Posts Tagged ‘ philadelphia ’

Rosali: September 8, 2017 Three Lobed / WXDU Hopscotch Afternoon Jamboree (Raleigh, NC)

September 18, 2017
By


[courtesy of Three Lobed’s Instagram]

It just wouldn’t make sense to have a talent like Rosali Middleman, who performs as Rosali, show up for a Three Lobed Recordings / WXDU Hopscotch day show and NOT do double duty. So after tearing shit up with the Long Hots earlier in the day, Rosali took the stage again to play her own material, including songs from her forthcoming second LP. Her 2016 debut, Out of Love, arrived like a confident tailwind in a year that was a veritable sea of tumult, and it’s worth revisiting it if you missed it then. This full-band set (featuring Nathan Bowles on drums, Paul Sukeena on guitar, and Dan Provenzano on bass) beefed up certain songs like the key Out of Love opener, “Good Life” as well as making a first (for many of us, at least) showing off new songs like “If I Was Your Heart” and “Dead and Gone.”

These Three Lobed / WXDU day shows tend to have a way of revealing themselves, with the internal logic of the order of (often) wildly divergent styles of bands evident only once you’re standing in the room. Such is the case with Rosali’s position near the end of the day. “Rise To Fall” is a new song of hers, and while certainly the emotional and musical highlight of Rosali’s set, it may also have been that for the whole day, as Middleman’s voice soared over the thick zone of guitars. It felt like an affirmation of all that is right about this day, every year, as a band that had started their set with a measured country-folk number was suddenly blowing the doors off the place with a huge rock song. These shows also have a way of veering from the intellectual to the contemplative to the delightfully weird, but somewhere, there’s always the urgent, throbbing heart, and for me, that was this moment. Stay tuned to Rosali’s bandcamp to find out more about the forthcoming album version.

I recorded this set with fellow taper Randy’s ceiling mounted AKG 460s together with the house mix by Kings’ Evan Lamb. The sound quality is excellent. Enjoy!

Rosali
2017-09-08
Three Lobed Recordings / WXDU Hopscotch Afternoon Jamboree
King’s
Raleigh, NC USA

Recorded and produced by acidjack
Hosted at nyctaper.com

Soundboard (engineer: Evan Lamb)+AKG 460/CK61 (FOB, DFC)>Zoom F8 (24bit/48kHz WAV files)>Adobe Audition CC (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, dither)>FLAC ( level 8 )

Tracks
01 If I Was Your Heart
02 Good Life
03 Hangin
04 Dead And Gone
05 Blind Bird
06 Rise to Fall

SUPPORT ROSALI: bandcamp | Facebook

Dean and Britta: December 15, 2016 Philadephia

February 12, 2017
By


[photo credit]

In 2010, Dean and Britta released 13 Most Beautiful: Songs for Andy Warhol’s Screen Tests, a soundtrack for the pop artist’s black and white film clips of his “superstars” that was commissioned by the Andy Warhol Museum in Pittsburgh. The selection of subjects vary from the well-known (Lou Reed, Dennis Hopper) to the iconic (Edie Sedgwick, Nico) to the obsure (Paul America, Freddie Herko) but all are connected by their work with Warhol. The album incorporates Wareham/Phillips original compositions, one unreleased Luna track, a lost Velvet Underground cover and several other covers in a project that provides emotionally apposite tributes for these historical figures.

In December of 1966, the Velvet Underground and the Exploding Plastic Inevitable first appeared in concert in Philadelphia at the Y as part of the Philadelphia Art Festival. Many of the subjects of 13 Most Beautiful were in attendance and captured for history via photographs that were displayed at the Y’s 50th anniversary of this pivotal moment in the City’s art and musical history. The ultimate celebration of the half-century anniversary occurred in mid-December with a performance by Dean and Britta of their tribute album.

The set began with a pre-recorded intro of the ambient “Richard Rheem Theme” as the band entered the room. Thereafter, the 13 album was performed in its natural order. This was not however a strictly album-order performance but rather featured in-between song descriptions of the characters and history of the subjects — the funny, sad and often tragic lives of Warhol’s iconic subjects. Dean and Britta clearly have connected personally with this material and the result was a concert of great emotion that is one of my favorite ever performances by the couple.

The recording was captured by Kubacheck from a very advantageous position with his best mobile rig and the sound quality is superb. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set:

Dean and Britta
2016-12-15
Gershman Y
Philadelphia PA

Digital Master Audience Recording
Recorded from Front of Board

MBHO 603a – KA-500 > Naiant Tinybox > Roland R-05 > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by Kubacheck
Produced by nyctaper

Setlist:
[Total Time 1:11:44]
01 Richard Rheem Theme
02 Ann Buchanan Theme
03 Teenage Lightning and Lonely Highways (Paul America)
04 It Don’t Rain in Beverly Hills (Edie Sedgwick)
05 Silver Factory Theme
06 International Velvet Theme
07 Herringbone Tweed (Dennis Hopper)
08 I Found It Not So (Mary Woronov)
09 I’ll Keep It With Mine (Nico)
10 Incandescent Innocent (Freddie Herko)
11 Eyes In My Smoke (Ingrid Superstar)
12 I’m Not A Young Man Anymore (Lou Reed)
13 Knives From Bavaria (Baby Jane Holzer)

SUPPORT Dean and Britta: Website | Discography | Facebook

Bardo Pond: November 18, 2016 Union Pool

December 14, 2016
By


[photo by Greg Cristman for BrooklynVegan. Used with permission.]

Despite being from nearby Philly, Bardo Pond don’t make it to New York nearly as often as I would like. Or maybe my version of “often” is too frequent. Either way, the band continue to prove their vitality and consistency into their third decade. This show at Union Pool began with one of their more recent favorites of mine, “Kali Yuga Blues” from Peace on Venus, but spread across the spectrum of the band’s career, from the Lapsed classic “Straw Dog” to several brand-new songs that haven’t made their way onto official releases yet.  Of the new ones, it was my first time hearing, “My Eyes Out,” a heavy, relatively fast-burning scorcher of a tune. It’s equally hard to deny the band’s new more exploratory number, “Moment to Moment,” which closed out this show for fourteen mind-bending minutes. If there was any regret about this show, it was that the show’s tight timetable meant that it couldn’t go on longer. Judging by the band’s appearances this year, they are feeling more artistically vital than ever, and ready to prove it. Hope to see them again soon.

I recorded this set with a soundboard feed from Union Pool engineer Robert (which fades in after about 50 seconds), together with Schoeps MK4V microphones. The only other flaw in the sound is the hiss of the smoke machine, but it’s less a true flaw than “atmospherics.” Overall, the sound is excellent. Enjoy!

Stream and download this recording from our bandcamp page – pay what you want (all $$ to Bardo Pond)

Bardo Pond 
2016-11-18
Union Pool
Brooklyn, NY USA

Exclusive download hosted at  nyctaper-official.bandcamp.com
Recorded and produced by acidjack

Soundboard (engineer: Robert) + Schoeps MK4V (at SBD, PAS)>KCY>Z-PFA>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CC (align, mix down, compression, fades)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:08:31]
01 Kula Yuga Blues
02 Taste
03 Be A Fish
04 Two Planes
05 Crossover
06 Out of Reach
07 Straw Dog
08 My Eyes Out
09 Under the Pines
10 Moment to Moment

SUPPORT Bardo Pond: Website | Three Lobed Recordings | Fire Records

Watery Love: September 9, 2016 Three Lobed / WXDU Day Show, Hopscotch Music Festival, King’s (Raleigh, NC)

September 13, 2016
By

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“We’ve arrived at the volume plateau of the day” Three Lobed‘s Cory Rayborn said as he introduced the Philly “supergroup” Watery Love, taking the stage at the annual Three Lobed / WXDU Day Show at King’s during Hopscotch Music Festival. Rayborn wasn’t lying–the band came out of the gate with the loud-as-fuck blast of “Ned’s Dreamcatcher” and didn’t let up from there. As we were streaming the show live on Duke University radio station WXDU, the team handling that end of the business had to work overtime to “bleep” vocalist Richie Charles’ (of Richie Records) dirty words back to PG-13. Indeed, this was dirty, cuss-spitting, fire-breathing, bad-ass scuzz rock and it was not to be stopped, by outdoor sunshine or otherwise. But while any group of yahoos can stand up and make noise, what sets Watery Love, and this particular performance, apart is that these guys hang together so well, playing well and turning all of that energy into something deceptively cohesive.

This was a perfect wake-up call on a day with a very wide palette of artists, and regulars Charles and Max Milgram (guitar) had arrived equipped with extra firepower in the form of Purling Hiss‘ Mike Polizze and Ben Leaphart, together with harplist/multi-instrumentalist Mary Lattimore (possibly the day’s MVP, or at least, the person who played with the most different bands) on bass, drums and keys, respectively. Watery Love has been a band since 2008, but their performances, especially outside of Philly, have been sporadic, and their recorded output is equally limited. Seeing them is a treat, and the energy they expect is equal to the moments they inhabit. There were many very, very fine performances on this day, but this might be the only one that had even the people in the back howling with glee like teenagers. Whatever it is these guys have, make sure you try to catch some of it.

I recorded this set with King’s engineer Brad Womack’s house mix, plus an additional soundboard channel, and Schoeps MK4V microphones onstage. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show: 

Watery Love
2016-09-09
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Brad Womack) + Schoeps MK4V (stage lip, DFC, PAS)>KC5>CMC6>>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 Ned’s Dreamcatcher
02 Sweat Powers
03 Die With Dignity
04 A Condom

PLEASE SUPPORT Watery Love: Facebook | Bandcamp

Spacin’: May 28, 2016 Union Pool

June 15, 2016
By

Spacin'

As you can tell, we’re big fans of Philadelphia’s Spacin’, the minimalist garage-psych mind-meld of Jason and Eva Killinger. Back in April, we booked the band at Trans-Pecos, where they dug out some tunes from their latest record, Total Freedom, which came out on Richie Records earlier this year. A few weeks later, Spacin’ was back in town to open the Philly-centric Heron Oblivion/Chris Forsyth show at Union Pool to complete that stellar bill. Opening up with their take on MC5’s “American Ruse,” the band follows with “Over Uneasy” and “Titchy” off Total Freedom, and then “Empty Mind,” the leadoff track from Deep Thuds. The band have some upcoming tour dates in the Southeast in July—check here for all dates.

I recorded this set from our usual location in the venue, with a board feed from FOH Leah. The sound is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Spacin’
2016-05-28
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Leah) + AKG C480B/CK63 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [33:00]
01. American Ruse [MC5]
02. Over Uneasy
03. Titchy
04. Empty Mind

Buy Total Freedom via Richie Records
• • Connect with the band on Bandcamp, at their Website, and on Facebook and Twitter

Palm: January 29, 2016 Palisades

February 3, 2016
By

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The band Palm bring an impressive amount of music experimentation to the table, especially for a fairly young band. The compatriots, who met at Bard College upstate, but now reside in the independent music hotbed of Philadelphia, claim to be short on formal training, but I’m calling B.S. on that. Or rather, if their ability to produce intricate, jazz-inflected songs filled with unusual, shifting time signatures is something they just came up with on their own, then formal training may as well hang it up. On this packed weekend night at DIY-ish Palisades, the foursome came ready to wow us, playing only one song from their standout 2015 LP Trading Basics, released by Exploding In Sound. So we got the (relatively) hooky “Ankles” from that record, paired with a slew of relatively new or very-new songs, many of which the band themselves don’t have titles for. You could see that at points the members were feeling the songs out among each other, casting glances across the stage, but you wouldn’t have known it without looking at them; this material feels dialed-in and ready for primetime. What Palm are doing certainly has its cultural touchstones — some of the great “math rock” bands of mid-late-90s like Faraquet, Smart Went Crazy, June of 44 and Polvo — but it’s also daring and fresh at a time in “rock” music where the norm is more often party music that keeps a low bar. If the band’s subsequent releases have anything in common with what we heard tonight, or Trading Basics, then we’re going to be impressed by them for a very, very long time.

I recorded this set with Schoeps MK22 open cardiod microphones onstage together with a soundboard feed from Palisades FOH Ariel. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Palm
2016-01-29
Palisades
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by acidjack and nyctaper
Produced by acidjack

Schoeps MK22 (ORTF, stage lip)>NBob cables>PFA + Soundboard (engineer: Ariel Bitran)>Adobe Audition CS 5.5 (align, mix down, narrow onstage image)>Izotope Ozone 5 (effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 [new song 1]
02 I Don’t Want to know
03 Ankles
04 [new song 2]
05 Crank
06 [new song 3]
07 [new song 4]
08 Two Toes

SUPPORT Palm: Facebook | Bandcamp

The War on Drugs: October 8, 2015 Radio City Music Hall – FLAC/MP3/Streaming

October 11, 2015
By

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[Photo courtesy of Ellen Qbertplaya]

This happened: About a year and seven months ago, in March of 2014, we attended back-to-back performances by The War on Drugs at Bowery Ballroom. Two of us from the site were backstage, where the band had been kind enough to invite us. Frontman Adam Granduciel was surrounded with well-wishers, seeming half-dazed from the adulation. He struck me as an unpretentious and genuinely kind person, nothing like typical “rock stars” of popular lore. Of course, he also wasn’t one yet. What followed a few minutes later was a conversation that has stayed with me since, as the founder of this site got a few minutes to talk to Adam, as he’d been doing since we saw his band take the stage as the opener at places like the Cameo Gallery and the Knitting Factory in Williamsburg. He basically laid out what was about to happen: the band’s popularity would explode, they would be a top draw at festivals around the world, they would be surrounded by new and different types of handlers, they would appear on late night TV shows, and, not far in the future, they would play a huge venue, like Terminal 5. Not to say that represents any unique power of prognostication or insight; to anyone who had watched the band play those shows at Bowery, who had heard Lost In the Dream and its connection to the American rock tradition in the vein of Tom Petty and Bruce Springsteen, who could feel the energy oozing from the stage, it should have been clear. The person who seemed most surprised, that night, was Granduciel himself.

The album that made it all happen, Lost In the Dream, prompts even bigger questions than its words themselves ask. How good can you be? Is burrowing deep inside yourself until you’ve turned yourself inside out, hurt and insecurities and questions all on display, apt to give you even more anxiety, or free you from it? Granduciel famously struggled through making this record, a long-term personal project on which he recorded the instruments himself. That period found him dealing with bouts of depression, paranoia and self-doubt, which you can hear all over the record. As Granduciel said in one interview, at one point he found himself, 33 years old and alone, realizing music was all he had. Wondering if this body of work would be finished. If it would be enough.

So maybe it’s not surprising that, even after those two very successful performances, Granduciel didn’t quite believe what was about to happen. But in reality, our prediction ended up undershooting the band’s success by a little. Because, after signing to Atlantic Records, ending up in tabloids, playing the Tonight Show, Kimmel, and Letterman (again), and headlining (soon) or high-billing at a slew of festivals, here they were, back in New York City, not at the 3,000 capacity Terminal 5, but at a true institution, Radio City Music Hall, with a capacity more than twice that. And from the opening notes, you knew that all that love and confidence that had come at them over the past 19 months wasn’t misplaced. These broad stages are where Granduciel’s sound belongs, even if his to-this-day humble, honest, everyman persona doesn’t scream for attention the way his peers’ often do. Tonight’s setlist itself was a sign of the band’s own confidence; rather than kick off with the best-known Lost In A Dream stuff, the band led with “Arms Like Boulders” from 2008’s Wagonwheel Blues, probably owned by a fraction of this crowd, followed by “Baby Missiles” from Slave Ambient. Hearing these songs in this setting, with this band, it’s easier to connect the dots from those albums to Lost In the Dream — while the band’s big breakthrough had much more slick production, the roots of that big-tent sound have always been there. From the day Granduciel started this thing, The War On Drugs have been awesome, and they have been big.

Granduciel’s family was in the audience, and what a joy this must have been for them. Judging by the number of shoutouts and dedications, there were quite a few friends and family there to witness this, as there ought to have been. As they always do, The War On Drugs gave this crowd their all for the full 100 minutes, and the setlist proved surprising at a few points. Sure, we got the ecstatic one-two-three of Lost In the Dream’s best songs — “Red Eyes,” “Eyes to the Wind,” and “Under the Pressure” — but that came about mid-set. After a bit more of Lost In the Dream came a new cover we haven’t heard, Ron Wood’s “Mystifies Me,” which paused mid-song for a dedication to drummer Charlie Hall and his wife, Ann. The main set closed on a mellow note, ending with “Lost In the Dream.” Sometimes it seems strange that such melancholy songs have become such crowd-pleasers. But then, it’s not hard to identify with their sentiments, particularly on Lost In the Dream — that search for something better, the suspicion, but not quite resignation, that the best things have passed. You keep your eyes up, you keep going, and you try to miss what is gone without letting it take you over. To me, it’s always been “Under the Pressure,” the album opener, that sums this part of this band’s story up: that iconic keyboard melody, soaring over the lyrics about being under the pressure, trying not to crack. But even in that first, ecstatic “whoo!” at the beginning, you know that this song is about hope. You know the narrator will make it, even he doesn’t sound so sure.

For an encore, we got probably band’s biggest pre-Lost In the Dream tune, “Brothers,” followed by the Wagonwheel Blues number “Buenos Aires Beach” to finish the night. It seems fitting that the set was bookended with songs from an earlier, simpler time in this band’s cycle. From here on out, The War On Drugs’ world will be something else entirely, as major recording artists on a roster that’s played home to bands like AC/DC and Led Zeppelin. Whatever comes after Lost In the Dream, the weight of expectations on that record will be felt like never before. We don’t know what it will sound like, but we do know that Granduciel has proven up to the greatness that’ll be asked of him. He deserves this, all of it.

This set was recorded with Schoeps MK41V supercardiod microphones to maximize rejection of extra noise and focus on the music. The sound quality is excellent for an audience recording in this venue. Enjoy!

The War On Drugs are on their way to the West Coast to play the Greek Theatre in Los Angeles, followed by headlining the Treasure Island Music Festival in San Francisco. Catch them out there.

Download the complete set from the Live Music Archive: [MP3] | [FLAC]

Stream the complete set from the Live Music Archive:

The War On Drugs
2015-10-08
Radio City Music Hall
New York, NY USA

Schoeps MK41V>tinybox v2(OT)>Sony PCM-M10>24bit/44.1kHz WAV>Izotope Ozone 5 (EQ, image, exciter, compression)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks [Total Time 1:39:18]
01 Arms Like Boulders
02 Baby Missiles
03 Comin’ Through
04 An Ocean in Between the Waves
05 Disappearing
06 Red Eyes
07 Eyes To the Wind>
08 Under the Pressure>
09 In Reverse
10 Burning
11 Mystifies Me [Ron Wood]
12 The Animator>Come To the City
13 Lost in the Dream
[encore break removed]
14 Brothers
15 Buenos Aires Beach

If you enjoyed this recording, PLEASE SUPPORT The War on Drugs, visit their website, and buy Lost In the Dream from Secretly Canadian.

 

Spacin’: December 14, 2014 Glasslands – FLAC/MP3/Streaming

January 27, 2015
By

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Spacin‘ were the right kind of band to see in my last time at Glasslands. Live, they’re not a fussy bunch: They take the stage, launch into their thing, and sear your ears without pretense. They’re not guaranteeing an upscale kind of rock show; this lo-fi Philly band is guaranteeing a good time. Likewise, even in its quasi-DIY last incarnation, Glasslands was never trying to be a slick-sheened rock club. Glasslands wanted you to feel welcome as soon as you got in the door, and to have a blast.

Although this was a different formation than the Spacin’/Purling Hiss beast I saw at Hopscotch a few months earlier, Spacin’ played several numbers from that set as well as some others I have come to know well. The band’s cover of MC5’s “American Ruse”, heavily retooled in Spacin’s image, is always a high point. As that eight-minute rocker wound down, the band segued into a psychedelic intro that led into the bread-and-butter mid-set of “Human Condition” followed by “Sunshine No Shoes”. For the band’s moment on the Glasslands stage, they played the appropriate-enough “Empty Mind”, with its heavy-chugging bass line and ample opportunity for exploration.

Even if we won’t be able to visit Glasslands anymore, the spirit of the place will live on elsewhere. Where there are bands and fans in need of a real home, a place where you feel less like a customer and more like a welcome friend, there will be right-minded people there to fill that gap.

I recorded this set with our installed sound system at Glasslands and a soundboard feed by Josh Thiel. The sound quality is quite good and much better than the Spacin’/Hiss set earlier this year, but it’s still gritty enough not to confuse anyone what this is about.

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Spacin’
2014-12-14
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Josh Thiel) + Naiant X-R (PAS, DFC)>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, fades)>Izotope Ozone 5 (EQ, harmonic exciter, imaging)>Audacity 2.0.5 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Over Uneasy
02 American Ruse [MC5]>
03 Human Condition
04 Sunshine No Shoes
05 Empty Mind

If you enjoyed this recording, PLEASE SUPPORT Spacin’, check them out on Facebook, and buy their album Deep Thuds from Midheaven Mailorder.

Antietam: December 6, 2014 Trocadero Philly – Flac/MP3/Streaming

December 16, 2014
By

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[photos by Max Sall]

As are their friends, Antietam is also celebrating a 30th anniversary of sorts this year. As bassist Tim Harris noted, Yo La Tengo’s first ever show was also Antietam’s third show and the two have lived virtually parallel lines ever since. Each are a trio anchored by a married couple. But in the case of Antietam, they are clearly not as prolific as YLT (including a hiatus of several years) and as a result the band members lead regular lives. Tara Key is by day a librarian at Columbia University and when not playing in the band she’s a world class pinball wizard by night. But when Tara straps on the Gibson and takes the stage with Antietam, she, Tim and drummer Josh Madell are a well-oiled machine led by the incendiary guitarist. At the Trocadero, Antietam opened for YLT and played a superb forty-five minute set of material new and old. They were joined at times by vocalist Sue Garner and on “Hands Down” by YLT’s Ira Kaplan (streaming below). Ira has performed on the original recording of the song, and when these two bands play on the same bill there is always appropriate collaboration — Tara later joined YLT for a song on which she has played on the original recording. Antietam’s set began when the venue was not entirely full but as the set gained momentum the crowd filled and reacted with increasing enjoyment. In particular, the last four songs beginning with “Sunshine” were absolutely ripping and Tara’s guitar play dominated the room much to the delight of the crowd.

I recorded this set in the same manner as the Yo La Tengo set — Schoeps and a fine board feed provided by the Troc’s excellent house FOH. The empty spaces in the room early in the set created a little echo that was easily removed with some gentle EQ, and ultimately the sound quality of this recording is superb. Enjoy!

Stream “Hands Down”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Antietam
2014-12-06
Trocadero Theatre
Philadelphia PA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Mark Luecke] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 44:54]
01 Time Creeps
02 1-2-1
03 Breathe
04 Satisfied
05 Right Between Your Eyes
06 Bird Watching
07 Sunshine
08 [banter – Ira intro]
09 Hands Down
10 Clarion
11 Stowaway

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Antietam, visit their website, and their blog, and their Facebook page, and purchase their official releases from Carrot Top Records [HERE].

Yo La Tengo: December 6, 2014 Trocadero Philly – Flac/MP3/Streaming

December 10, 2014
By

YLT 1
[photos by Max Sall]

This show represents the only time this year that I saw Yo La Tengo live. You have to go back nearly a decade to find a calendar year when I saw the band only once. The band went out on a little mini-tour in celebration of their official 30th anniversary as a band and also in support of a new release called Extra Painful — a reissue of their classic 1993 album Painful packed with a bunch of bonus material. So since the two Town Hall shows were not conducive to recording, I made a roadtrip in the pouring rain to Philadelphia and back. The Trocadero is a converted old theatre right in the heart of Philly’s Chinatown District and its just a few blocks from the Franklin Bridge — an easy in and out of the City. Although the Troc has two balconies and an official capacity of 1200, it definitely has an intimate vibe perhaps since the actual floor is fairly small. But intimate or not, we’re used to seeing Yo La Tengo amongst “friends” at some fairly small-ish places, so there was a definite “road” feel to this show. As YLT shows go, this one had pretty much everything you could ask for including some rare nuggets (“Empty Pool”, “Demons”), special guests (Tara Key early, and full Antietam later), plenty of noisy stuff, and an absolutely ear-crushing “Story”. We are streaming a standout version of “Drug Test” that began with a (separately tracked) false start but like in so many of those situations with a “start over”, the band totally nailed it on the re-do. Yo La Tengo currently has no scheduled dates, but we’re hoping that we get more than one chance to see them live in 2015.

I recorded this set with the Schoeps mounted in the front of the soundboard booth and mixed with a superb feed provide by the band’s longtime and legendary FOH Mark Luecke. As with most YLT recordings, there are level issues — the quiet songs are whispers and the noisey songs are loud as heck — so there are some minor artifacts from my editing to create a more consistent level throughout. Ultimately the sound quality is quite excellent. Enjoy!

Stream “Drug Test”:

Download the Complete Show [MP3] / [FLAC]

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Yo La Tengo
2014-12-06
Trocadero Theatre
Philadelphia PA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Mark Luecke] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:57:56]
01 Cherry Chapstick
02 Let’s Save Tony Orlando’s House
03 Super Kiwi
04 [banter – Tara intro]
05 Demons
06 Mr. Tough
07 [dedication to Richard Evans]
08 If It’s True
09 [banter – 30 years]
10 The Empty Pool [Yung Wu]
11 The Whole of the Law [The Only Ones]
12 The Summer
13 [banter – XPN]
14 I’ll Be Around
15 Big Day Coming
16 We’re An American Band
17 [false start]
18 Drug Test
19 Sugarcube
20 Ohm
21 The Story of Yo La Tango
22 [encore break]
23 Today Is The Day
24 [banter – Antietam intro]
25 Orange Song [Antietam]
26 [thanks]
27 What Can I Say [NRBQ]

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and purchase the Extra Painful reissue from Matador Records [HERE].

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