Blog Archives

Eli Winter: September 14, 2019 Trans-Pecos

November 9, 2019
By

If you follow this site, you know that we are fans of “American primitive guitar” and have documented much of its greatest musicians in live performance. As examples, Daniel Bachman, Glenn Jones, Richard Bishop, Chuck Johnson, Bill Orcutt, Ben Chasny, and William Tyler have all graced these pages, often multiple times. If there’s a “wunderkind” of APG its our featured performer for today, Eli Winter. A native of Houston who went to college in Chicago, Winter has been around the scene since he was in his teens. The first time I heard a live recording several years back, it seemed pretty obvious to me that Eli Winter was a unique talent and a person with skills far beyond his modest years.

In 2019, the music world seems to have taken notice. Winter released his first full length record The Time To Come, and was selected by Ryley Walker to appear on a the Walker-curated release on Tomkins Square Records called Imaginational Anthem. In the Fall, Winter self-booked an fairly extensive tour of the Northeast and we were fortunate to be able to present him as direct support for the Walker/Grubbs duo show at Trans-Pecos in mid-September. Winter’s set was exactly what we had hoped to see — a showcase for a generational talent who could literally become the face of American primitive guitar in the decades to come. We fully expect to be attending Eli Winter shows for years to come, in progressively larger venues. But for now, this Trans-Pecos gig will suffice.

This set was recorded straight from the soundboard to a thumb drive. Due to the quiet nature of the show, the volume was quite low and elevating levels did produce some minor hiss. Otherwise, this is a quite listenable recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show (minus banter):

Eli Winter
2019-09-12
Trans-Pecos
Ridgewood NY

Digital Master Soundboard Recording

Soundboard > 16bit 48kHz wav file > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 45:56]
01 Untitled
02 [banter]
03 Knock It Out
04 [tuning]
05 The Time To Come

SUPPORT Eli Winter: website | bandcamp

Pernice Brothers: October 20, 2019 Mercury Lounge

October 30, 2019
By
Photos by PSquared Photography

The calendar year 1999 was one of great upheaval and positive personal change in my life and of the few records that soundtracked that eventful year, The Pernice Brothers Overcome By Happiness was right at the top. The album was a breakthrough of sorts for Joe Pernice, whose previous project the alt-country Scud Mountain Boys had disbanded after one album on Sub Pop Records. Overcome was a master work of perfectly written pop gems that touched on elements of alt-folk and chamber pop, and was an album created among a fellowship of Joe’s best friends at the time, including his brother Bob. There’s a great piece in Magnet Classics that describes the making the album [here].

When it was announced earlier this year that the Pernice Brothers would be returning with a new album for the first time in nearly a decade, I revisited Overcome and twenty years on, the album definitely stands the test of time. So kudos to my 1999 self for recognizing its brilliance and for continuing to follow the band through five more excellent albums before the hiatus. We were also lucky to have caught them live several times last decade, including at Mercury Lounge in 2006, a show I recorded mere months before NYCTaper became a thing. That Merc show it ends up would be the last Pernice Brothers show in NYC for thirteen years until this month.

The new album Spread The Feeling is a remarkable return to form for Pernice Brothers. The wit, wisdom, and melancholy that pervades the band’s catalog is clearly present, but this time around Joe Pernice tackles a variety of new subjects, including the abusive priests, drug abuse, and fatherhood, in a batch of songs that seem to be flexing more musical muscle than the band’s previous outings — albeit with virtually the same set of contributors.

The handful of dates that were announced included a return to Mercury Lounge and we were so pleased to be there and be permitted to record. What transpired was literally exactly what we had hoped to see. The band was tight and in great spirits, and the setlist featured both a substantial number of tracks from the new album, a nice selection of classic tracks, a classic cover, and quite a bit of a hilarious banter. And the early set time allowed me to fully experience this event, pack up, and go a few blocks to also see the Luna show we posted earlier. Quite an unforgettable night.

Joe Pernice announced on his active twitter account that the band will return with dates in the new year, and we’re hoping that includes another NYC show.

I recorded this set with the Neumann hypers mounted next to the soundboard and mixed with an excellent feed by FOH Manny. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show (minus banter):

Pernice Brothers
2019-10-20
Mercury Lounge
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Please support this legendary band:
https://pernicebrothers.bandcamp.com/
http://pernicebrothers.com/

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:04:56]
01 [intro]
02 Eric Saw Colors
03 [band introductions]
04 Lullabye
05 [banter – first show]
06 Monkey Suit
07 [banter – thermometer]
08 The Ballad of Bjorn Borg
09 Something for You
10 [banter – are you high]
11 There Goes the Sun
12 Skinny Jeanne
13 I Came Back
14 [banter – Cardinal Law]
15 Always in All Ways
16 [banter – whisper]
17 She Don’t Care About Time [Gene Clark cover]
18 Baby in Two
19 Throw Me to The Lions
20 Mint Condition
21 Working Girls
22 [banter – Elvis]
23 The Weakest Shade of Blue
24 [non-encore break]
25 Somerville

PLEASE SUPPORT Pernice Brothers: website | buy Spread the Feeling on Bandcamp

Luna: October 20, 2019 Bowery Ballroom

October 23, 2019
By

The Luna tour that just completed was a big one. The band played seventeen shows in twenty days, and played a complete album every night, alternating between Lunapark, Bewitched, and Penthouse. The added bonus was the appearance of original bassist Justin Harwood, who shared duties with Britta Phillips throughout the shows and also allowed Britta to provide some vocal harmonies when Justin performed.

Now five years into their reunion, we’ve already noted that Luna seems poised to stick around as a working band and their performances have been revelations of consistency and excellence. And the fans seem to agree — both Bowery shows were sold out and it was actually a bit of a chore to score a ticket (thanks generous friend!). We did get one at the last minute for Sunday night’s show, and were fortunate to have captured this show.

Sunday night at Bowery was a Penthouse night and the band’s first set was a meticulous performance of the album, with personal favorite “23 Minutes in Brussels” as my highlight. After a brief intermission, the band returned to play the bonus or hidden track of “Bonnie and Clyde”, followed by a neat set of favorites, oddities, and a couple of covers. The final encore was “IHOP”, the lead track from the Pup Tent album that is virtually never played live — it was a personal request from a band superfan who despite travelling all over the country and indeed internationally to see Luna had never experienced this song live. This tour was like that — tricks and treats for the superfans and just plain great music for the rest of us.

Luna returns to performance in February, with two West coast shows announced thus far. We’d expect some New York dates to be added.

I recorded this set from our usual spot with the Neumann hypers this time, and mixed with a feed mixed expertly by the band’s sound man Paul. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete show (minus banter):

Luna
2019-10-20
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:44:43]
First Set (Penthouse)
01 [intro]
02 Chinatown
03 Sideshow by the Seashore
04 Moon Palace
05 Double Feature
06 Twenty-Three Minutes in Brussels
07 Lost In Space
08 Rhythm King
09 Kalamazoo
10 [banter – Tolstoy]
11 Hedgehog
12 Freakin’ and Peakin’
Second Set
13 Bonnie and Clyde [Serge Gainsbourg]
14 California Blue [Roy Orbison]
15 Still at Home
16 Inside Your Heart [The Monochrome Set]
17 Eggnog
18 Slide
19 Superfreaky Memories
20 [encore break]
21 Pup Tent
22 Season of the Witch [Donovan]
23 IHOP

SUPPORT Luna:  Website | Bandcamp

Diane Cluck: September 20, 2019 Trans-Pecos

October 18, 2019
By

These days, Diane Cluck performs in NYC about once every eighteen months or so. Her last appearance in NY was in May of 2018 where she was backed into a late show and as a result her set that night was somewhat truncated. When we booked Diane for this year’s show at Trans-Pecos, there were no such limitations and this performance was undoubtedly the longest Diane Cluck show we’ve ever seen.

At Pecos last month, Diane was relaxed, playful, in good spirits, and thoroughly engaging. The set clocks in well over 90 minutes and the show contains plenty of banter, accepted requests, give and take with the engaged crowd, and two encores. Early in the set, Diane played tribute to her friend David Berman with a heartfelt cover of The Silver Jews “People”.

The exciting news is that Diane Cluck has fully recorded a new album due for release soon, which will be her first proper l.p. release since 2014’s Boneset. This night saw the performance of several of the new songs, the quality of which bodes well for this much anticipated album. The balance of the show was a nice sampling of the best material of Diane’s distinguished career and ultimately there really wasn’t much more that we could have asked for. Diane’s Northeast tour is complete, but we eagerly await her return perhaps for an album release show!

This set was recorded directly from the soundboard at a fairly low volume. The boosting and balance of the levels introduced some background noise into the sound (minor hiss mostly) but the mix and the sound quality is still quite excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show (minus banter):

Diane Cluck
2019-09-20
Trans-Pecos
Ridgewood NY

Digital Master Soundboard Recording

Soundboard [Engineer: RL] > 16bit 48kHz wav file > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 1:35:42]
01 [hello]
02 The Smile
03 [banter – new york]
04 People [Silver Jews]
05 [banter – that’s a club]
06 The Power of Allowing and Receiving
07 Heartloose
08 [banter – new album]
09 Jenny
10 Love You This Much
11 Maybe a Bird
12 Content to Reform
13 [Brian Festa set]
14 We Love You
15 Grandma Say
16 Draw Me Out
17 Pull Out the Bad Bone
18 [banter – thanks]
19 How Long
20 Sara
21 Telepathic Desert
22 Learn to Lose
23 Not Afraid to Be Kind
24 [banter – mellow Friday]
25 Peace I Leave
26 [banter – request]
27 Sandy Ree
28 [banter – merch]
29 Wild Deer at Dawn
30 [encore break]
31 Reveler
32 The Turnaround Road

PLEASE SUPPORT Diane Cluck, visit her website, and purchase her official releases from her Store [HERE].

Wilco: October 13, 2019 Brooklyn Steel

October 15, 2019
By
Photos by Ellen Qbertplaya

I first saw Wilco 23 years ago, and first taped them live 22 years ago. Wilco was one of the first bands to be featured on NYCTaper in 2007 and have been consistently featured on this site over the years. By my count, we’ve featured Wilco 26 times on this site, from many local venues but also as far away at Virginia, Massachusetts, Cooperstown, and Connecticut. The simple reason for this consistent and voluminous documentation is that Wilco is perhaps the greatest American band of the last 25 years and their live performances are unfailingly superb. We’ve never had a bad time at a Wilco show, and very clearly have had some of our best live experiences thanks to them.

The release of any new Wilco album is a cause for excitement, but by all accounts (including ours) the latest release Ode To Joy is their strongest and most accomplished album in more than a decade. In times when the world is reeling out of control on a nearly daily basis, Wilco’s newest album is a thoughtful and measured approach to contemporary life. Given that Jeff Tweedy recently completed his autobiography and released two solo albums, this kind of contemplative Wilco release seems to have been the next step in this artist’s evolution.

After a newly two-year hiatus from touring, the entire Wilco band seems very much to have absorbed the energy at the center of the recent artistic output of its leader. The Wilco we saw on Sunday night, and by all accounts on every night of this tour, is a relaxed and confident band comfortable with themselves and each other. The result is that these shows have been not only celebrations of the return of the band to touring, but also kinetic performances of the new material mixed in with virtuoso versions of the classics. Of note at Brooklyn Steel was the absolutely stunning guitar solo by Nels Cline in “Impossible Germany”. Just check out the audience response at the close of the song and the extended ovation. What a moment. We were also quite pleased to see another spacey “Laminated Cat” and first album stand-out “Box Full of Letters”. But on this night, the showcase was on Ode To Joy and the setlist wisely spaced the songs throughout the set where we heard nine of the album’s eleven songs nearly in order of the album.

The Wilco tour continues with dates throughout the country for most of the rest of the year (dates here), culminating in the Wilco Sky Blue Sky Festival in Mexico in January.

I recorded this set with the Neumann hyper cards raised high directly centered behind the soundboard. The Stan Doty mix in this already-excellent sounding room was simply perfect and as a result we’re offering what I currently believe to be the best sounding Wilco recording I’ve ever captured. Enjoy!

Download The Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Wilco
2019-10-13
Brooklyn Steel
Brooklyn NY

Digital Master Audience Recording
Recorded at Soundboard Booth

Neumann KM-150 Hypercardioids > Sound Devices 744t > 24bit 48kHz wav file > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 2:14:58]
01 Bright Leaves
02 Before Us
03 Company in My Back
04 War on War
05 One and a Half Stars
06 Handshake Drugs
07 You and I
08 Hummingbird
09 [banter – Radio City]
10 Someone to Lose
11 White Wooden Cross
12 Via Chicago
13 Laminated Cat
14 Random Name Generator
15 On and On and On
16 We Were Lucky
17 Love Is Everywhere (Beware)
18 [banter – Schmilco]
19 Impossible Germany
20 Box Full of Letters
21 [banter – Paul]
22 Everyone Hides
23 I’m Always in Love
24 Heavy Metal Drummer
25 I’m the Man Who Loves You
26 [non-encore break]
27 Hold Me Anyway
28 Misunderstood
29 [encore break]
30 An Empty Corner
31 Red-Eyed and Blue
32 I Got You
33 Outtasite
34 I’m a Wheel

PLEASE SUPPORT Wilco, visit their website, and purchase their Ode To Joy and their other releases from their website [HERE]

Ty Segall and the Freedom Band: October 2, 2019 Bowery Ballroom

October 7, 2019
By
Photos courtesy of Will from We All Want Someone blog

Ty Segall is really good at music. I mean seriously, this guy has the most prolific catalog in recent memory, but is also a master at a litany of genres, and consistently releases high quality material. There’s an argument that Ty Segall is the most accomplished rock musician of this century. No, really, just take a look at his enormous body of work and its hard to argue against its superior quality.

We have been there for many of his NYC performances, going all the way back to the early years in the tiny DIY rooms but also conversely for two of his Webster Hall appearances. I’m not sure exactly why its been a few years since we last saw Ty, but within about 10 minutes of experiencing this magical night at Bowery Ballroom we immediately remembered why we’ve sought out this artist’s shows for many years. He’s simply a kinetic bundle of talent and energy, and now he’s surrounded himself with an all-star team of virtuoso friends that has become the “Freedom Band” for the last three albums.

Ty Segall’s most recent album, First Take, features the Freedom Band but reportedly has no guitars. The newest band member Shannon Lay plays a bouzouki, a Greek stringed instrument that resembles a guitar, so the idea that one of the world’s most prominent garage rock icons would forsake the guitar is a good cover story, but the reality is that the album doesn’t need guitars. The variety of instruments played by the Freedom Band more than fills the gaps on an album of great imagination and songcraft. As with Ty’s 2018 release Freedom’s Goblin, the artist’s moving away from restrictive genres is in its way his own statement about the evolution of his career — his freedom from labels if you will.

At Bowery Ballroom on Wednesday night, First Taste was played start to finish as the first half of the show. Spoiler alert, Ty did play guitar during quite a few of the tracks, but stepped behind a front-of-stage drum kit for about half the numbers. Often accompanied by two bass guitars and two keyboardists, the new songs feature heavy rhythms, dense melodies, and often harmonized vocals. Sure, there’s some good old punk rock in the mix, but by the time the final number “Lone Cowboys” was performed, it was clear that 2019 Ty Segall is a very different and far more diverse artist than a decade before.

So, what did he do with the rest of the show — surprise! The band stepped back almost a decade for a straight-through performance of 2010’s Melted, Ty’s third album and the first of his many many releases to really stretch its wings beyond straightforward garage punk. But other than not sitting behind the drum kit again, Ty’s approach to this music was not so radically different from the “first set”. The Freedom Band put its stamp on this music and in a way proved that even 2010 Ty Segall was ahead of his time.

Its not often when a musician can play a two-hour show with literally no gaps of energy or interest, but that is exactly what Ty Segall is doing these days. By compiling a band of maestros to compliment his newest and most ambitious material, this artist is maturing into a true composer. As the show both looks forward and nods with respect to the past, its is clear that Ty Segall is an all-timer and we are fortunate that an artist of this caliber is sharing these moments. The Bowery show was very clearly the best concert I’ve seen this year, and one of the best I’ve seen this decade and yes, I was lucky to be there and to capture it.

This set was recorded as we always do at this venue, with Schoeps mounted at the front of the balcony and mixed with a very fine board feed. The sound quality is superb. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set:

Ty Segall
2019-10-02
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:46:27]
01 Taste
02 Whatever
03 Ice Plant
04 The Fall
05 I Worship the Dog
06 The Arms
07 When I Met My Parents Part 1
08 I Sing Them
09 When I Met My Parents Part 2
10 Radio
11 When I Met My Parents Part 3
12 Self Esteem
13 Lone Cowboys
14 Finger
15 Caesar
16 Girlfriend
17 Sad Fuzz
18 Melted
19 Mike D’s Coke
20 Imaginary Person
21 My Sunshine
22 Bees
23 Mrs.
24 Alone
25 [encore break]
26 Fanny Dog
27 The Hand
28 She

Freedom Band: Mikal Cronin, Shannon Lay, Charles Moothart, Emmett Kelly, and Ben Boye

SUPPORT Ty Segall: website | buy official releases

Kimya Dawson: September 18, 2019 Market Hotel

September 25, 2019
By

Its hard for me to believe its been almost twelve years since we last saw Kimya Dawson live. Those two shows in 2008 at tiny Southpaw, and then later at a much larger Webster Hall straddled the time period when Kimya’s star rose dramatically due to her exposure in the Academy Award nominated film Juno, which included her performance at the Oscars.

We noted back then that fame hadn’t at all changed the authenticity of this unique performer and that remains correct today. She remains a person whose observational songwriting skills convey an understanding of the variety of emotions of the human condition — humor, love, anger, sadness, and most importantly a sense of community. This concert at Market Hotel covered much of her classic material and consequently many of those emotions.

This set was recorded by house FOH Joe onto a thumb drive through the soundboard’s internal recording device. Except for a low guitar level in the first song, the sound is superb. Enjoy!

Download the Complete Show at Archive.org [HERE].

Stream the Complete Show:

Kimya Dawson
2019-09-18
Market Hotel
Brooklyn NY

Digital Soundboard Master Recording

Soundboard [Engineer: Joseph] + 16bit 48kHz wav file > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 1:23:48]
01 Tire Swing
02 Solid and Strong
03 [banter – long and slow]
04 Singing Machine
05 It’s Been Raining
06 [banter – Facebook Nazi]
07 Fire
08 [banter – Camp John Waters]
09 I Like Bears
10 Alphabutt
11 You Are My Baby
12 Being Cool
13 Alone And Free
14 Will You Be Me
15 Chemistry
16 [banter – theatre camps]
17 I Like Giants
18 [banter – rowdy rounds]
19 Underground
20 [All Star]
21 [Jarrod Bramson tribute]
22 Average Angel [Solute]
23 [banter – business meeting]
24 Anyone Else But You
25 [thanks]
26 Loose Lips

SUPPORT Kimya Dawson: website | official releases

Chris Forsyth: September 13, 2019 Nublu

September 24, 2019
By
Photo by Brianna Digioia

Hey, ok, we’re sorry. We didn’t attend and record the third week of the epic Chris Forsyth residency at Nublu, but hey we did the first night, and here my friends is the quite remarkable second Friday. This show featured a first set with Forsyth in a trio with bassist Peter Kerlin and percussionist Ryan Jewel, in an opening set that would have satisfied all comers if that had been the entire night. The trio was as crisp as one would expect from seasoned musicians quite intimately familiar with each other. The setlist included some new material, but also reached back into the old catalog for some Forsyth classics. The final two numbers added keyboardist extraordinaire Brent Cordero (King Missile, Psychic Ills, The Occasion) whose psychedelic styled organ colored these songs in brilliant fashion.

As if that wasn’t enough, the special bonus on this night was a full second set that brought back Kerlin on bass, but added Linda Pitmon on drums and Steve Wynn on guitar and vocals. This unique quartet gave us an hour of music that traded songs from the catalogs of the protagonists with expertly selected covers — Wynn as Lou Reed protégé and super-fan was a natural to play “Rock & Roll”, and Forsyth as former Richard Lloyd student expertly handled “Friction”. But for the curfew, one got the impression that this special band could have played all night. We wish they had.

This historical Chris Forsyth residency at Nublu concludes this coming Friday at 8pm when Chris is joined by Ryley Walker and Daniel Carter. Don’t miss it.

I recorded this set with the Schoeps cards from a very advantageous location in the venue and the sound is superb. Enjoy!

Download the Complete Show at Archive.org [HERE].

Stream the Complete show:

Chris Forsyth
2019-09-13
Nublu
New York NY

Digital Master Recording
Upfront Audience

Schoeps CCM4u’s > Sound Devices 744t > 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
Set 1
[Total Time 1:01:51]
01 Tomorrow Might As Well Be Today
02 Mystic Mountain
03 High Castle
04 [Brent Cordero intro]
05 The First Ten Minutes of Cocksucker Blues
06 Dreaming in The Non-Dream
Set 2
[Total Time 56:27]
07 Melting in the Dark [Steve Wynn]
08 Dream Song
09 Rock and Roll [VU]
10 Night Comes In [Richard Thompson]
11 Effigy [Creedence]
12 [banter]
13 Fricton [Television]
14 Amphetamine [Steve Wynn]

*Set 1 with Ryan Jewel, Peter Kerlin, Brent Cordero (4-6)
*Set 2 with Peter Kerlin, Linda Pitmon, Steve Wynn

PLEASE SUPPORT These Artists: Chris Forsyth | Steve Wynn

Guerilla Toss: September 7, 2019 Bowery Ballroom

September 19, 2019
By

It was last Halloween when our long-time fave space rock pranksters blasted off into Market Hotel, sold out the joint, and presided over perhaps the party of the year. It would be hard to match that epic night in NYC, and for almost a year Guerilla Toss didn’t even try. That is to say, this Bowery Ballroom night is their first proper local headlining gig since last Hallows Eve.

This Saturday night gig may not have been the pure rager that Market experienced, but as GT shows go, this was a real keeper. The band has developed a full-set style of playing distinct “parts” or segments where three or four songs flow naturally from one to the other, and as the band continues to master its live presentation, these segues have become nearly seamless. The Bowery show has not only a tremendous flow, but also a killer setlist, highlights including the Betty>Polly couplet, a Dose Rate that lived up to its name, and a guitar-heavy jammy Meteorological. Things bode well for the November release of the band’s latest EP, What Would The Odd Do? and we can’t wait.

The current Guerilla Toss Northeast Tour comes to a close with two shows, Friday in Boston and Saturday in Holyoke, dates here.

I recorded this set from our old balcony perch and mixed with an excellent feed from FOH Danielle. The sound quality is superb. Enjoy!

Download the Complete Show at Archive.org [HERE]

Stream the Complete Show:

Guerilla Toss
2019-09-07
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:22:42]
01 Plants
02 Can I Get The Real Stuff
03 Realistic Rabbit
04 Spider Heard
05 [tuning]
06 Magic Is Easy
07 Betty Dreams Of Green Men
08 Polly’s Crystal
09 Jesus Rabbit
10 [part three]
11 Future Doesn’t Know [debut]
12 Grass Shack
13 367 Equalizer
14 Dose Rate
15 Dog In The Mirror
16 [thanks]
17 Meteorological [Jane La Onda]
18 Diamond Girls
19 Green Apple
20 [non-Encore break]
21 Come Up With Me

PLEASE SUPPORT Guerilla Toss: Bandcamp | Facebook | DFA Records Page

Chris Forsyth: September 6, 2019 Nublu

September 13, 2019
By
Photo courtesy of Sasha

The Chris Forsyth residency at Nublu throughout this month got off to a great start last Friday, as Chris was joined by the most excellent Garcia Peoples for the third time in NYC this year. It was back at Nublu in March when this magic combination saw its first incarnation and the results were incendiary. The group later collaborated on a magic night at Market Hotel in July. This night offered a final local hook-up and the performance of all parties was unsurprisingly also en fuego.

Chris Forsyth released perhaps his most comprehensive work in April, and All Time Present material comprised the entire main set before the band reached back a few years for the non-encore track. But as was joked during the set, Garcia Peoples seemed to have rehearsed this material maybe even more than Forsyth, and the quintet was ready for every twist and turn and peak that their protagonist led.

Chris Forsyth returns every Friday this month to Nublu for what promises to be an historic residency. This week will feature Steve Wynn (Dream Syndicate) and Linda Pitmon (Minus 5) in a two-set affair that will deliver some never-before-heard iterations of band material and covers.

I recorded this set with the Schoeps cards mounted back about 20 feet from the stage and pointed at the stacks. The sound quality (other than some chatter) is quite excellent. Enjoy!

Download the Complete Set at Archive.org [HERE].

Stream the Complete Set:

Chris Forsyth
2019-09-06
Nublu
New York NY

Digital Master Recording
Upfront Audience

Schoeps CCM4u’s > Sound Devices 744t > 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:16:20]
01 Dream Song
02 Mystic Mountain
03 Tomorrow Might As Well Be Today
04 The Past Ain’t Passed
05 Techno Top
06 [no-encore break]
07 Dreaming in The Non-Dream

*entire show with Garcia Peoples

PLEASE SUPPORT These Artists: Chris Forsyth | Garcia Peoples

SUPPORT NYCTaper




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