nyctaper Recordings

[Photos by acidjack]

If you had told me back in 1997, when bands like Mogwai first hit the scene in the U.S., that heavy instrumental post-rock would one day be a somewhat popular genre, I’m not sure I’d have believed you. Sure, some of the credit goes to TV and movie soundtracks, but mainly, this genre’s emergence is the results of relentless touring and high-quality output of its practitioners. Boston’s Caspian, part of what could be called the second wave of the scene, and masters of the style, are a great example. I first saw them deliver their relentless, dynamic show at the relatively tiny Studio at Webster Hall back in 2010. Now, an album and a couple EPs later, they can pack them in at Bowery Ballroom on a freezing Sunday night. For progressive music, progress.

Caspian practice the same soft-loud dynamic as many of their contemporaries, but what struck me about this show was how heavily this band emphasizes the loud part of that. The whole room shook with the sound of songs like the band’s classic “Moksha”, with its epic sweep, or “Ghosts of the Garden City” from the album Tertia. From the band’s latest EP, Hymn for the Greatest Generation, we got “Halls of the Summer”, a forward-looking track that shows the band is keeping up with current trends by incorporating subtle-yet-effective electronics.

This has been a hard year for the band, having lost bassist Chris Friedrich unexpectedly earlier in the year. The band’s attitude has been to celebrate Chris’ legacy by moving onward and forward with their music. This show, and the huge reception by the fans, shows that it’s working. We hope to see Caspian’s upward trajectory continue.

I recorded this set in the usual manner for the venue, with Schoeps MK5 cardiod microphones and a soundboard feed from the house engineer Kenny. The sound quality is outstanding. Enjoy!

Stream “Halls of the Summer”

Download the complete show [MP3] | [FLAC] (files and full streaming set are hosted on the Live Music Archive)

Caspian
2013-11-24
Bowery Ballroom
New York, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack
Tracking by IceMan

Schoeps MK5c (30cm PAS Bar)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Kenny)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown, adjust levels)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:11:06]
01 Fire Made Flesh
02 Moksha
03 Quovis
04 Further Up>
05 Further In
06 Gone In Bloom and Bough
07 Halls of the Summer
08 Ghosts of the Garden City *
09 Sycamore

If you enjoyed this recording, please support Caspian, visit their website, and buy Hymn For the Greatest Generation and their other releases from their online store.

Mike Doughty: November 22, 2013 9:30 Club (DC — 2 sets) + November 23, 2013 Webster Hall – FLAC/MP3/Streaming

November 25, 2013

[photos by acidjack]

Mike Doughty promised to reimagine some of the favorites he wrote with Soul Coughing, and with a successful PledgeMusic campaign, he made it happen. The new LP features brand-new arrangements that hew closer to the vibe of Doughty’s solo work, with more straight singing and less of the scatty sing-speak that he popularized as “M Doughty” back in the Soul Coughing days.

Doughty has refused to play Soul Coughing songs live for years; his book documents his animosity toward his former bandmates and his perception of how and why the band ended. When he played an acoustic doubleheader at City Winery earlier this year, it was the first time I had seen Soul Coughing material live since the late ’90s.

You don’t have to buy into, or agree with, Doughty’s perspective on the band’s breakup to enjoy the new-old songs. If you were a fan of the band in its heyday, it won’t take long to remember how infectious and unusual many of these songs were. From their breakout hit “Super Bon Bon” to their big hit “Circles” to Ruby Vroom’s standout “Screenwriter’s Blues”, this sound hasn’t been replicated by anyone. It was Doughty’s, and his bandmates’, alone.

We are offering three shows in this post: First, an exclusive “VIP” acoustic performance of five songs prior to the main set at the 9:30 Club in Washington, DC; second, that night’s main set, where Doughty paid a much-deserved and touching tribute to the deceased longtime 9:30 Club fixture Josh Burdette, the kind of person that, if you have ever been to that club, you would remember. Finally, we have a homecoming performance at NYC’s Webster Hall, which due to my failure to charge my preamp, is missing the last few songs. It and the 9:30 Club set are fairly similar.

The acoustic set is the best example of where Doughty is musically today — you hear him deliver some powerful renditions of both his solo stuff and Soul Coughing material in a manner that he grew more comfortable with over the past decade-plus. It’s heartfelt and reflective, more personal than any Soul Coughing performance ever came across.

The Soul Coughing material presents a different challenge. You have a performer who used to be known for spastic, hyperkinetic performances in his 20s, backed by musicians from a variety of disciplines, trying to redefine that material in a newer, more mature image. Soul Coughing shows were just that — shows — and some songs’ delivery covered up some of the original arrangements limitations. In some instances, these “re-imagined” Soul Coughing songs felt the way Doughty said in The Book of Drugs that he wanted them — leaner and meaner, with fewer distractions. “Unmarked Helicopters”, from the X-Files soundtrack, certainly makes that argument, as do, among others, songs like “True Dreams of Wichita” and “Is Chicago, Is Not Chicago”. “St. Louise is Listening” highlights its essential opening lyric when Doughty’s smoother arrangement is deployed.

In other cases, the reimagination becomes more of an adjustment: Without the classic bass line once played by Sebastian Steinberg, a song like “Super Bon-Bon”, with its mad flow and seemingly random lyrics, is no longer what it was. Absent the classic loop credited to Mark De Gli Antoni on “Screenwriter’s Blues”, Doughty’s lyrics have a different cast than they did in the original. That said, that Doughty dared to mess with his original success on this album is a credit to his growth in the past 13 years. As a fan of both his solo work and Soul Coughing, I think I speak for more than myself that we always hoped to hear some of his ’90s work alongside his current material. So, Mike — thank you.

DC-based friend of the site Kubacheck recorded both of his sets with MBHO cardiod microphones. My recording from Webster Hall was made with Schoeps MK4V microphones in a mobile fairly close to the stage. We have streaming tracks and full downloads of each, and all three are excellent. Enjoy!

Stream “Fully Retractable” from the 9:30 Club acoustic set:

Stream “St. Louise Is Listening” from the 9:30 Club

Stream “True Dreams of Wichita”

Download the 9:30 Club acoustic set from the Live Music Archive: [MP3] | [FLAC]

Download the 9:30 Club main set from the Live Music Archive: [MP3] | [FLAC]

Download the Webster Hall set from the Live Music Archive: [MP3] | [FLAC]

Mike Doughty
2013-11-22
9:30 Club
Washington, DC USA
[VIP acoustic set]

Hosted at nyctaper.com
Recorded by kubacheck
Produced by acidjack

MBHO KA200N>MBP603a>Naiant adapter>Naiant Tinybox>Roland R-05 (24/48)>Adobe Audition CS 5.5 (adjust levels)>Izotope Ozone 5 (EQ, exciter)>>Audacity 2.0.3 (tracking, amplify, additional level adjustments, parallel compression, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Sunken-Eyed Girl
03 Fully Retractable
04 [tuning/banter]
05 No Misfortune
06 27 Jennifers
07 American Car
________________

Mike Doughty
2013-11-22
9:30 Club
Washington, DC USA
[Main set]

[same info as acoustic set]

Tracks [Total Time: 1:23:11]
01 [intro]
02 Is Chicago Is Not Chicago
03 Sugar Free Jazz
04 Bus to Beelzebub
05 The Idiot Kings
06 Unmarked Helicopters
07 Lazybones
08 Screenwriter’s Blues
09 Uh, Zoom Zip
10 Mr. Bitterness
11 Soft Serve
12 How Many Cans?
13 Monster Man
14 True Dreams of Wichita
15 St. Louise Is Listening
16 [banter]
17 Moon Sammy>So Far I Have Not Found the Science>Moon Sammy
18 Super Bon Bon
19 [encore break]
20 Janine
21 Circles
________________
Mike Doughty
2013-11-23
Webster Hall
New York, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (FOB/DFC)>KCY>tinybox v2>Sony PCM-D50>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (tracking, amplify, additional level adjustments, downsample)>FLAC ( level 8 )

Tracks [Total Time: 54:11]
01 Is Chicago Is Not Chicago
02 Sugar Free Jazz
03 Bus to Beelzebub
04 The Idiot Kings
05 Unmarked Helicopters
06 Lazybones
07 Screenwriter’s Blues
08 Uh, Zoom Zip
09 Mr. Bitterness
10 Soft Serve
11 Monster Man
12 True Dreams of Wichita
[rest of show cuts]

If you enjoyed these recordings, PLEASE SUPPORT Mike Doughty, visit his website and buy his record of Soul Coughing songs reimagined there.

Kevin Devine: November 22, 2013 Webster Hall – Flac/MP3/Streaming

November 25, 2013

[photos by Sean O’Kane]

These days, Kevin Devine is the worst kept secret in pop music. For the first ten years of his career, Kevin was one of those performers who felt like he was yours alone — until you’d come to his shows and finding that you were hardly his only rabid fan. The front rows of Kevin’s shows are always filled with the kind of fans who know every single word to every song and buy tickets whenever he’s in town. Or, as the girl who yelled out a compliment about the Washington DC show on this tour, whenever he’s in any town. At Webster Hall on Friday night, it was the hometown show of a lengthy tour that’s brought Kevin Devine and the Goddamn Band across the country. Ostensibly to promote Bubblegum, the “rock” album of his dual album release (along with Bulldozer) that was fully funded in less than one day on Kickstarter, this tour has been a victory lap of sorts. Bubblegum and Bulldozer aren’t just new albums to support on a tour — they were at first affirmative proof that an artist of tremendous talent with an extremely dedicated underground fanbase could break free from the label trap and forge his own path on his own terms. But more than that, these two albums are superior works of art. Bubblegum on display at Webster is the full-band album that rocks from start to finish. There isn’t a weak track on the album, quite inapposite every track is a scorcher. If some of the larger music sites on the web haven’t yet caught onto these simple facts, its a credit to Paste Magazine, who reviewed Bubblegum with a 8.9 rating. At Webster on Friday, after the classic “Cotton Crush” opener, the band ripped through the first three tracks of the album in order and didn’t really come up for air throughout the entire hour-long main set. The encore set was a bit of a goof, with the band playing portions of a bunch of rock classics, before Kevin ended the show with a couple of solo songs. We’re streaming “Ballgame” which has closed each of the shows on this tour. This is Kevin’s early confessional song but at this point in his career maturity, it seems to be less about him and more about us and our obsessions with the current flavor-of-the-month. For the last few years, Kevin has added a verse for the live version of “Ballgame” which seems to be an evolving set of lyrics. The new last section was the most poignant — “wake up, cause you’re not done. You can fix yourselves up kids, and you can learn how to love, the way you’ve wanted to love someone besides yourself for once, and mean something for more than six months. There’s work to be done”. And that’s how the show ended. Kevin Devine will return in the Spring with a tour to support Bulldozer, and we’ll expect a little bit of a different format, but undoubtedly the same commitment and intensity.

I recorded this show with the Sennheiser cards mounted inside the sub-balcony of the soundboard booth and mixed with a board feed. There was a problematic microphone on one of the drums heads that caused some static in the middle of the show and can be heard at points. With that caveat, enjoy!

Stream “Bubblegum”:

Stream “Ballgame”:

Download the Complete Show [MP3] / [FLAC]

Kevin Devine
2013-11-22
Webster Hall
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:35:46]
01 Cotton Crush
02 Nobel Prize
03 Private First Class
04 Fiscal Cliff
05 Carnival
06 [banter – spirit animal]
07 Bloodhound
08 Bubblegum
09 Buried By the Buzz
10 Another Bag of Bones
11 [banter – Now Now]
12 A Story A Sneak
13 She Can See Me (Bubblegum version)
14 Somewhere Unoccupied
15 I Don’t Care About Your Band
16 [banter – not cool]
17 Brother’s Blood
18 [encore break]
19 Sweet Child of Mine [Guns N Roses]
20 Thunderstruck [ACDC]
21 Round Here [Counting Crows]
22 Enter Sandman [Metallica]
23 El Scorcho [Weezer]
24 Stir It Up [Bob Marley]
25 Lose Yourself [Eminem]
26 Stan [Eminem]
27 [banter – 2 albums]
28 Little Bulldozer
29 I Could Be With Anyone
30 Redbird
31 Safe
32 Ballgame

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Kevin Devine, visit his website, and purchase Bulldozer and Bubblegum from the Merch link at his website [HERE].

The Lawsuits: October 26, 2013 Backyard Brunch Sessions – FLAC/MP3/Streaming Full Set

November 22, 2013

[Photo by Steve Alexandre]

Philly’s The Lawsuits are just straight up quality. This young act, who have established a reputation in their hometown that is growing around the East Coast, are one of those bands so ready for primetime that you can’t believe you’re seeing them in someone’s living room. Such are the advantages of living in New York City, I suppose.

This Backyard Brunch Session, like the Field Mouse set from later in the day, wasn’t exactly true to the format in terms of being (a) in a backyard or (b) acoustic, but The Lawsuits played this backup location the same way I’m sure they’d have played Bowery Ballroom. Dual lead vocalists Brian Dale Allen Strouse (also guitarist/keyboardist and lead songwriter) and Vanessa Winters give the band a wide palette to choose from vocally, and the core rhythm section of Brendan Cunningham on bass and Josh Friedman on drums (joined for this set by guitarist Joe Bisirri) give power and structure to the intricate arrangements. As a unit, the band’s highlight was probably “Love Is Weight”. With its hooky keyboard backing and catchy chorus, the song would be as at home in any of the last four decades, and it’s a home run now. The strongest individual performance could well have been Winters’ on the country-blues number “Long Drive Home”, where her vocals soared in the room without need of amplification. But it’s hard to be partial to any one performance out of this excellent set — even the impromptu, unrehearsed cover of Tom Petty’s “American Girl” brought a huge smile to everyone’s face. If a choice of cover song could fully encapsulate the spirit, style and vibe of a band, the choice of that song by The Lawsuits might well be it. The band has shows in Philly on December 6 and New Year’s Eve, and should be touring New York again next year. Don’t miss them.

I recorded set with MBHO microphones on each of the lead vocalists with a mid-side pair of Schoeps MK5 and MK8 in the middle of the room. Of all of the site’s Backyard Brunch recordings, I believe this is the finest quality one yet. Enjoy!

Stream the full set (with banter removed):

The incorrect version of “You Won’t Love Me If You Won’t” has been replaced with the right song.

Download the full set: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

[Photo by Paul Dryden]

The Lawsuits
2013-10-26
Backyard Brunch Sessions
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com and backyardbrunchsessions.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod)+Schoeps MK8 (M-S) + MBHO KA200N>MBP603>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Voxengo MSED (decode M-S)>Adobe Audition CS 5.5 (various effects and mixdown)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, light compression, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Fine Quality
03 Ebony Rose
04 Long Drive Home
05 [banter]
06 Dreaming #26
07 [banter2]
08 Onion
09 Love Is Weight
10 [banter3]
11 You Won’t Love Me If You Don’t
12 American Girl [Tom Petty]

Players:
Brian Dale Allen Strouse (vocals, keys, guitar)
Vanessa Winters (vocals)
Brendan Cunningham (bass)
Josh Friedman (drums)
Joe Bisirri (guitar)

If you enjoyed this recording, please support The Lawsuits, visit their website and buy Cool Cool Cool and their merchandise from their online store.

Julia Weldon: October 17, 2013 NYCTaper CMJ at Cake Shop – Flac/MP3/Streaming

November 20, 2013

[photos by Amanda Hatfield]

We have made no secret of the fact that we believe that Julia Weldon is destined for great things. We’ve recorded her twice previously this year, including the CD release party for her new album Light Is A Ghost, and each time we became more convinced of the inevitably of her musical upward mobility. Julia was an obvious choice for our NYCTaper CMJ Day Party at Cake Shop this year, and we were so pleased when she accepted our invite. And despite the afternoon set time, a good chunk of her fans managed to see this outstanding performer again impress with a set of her country-tinged indie folk. The week of this show, Julia’s new video for the song “Careful In The Dark” was premiered by the Village Voice, and her performance of that song at this show was particularly strong. We’re streaming it below. Julia Weldon has scheduled a series of upcoming shows, including this Friday at Wellesley College and Sunday night in a solo opening slot at the Knitting Factory.

I recorded this set in the same manner as the previous CMJ Cake Shop recordings and the sound quality is equally superb. Enjoy!

Stream “Careful In The Dark”:

Download the Complete Show [MP3] / [FLAC]

Julia Weldon
2013-10-17
NYCTaper CMJ Day Party
Cake Shop
New York, NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 36:16]
01 All I Gave Her
02 Meadow
03 Went To My Woman
04 Icarus
05 Careful In The Dark
06 [band introductions]
07 Marian
08 Everybody Says
09 Soon
10 Round Again

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Julia Weldon, visit her website, and purchase Light is a Ghost from the links at her website [HERE].

PUP: October 15, 2013 Oh My Rockness CMJ Show, Cameo Gallery – FLAC/MP3/Streaming

November 18, 2013

[Photos by acidjack]

The Toronto band PUP are one of the latest bands to cement that city’s status as one of the global epicenters of modern punk. From breaking bands like METZ to well established acts like Fucked Up, the scene continues to be fertile ground for vital music of the harder-edged variety. Straight from the kickoff track “Lionheart”, from their self-titled debut, PUP’s set at the Oh My Rockness CMJ show at Cameo Gallery put them on a lot of fans’ radar screens. Making the most of their time, the band barely took a breather between songs as they delivered rapid-fire doses of their hook-laden, head-bobbing tunes like “Back Against the Wall” and “Lionheart”. But it was the set closer, “Reservoir” that really sealed the deal. It’s one of those songs that spins standard young-punk fare and takes it to a darker, more reflective place, and it was a mature, powerful way to end the night.

I read in an interview that the album’s producer, veteran Dave Schiffman (responsible for, among others, records by Cass McCombs, Weezer, Red Hot Chili Peppers, and The Mars Volta) wanted the record to sound “like the best show the band had ever played.” I haven’t seen the band before, so I can’t vouch as to whether this is their “best show”. But I think, after hearing this, it’ll be hard to hear this and not give the record a spin.

I recorded this set in the same manner as the other recordings from this night, with Schoeps MK4V cardiod mics and a soundboard feed of the house mix by engineer Gary Atturio. The sound quality is outstanding. Enjoy!

Stream “Back Against the Wall”

Stream “Reservoir”

Download the complete show: [MP3] | [FLAC]

PUP
2013-10-17
Oh My Rockness CMJ Showcase
Cameo Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Gary Atturio) + Schoeps MK4V>KC5>CMC6>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (fades, tracking, amplify, balance)>FLAC ( level 8 )

Tracks:
01 [intro]
02 Lionheart
03 Back Against The Wall
04 Mabu
05 [banter]
06 Dark Days
07 Don Valley Parkway
08 [instrumental]
09 Yukon
10 Mule
11 Guilt Trip
12 [banter2]
13 Reservoir

If you enjoyed this recording, like PUP on Facebook, follow them on twitter and visit their bandcamp page. If you are in Canada, you can buy their debut album on iTunes Canada. Worldwide coming soon…

The Deslondes: November 4, 2013 Mercury Lounge – Flac/MP3/Streaming

November 18, 2013

[still from this video]

The Deslondes aren’t a new band, but they’re a band with a new name. The group is led by our old friend Sam Doores and his writing partner Riley Downing and were once called The Tumbleweeds. Sam took a couple of years to play with Hurray For The Riff Raff, and he returned full time to his own band the Deslondes were born. The name is taken from the street in New Orleans where Sam lives, and the band plays down home Americana with touches of country, bluegrass and honky tonk. This Fall the Deslondes were the support on the recent Spirit Family Reunion / HFTRR tour that came to NYC a couple of weeks back, and we caught the “secret” show at Mercury Lounge. The Deslondes set featured some older Tumbleweeds songs and some new tracks destined to be recorded soon, and was well received by the packed house. We’re streaming set highlight “Depression Blues”.

I recorded this set in the same manner as the Hurray For The Riff Raff recording and the sound quality is equally superb. Enjoy!

Stream “Depression Blues”:

Download the Complete Show [MP3] / [FLAC]

Deslondes
2013-11-04
Mercury Lounge
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 33:32]
01 I Got Found
02 Throw Another Cap in the Fire
03 Those Were Could Be the Days
04 Less Honkin More Tonkin
05 The Real Deal (This Time)
06 Low Down Soul
07 Depression Blues
08 [banter]
09 This Mornin I Was Born Again

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Deslondes, visit their website, visit their Facebook page, and shop at the Store at their website [HERE].

The Echo Friendly: October 17, 2013 NYCTaper CMJ Cake Shop – Flac/MP3/Streaming

November 15, 2013

[photos by Amanda Hatfield]

Last year, The Echo Friendly achieved a prime song placement — their song “Same Mistakes” was featured as the closing credit music during an episode of HBO’s Girls. For an indie band from Greenpoint whose songs are often about the fact that the group’s two protagonists are ex’s, the song placement couldn’t have been any more appropriate. What follows is the big question — if The Echo Friendly can parlay this exposure into career momentum. When we experienced their outstanding performance to a packed room at our CMJ show at Cake Shop, there was a palpable sense of excitement in the room and the big question was answered with a resounding yes. The songs are there, the band is tight, and the stage energy is intense. We expect big things from The Echo Friendly, and we’re pleased to have been able to have them at our party this year.

I recorded this set in the same manner as the previous recordings from this show and the sound is equally superb. Enjoy!

Stream “Same Mistakes”:

Download the Complete Show [MP3] / [FLAC]

The Echo Friendly
2013-10-17
NYCTaper CMJ Day Party
Cake Shop
New York, NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Recorded and Produced
by nyctaper

Setlist:
[Total Time 22:29]
01 Worried
02 Panic
03 I Wanna Get High With You
04 Same Mistakes
05 Apartment
06 Ain’t No Grave
07 Supplies for Arson (For Billy Cassidy)

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Echo Friendly, visit their Facebook page, visit their page at Cantora Records, and purchase their official releases from their bandcamp page [HERE].

Firehorse: October 17, 2013 PledgeMusic CMJ Show, McKittrick Hotel – FLAC/MP3/Streaming

November 14, 2013