Blog Archives

Royal Baths: December 9, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

December 15, 2011
By


[Photos by acidjack]

I have wanted to see Royal Baths for over at least a year now, since this site last attempted to cover one of the band’s New York shows. Last year’s ill-fated attempt was a gig at Monster Island Basement that, let’s just say, suffered from some human failings. But I didn’t care – the band’s debut album on Woodsist Records, Litanies, was one of my absolute favorites of last year. Woozy, dark and catchy as hell, the record sounded perfectly like their hometown of San Francisco, evoking that city’s 60s fixation without being trapped by it. Knowing that this Kanine Records (their new label) party at Glasslands would feature a strong lineup of bands and top-notch sound engineering, I calculated that this would be our chance to capture a memorable set.

I was right.  The band that showed up for this show was lightyears beyond the act we saw a year ago – focused, poised, and powering their way through a number of songs that will appear on their forthcoming record on Kanine, Better Luck Next Life. The new tunes continue in the dark vein of Litanies, but feel a bit tighter, with a tad less of the ramshackle feel that characterized Litanies.  They also offered up some of my favorite tunes from that record, including “Sitting In My Room”, and rolled out a truly bizarre cover – Nina Simone’s “Be My Husband” (I had to Google lyrics to figure that one out, and still had it wrong the first time..)  They closed out with a lengthy psychedelic new number that once again highlighted their musical chops. Clearly, moving to New York was good for these guys.  I can’t wait for the new record.

hi and lo and I recorded this set with Schoeps MK5 cardiod microphones and a flawless soundboard feed from Josh, the house engineer at Glasslands.  The sound quality is outstanding.  Enjoy!

Better Luck Next Life will be released on Kanine Records on February 7, 2012.  Pre-order the record [HERE]  Thanks to Kanine Records for granting permission to record.

Stream “Sitting In My Room”
[audio:https://www.nyctaper.com/R9012RoyalBaths2011/06 Sitting In My Room.mp3]

Stream “Be My Husband [Nina Simone]”
[audio:https://www.nyctaper.com/R9012RoyalBaths2011/05 Be My Husband.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Royal Baths
2011-12-09
Glasslands
Brooklyn, NY USA

Recorded by hi and lo
Produced by acidjack for nyctaper.com

Schoeps MK5(c)>CMR>PFA>EAA PSP2>Sonic AD2K+ + Soundboard >> Tascam DR-680 (24/48)>2x24bit/48kHz WAV>Audacity (mixdown, set fades, very light EQ (about -1db cut @ 125Hz and below) tracking, amplify, balance and downsample)>FLAC ( level 8 )

Tracks
01 [new song – “Morning Birds”]
02 [new song – “She’s the Hunter and You’re the Prey”]
03 [new song – “Shadow World”]
04 Drudgery
05 Be My Husband [Damien Rice]
06 Sitting In My Room
07 [new song]

If you enjoyed this recording, PLEASE SUPPORT The Royal Baths, visit their website, and pre-order Better Luck Next Life from Kanine Records [HERE]

Ian O’Neil (of Deer Tick): December 7, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

December 13, 2011
By


[Photo courtesy of MaryAnne Ventrice. See her portfolio [HERE]]

After their recent, raucous performance at Webster Hall, we saw a very different sort of Deer Tick-related performance this past Wednesday night at Glasslands. Ian O’Neil, who has been Deer Tick’s guitarist since 2009, and previously played with Titus Andronicus, gave a relaxed, intimate performance of old standards as well as numbers from Deer Tick’s divisive new album, Divine Providence and new solo numbers (presumably) of his own. Sticking primarily to a more country-folk sound, O’Neil lead off with the Grateful Dead number “I’ve Been All Around This World,” followed by Michael Hurley’s “Be Kind To Me.” He was joined onstage by members of headliners Virgin Forest (that recording coming soon) for the last few songs, including a rousing version of Chuck Berry’s “Maybelline”.

I recorded this set with AKG 414 large-diaphragm microphones in our usual spot in the video plus a nice clean soundboard feed from Josh, the house engineer at Glasslands. The sound quality is excellent. Enjoy!

Thanks to Partisan Records for inviting us to this show.

Stream “Walkin’ Out the Door”
[audio:https://www.nyctaper.com/D4545DeerTick3030/03 Walkin’ Out the Door.mp3]

Stream “I’ve Been All Around This World [Grateful Dead]”
[audio:https://www.nyctaper.com/D4545DeerTick3030/01 I’ve Been All Around This World.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Ian O’Neil (of Deer Tick)
2011-12-07
Glasslands
Brooklyn, NY USA

Recorded and produced by acidjack
for nyctaper.com

Soundboard + AKG C 414 B-XLS (cardiod)>Sound Devices USBPre2>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, smooth peaks, tracking, amplify, balance and downsample)>FLAC ( level 8 )

Tracks
01 I’ve Been All Around This World [Grateful Dead]
02 Be Kind To Me [Michael Hurley]
03 Walkin’ Out the Door
04 [new – “Is This It?”]
05 [new – “Worth the Pain”]
06 [new – “You’re Not Spanish To Me”]
07 Now It’s Your Turn
08 Maybelline [Chuck Berry]
09 Hope Is Big

If you enjoyed this recording, PLEASE SUPPORT Deer Tick, visit their website, and purchase their official releases including Divine Providence from the Partisan Records Store [HERE].

BOBBY: December 03, 2011 Mercury Lounge – FLAC/MP3 Downloads + Streaming Songs

December 8, 2011
By

Photo courtesy of Chris La Putt and Brooklyn Vegan
[photos courtesy of Chris La Putt and Brooklyn Vegan]

In addition to catching The Loom last Saturday night at Mercury Lounge, we also had the pleasure of seeing a relatively new band, BOBBY, for the first time. The band, who is signed to Partisan Records and led by Tom Greenberg, is primarily a collaborative of Bennington College graduates with an affinity for experimental music. Their use of varied time signatures and heavily layered synths gives their music a dreamlike, almost hypnotic feel.

Along with the illusory nature of their music, the name Bobby isn’t a reference to a band member, or even an actual person, but rather an imaginary figure who was a “wayward founding member” and, in spirit, continues to “watch over them” while guiding both listener and performer through a journey of experimental sound and thought.

This performance was recorded using an excellent soundboard feed provided by the Mercury Lounge sound engineer and mixed with an audience capture using a pair of Schoeps hypercardioids. The resulting mix needed almost no post-production work and is truly a testament to the excellent work by the band and folks over at Mercury Lounge. We hope you enjoy!

Stream “Shimmychick”
[audio:https://www.nyctaper.com/B2130Bobby2110/bobby2011-12-03.shimmychick.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

BOBBY
Mercury Lounge
New York, NY, US
2011-12-03

Recordist : hi and lo
Source : Soundboard + Schoeps Mk41 > E.A.A. PSP-2 > Sonic AD2k+ > Tascam DR-680 @ 24 bit / 48 kHz
Position : on-stand, roc by soundboard, DINa, 9′
Mastering : Wavelab 6 (Mixdown/EQ/Fades/resamping/dither) > Flac Level 8 with TLH v2.6.0 (Build 168)

Tracklist:

01. If its Dead Outside
02. Shimmychick
03. We Saw
04. Ginger (Water Birth)
05. [Unknown]
06. Sore Spores
07. Nap Champ
08. [Unknown]
09. [Unknown]

Running Time: 50:11

If you are able to identify any of the three Unknown track titles, please let us know!

Please support BOBBY by signing up for their mailing list. If you’ve enjoyed this recording, you may also purchase a copy of their self-titled album Bobby directly from Partisan Records page or from iTunes.

Daniel Wayne: November 17, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

December 7, 2011
By


[photo by David Andrako]

If you haven’t heard a truly great voice lately, you might want to check out Daniel Wayne. There’s no doubt that distinguishing yourself as a singer-songwriter can be difficult; it’s a style where it’s easy to be mediocre, difficult to be great. But that voice puts to rest the doubters – sweet through the middle and upper ranges and flawless on the high notes, Wayne is instantly recognizable as well as accessible. A good example can be heard on the haunting, lonely solo number, “Pub’s Crawl”, which also takes an abrupt turn into a religious hymn at the end. Humble and appreciative between songs, the Ohio native comes across likable as well (the Midwestern thing again?). As for his songs, many are tinged with a light country twang, and navigate both indie gloom and homespun folk themes with equal skill.

I will admit that I had not heard of Wayne before I caught this Glasslands Gallery set opening for Jessica Lea Mayfield (that recording here), but apparently I was behind the curve. A sizable crowd showed up to catch his opening set, and by the end, a pretty full house was paying rapt attention. Wayne split the set equally between solo acoustic and full-band electric numbers, and we have served up a streaming example of each below (along with the complete-set download, of course). When the full band comes in during the first chorus of “Birds,” you can tell that Wayne’s big voice is equally if not better suited to the full-band treatment. The full-band songs also give Wayne a broader palette for his arrangements, and he takes full advantage on songs like the countrified “Virgin Saint”, streaming below. Despite being the first opener of the night, Wayne put forth a full 50-minute set that alone was worth the show’s price of admission. As Wayne himself put it in a recent interview on the CBS News website, “Every time I get on the stage, I give it everything I have.” This was only my first Daniel Wayne performance, but that sure seemed to be the case.

I recorded this set with Schoeps MK22 “open cardiod” microphones and a flawless soundboard feed provided by Josh Thiel, the house engineer at Glasslands. The sound is outstanding. Enjoy!

Stream “Virgin Saint”
[audio:https://www.nyctaper.com/D1117DanielWayne2011/09 Virgin Saint.mp3]

Stream “Pub’s Crawl”
[audio:https://www.nyctaper.com/D1117DanielWayne2011/04 Pub’s Crawl.mp3]

Direct download of MP3 files [HERE] | Direct Download of FLAC files [HERE].

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Daniel Wayne
2011-11-17
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Schoeps MK22 (DFC, POS)>CMC6>Sound Devices USBPre + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 The Fool
02 The Dog
03 [banter]
04 Pub’s Crawl
05 Beautiful Day
06 Poseidon’s Drownin’ Son
07 [banter]
08 Birds
09 Virgin Saint
10 Far From Here
11 [banter]
12 My Bed
13 untitled

If you enjoyed this recording, PLEASE SUPPORT Daniel Wayne, visit his website, and purchase his 4-song EP directly from Amazon.

Owen: December 2, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

December 6, 2011
By


[Video stills courtesy of Ian Perlman and Oresti Tsonopoulos]

Mike Kinsella has been involved in many a highly-regarded project over the years – in particular, the Illinois native still does time in Joan of Arc with his brother Tim (our recent recording of them [HERE]), and before that, he and Tim were in Cap’n Jazz (our recent recording of them [HERE]). The man’s discography is longer than many artists twice his age – and most of it is quite good.

The latest Kinsella project to receive positive notice is his affecting solo effort, Owen, which he has been releasing albums under since 2001. Let me revise that – a lot of positive notice. I had not seen Glasslands this completely full in a long time, probably since the packed-to-the-rafters Yuck show last winter, or Bear In Heaven’s show there in 2009. Our friends at PopGun Booking knew what they were doing when they booked this for a Friday night.

Packed house or not, Kinsella made the show feel like an intimate evening in a family basement, with a freewheeling set that found him joking with the crowd during and in between songs, chatting with folks in the front row, riffing on fantasy football, hockey, airplane turbulence and (briefly) failed GOP contender Herman Cain, and making the best of some difficult technical issues. Alone onstage with his guitar (with audience members in his face on all sides), Kinsella delivered an hour’s worth of songs that were by turns melancholy, funny and whimsical, all in a trademark sweet voice that, for many of us, typifies the “emo” sound popularized in the 1990s. Even with such distractions as occasional PA buzzing and interference from Mike’s phone, his unadorned set was powerful and moving, and the crowd hung on every word. Much of his 2011 release Ghost Town was covered, but the set spanned the Owen catalog. Even Kinsella’s occasional flubs — a couple of songs ended prematurely — were greeted enthusiastically, to the point that he mocked the crowd for cheering for one aborted number. With some performers, this kind of thing could be annoying, but Kinsella is the type of amiable guy you can’t help but laugh with when things go wrong.  The show ended on that kind of note, when a massive equipment problem during the encore sent waves of static blasting through the PA. “That’s cool,” Kinsella said. “Thanks for coming guys. I’m done. It was fun. Now it’s over.” Mike smiled as he walked off, and the crowd roared its approval. It was that kind of night.

I recorded this set with a soundboard feed and Schoeps MK22 “open cardioid” microphones in the usual location I use in the venue.  After extensive post-processing to reduce or eliminate most of the sound issues (which, it should be added, were not the fault of the Glasslands house team), I am quite pleased with the quality of the recording. Hear it for yourself below, and enjoy!

Stream “The Armoire”:
[audio:https://www.nyctaper.com/O0212Owen0211/12%20The%20Armoire.mp3]

Stream “No Language”:
[audio:https://www.nyctaper.com/O0212Owen0211/24%20No%20Language.mp3]

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Owen
2011-12-02
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Schoeps MK22 (DFC, NOS)>KCY>Naiant littlebox + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown, noise reduction, EQ)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro banter]
02 Too Many Moons
03 [banter]
04 O, Evelyn
05 Abandoned Bridges
06 [banter/tuning]
07 The Sad Waltzes of Pietro Crespi
08 An Animal
09 [banter]
10 The Anthropology Song
11 [banter]
12 The Armoire
13 No Place Like Home
14 [banter]
15 New Leaves
16 [banter]
17 Bad Backs and Hardwood Floors
18 [banter]
19 Bad News
20 A Bird In Hand
21 [banter]
22 Everyone’s Asleep in the House but Me
23 [banter]
24 No Language
25 [banter]
26 Broken Bones
27 [banter]
28 Good Friends Bad Habits

PLEASE SUPPORT Owen by visiting Mike’s MySpace page for the band, and buying the band’s records, including the 2011 release Ghost Town, directly from Polyvinyl [HERE]

The Loom: December 03, 2011 Mercury Lounge – FLAC/MP3 Downloads + Streaming Songs

December 5, 2011
By

Photo courtesy of Jill and For the Love of Brooklyn
[photos courtesy of Jill and For the Love of Brooklyn]

It’s been a busy month for Crossbill Record’s The Loom, a band that is no stranger to nyctaper.com. We were fortunate enough to catch them this weekend at Mercury Lounge while the band finishes up their recent tour, along with the band BOBBY, in support of the album Teeth which was released in November. The Loom also completed a Daytrotter session this past month and from what we saw during this Saturday night performance it was very clear that they are in peak form and as comfortable an ensemble as ever. In a superb 45-minute set, we heard much of the new album as well as two unreleased songs including an 8-minute, part a cappella epic, titled “Morning Song, Mountain Song” and the more gentle outro “Caretaker”.

For this recording, I mixed an excellent soundboard feed with a pair of Schoeps hyper-cardioid microphones from the audience. The sound engineers at Mercury Lounge always have it dialed in perfectly and this evening was no different. The resulting mix is a fantastic listen and I hope you enjoy!

Stream “Morning Song, Mountain Song”
[audio:https://www.nyctaper.com/L0505Loom1111/loom2011-12-03.morningsongmountainsong.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

We’ll also be posting the set from BOBBY that was recorded on the same night, but are currently in the process of identifying the setlist. Please check back as we should have the recording up sometime this week!

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Loom
Mercury Lounge
New York, NY, US
2011-12-03

Recordist : hi and lo
Source : Soundboard + Schoeps Mk41 > E.A.A. PSP-2 > Sonic AD2k+ > Tascam DR-680 @ 24 bit / 48 kHz
Position : on-stand, roc by soundboard, DINa, 9′
Mastering : Wavelab 6 (Mixdown/EQ/Fades/resamping/dither) > Flac Level 8 with TLH v2.6.0 (Build 168)

Tracklist:

01. Song for the Winter Sun
02. The Middle Distance
03. For the Hooves That Gallop, and the Heels That March
04. Like Lamp Glow
05. The First Freeze
06. The Curtain Calls
07. Snowed In
08. Morning Song, Mountain Song
09. Caretaker

Running Time: 43:05

Please support The Loom by seeing them on their current tour and by visiting their MySpace. If you’ve enjoyed this recording, you may also purchase a copy of their new album directly from the band’s bandcamp page or from iTunes.

Real Estate: November 23, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

November 30, 2011
By


[Photo courtesy of Brian Stollery]

Another of the bands we make no secret of our love for is Real Estate.  Over the past three years that we have been following the band, we have watched the mature and develop sonically, culminating with their release of the new album Days on Domino Recording Company – their first for the tastemaking label. Days continues a run of good news for the band, who have continued to tour hard and earn accolades from critics and fans alike.  This show at Bowery Ballroom was the culmination of a two-month tour of Europe and the U.S., and it couldn’t have made for a better sendoff into the Thanksgiving holiday the following day.  The respectful, excited crowd cheered through the longest set of Real Estate’s that we have seen to date at 70 minutes, which covered almost every song on Days and their self-titled debut, plus their cover of Felt’s “Sunlight Bathed the Golden Glow”, a favorite on this tour.  In a market crowded with bands following others’ lead, Real Estate have distinguished themselves with a laid-back, unique sound that always surprises.  They have almost singlehandedly come to define their hometown of Ridgewood, New Jersey where three of the band members grew up together, and which has served up great music from the band’s fellow travelers and other unique talents like Julian Lynch and tour openers Big Troubles.  We closed out this show thankful not only for this great show, but for the band’s continuing support and future prospects.

I recorded this set with a combination of a soundboard feed by Kenny, the house engineer at Bowery Ballroom, and Schoeps MK22 “open cardiod” microphones.  The results are excellent. Enjoy!

Special thanks to Domino Recording Company and Real Estate for their hospitality and for their continued support of NYCTaper.

Stream the full set:

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Real Estate
2011-11-23
Bowery Ballroom
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Soundboard + Schoeps MK22 (A-B, balcony, slightly LOC)>KCY>littlebox >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mix down, balance)>Audacity (set fades, tracking, amplify and balance, very light EQ, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Easy
03 Beach Comber
04 Green Aisles
05 Municipality
06 Younger Than Yesterday
07 [banter]
08 It’s Real
09 Out of Tune
10 Wonder Years
11 Suburban Dogs
12 Kinder Blumen
13 Sunlight Bathed the Golden Glow [Felt]
14 Three Blocks
15 Fake Blues
16 All the Same
17 [encore break]
18 Suburban Beverage

If you enjoy this recording, we expect that you will PLEASE SUPPORT Real Estate, visit their website, and purchase Days from the Domino Records website [HERE].

Jessica Lea Mayfield: November 17, 2011 Glasslands and April 1, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

November 28, 2011
By


[Photos from Glasslands by Dominick Mastrangelo]

Jessica Lea Mayfield sure is a heartbreaker.  She has the affect of the pretty, reserved, stonerish girl in the back of the class – you always wondered what that girl was thinking. If that girl actually was Mayfield, well, that girl would have a hell of a lot deeper feelings than her air of ironic detachment might suggest. She’d be all-but-given-up on God (“Bible Days”), head-over-heels in love (“The One That I Love Best”), or maybe flat-out horny (“Grown Man”).  And that voice of hers… well, it would hold your attention, if you weren’t already looking. More than a few gents at this Thursday night Glasslands show could be overheard discussing variations of “she’s hot!”

Lest you think the show was some kind of sausagefest, far from it – I’d say the majority of Mayfield’s fans at this show were women, and most of them seemed able to sing just about every word. This was the most packed I’ve seen Glasslands on a Thursday in ages, and it’s not hard to see why. Mayfield’s latest record, the Dan Auerbach-produced Tell Me, moves Mayfield beyond her neo-country confines and continues her tradition of strong songwriting – see for example “Run Myself Into the Ground”, which maintains a hint of twang but backs it with some solidly rock guitar work.  That came courtesy of Nashville’s Richie Kirkpatrick, whose band Ri¢hie has also served as Mayfield’s rhythm section at several recent shows. This was my first introduction to Jessica live, and I was extremely pleased with both the show and the crowd.  The only thing that could have made the night better would have been her performing her new cover of Nirvana’s “Lounge Act”!

Johnny Fried Chicken Boy had a similar experience with Mayfield this April Fool’s Day at Bowery Ballroom, where he recorded a somewhat different set before an equally pumped up audience. That show is also offered as a download here.

The Glasslands show was a fairly sophisticated recording for us, with a pair of DPA omnidirectional mics onstage, Schoeps “open cardiods” mounted an optimal distance from the stacks, and a soundboard feed running into two clock-synced decks run by myself and Johnny Fried Chicken Boy.  It is an outstanding capture at the very top of the range for this site.  John’s Bowery recording is an excellent four-microphone recording from our usual spot at Bowery that is also not to be missed.  Enjoy!

Stream “Run Myself Into the Ground” from Glasslands:
[audio:https://www.nyctaper.com/J1280JLM9002/10 Run Myself Into the Ground.mp3]

Stream “Kiss Me Again” from Bowery Ballroom:
[audio:https://www.nyctaper.com/J1280JLM9002/jlm2011-04-01t03.mp3]

Stream “Seeing Stars” (solo) from Glasslands:
[audio:https://www.nyctaper.com/J1280JLM9002/06 Seeing Stars.mp3]

MP3 Downloads: Glasslands 2011/11/17 [HERE] | Bowery 2011/4/1 [HERE]

Download the Complete shows in FLAC [Glasslands] / [Bowery]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Jessica Lea Mayfield
2011-11-17
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded by acidjack and Johnny Fried Chicken Boy for nyctaper.com
Produced by acidjack

Schoeps MK22 (DFC, POS)>CMC6>Sound Devices USBPre2 + Soundboard >> Edirol R-44 #1 + DPA 4061 (onstage, 2ft split)>Naiant PFA>Edirol R-44 #2 >>>6x24bit/48kHz WAV>Audition (mixdown, limit peaks, light EQ to MK22 source)>Audacity (set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Blue Skies Again
02 We’ve Never Lied
03 Sometimes At Night
04 Kiss Me Again
05 Grown Man
06 Seeing Stars [solo]
07 Nervous Lonely Night [solo]
08 I’ll Be the One You Want Someday
09 For Today
10 Run Myself Into the Ground
11 Bible Days
12 Our Hearts Are Wrong
13 Trouble
14 Somewhere In Your Heart
15 [encore break]
16 The One That I Love Best

_______________________

2011-04-01
Bowery Ballroom
New York, NY, USA

Source: AUD > AKG C 414 B-XLS’s + DPA 4021’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > USB > PC > Adobe Audition (mixdown, adjust levels, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > Trader’s Little Helper (check/fix SBE’s, FLAC) > FLAC Level 8
Recorded and produced by: Johnny Fried Chicken Boy

Tracks:
01 Our Hearts Are Wrong
02 Run Myself Into The Ground
03 Kiss Me Again
04 I’ll Be The One That You Want Someday
05 [banter]
06 Sleepless [JLM solo]
07 Nervous Lonely Night [JLM solo]
08 Trouble
09 Bible Days
10 Sometimes At Night
11 We’ve Never Lied
12 Blue Skies Again
13 I Can’t Lie To You, Love
14 [banter]
15 For Today
16 [banter]
17 Somewhere In Your Heart
18 encore break / banter
19 Grown Man

If you enjoyed these recordings, PLEASE SUPPORT Jessica Lea Mayfield, visit her website, and purchase her latest record Tell Me and other merch from the store at her website [HERE].

William Tyler: November 16, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Song

November 25, 2011
By

Tyler Glass
[Photo by acidjack]

It seems about right to refer to William Tyler as an indie rock prodigy. Back when most guys his age were gawky college freshmen, the Nashville native was already playing with Lambchop. By age 21, he’d appeared on a Silver Jews record; two years later, he was laying down tracks with Will Oldham and Bonnie “Prince” Billy. Today he plays solo, as well as gigs with Lambchop, and he also has his own record label, Sebastian Speaks. In the somewhat rarified world of solo guitar players, Tyler is one of the most gifted and most recognizable for both his relative youth and his intense, uncharacteristic style. In giving his 2010 release, Behold the Spirit a “Best New Music”-worthy rating, Pitchfork’s Grayson Currin described Tyler’s style thus:

“Lambchop’s oeuvre should give you some hint as to what makes Tyler special. Just as Lambchop’s pan-American indie incorporates soul, rock, country and outsider music into one weirdly warped mold, Tyler integrates a dozen different approaches. He’s as comfortable with an electric as an acoustic, as accomplished conducting a long, coruscated drone as he is gliding through fingerpicked hymns. The English folk of Pentangle and the American hum of Tom Carter are clear references, as are Indian ragas and Appalachian ballads. Unlike the work of fellow polyglot Sir Richard Bishop, though, Tyler engages all of those muses at once, consistently folding them into surprising revelations.”

This PopGun Booking-sponsored show at Glasslands found Tyler dazed from coming straight from his flight but nonetheless ready to play and share new songs. The set featured only two Behold the Spirit numbers – “Missionary Ridge” and “Tears and Saints” – interspersed with new songs, classics and some hilarious storytelling (if you’re ever planning to play in Schwarzenburg, Germany, you might want to listen to Track 5 of this recording first). After playing the first three songs acoustic, Tyler switched to the electric for the final two numbers, including a 12-minute number from his 2008 record Deseret Canyon entitled “Crystal Palace, Sea of Glass”. Behold the Spirit is a lovely offering, even for those who may not be into many solo guitar albums, but seeing Tyler live is an entirely more elevated experience, a chance to grasp not just the what but the how of a great player like him.

I recorded this set with a soundboard feed provided by Josh, the house engineer of Glasslands, with some room ambiance from Schoeps MK22 “open cardiod” microphones. The sound quality is excellent. Enjoy!

Stream “Tears and Saints”
[audio:https://www.nyctaper.com/W1611WilliamTyler0211/06 Tears and Saints.mp3]

Direct download of MP3 files [HERE] | Direct download of the FLAC files [HERE].

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William Tyler
2011-11-16
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Soundboard + Schoeps MK22>CMC6>littlebox >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mix down, effects, limiting, levels)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Missionary Ridge
02 Waltz of the Circassian Beauties
03 [banter]
04 Terrace of the Leper King
05 [banter]
06 Tears and Saints
07 [banter]
08 Crystal Palace, Sea of Glass

If you enjoyed this recording, PLEASE SUPPORT William Tyler, visit his website, and purchase Behold the Spirit from Amazon or your favorite retailer.

Country Mice: November 16, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

November 23, 2011
By

country-mice.4
[photo by Maryanne Ventrice courtesy of Impose Magazine]

Yes, New York, we do have our very own homegrown answer to Alabama’s Drive-By Truckers, and they’re called Country Mice. They don’t celebrate Southern roots they don’t have (two bandmembers are from Lawrence, Kansas), sure, but the rootsy tinge to their sound, married to big, balls-to-the-wall major chord riffs, will draw immediate comparisons. Although I had enjoyed sets of theirs before, this PopGun Booking‘-sponsored show at Glasslands showcased a tight, confident and mature band ready to take things to the next level. This set, opening for the Nashville guitar wizard William Tyler, led off with some new songs before moving into material from their recent Kanine Records release Twister and continuing to mix those in with the non-Twister material.  After the already-packed house had screamed its approval for songs like “Morning Son” and “Bullet of a Gun”, the set crescendoed, appropriately, at the final number, “Festival” off of Twister. With Twister under their belts and more good ideas coming, Country Mice are sure to keep winning converts on both sides of the Mason-Dixon.

I recorded this set with Schoeps “open cardiod” microphones to give a wide, expansive soundstage, coupled with a soundboard feed by Josh at Glasslands. The sound is excellent. Enjoy!

Stream “Anne Marie”
[audio:https://www.nyctaper.com/C6111CountryMice2011/03 Anne Marie.mp3]

Stream “Festival”
[audio:https://www.nyctaper.com/C6111CountryMice2011/11 Festival.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

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Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Country Mice
2011-11-16
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Schoeps MK22>CMC6>Naiant littlebox + Soundboard >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, light EQ, amplify and balance, downsample)>FLAC ( level 8 )

Tracks
01 Vermillion
02 Feathers
03 Anne Marie
04 Ghost
05 Morning Son
06 Great White
07 Bullet of a Gun
08 Wicked
09 A Name
10 Black Crow
11 Festival

If you enjoyed this recording, PLEASE SUPPORT Country Mice, visit their MySpace page, and purchase Twister from Amazon or your favorite online retailer.

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