sunday, Matt Douglas played sax on “Foreign Object”, on Monday Peter Hughes played bass on “Jenny”, and for this Tuesday night finale of the residency, Jon Wurster joined John for a cover of Dio’s “Rainbow in the Dark” — a song Darnielle revealed that Wurster had never played before this performance.

These are some of the little things that bring the fans back to see the Mountain Goats time and again. There were many fans who attended each of the three nights at City Winery and perhaps other East coast shows. What brings them back night after night isn’t just the promise of different and sometimes rare songs at any given show, or the often hilarious banter, or the chance to hear their favorite songs — the most compelling aspect of the Mountain Goats experience is the feeling of belonging. There is a strong sense of unity within the band, between the fans, and between the fans and band. The music offers a sense that no matter how difficult things are for you, there are people out there who know what you’ve endured and can tell you from experience that you’re going to be alright.

The final night of this special set of shows became the “celebratory” performance in large part because this particular crowd was quite rambunctious. And John rewarded the energy with a couple of first-time covers and a few songs that had yet to appear on this tour. In particular “Cobscook Bay” and “Nine Black Poppies” were familiar but welcome additions to the tour itinerary, both not having appeared on a setlist since last year. For a final night of the tour and likely the last NYC Mountain Goats show until 2017, this show was exactly what we’d hoped to experience.

I recorded this set in the same manner as the previous night and the sound quality is equally superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show (minus banter tracks):

Mountain Goats
2016-04-19
City Winery
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Brandon Eggleston] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:42:44]
01 Get Lonely
02 Foreign Object
03 Woke Up New
04 Until I Am Whole
05 Cry for Judas
06 [banter – gimmick intro]
07 Werewolf Gimmick
08 Rainbow in the Dark [Dio]
09 [banter – thanks]
10 Superman [Goldfinger]
11 Nine Black Poppies
12 Cobscook Bay
13 Lakeside View Apartments Suite
14 Southwestern Territory
15 Love Love Love
16 Stabbed to Death Outside San Juan
17 Damn These Vampires
18 [banter – game show intro]
19 Game Shows Touch Our Lives
20 The Young Thousands
21 Liza Forever Minnelli
22 [encore break]
23 See America Right
24 Up the Wolves
25 Home on the Range
26 No Children
27 Spent Gladiator 2
28 [second encore break]
29 This Year

SUPPORT the Mountain Goats: Website | Twitter | Buy Official Releases | Tour Dates

Support nyctaper

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nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

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