Monthly Archives: October 2011

Smashing Pumpkins: October 18, 2011 Terminal 5 – FLAC/MP3 Downloads + Streaming Songs

October 21, 2011
By

Photo courtesy of Jill and For the Love of Brooklyn
[photos courtesy of Jill and For the Love of Brooklyn. See all her pictures here!]

For me, the hobby of live recording at concerts has one origin; the Smashing Pumpkins. It was in 2000 and the band was on their final world tour when I was drawn into this hobby. The band, still mired in the politics of a big recording label, did not openly allow taping, but those that were interested were just an internet search away from immersion into a community of passionate fans who were taping, trading and archiving recordings.

Since the band’s humble beginnings in Chicago, Billy Corgan was receptive towards live recordings and the community often saw ‘leaked’ analog cassettes from the archives. (Mashed Potatoes, anyone?) It was through these tapes that I was drawn to the beauty of live recordings, experiencing the energy and passion of a show I could not attend, or creating a permanent memory of those I could. Fortunately for the taping community, in 2003, Billy Corgan instituted an open taping policy with his side project Zwan and legions of fans could finally – and legally – document their performances.

Though the only remaining original member of the band is Corgan, this open taping policy has remained constant and is exposing new fans to their huge catalog of music while showcasing the talent of their three new members, guitarist Jeff Schroeder, bassist Nicole Fiorentino, and 21-year-old Mike Byrne on drums. But regardless of the lineup changes, the music remains as powerful as ever, selling out venues and enthralling crowds worldwide.

The NYCTaper crew caught the Smashing Pumpkins on tour at Terminal 5 this week and they did NOT disappoint. Indeed, their performance was a mind-blowing mix of new material from their forthcoming album, Oceania, with sprinklings of hardcore fan favorites from Gish, Siamese Dream, Pisces Iscariot, Mellon Collie, and Adore. We recorded this show with multiple rigs clamped to an ideal spot above the soundboard, and the house mix was as good as any of us had ever heard at Terminal 5. Thanks to the electric performance of the band and the crazy high energy of the crowd, the results of our recordings were nothing short of fantastic.

In honor of JFCB who sent us a 4AM email (he just couldn’t stop listening!), we are streaming two of his favorites from the show:

Stream “Geek U.S.A.”
[audio:https://www.nyctaper.com/S1810SmashingPumpkins1102/tsp2011-10-07.mk41.GeekUSA.mp3]
Stream “Muzzle”
[audio:https://www.nyctaper.com/S1810SmashingPumpkins1102/tsp2011-10-07.mk41.Muzzle.mp3]

Direct download of MP3 files [HERE]

Direct download of FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request. Note that this show will be uploaded to the Live Music Archive shortly. Please do not upload to the LMA on our behalf.

Photo courtesy of Jill and For the Love of Brooklyn

The Smashing Pumpkins
Terminal 5
New York, NY, US
2011-10-18

Recordist : hi and lo
Location : first balcony rail, DFC
Source : Schoeps MK41/CMR > Naiant PFA > EAA PSP-2 > Tascam DR-680 @ 24 bit / 48 kHz
Edit : WaveLab V6 (EQ/Fades/Resampling/Dither)
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.98
Encoding : FLAC v1.2.1 Level 8 with TLH v2.6.0 (Build 168)

Tracklist:

01. Intro
02. Quasar
03. Panopticon
04. Starla
05. Geek U.S.A.
06. Muzzle
07. Window Paine
08. Lightning Strikes
09. Soma
10. Siva
11. Oceania
12. Frail and Bedazzled
13. Silverfuck
14. Obscured
15. Pale Horse
16. Thru the Eyes of Ruby
17. Cherub Rock
18. Owata
19. My Love Is Winter
20. For Martha
21. (Encore Call)
22. Pissant
23. Bullet with Butterfly Wings

Running Time: 2:16:45

Please support Smashing Pumpkins by seeing them on their current tour in support of Oceania and by visiting their official website. If you’ve enjoyed this recording, you may also purchase an official soundboard version directly from the band’s website and by signing up for the Smashing Pumpkins Record Club.

Oberhofer: October 1, 2011 Monster Island Farewell BBQ – Flac and MP3 Downloads + Streaming Song

October 19, 2011
By


[photo by Chris Becker courtesy of Impose Magazine]

On a rainy and dreary October day, with Monster Island padlocked behind it, River Avenue became the makeshift concert spot for a bittersweet celebration of seven years of perhaps the best DIY shows that Brooklyn has ever seen. Monster Island Basement was a venue that we visited often, and recorded everything we saw there. The excellent performances we experienced litter this site. We also presented a show there in the Spring of 2009. As he has for its entire seven year existence, the ubiquitous presence of ToddP was the first person we saw when we turned onto River Avenue that morning to record the entire event. Per his tradition, the ToddP Acoustic BBQ is a neverending parade of local DIY talent who perform brief ten minute sets. On this day, it was 36 bands, with everyone from the electronic noise of openers White Sun, to the slide-blues of Ezekial Healy, the poetry of Eliza and Parry, the folk of Katie Eastburn, the spoken word performance by DJ Dog Dick, and a million other genres. We recorded 29 acts, as the persistent rains brought the action inside for periods of time. Of those acts, perhaps the most impressive was the kinetic energy of Oberhofer, whose 3-song set was both entertaining and engaging for the obvious talent that Brad Oberhofer projects. In a raw acoustic setting without the benefit of the bells and whistles of sound effects, the artist and their talent stand naked. In that setting Oberhofer shined performing three songs — including two of his own compositions and a tongue in cheek cover of Kanye West.

This show was the most difficult circumstances under which I’ve ever recorded. The weather was an issue all day, and the “stage” was continually shifted, so that we were left with having the pick up the microphone stand and move it often. For this particular set, the artist remained in one location (you can see our microphones in the photo) and played at a decent acoustic volume. As a result, although you can hear some wind noise, the overall sound quality is quite excellent. Enjoy!

Stream “I Could Go”:
[audio:https://www.nyctaper.com/ToddP%20Monster%20Island%20Farewell/02.%20I%20Could%20Go.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Oberhofer
2011-10-01
Monster Island Farewell Acoustic BBQ
Brooklyn, NY USA

Four-Track Digital Master Recording
Recorded on Stage

Neumann KM-150s + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-10-20

Setlist:
[Total Time 11:24]
01 Away FRM U
02 I Could Go
03 Runaway [Kayne West]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Oberhofer, visit their Facebook page, and purchase their official releases from the White Iris Records store [HERE] and keep an eye out for future releases at Glassnote Records [HERE].

Eternal Tapestry: October 14, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Song

October 18, 2011
By


[Photo by acidjack]

Portland’s Eternal Tapestry brought their heavy left coast psych rock to Glasslands this past Friday night, performing three long-form compositions of their densely layered guitar, bass, and saxophone (an instrument that seems to be making a big comeback lately!). The first two numbers came from the band’s latest record, Beyond the 4th Door, but the final track, “Doing Your Own Being”, was my personal highlight. With its eastern-inflected sax melody, the song is not only compelling, but rare. Released only on the very-limited-edition box set, Not the Spaces You Know, But Between Them on North Carolina imprint Three Lobed Recordings, this was likely many audience members’ first exposure to this incredible tune. Eternal Tapestry have reportedly made several records by essentially culling down live in-studio sessions, so unsurprisingly, the actual live show is a thing of beauty, as the band reworks and expands upon their songs on the fly. They don’t make it out east as often as we would like, so don’t miss them on the next go round.

I recorded this set with the DPA microphones mixed with an excellent board feed from Josh at Glasslands. As usual for this venue, the sound is excellent!

Thanks to PopGun Booking for hosting us.

Stream the complete set and download individual tracks:

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Eternal Tapestry
2011-10-14
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

DPA 4021>Sound Devices USBpre2 + Soundboard>>Edirol R-44 [Oade Concert Mod] (24/48)>2x24bit/48kHz WAV>Audition (EQ, mixdown, amplify)>Audacity (set fades, tracking)>FLAC ( level 8 )

Tracks
01 Cosmic Manhunt
02 Wave Without A Shore
03 [banter]
04 Doing Your Own Being

If you enjoyed this recording, PLEASE SUPPORT Eternal Tapestry, visit their MySpace page, and purchase their latest record, Beyond the 4th Door, directly from Thrill Jockey [HERE]

Real Estate: October 15, 2011 Bohemian Beer Garden – Flac and MP3 Downloads + Streaming Songs

October 18, 2011
By


[blurry blackberry photo by nyctaper]

The new album from Real Estate is officially released today. Days is the first album for the band on their new label Domino — and this seems to be the perfect match between a label for music aficionados and a band who have melded a plethora of musical influences into a deceptively simple laid-back suburban indie sound. At the Bohemian Beer Hall in Astoria on Saturday, Real Estate began their CD release show by performing Days straight through, as they had done at 285 Kent in June. But midway through the set, at the conclusion of “Side A”, the band really threw us a curveball — a cover of Felt’s “Sunlight Bathed The Golden Glow” (streaming below) that was as faithful to the original as much as it sounded like a Real Estate song. Matt Mondanile spent some time in Europe, and seems to have developed a taste for eighties Brit alterna-pop. After the show, we spoke to Matt and their Domino rep and learned the genesis of this cover. Felt’s Lawrence had programmed a show on Domino radio that Matt had heard and spurred his interest. The show continued with “Side B”, which concluded with a jammed-out seven minute version of the album’s closing track, “All The Same” (also streaming below). Real Estate finished the show with an extended take on “Beach Comber” that also stretched to seven minutes. The band flew overseas to begin a European tour before they return to the US in November. Real Estate will play Bowery Ballroom on November 23.

I recorded this set with the Neumann microphones mounted at the soundboard about 30 feet from the stage and mixed with a soundboard feed. The show presented some challenges, as the packed crowd muffled the PA speakers that are inexplicably placed at ground level at the venue. Ultimately, some EQ and a proper post-production mix of sources has resulted in an excellent recording. Enjoy!

Stream “Sunlight Bathed The Golden Glow” [Felt cover]:
[audio:https://www.nyctaper.com/R2410RealEstate9229/07.%20Sunlight%20Bathed%20The%20Golden%20Glow%20%5bFelt%20cover%5d.mp3]

Stream “All The Same”:
[audio:https://www.nyctaper.com/R2410RealEstate9229/14.%20All%20The%20Same.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Real Estate
2011-10-15
Bohemian Beer Hall
Queens, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced
by nyctaper
2011-10-16

Setlist:
[Total Time 1:04:48]
01 Easy
02 Green Aisles
03 It’s Real
04 [banter – kick drum]
05 Kinder Blumen
06 Out of Tune
07 Sunlight Bathed The Golden Glow [Felt cover]
08 [crowd]
09 Municipality
10 Wonder Years
11 [banter – record release]
12 Three Blocks
13 Younger Than Yesterday
14 All The Same
15 [banter – setlist]
16 Fake Blues
17 [banter – thanks]
18 Beach Comber

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Real Estate, visit their website, and purchase Days from the Domino Records website [HERE].

Shinji Masuko: October 10, 2011 Knitting Factory – FLAC and MP3 Downloads + Streaming Full Show

October 17, 2011
By

shinji
[still from this video]

Shinji Masuko is a revered cult figure among aficionados of latter day Japanese experimental rock. Perhaps best known for his work in DMBQ, and more recently as a guitarist for Boredoms, Masuko is a renaissance man of the scene, also making a huge contribution in music journalism. He was also instrumental in raising money for Japanese musicians who were victims of the tsunami, an effort in which Oneida and NYCTaper participated. It was a rare treat for us stateside to get to see Masuko in a “solo” (with a bassist, whose name I regretfully do not know) performance at the Knitting Factory, where he played a complex guitar-based piece that referenced Japanoise, psychedelia, and Japanese folk and tribal music. A rapt crowd of music fans stood in awe of a piece that in some ways echoed Boredoms’ “Boadrum” pieces without the drummers. Masuko has also put out a recent set of compositions, Woven Music, on Brah Records, which is a can’t miss for fans of psychedelic guitar work.

I recorded this set with the AKG large-diaphragm microphones and a nicely balanced soundboard feed from the Knitting Factory team. There is a bit of DI hum on the board feed in quiet parts, but the recording is overall outstanding. You can stream the entire performance below, along with the usual downloads. Enjoy!

Stream the entire performance:
[audio:https://www.nyctaper.com/S1010ShinjiMasuko0211/shinjimasuko2011-10-10knit_acidjack-01.mp3]

Direct download of MP3 file [HERE] (right-click the link and go to “Save As”)| Direct download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Shinji Masuko
2011-10-10
Knitting Factory
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

AKG C 414 B-XLS (cardiod, slightly ROC, ORTF)+Soundboard>Edirol R-44 [Oade Concert Mod] (24/48)>Audition (mixdown)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 [single track]

If you enjoyed this recording, please support Shinji Masuko, visit the DMBQ website, and purchase his latest record, Woven Music from Brah Records [HERE]

The Rosebuds: October 12, 2011 Bowery Ballroom – Flac and MP3 Downloads + Streaming Songs

October 17, 2011
By


[photo courtesy of Joshua Trupin]

The Rosebuds superb new album was released in June and chronicles the period after band leaders Kelly Crisp and Ivan Howard had divorced in 2009. Loud Planes Fly Low is an album of intelligence and maturity — the resolution of personal difficulties within a professional relationship, the “divorce” album has sadly become a staple of rock music. At Bowery Ballroom on Wednesday night, the Rosebuds performed much of Loud Planes as a tight and cohesive unit. The touring band currently includes talented multi-instrumentalist Daniel Hart, whose skills in other settings we have previous experienced (here and here). Of the seven new songs performed, we were particularly impressed with the poignancy of the dirge-like “Second Bird of Paradise” and the energy of show-stopper “Woods”, both of which are streaming below. The Rosebuds current tour comes to a close with several southern dates this coming week.

I recorded this set with the warmer and vocal-friendly DPA microphones mounted at our standard balcony rail location and mixed with an excellent soundboard feed. The sound quality is quite excellent. Enjoy!

Stream “Second Bird of Paradise”:
[audio:https://www.nyctaper.com/R1210Rosebuds1120/12.%20Second%20Bird%20of%20Paradise.mp3]

Stream “Woods”:
[audio:https://www.nyctaper.com/R1210Rosebuds1120/19.%20Woods.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Rosebuds
2011-10-12
Bowery Ballroom
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced
by nyctaper 2011-10-15

Setlist:
[Total Time 1:17:26]
01 Go Ahead
02 Limitless Arms
03 Cape Fear
04 Get Up Get Out
05 [banter – band intros]
06 Waiting for You
07 Shake Our Tree
08 [banter – lost colony]
09 Leaves Do Fall
10 Life Like
11 [banter – Tears for Fears]
12 Second Bird of Paradise
13 [banter – Buffalo]
14 Come Visit Me
15 Boxcar
16 Cover Ears
17 [banter – vote]
18 Nice Fox
19 Woods
20 [encore break]
21 Hold Hands and Fight
22 Cemetery Lawn

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT The Rosebuds, visit their website, and purchase Loud Planes Fly Low from the Merge Records website [HERE].

The Mekons: October 9, 2011 City Winery – Flac and MP3 Downloads + Streaming Song

October 15, 2011
By


[photo courtesy of Edwina Hay]

The Mekons played two local shows this past week, and while we were not able to attend either (as we did in 2007 and again in 2009), friend of the site and occasional contributor neild was in the house.
He reports:

“To say that a Mekons performance is an odd one would seem to be redundant: For a band that has donned cowboy shirts and performed Hank Williams covers for 1980s punk crowds, collaborated with Kathy Acker on an album about lesbian pirates and Vito Acconci on a performance piece that involved playing one song for 45 minutes behind movable curtains, and recorded songs from their own show-in-progress on a cassette recorder and auctioned them off to audience members as “MeTunes,” odd is pretty much expected.

That said, this was an odd Mekons show. First off, it was at City Winery, where the upscale decor made for an unusual setting for a bunch of art-punk veterans. (They’d played a more traditional show at Brooklyn’s Bell House the night before, as part of a one-week US tour in support of their new record Ancient & Modern: 1911-2011) Secondly, this was billed as an “acoustic” show, though it would have been more accurately termed “sit-down”: All eight Mekons (vocalist/guitarist/lead quipster Jon Langford, vocalist/foil Sally Timms, vocalist/accordionist Rico Bell, bassist Sarah Corina, vocalist/guitarist Tom Greenhalgh, drummer Steve Goulding, violinist Susie Honeyman, and vocalist/saz player Lu Edmonds) were arrayed across the stage in chairs – Goulding sat on a cajon drum box in place of his standard kit – with one member or another occasionally arising to take the center stage mic.

Finally, Ancient & Modern is an odd record even by Mekons standards. The theme is Edwardian England during the run-up to the First World War, a time of accelerated technological achievements, concentrations of wealth, war, and terrorism concerns. (Two songs on the new album, “Space In Your Face” and “Arthur’s Angel,” [streaming below] name-check the 1910 bombing of the L.A. Times building and the World War I Angels of Mons legend, respectively — look ’em up on Wikipedia if you’ve never heard of them.) The music, meanwhile, runs the gamut of Mekons genres, from straight-ahead three-chord rock (“Space In Your Face”) to spare old-timey piano ballads (“I Fall Asleep”) to one song, “Geeshie,” that was apparently inspired by an obscure 1930s Geeshie Wiley record and then took off in a Mekonesque direction.

For the longtime Mekons fans in the crowd, the highlight of the evening was the return of band co-founder Greenhalgh to the US for the first time in four years. Greenhalgh sported a very Edwardian moustache and a tan suit that made him look as if he should be sipping sherry at the Explorer’s Club. As for the show, the “acoustic” setting didn’t much change either the song selection or the volume levels: Moments of pure wall-of-noise multi-throated sing-alongs (“Hard to Be Human,” “Curse of the Mekons”) alternated with aching beauty (the Timms-sung live rarities “Waltz” and “Learning to Live On Your Own” in particular), and were interspersed with the usual Mekons banter that has at times made them almost as appealing as an improv comedy act as a rock band.

The show was recorded with Core-Sound binaural mics on an iRiver 320 outfitted with Rockbox and a Microphone Madness battery box with bass rolloff applied. The recorder was right in the thick of the crowd, just left of center about 25 feet back from the crowd, so you’ll hear the occasional audience comments – but then, that’s only appropriate for a Mekons show, too.”

Stream “Arthur’s Angel”:
[audio:https://www.nyctaper.com/M8734Mekons9818/20.%20Arthur%27s%20Angel.mp3]

This Recording is now available to Download in FLAC and MP3 at Archive.org [HERE].

The Mekons
2011-10-08
City Winery
New York, NY USA

Digital Master Audience Recording
Recorded 25 Feet from the Stage

Core Sound Cardiods > I-River > 16bit 44.1kHz wav file > Soundforge (level adjustments, EQ, set fades, downsample) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded by neild
Produced by nyctaper
2011-10-13

Setlist:
[Total Time 1:52:55]
01 [introduction]
02 Thee Olde Trip to Jerusalem
03 Diamonds
04 Honey Bear
05 [banter – Marianne Faithful]
06 Afar and Forlorn
07 [banter – folk music]
08 Orpheus
09 [banter – all Sally]
10 Waltz
11 Space In Your Face
12 The Letter
13 [banter – 1907]
14 I Fall Asleep
15 [banter – calling all the rabbits]
16 Calling All Demons
17 [banter – ordering drinks]
18 Geeshie
19 [banter Arthur’s intro]
20 Arthur’s Angel
21 Fletcher Christian
22 Hole in the Ground
23 [banter – encore break]
24 Shanty
25 Learning To Live On Your Own
26 Heaven and Back
27 [second encore break]
28 Wild And Blue
29 Hard to Be Human
30 [band introductions]
31 Curse Of the Mekons

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT The Mekons, visit their website, and purchase Ancient & Modern 19110-2011 at the Bloodshot Records / Sin Records site [HERE].

NYCTaper CMJ Show (Day Party) at Cake Shop on Thursday October 20

October 14, 2011
By

nyctaperday2011

We have had some excellent CMJ shows in the past — last year’s show at Cake Shop was packed at one o’clock in the afternoon. But I have to say that this year’s bill is really something special. Our means of selection of the bands is based upon the groups that have “wowed” us in the last year. Of the eight bands on this bill, seven have appeared on nyctaper in the last twelve months (sans Prussia, who we’ve been trying to see!).

Here are the important details:
Thursday October 20, 2011
NYCTaper CMJ Day Party
Location:
Cake Shop
152 Ludlow Street NYC

FREE SHOW

The Bands:
05:45 Mr. Dream (nyctaper recording here and here)
05:00 Savoir Adore (nyctaper recording here)
04:15 Widowspeak (nyctaper recording here and here)
03:30 Tristen (nyctaper recording here)
02:45 White Fence (nyctaper recording here)
02:00 Hoop Dreams (nyctaper recording here)
01:15 Prussia (also playing our Saturday show here)
12:30 Teletextile (nyctaper recording here and here)

Facebook Event Page for this show [HERE].

Cake Shop Listing [here]
Eardrum NYC Listing (recommended show)
Oh My Rockness Listing (recommended show)
My Free Concert NYC Listing [here]

Thee Silver Mt. Zion Memorial Orchestra: October 2, 2011 ATP I’ll Be Your Mirror – FLAC and MP3 Downloads + Streaming Song

October 12, 2011
By

Mt Zion
[Photo by Jason Persse. Used with permission]

The final day of this year’s ATP “I’ll Be Your Mirror” festival in Asbury Park, NJ found the festival split between a hip-hop dominated Convention Hall (Ultramagnetic MCs and Public Enemy), and the Paramount Theatre across the concourse hosting (along with Jeff Mangum’s second set of the weekend) some incredible post-rock performances, including Earth (which we posted recently) and Thee Silver Mt. Zion Memorial Orchestra. SMZ (to use the favored shorthand) were the final act that I saw at the festival, and their grandiose, challenging performance sent me home on a high note. SMZ is anchored by guitarist/vocalist Efrim Menuck, who plays guitar in Godspeed You Black Emperor! along with SMZ bandmates and co-founders Thierry Amar and Sophie Trudeau.

SMZ’s similarities to GYBE are about as numerous as its contrasts from it. The contrasts are obvious, starting with Menuck’s bombastic, harsh vocals, which he sing/speaks in a punk rock style. Like GYBE, SMZ compositions are lengthy and follow a classical, narrative structure rather than pop’s verse/chorus/verse style. The use of string instruments also gives SMZ a classical feel that echoes GYBE, but SMZ’s storytelling is distinct. Where GYBE relies on symbolism and found sounds to tell their story, Menuck’s overtly political vocals make SMZ’s approach more direct. Menuck engaged the audience repeatedly between songs, decrying the right-wing (for Canada, anyway) regime of Prime Minister Stephen Harper, and giving a shout-out to the 99% whose Occupy Wall Street movement continues to grow. True to form, this 90-minute set consisted of just six compositions, primarily drawn from 2008’s 13 Blues for Thirteen Moons rather than the band’s current effort, Kollaps Tradixionales, from which they played only “There Is A Light”. A new number, “What We Loved Was Not Enough”, was also performed, but my personal highlight was “Black Waters Blowed/Engine Broke Blues” from Thirteen Moons, a huge two-part number with strong vocal harmonies between Menuck and Trudeau, excellent stringwork, and a cataclysmic crescendo worthy of these Montreal artists’ unique style.

I recorded this set with the DPA microphones from an ideal spot in the venue. Other than some rustling noises and an evident volume adjustment during the first four minutes of “BlindBlindBlind”, the sound quality is quite good (though not as good as the Earth set from almost the same spot). Enjoy!

Stream “What We Loved Was Not Enough”
[audio:https://www.nyctaper.com/S0012SilverMtZion2011/08 What We Loved Was Not Enough.mp3]

Stream “Black Waters Blowed/Engine Broke Blues”
[audio:https://www.nyctaper.com/S0012SilverMtZion2011/07 Black Waters Blowed_Engine Broke Blues.mp3]

Download the FLAC and MP3 files and stream the entire show on the Live Music Archive [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Thee Silver Mt. Zion Memorial Orchestra
2011-10-02
ATP presents I’ll Be Your Mirror
Paramount Theatre
Asbury Park, NJ USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

DPA 4021 (FOB, DFC)>Denecke PS/2>PCM-M10 (24/44.1)>24bit/48kHz WAV>Audacity (set fades, EQ, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 [intro]
02 BlindBlindBlind
03 [banter]
04 13 Blues for Thirteen Moons
05 [banter]
06 There Is A Light
07 Black Waters Blowed/Engine Broke Blues
08 What We Loved Was Not Enough
09 [banter]
10 Horses in the Sky

If you enjoyed this recording, PLEASE SUPPORT Thee Silver Mt. Zion Memorial Orchestra, visit their website, and purchase SMZ, Godspeed Your Black Emperor!, and Efrim’s official releases from Constellation Records [HERE]

Lady Lamb the Beekeeper: October 9, 2011 Backyard Brunch Sessions – FLAC and MP3 Downloads + Streaming Songs

October 11, 2011
By

backyard_brunch-22
[Photo by Dominick Mastrangelo]

When I first heard Aly Spaltro, aka Lady Lamb the Beekeeper, I flat-out couldn’t believe a girl so small (the band’s Facebook page cheekily describes her as 6’2″) – and so young (early 20s) – could make such a large, mature sound. Her “band” is no more than her and her guitar, but Aly never sounded intimidated or lonely on that empty stage. She cold-opened with an a cappella number – “Up In the Rafters” – that gave me chills. Stripped bare, the song is a sustained cry of longing, at once sultry, dangerous and sweet, and it’s delivered fearlessly. She closes out “Rafters” and moves straight into “Mezzanine”, this time accompanied by her guitar. Her playing is the equal of that lovely gravel in her voice, taking abrupt and unexpected twists in time and tempo. Both songs appear on LLTB’s current release Mammoth Swoon, a collection of unreleased, rare, and bedroom tracks that Aly released at the end of last year. You may be asking yourself how a young artist like Aly manages to have a rarities comp already, and that would be a good question. But head to LLTB’s bandcamp page, and you’ll see that she is already three releases deep. This set of six songs was culled from several of her records other than Mammoth, and each song showcased her unique songwriting ability. It’s hard for the word “precocious” not to come to mind, but LLTB would be an act of striking talent and depth at any age.

Backyard Brunch Sessions work best with artists who have the confidence to let their music stand unadorned. In a simple East Village backyard surrounded by a garden, new friends (and some delicious French Toast Grilled Cheese Sandwiches), Aly Spaltro fit this show’s aesthetic perfectly. She’s been playing alone on that empty stage since day one.

I recorded this set with a combination of high-end microphones, including the DPA 4021 that you can see miking Aly’s vocals. The sound quality is excellent, other than a two-second spot during “Up In the Rafters” where her guitar hit the mic stand. Enjoy!

Lady Lamb the Beekeeper’s next show will be a Windish Agency CMJ Showcase at Rockwood Music Hall on October 21.  More info here.

Stream “Up in the Rafters”
[audio:https://www.nyctaper.com/L1009LLTB0211/Rafters.mp3]

Stream “Southernfly”
[audio:https://www.nyctaper.com/L1009LLTB0211/Southernfly.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter | visit the backyard brunch sessions homepage

Lady Lamb the Beekeeper
2011-10-09
Backyard Brunch Sessions
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

AKG C 414 B-XLS (cardiod pair, on guitar amp)+DPA 4021 (on vocals)>Edirol R-44 [Oade Concert Mod] (24/48)>Audition (studio effects, mixdown)>Audacity (set fades, tracking, amplify and balance)>FLAC Level 8

Tracks
01 [intro]
02 Up In the Rafters
03 Mezzanine
04 Between Two Trees
05 Florence Berlin
06 Southernfly
07 [banter]
08 Crane Your Neck
09 [outro]

PLEASE SUPPORT Lady Lamb the Beekeeper, like her on Facebook, visit her website, and purchase her releases from her bandcamp page.

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