Blog Archives

North Mississippi Allstars: October 28, 2011 Brooklyn Bowl – FLAC and MP3 Downloads + Streaming Songs

October 31, 2011

After hearing this site’s incredible capture of brothers Luther and Cody Dickinson of the North Mississippi Allstars back in June, I knew I needed to see what this Mississippi blues act was all about for myself. Brooklyn Bowl – now the obvious heir to Wetlands in terms of this type of programming – was the perfect place for the introduction. As is the norm for a Friday night, a lot of the drunken suburban crowd was mostly there to party, but those paying more attention were rewarded with some incredible guitar work from Luther, percussion from Cody, and bass from Chris Chew. The band gave us a veritable education in the blues, mixing in their own favorites with classic covers like Bob Dylan’s “Stuck Inside of Mobile With the Memphis Blues Again”, which appears on their latest record, Keys to the Kingdom. The record’s title is an homage to the brothers’ father, the blues legend Jim Dickinson, but it could as easily be a reference to their own place in the blues pantheon. NMAS are the honest heirs of this centuries-old American tradition, and they will no doubt do their best to make the genre as alive, fresh, and relevant as it was a hundred years ago.

The entire nyctaper crew was on-hand for this event with a slew of mics at full height above the crowd. This particular recording is a combination of AKG large-diaphragm mics to give “air” at the top end and edge to the guitar, combined with Schoeps supercardiods to add the direct sound. While there is no mistaking that it’s a Friday night crowd, the sound quality of the music is outstanding. Please help out with any setlist corrections – it was my first time seeing the band live and there were a a few songs I did not recognize or couldn’t figure out. Enjoy!

Stream “Stuck Inside of Mobile With the Memphis Blues Again [Bob Dylan]”:
[audio:https://www.nyctaper.com/N0409NMAS9002/09 Stuck Inside of Mobile With The Memphis Blues Again.mp3]

Stream “Rollin’ and Tumblin'”
[audio:https://www.nyctaper.com/N0409NMAS9002/20 Drinkin’ Muddy Water.mp3]

This Recording is now available for Download in FLAC and MP3 at Archive.org [HERE].

North Mississippi Allstars
2011-10-28
Brooklyn Bowl
Brooklyn, NY USA

Recorded for nyctaper.com by acidjack, hi and lo, nyctaper and Johnny Fried Chicken Boy
Produced by acidjack

AKG C 414 B-XLS (cardiod)>Sound Devices USBpre2 + Schoeps MK41>NBox+ >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Audacity (tracking, amplify and balance)>FLAC ( level 8 )

Tracks [Total Time: 1:51:29]
01 Sitting On Top of the World
02 Across the Great Divide
03 Let It Roll
04 Shake What Your Momma Gave You
05 People Get Ready
06 Mean Ol’ Wind Died Down
07 Shake ‘Em On Down
08 [guitar jam]
09 Stuck Inside of Mobile With the Memphis Blues Again [Bob Dylan]
10 Meet Me In the City
11 Po Black Maddie>
12 Drum Solo/jam>
13 Jellyrollin’ All Over Heaven
14 New Orleans Walkin’ Dead
15 Harlem River Blues [Justin Townes Earle]
16 Sugar Hill
17 Teasin’ Brown
18 I’d Love To Be A Hippie
19 Everything I Do Gonna Be Funky (From Now On)
20 Rollin’ and Tumblin’
21 [encore break]
22 Lordy Lord>
23 [unknown?]
24 All Night Long

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT North Mississippi Allstars, visit their website, and purchase Keys to the Kingdom and their other available releases through The Store at their website [HERE].

Arbouretum: October 14, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

October 28, 2011

By acidjack

[Photos by acidjack]

Thrill Jockey’s band page for Arbouretum describes them as a “taper’s dream”, and they could well be right about that. With open song structures, a hard-rocking, Southern-informed psych-rock sound an solid dose of showmanship, the band comes off a bit like an updated, thinking man’s version of bands like CCR and Lynyrd Skynyrd, and they play a hell of a good show that doesn’t belie that comparison. The band took the stage behind a veil of smoke, launching into a brief psychedelic intro before hitting full stride on “False Spring” the leadoff track to their 2009 record, Song of the Pearl. That led into “White Bird”, the sole song played from their latest Thrill Jockey release, The Gathering. The musical virtuosity only went up from there, with “Down By the Fall Line” leading directly into “Mohammed’s Hex and Bounty” in a combined 17-minute piece that found the band in top form. Frontman Dave Heumann puts a lot of thought into his dense, literary lyrics, and (somewhat unusually for an indie artist) actually sings them so you can hear them. As audience members called out various rarities and covers throughout the set, the band finally obliged with a ripping version of CCR’s “Long As I Can See the Light.”

I recorded this set with my usual mounted setup of DPAs on the center post plus a soundboard feed from Josh, the head FOH engineer at Glasslands. The sound is excellent. Enjoy!

Stream “The White Bird”
[audio:https://www.nyctaper.com/A1014Arbouretum0211/03 The White Bird.mp3]

Stream “Long As I Can See the Light [Creedence Clearwater Revival]”
[audio:https://www.nyctaper.com/A1014Arbouretum0211/08 Long As I Can See the Light.mp3]

This recording is now available to download as FLAC or MP3 at Archive.org [HERE].

Follow acidjack on twitter

Arbouretum
2011-10-14
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

DPA 4021 (DFC, ORTF)>Sound Devices USBpre2+Soundboard >> Edirol R-44 [Oade Concert Mod] (24/48)>2x24bit/48kHz WAV>Audition (mixdown)>Audacity (tracking, set fades, amplify and balance)>FLAC ( level 8 )

Tracks [Total Time 59:22]
01 [intro]
02 False Spring
03 The White Bird
04 Down By the Fall Line>
05 Mohammed’s Hex and Bounty
06 Ghosts of Here and There
07 Song of the Nile
08 Long As I Can See the Light [Creedence Clearwater Revival]

If you enjoyed this recording, PLEASE SUPPORT Arbouretum by visiting their MySpace page and purchasing their official releases directly from Thrill Jockey [HERE]

Surfer Blood: April 29, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Song

October 26, 2011

By acidjack

[Photo courtesy of Shaun Regan at eardrumnyc]

Since we first caught them at the Market Hotel back when they were a mostly-unknown Florida band, Surfer Blood have become a bit of an indie staple. And for good reason: Their sound is infectious, upbeat and delivered with a great attitude. After touring the hell out of their breakout debut Astro Coast, the band began writing the new material that eventually became their new EP release, Tarot Classics. Several of those songs were on display at this show, a sellout of the Bowery Ballroom, which the band co-headlined with …And You Will Know Us By the Trail of Dead (that recording here). The band were in good spirits, no doubt in awe themselves of how far they had come since a moderately-attended CMJ show less than two years before. Tarot Classics, while only a snapshot, shows that in terms of pop relevance, Surfer Blood have plenty more in the tank. That was evidenced by two followup shows at the Northside Festival, including an opening slot for Guided by Voices.

At the request of Kanine Records, we did not release any Surfer Blood recordings containing Tarot Classics material until the EP was released. We also have two outstanding matrix recordings of the band’s Northside Festival sets that we will offer in the coming days. Thanks to Kanine for their continued support of excellent music and our efforts here at NYCTaper.

Stream “Voyager Reprise”:
[audio:https://www.nyctaper.com/S2104SurferBlood2902/08 Reprise.mp3]

Stream “Harmonix”:
[audio:https://www.nyctaper.com/S2104SurferBlood2902/04 Harmonix.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Surfer Blood
2011-04-29
Bowery Ballroom
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Oade M248>Sony PCM-M10 (24/44.1)
Position: Slightly ROC, clamp to balcony rail, pointed at stacks
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, amplify and balance, smooth peaks, downsample)>FLAC ( level 8 )

Tracks
01 Floating Vibes
02 Twin Peaks
03 [new song-?]
04 Harmonix w/ jam
05 [banter]
06 Take It Easy
07 Miranda [new]
08 Voyager Reprise [new]
09 Fast Jabroni
10 Swim
11 Anchorage
12 [encore break]
13 Neighbour Riffs
14 Island
15 Catholic Pagans

If you enjoyed this recording, we expect that you will PLEASE SUPPORT Surfer Blood, visit their MySpace page, and purchase Tarot Classics on Kanine Records (here).

Eternal Tapestry: October 14, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Song

October 18, 2011

By acidjack

[Photo by acidjack]

Portland’s Eternal Tapestry brought their heavy left coast psych rock to Glasslands this past Friday night, performing three long-form compositions of their densely layered guitar, bass, and saxophone (an instrument that seems to be making a big comeback lately!). The first two numbers came from the band’s latest record, Beyond the 4th Door, but the final track, “Doing Your Own Being”, was my personal highlight. With its eastern-inflected sax melody, the song is not only compelling, but rare. Released only on the very-limited-edition box set, Not the Spaces You Know, But Between Them on North Carolina imprint Three Lobed Recordings, this was likely many audience members’ first exposure to this incredible tune. Eternal Tapestry have reportedly made several records by essentially culling down live in-studio sessions, so unsurprisingly, the actual live show is a thing of beauty, as the band reworks and expands upon their songs on the fly. They don’t make it out east as often as we would like, so don’t miss them on the next go round.

I recorded this set with the DPA microphones mixed with an excellent board feed from Josh at Glasslands. As usual for this venue, the sound is excellent!

Thanks to PopGun Booking for hosting us.

Stream the complete set and download individual tracks:

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

Eternal Tapestry
2011-10-14
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

DPA 4021>Sound Devices USBpre2 + Soundboard>>Edirol R-44 [Oade Concert Mod] (24/48)>2x24bit/48kHz WAV>Audition (EQ, mixdown, amplify)>Audacity (set fades, tracking)>FLAC ( level 8 )

Tracks
01 Cosmic Manhunt
02 Wave Without A Shore
03 [banter]
04 Doing Your Own Being

If you enjoyed this recording, PLEASE SUPPORT Eternal Tapestry, visit their MySpace page, and purchase their latest record, Beyond the 4th Door, directly from Thrill Jockey [HERE]

Shinji Masuko: October 10, 2011 Knitting Factory – FLAC and MP3 Downloads + Streaming Full Show

October 17, 2011

By acidjack

[still from this video]

Shinji Masuko is a revered cult figure among aficionados of latter day Japanese experimental rock. Perhaps best known for his work in DMBQ, and more recently as a guitarist for Boredoms, Masuko is a renaissance man of the scene, also making a huge contribution in music journalism. He was also instrumental in raising money for Japanese musicians who were victims of the tsunami, an effort in which Oneida and NYCTaper participated. It was a rare treat for us stateside to get to see Masuko in a “solo” (with a bassist, whose name I regretfully do not know) performance at the Knitting Factory, where he played a complex guitar-based piece that referenced Japanoise, psychedelia, and Japanese folk and tribal music. A rapt crowd of music fans stood in awe of a piece that in some ways echoed Boredoms’ “Boadrum” pieces without the drummers. Masuko has also put out a recent set of compositions, Woven Music, on Brah Records, which is a can’t miss for fans of psychedelic guitar work.

I recorded this set with the AKG large-diaphragm microphones and a nicely balanced soundboard feed from the Knitting Factory team. There is a bit of DI hum on the board feed in quiet parts, but the recording is overall outstanding. You can stream the entire performance below, along with the usual downloads. Enjoy!

Stream the entire performance:
[audio:https://www.nyctaper.com/S1010ShinjiMasuko0211/shinjimasuko2011-10-10knit_acidjack-01.mp3]

Direct download of MP3 file [HERE] (right-click the link and go to “Save As”)| Direct download of the FLAC files [HERE]

Follow acidjack on twitter

Shinji Masuko
2011-10-10
Knitting Factory
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

AKG C 414 B-XLS (cardiod, slightly ROC, ORTF)+Soundboard>Edirol R-44 [Oade Concert Mod] (24/48)>Audition (mixdown)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 [single track]

If you enjoyed this recording, please support Shinji Masuko, visit the DMBQ website, and purchase his latest record, Woven Music from Brah Records [HERE]

Thee Silver Mt. Zion Memorial Orchestra: October 2, 2011 ATP I’ll Be Your Mirror – FLAC and MP3 Downloads + Streaming Song

October 12, 2011

By acidjack

[Photo by Jason Persse. Used with permission]

The final day of this year’s ATP “I’ll Be Your Mirror” festival in Asbury Park, NJ found the festival split between a hip-hop dominated Convention Hall (Ultramagnetic MCs and Public Enemy), and the Paramount Theatre across the concourse hosting (along with Jeff Mangum’s second set of the weekend) some incredible post-rock performances, including Earth (which we posted recently) and Thee Silver Mt. Zion Memorial Orchestra. SMZ (to use the favored shorthand) were the final act that I saw at the festival, and their grandiose, challenging performance sent me home on a high note. SMZ is anchored by guitarist/vocalist Efrim Menuck, who plays guitar in Godspeed You Black Emperor! along with SMZ bandmates and co-founders Thierry Amar and Sophie Trudeau.

SMZ’s similarities to GYBE are about as numerous as its contrasts from it. The contrasts are obvious, starting with Menuck’s bombastic, harsh vocals, which he sing/speaks in a punk rock style. Like GYBE, SMZ compositions are lengthy and follow a classical, narrative structure rather than pop’s verse/chorus/verse style. The use of string instruments also gives SMZ a classical feel that echoes GYBE, but SMZ’s storytelling is distinct. Where GYBE relies on symbolism and found sounds to tell their story, Menuck’s overtly political vocals make SMZ’s approach more direct. Menuck engaged the audience repeatedly between songs, decrying the right-wing (for Canada, anyway) regime of Prime Minister Stephen Harper, and giving a shout-out to the 99% whose Occupy Wall Street movement continues to grow. True to form, this 90-minute set consisted of just six compositions, primarily drawn from 2008’s 13 Blues for Thirteen Moons rather than the band’s current effort, Kollaps Tradixionales, from which they played only “There Is A Light”. A new number, “What We Loved Was Not Enough”, was also performed, but my personal highlight was “Black Waters Blowed/Engine Broke Blues” from Thirteen Moons, a huge two-part number with strong vocal harmonies between Menuck and Trudeau, excellent stringwork, and a cataclysmic crescendo worthy of these Montreal artists’ unique style.

I recorded this set with the DPA microphones from an ideal spot in the venue. Other than some rustling noises and an evident volume adjustment during the first four minutes of “BlindBlindBlind”, the sound quality is quite good (though not as good as the Earth set from almost the same spot). Enjoy!

Stream “What We Loved Was Not Enough”
[audio:https://www.nyctaper.com/S0012SilverMtZion2011/08 What We Loved Was Not Enough.mp3]

Stream “Black Waters Blowed/Engine Broke Blues”
[audio:https://www.nyctaper.com/S0012SilverMtZion2011/07 Black Waters Blowed_Engine Broke Blues.mp3]

Download the FLAC and MP3 files and stream the entire show on the Live Music Archive [HERE]

Follow acidjack on twitter

Thee Silver Mt. Zion Memorial Orchestra
2011-10-02
ATP presents I’ll Be Your Mirror
Paramount Theatre
Asbury Park, NJ USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

DPA 4021 (FOB, DFC)>Denecke PS/2>PCM-M10 (24/44.1)>24bit/48kHz WAV>Audacity (set fades, EQ, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 [intro]
02 BlindBlindBlind
03 [banter]
04 13 Blues for Thirteen Moons
05 [banter]
06 There Is A Light
07 Black Waters Blowed/Engine Broke Blues
08 What We Loved Was Not Enough
09 [banter]
10 Horses in the Sky

If you enjoyed this recording, PLEASE SUPPORT Thee Silver Mt. Zion Memorial Orchestra, visit their website, and purchase SMZ, Godspeed Your Black Emperor!, and Efrim’s official releases from Constellation Records [HERE]

Lady Lamb the Beekeeper: October 9, 2011 Backyard Brunch Sessions – FLAC and MP3 Downloads + Streaming Songs

October 11, 2011

By acidjack

[Photo by Dominick Mastrangelo]

When I first heard Aly Spaltro, aka Lady Lamb the Beekeeper, I flat-out couldn’t believe a girl so small (the band’s Facebook page cheekily describes her as 6’2″) – and so young (early 20s) – could make such a large, mature sound. Her “band” is no more than her and her guitar, but Aly never sounded intimidated or lonely on that empty stage. She cold-opened with an a cappella number – “Up In the Rafters” – that gave me chills. Stripped bare, the song is a sustained cry of longing, at once sultry, dangerous and sweet, and it’s delivered fearlessly. She closes out “Rafters” and moves straight into “Mezzanine”, this time accompanied by her guitar. Her playing is the equal of that lovely gravel in her voice, taking abrupt and unexpected twists in time and tempo. Both songs appear on LLTB’s current release Mammoth Swoon, a collection of unreleased, rare, and bedroom tracks that Aly released at the end of last year. You may be asking yourself how a young artist like Aly manages to have a rarities comp already, and that would be a good question. But head to LLTB’s bandcamp page, and you’ll see that she is already three releases deep. This set of six songs was culled from several of her records other than Mammoth, and each song showcased her unique songwriting ability. It’s hard for the word “precocious” not to come to mind, but LLTB would be an act of striking talent and depth at any age.

Backyard Brunch Sessions work best with artists who have the confidence to let their music stand unadorned. In a simple East Village backyard surrounded by a garden, new friends (and some delicious French Toast Grilled Cheese Sandwiches), Aly Spaltro fit this show’s aesthetic perfectly. She’s been playing alone on that empty stage since day one.

I recorded this set with a combination of high-end microphones, including the DPA 4021 that you can see miking Aly’s vocals. The sound quality is excellent, other than a two-second spot during “Up In the Rafters” where her guitar hit the mic stand. Enjoy!

Lady Lamb the Beekeeper’s next show will be a Windish Agency CMJ Showcase at Rockwood Music Hall on October 21. More info here.

Stream “Up in the Rafters”
[audio:https://www.nyctaper.com/L1009LLTB0211/Rafters.mp3]

Stream “Southernfly”
[audio:https://www.nyctaper.com/L1009LLTB0211/Southernfly.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter | visit the backyard brunch sessions homepage

Lady Lamb the Beekeeper
2011-10-09
Backyard Brunch Sessions
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

AKG C 414 B-XLS (cardiod pair, on guitar amp)+DPA 4021 (on vocals)>Edirol R-44 [Oade Concert Mod] (24/48)>Audition (studio effects, mixdown)>Audacity (set fades, tracking, amplify and balance)>FLAC Level 8

Tracks
01 [intro]
02 Up In the Rafters
03 Mezzanine
04 Between Two Trees
05 Florence Berlin
06 Southernfly
07 [banter]
08 Crane Your Neck
09 [outro]

PLEASE SUPPORT Lady Lamb the Beekeeper, like her on Facebook, visit her website, and purchase her releases from her bandcamp page.

Trans Am: October 8, 2011 Union Pool (playing “Futureworld”) – FLAC and MP3 Downloads + Streaming Songs

October 10, 2011

By acidjack

[Photo by acidjack. The photos are bad, but the recording is great.]

The band Trans Am reintroduced themselves in a big way with their seminal 1999 album, Futureworld nine years into their career. For the first time, the post-rock band introduced vocoder-enhanced vocals to their rock/krautrock hybrid. In many ways, this record, with its Atari graphics cover, augured the chiptunes genre, with its propulsive, fast-paced rock attack and robotic vocals. It also showcased a little bit of the band’s sense of humor, which you can get a dose of on their band page at Thrill Jockey. As is all the rage these days for classic bands, Trans Am did a two-night stand at one of my favorite venues, Union Pool, to close out their tour celebrating this classic record by playing it straight through.

With the smoke still clearing from The Psychic Paramount’s thunderous opening set, Trans Am kicked off the opening track “1999” to roars of approval from the crowd. By the time they hit the title track, “Futureworld,” the crowd was singing along to the vocoder-enhanced vocals, dancing, and sweating like hell – the show was completely sold out, and the room was packed. The band tore through the record with virtuosity and aggression; I can’t imagine this show being better in ’99 than it was today. The band even gave us an unexpected dose of (slightly) newer flavor when they ended the set with “I Want It All” and “Play in the Summer”, both from their 2000 record Red Line. Expect a followup to the band’s 2010 record, Thing, soon, and go see them live for an unforgettable experience.

I recorded this set from the balcony with the DPA microphones split wide, and an excellent soundboard feed. The quality is excellent. Enjoy!

Stream “Futureworld”
[audio:https://www.nyctaper.com/T0018TransAm2011/03 Futureworld.mp3]

Stream “Play In the Summer”
[audio:https://www.nyctaper.com/T0018TransAm2011/13 Play in the Summer.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Trans Am
2011-10-08
Union Pool
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Soundboard + DPA 4021 (slightly LOC, ORTF)>Naiant littlebox>>Edirol R-44 [Oade Concert Mod] (24/48)>Audition (mixdown)>Audacity (set fades, tracking, EQ, amplify and balance)>FLAC Level 8

Tracks
Futureworld
01 1999
02 Television Eyes
03 Futureworld
04 City in Flames
05 Am Rhein
06 Cocaine Computer
07 Runners Standing Still>Futureworld II
08 Positron
09 Sad and Young

Additional Songs from Red Line
10 [banter]
11 I Want It All
12 [encore break]
13 Play in the Summer

If you enjoyed this recording, PLEASE SUPPORT Trans Am, visit their website, and purchase their official releases directly from Thrill Jockey.

Earth: October 2, 2011 ATP I’ll Be Your Mirror – FLAC and MP3 Downloads + Streaming Song

October 6, 2011

By acidjack

[Photo courtesy of Jason Persse]

The revivified (as of 2005) Seattle band Earth is a behemoth of sound. Progenitors of an entire microgenre (“drone doom”), the band’s latest incarnation is a slightly more epic, and also more delicate outfit that combines elements of heavy grunge guitars, drone and americana. The band also has several ties to the band Nirvana, including lead guitarist and founding member Dylan Carlson’s well-documented friendship with Kurt Cobain, and current bandmember and cellist Lori Goldston’s role as touring cellist for Nirvana (and cellist on MTV Unplugged In New York).

But the band’s connections and history are only footnotes to one of the most powerful of the sets I have seen since I began attending the various New York-based All Tomorrow’s Parties festivals. This fourth year of the festival (awkwardly rechristened “ATP Presents I’ll Be Your Mirror”) was relocated from the quirky (and sketchy) holiday resort where it was held for the previous three years to the more welcoming environs of the Asbury Park, NJ – home of Bruce Springsteen and many other notable artists (including recent NYCTaper favorite Nicole Atkins, as we learned last week). Along with the relocation came new venues, including the weathered-but-still-standing Paramount Theater, which provided the ideal venue for Earth’s prettified slowcore.

The band played five longform compositions, each of which Carlson introduced by name, including the band’s first-ever song “Ouroboros Is Broken” as well as the title track from its latest record, Angels of Darkness, Demons of Light, a sequel to which is due soon. Each song was positively massive, cinematic in its sweep, with Carlson’s darkly-tuned guitar riffs threading in between Goldston’s somber cello, all backed by a focused but dense wall of bass and drums. Earth are one of many examples of the eclectic but brilliant programming of ATP – a modern classic of a band that may have been overlooked by some, but is a fixture for those who know them. Not only was theirs the best-sounding set of the festival, but one of the most inspired – reminding us of the critical essence of the early Seattle sound, and where it could have gone if it had the chance to grow up. Indeed, ATP festivals are always somewhere to be inspired, not only by outstanding music, but by the fans and sense of community they engender. It is my privilege to bring you but a small piece of this experience.

I recorded this set with the DPA 4021 microphones from the optimum spot in the venue. Especially given the use of a mobile rig, it is one of my finest captures of the year. Enjoy!

The other set by an ATP band that allows audio taping – Thee Silver Mt. Zion Orchestra – will be posted to the site in the coming days as well.

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Stream the complete set:

Earth
ATP I’ll Be Your Mirror
Paramount Theater
Asbury Park, NJ USA

An acidjack master recording

DPA 4021>PS/2>Sony PCM-M10 (24/44.1)>Audition (set fades, fix clapping, EQ, normalize)>Audacity (tracking)>FLAC ( level 8 )

Tracks
01 Black Water Side>Old Black
02 Bees Made Honey in the Lion’s Skull
03 Father Midnight
04 Ouroboros is Broken
05 Angels of Darkness, Demons of Light

If you enjoyed this recording, PLEASE SUPPORT Earth, visit their website, and purchase Angels of Darkness, Demons of Light I directly from their site [HERE]

Mt. Eerie: September 21, 2011 285 Kent

September 29, 2011

By acidjack

[photo by Juliet Eldred courtesy of Impose Magazine]

Phil Elverum is one of those elusive and otherworldly presences in music, who can take the simplest organ line or bell tone and build a surprising, hauntingly beautiful song around it. Best known for his work under the moniker The Microphones, Elverum rechristened the project Mt. Eerie in the middle of the last decade, but continues with many of The Microphones’ themes and sounds. This show at 285 Kent, presented by the legendary ToddP, had the type of intimate feel that echoed the very bedrooms where Elverum has made many of his compositions. This nine-song set showcased material new and old, and represented Elverum and the touring band’s triumph over what had been a very finicky PA system earlier in the evening. The band followed this show with a Monday performance at Le Poisson Rouge – another venue of considerable charm – but really, what better place to see a bedroom recordist than one of the Brooklyn scene’s coolest living rooms?

I recorded this set with the DPA microphones near the right stack, coupled with a soundboard feed. Other than some light noise from a fan near the mics during the first couple songs, the sound quality is outstanding. Enjoy!

Download the MP3 and FLAC files on the Live Music Archive [HERE]

Follow acidjack on twitter

Mt. Eerie
2011-09-21
285 Kent
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Soundboard + DPA 4021 (X/Y on post 3ft from right stack, 8ft)>Edirol R-44 [Oade Concert Mod] (24/48)>Audition (effects, mix down, normalize)>Audacity (tracking)>FLAC ( level 8 )

Tracks
01 I Felt Your Shape
02 Between Two Mysteries
03 Ancient Questions
04 No Inside, No Out
05 [banter]
06 The Place I Live
07 Lone Bell
08 [unknown]
09 Stone’s Ode
10 [unknown]

If you enjoyed this recording, we expect that you will PLEASE SUPPORT Mt. Eerie, visit their website, and purchase their records directly from them at their online store.

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North Mississippi Allstars: October 28, 2011 Brooklyn Bowl – FLAC and MP3 Downloads + Streaming Songs

Arbouretum: October 14, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

Surfer Blood: April 29, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Song

Eternal Tapestry: October 14, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Song

Shinji Masuko: October 10, 2011 Knitting Factory – FLAC and MP3 Downloads + Streaming Full Show

Thee Silver Mt. Zion Memorial Orchestra: October 2, 2011 ATP I’ll Be Your Mirror – FLAC and MP3 Downloads + Streaming Song

Lady Lamb the Beekeeper: October 9, 2011 Backyard Brunch Sessions – FLAC and MP3 Downloads + Streaming Songs

Trans Am: October 8, 2011 Union Pool (playing “Futureworld”) – FLAC and MP3 Downloads + Streaming Songs

Earth: October 2, 2011 ATP I’ll Be Your Mirror – FLAC and MP3 Downloads + Streaming Song

Mt. Eerie: September 21, 2011 285 Kent

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