nyctaper Recordings

concert discussion and free flac downloads

The Black Crowes: October 26, 2013 Terminal 5 – FLAC/MP3/Streaming

October 30, 2013
By

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[Photos by acidjack]

That this two-hour show counts as a “short set” by Black Crowes standards says a lot about the generosity of this band. For their twenty-plus-year career, the Robinson brothers and their bandmates have gone out there and given it their all, even when their personal issues clouded the situation offstage. Even if these were the band’s “last area shows” for this year and next (according to them) I’d say it’s a certainty they’ll be back at it in 2015. This band wouldn’t still be around if these guys didn’t love to play.

If the acoustic set we recorded last week was a bit longer, it also had a more languid pace than this all-business run-through that included more than its fair share of guitar pyrotechnics and uncommonly played offerings, but very little in the way of tuning pauses or stage banter. Even if the Led Zeppelin cover “Hey, Hey, What Can I Do” signaled a night that ended a bit too soon, nobody was denying how pumped they were to hear it. Similarly, the band’s cover of Stephen Stills’ “Isn’t It About Time?” had the entirety of Terminal 5 rocking. So did the one-two combo of “Hard To Handle” directly into Deep Purple’s “Hush” and a searing rendition of “Exit” from The Tall Sessions, among other moments that put this show up there with any Crowes gig I’ve seen.

So don’t worry — if you missed them at any of the numerous NYC dates they just played, expect them to be back. Until then, these fine captures should tide you over.

I recorded this set with Schoeps MK41 supercardiod microphones in a tight configuration from our usual spot in the venue. Johnny Fried Chicken Boy was next to me with his Milab VM-44 Links. Both recordings are on offer here and both are excellent. Enjoy!

Stream “Hard to Handle>Hush”

Stream “Black Moon Creeping”

Download acidjack’s Schoeps MK41 source: [MP3] | [FLAC (16/44.1)] | [FLAC (24/48)]
(Users intending to burn to disc should download the 16bit, 44.1kHz FLAC files. 24bit/48kHz FLAC files cannot be burned to CD)

Download JFCB’s Milab VM-44 source: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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acidjack’s source:

The Black Crowes
2013-10-26
Terminal 5
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (PAS)>KCY>tinybox v2>Sony PCM-D50>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter, stereo imaging)>Audacity 2.0.3 (tracking, fades, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:54:02]
01 Under A Mountain
02 Gone
03 Exit
04 No Use Lying
05 Black Moon Creeping
06 Virtue & Vice
07 Sister Luck
08 Thorn In My Pride
09 Nonfiction
10 Isn’t It About Time [Stephen Stills]
11 Soul Singing
12 Sting Me >
13 Twice As Hard
14 Hard To Handle [Otis Redding] >Hush [Deep Purple]
15 [encore break]
16 Wee Who See The Deep
17 Hey Hey What Can I Do [Led Zeppelin]

JFCB’s source:

The Black Crowes
Saturday, October 26, 2013
Terminal 5
New York, NY, USA

Source: AUD > Milab VM-44 Links (cardioid) > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBEs, FLAC conversion) > FLAC (level 8)
Recorded and produced by: Johnny Fried Chicken Boy
Premiere download offered at: https://www.nyctaper.com/

SETLIST:
01. Under a Mountain
02. Gone
03. Exit
04. No Use Lying
05. Black Moon Creeping
06. Virtue and Vice
07. Sister Luck
08. -Jam-
09. Thorn in My Pride
10. Nonfiction
11. Isn’t It About Time [Stephen Stills / Manassas]
12. Soul Singing
13. Sting Me
14. Twice As Hard
15. Hard to Handle [Otis Redding / Al Bell / Allen Jones] > Hush [Billy Joe Royal / Deep Purple] > Hard to Handle
16. [encore break]
17. Wee Who See the Deep
18. Hey Hey What Can I Do [Led Zeppelin]
———————-
Total time: 1:53:32

If you download this recording, we expect that you will PLEASE SUPPORT The Black Crowes, visit their website, visit their Facebook page, and purchase their official releases and merchandise [HERE], at Amazon and at iTunes.

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Ovlov: October 15, 2013 Oh My Rockness CMJ Show, Cameo Gallery – FLAC/MP3/Streaming

October 30, 2013
By

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[Photos by acidjack]

It’s always gratifying when you run into a friend at a show that you didn’t plan to see, and their first reaction to the band you came to see is “holy shit, these guys are good”. The Connecticut band Ovlov, comprised of three brothers, were one of my most anticipated acts of this year’s CMJ Music Marathon, and they brought everything they had for this Oh My Rockness-sponsored set at Cameo Gallery. For those who didn’t already know how good they were, they surprised them.

Ovlov synthesizes influences from a number of big-time ’90s touchstones, the most obvious being Dinosaur Jr., abetted by vocalist Steve Hartlett’s incredible resemblance to J Mascis’ vocal delivery. If you closed your eyes, their song “The Well” could almost be Dinosaur Jr. circa 1991. The band’s latest record, Am, doesn’t shy from these influences, nor should it. It’s no accident that Ovlov might well share a record collection with well-loved contemporaries like Speedy Ortiz; Sadie Dupuis does guest vocals on Am. As with any correct CMJ show, this one offered a glimpse into what this band had to offer, and they maximized the punch of their eight-song set, with many Am wonders combined with some slightly deeper cuts. CMJ did exactly what it should for this band — give them a shot at a wider audience. I have no doubt that Ovlov have earned it.

I recorded this set with a soundboard feed from the Cameo engineer and friend of the site Gary Atturio, plus Schoeps MK4V cardiod microphones ideal for this kind of room. The sound quality is outstanding. Enjoy!

Stream “The Well” and “There’s My Dini!”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Ovlov
2013-10-17
Oh My Rockness CMJ Showcase
Cameo Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Gary Atturio) + Schoeps MK4V>KC5>CMC6>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (fades, tracking, amplify, balance)>FLAC ( level 8 )

Tracks [Total Time 32:26]
01 The City
02 The Well
03 Nü Pünk
04 Really Bees
05 There’s My Dini!
06 I Got Well
07 Blue Baby
08 Moth Rock

If you enjoyed this recording, PLEASE SUPPORT Ovlov, visit their bandcamp page, and purchase Am from Exploding In Sound records [HERE]

Thee Oh Sees: October 27, 2013 285 Kent – Flac/MP3/Streaming

October 28, 2013
By

Thee Oh Sees 285
[photo courtesy of We All Want Someone To Shout For blog]

Lou Reed died on Sunday morning, October 27, 2013. If that fact is important to you, then by now you’ve read the hundreds of excellent tributes across the web. The man was complicated, but one thing is for certain — his vast and ubiquitous influence over multiple genres of music and musical lifestyles will be felt for generations to come. So it was abundantly appropriate that on the night of his death, one of New York’s premiere DIY venues — in a warehouse no less — hosted one of the country’s premiere garage-rock bands. I don’t think its a reach to say that if Lou Reed’s life had not taken the path he began nearly fifty years ago, 285 Kent and Thee Oh Sees would not exist, or at least exist in the way they do now. ToddP recognized the importance of the evening, as his house music was all-Reed for virtually the entire night. And as Thee Oh Sees were about to take the stage, the ipod mix queued up “Walk On The Wild Side”, and a natural and spontaneous cheer arose from the packed house. As John Dwyer approached the mic, he dedicated the set to Lou, and began to play. And play they did. Thee Oh Sees are one of today’s most engaging live acts, but this performance was special. Each song was a bundle of kinetic energy and it seemed as if the crowd was of one mind, moshing in beat to every single song for this meaty and lengthy set. The band is on tour to support their latest album Floating Coffin, and while the setlist included more than half the album, there were also plenty of old favorites. Thee Oh Sees play locally again tonight (Tuesday October 29), at Irving Plaza. As of this writing, there are less than 100 tickets left. We’ll be there, and if you’re reading this, hopefully you will be too.

I recorded this set by mounting the Sennheiser cards on the beam ten feet from the stage and mixed it with a fine board mix. The sound is excellent. Enjoy!

Stream “Block of Ice”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Thee Oh Sees
2013-10-27
285 Kent
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:24:54]
01 I Come From The Mountain
02 Toe Cutter – Thumb Buster
03 Block of Ice
04 Contraption – Soul Desert
05 The Dream
06 Tidal Wave
07 Tunnel Time
08 What’s Over There
09 Strawberries 1 and 2
10 Meat Step Lively
11 [tech break – bad cable]
12 No Spell
13 [tech break – power strip]
14 Dead Energy
15 Minotaur
16 Lupine Dominus
17 [encore break]
18 Carrion Crawler

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Thee Oh Sees, visit their website, and purchase Floating Coffin from Castle Face Records [HERE].

Caged Animals: October 17, 2013 NYCTaper CMJ Cake Shop – Flac/MP3/Streaming

October 28, 2013
By

cagedanimals1
[photos by Amanda Hatfield]

The Sixth Annual NYCTaper CMJ Day Party at Cake Shop was headlined by a band fronted by one of our favorite people in the music world. Vincent Cacchione has been a friend of the site for years, going all the way back to his days as guitarist in Shilpa Ray’s band, through the emergence of Soft Black, and ultimately his current project Caged Animals. 2013 has been a big year for the band, as Caged Animals released a universally praised new album In The Land of Giants in September. Their set at our Day Party was a celebratory affair, with the band asking and receiving crowd participation throughout. Vincent’s engaging personality is infectious but the other members of the quartet, including his sister bassist Talia, keyboardist/vocalist Magali Francoise and drummer Patrick Curry were all involved in the party atmosphere. The band performed songs from all of their releases including “Teflon Heart” that we’re streaming below. Sadly, as our show ran up into the night show, Caged Animals were only able to play their allotted 30 minutes — next time we’ll hope for more.

I recorded this set in the same manner at the J Fernandez set and the sound quality is superb. Enjoy!

Stream “Teflon Heart”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

cagedanimals2

Caged Animals
2013-10-17
NYCTaper CMJ Day Party
Cake Shop
New York, NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 28:50]
01 [intro]
02 Too Much Dark
03 A Psychic Lasso
04 The Sound of Thunder
05 Girls on Medication
06 This Summer I’ll Make It Up To You
07 Blood Money
08 The Mute and The Mindreader
09 We’re Playing With Fire
10 [banter]
11 Teflon Heart

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Caged Animals, visit their website, and purchase In The Land Of Giants from their Bandcamp page [HERE] or from the links at the Lucky Number Music website [HERE].

J Fernandez: October 17, 2013 NYCTaper CMJ at Cake Shop – Flac/MP3/Streaming

October 25, 2013
By

jfernandez1
[photos by Amanda Hatfield / Soundcloud photo from Six Point Twitter]

The plethora of good bedroom recording artists presents an enigma for booking shows. For every successful transition to excellent live band (Wild Nothing, Purling Hiss) there are a dozen or more who can’t get beyond solo-guy-with-laptop on stage. When we learned that the excellent Chicago dream-pop artist J Fernandez was coming to NYC for CMJ shows, we jumped at the chance to book him. Fernandez has been releasing a series of singles over the last few years on local labels, and last year Morning Ritual Recordings compiled them all on an excellent release No Luck / Olympic Village. But we had no idea what he’d be like live. It was within the first thirty seconds of the first song that I quickly realized that J Fernandez isn’t just a bedroom pop act, but indeed a superb live band with abundant talent and stage presence. Justin and the band paced through many of the tunes from the compilation and a few new ones, and live the tunes took on a very tasty psychedelic feel not prevalent on the more two-dimensional recorded tracks. We are streaming “No Luck”, the title track of one of the EPs and a featured track. Given the quality of this performance, we hope that J Fernandez and the band come East more often.

I recorded this set with the Sennheiser cardioids mounted above the front of the stage and mixed with a soundboard feed. The sound quality is superb. Enjoy!

Stream “No Luck”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

jfernandez2

J Fernandez
2013-10-17
NYCTaper CMJ Day Party
Cake Shop
New York, NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 30:08]
01 Between the Channels
02 Malleable
03 Read My Mind
04 Casual Encounter
05 No Luck
06 Wasting the New Year
07 Fading Out

If you download this recording from NYCTaper PLEASE SUPPORT J Fernandez, visit his blog, and purchase No Luck / Olympic Village from the links at Soundcloud [HERE].

The Black Crowes: October 19, 2013 The Capitol Theatre – FLAC / MP3 / Streaming Songs (Two Sources)

October 24, 2013
By

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[Photos from the 10/21 show courtesy of Joe Madonna.]

If there are two things that can be said about The Black Crowes’ live shows it’s that they’re consistent and damn good.  Being a fan since their first album, I can attest to having seen more than my fair share of BC concerts that have stuck in my memory and been added to my personal “best of” list.  Their acoustic shows, however, have been few and far between and I relish them like the rare fruits they are.  In addition to hearing old favorites in new arrangements that translate beautifully from the electric counterparts, I’ve noticed that the gents seem to take more risks and extend their collective reach a bit when playing these “unplugged” gigs.  The recent four-date run at The Capitol Theatre was certainly no exception.  With their vast catalog of original tracks and mining some deep and obscure material from the likes of Crazy Horse, The Flying Burrito Brothers and Pink Floyd, there were distinct surprises to be had on this evening.  The band itself had also expanded with performers Larry Campbell, Sam Bush and Joe Russo joining the group for the night, as well as Neal Casal and John Fullbright jumping in for the encore.  Between the added instrumentation, new songs and solid chops on display, the Crowes continue to be a potent live experience.

Set up in the taper’s section behind the soundboard at The Capitol Theatre, we were able to pull great recordings, albeit with a little more crowd noise than we like during some of the quieter songs.  As a result, we are offering both of our excellent quality sources for download: my Milab VM-44 Link cardioids and acidjack’s Schoeps MK41 supercardioids paired with his warm Aerco MP-2 preamp.  Enjoy!

The Black Crowes will be playing a series of electric shows at Terminal 5 beginning tonight.  We will be recording at least one of them and posting it next week.

Stream “Torn and Frayed” (Milab VM-44 Link source):

Stream “Wiser Time” (Schoeps MK41 source):

Milab VM-44 Link source
Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

Schoeps MK41 source
Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If any of the links are no longer working, email nyctaper with a request for the download location of the files.

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

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The Black Crowes
Saturday, October 19, 2013
The Capitol Theatre
Port Chester, NY, USA

Johnny’s source
Source: AUD > Milab VM-44 Links (cardioid) > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Recorded and produced by: Johnny Fried Chicken Boy

acidjack’s source
Schoeps MK41 (BOB, PAS)>KC5>CMC6>Aerco MP-2>Sony PCM-D50>24bit/48kHz WAV>Izotope Ozone 5 (effects, EQ)>Audacity (tracking, fades, amplify, downsample)>FLAC ( level 8 )
Recorded and produced by acidjack

SETLIST:
[Total time: 2:15:53]
01. [intro]
02. Torn and Frayed  [The Rolling Stones]
03. Downtown Money Waster
04. Good Friday
05. [tuning]
06. I Don’t Want to Talk About It  [Danny Whitten / Crazy Horse]
07. Fork in the River
08. [tuning]
09. So Many Times  [Chris Hillman / Stephen Stills]
10. Just An Old Hobo
11. There’s Gold in Them Hills
12. Wiser Time
13. [intros / banter]
14. The Gnome  [Pink Floyd]
15. Chapter 24  [Pink Floyd]
16. She Talks to Angels
17. [tuning]
18. Appaloosa
19. Milk Cow Blues  [Kokomo Arnold]
20. Lost and Found
21. Like a Tumbleweed in Eden
22. [tuning]
23. The Last Place That Love Lives
24. Quinn the Eskimo (The Mighty Quinn)  [Bob Dylan]
25. Soul Singing
26. [encore break / banter]
27. Hot Burrito #1  [The Flying Burrito Brothers]
28. Hot Burrito #2  [The Flying Burrito Brothers]
29. [tuning]
30. The Night They Drove Old Dixie Down  [The Band]

If you download this recording, we expect that you will PLEASE SUPPORT The Black Crowes, visit their website, visit their Facebook and MySpace pages, and purchase their official releases and merchandise [HERE], at Amazon and at iTunes.

Modern Merchant: September 22, 2013 Backyard Brunch Sessions – FLAC/MP3/Streaming

October 23, 2013
By

modernmerchant-11
[Photography by Dominick Mastrangelo]

The Brooklyn band Modern Merchant have an easy charm to them. Their laid-back sound will suck you in at an instant. But what will keep you coming back are the subtle shifts of tempo and texture that give their arrangements heft. Lead singer John Parson has a steady, soothing voice that heads into euphoric territory when it’s called for, but he knows when to use it. This Backyard Brunch Sessions performance carved back some of the more dream-pop-driven elements of the band’s sound, which are out in force on their current EP, For the Fields. For my money, this live set gave the band’s songs a more natural, lived-in feel that goes well with their natural tendencies. It’s always a nice calling cards to have when the band you’re playing with (in this case, Elizabeth and the Catapult) asks when they can see your next show. It was a compliment well deserved, as Modern Merchant put on a live show worth seeing more than once.

I recorded this set in the same manner as the Elizabeth and the Catapult recording, and the sound is excellent. Enjoy!

You can catch Modern Merchant live in Brooklyn on October 29 at the Paper Box.

Stream “Be That As It May”:

Stream “Necessary Evil”:

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

modernmerchant-5

Modern Merchant
2013-09-22
Backyard Brunch Sessions
Brooklyn, NY USA

Recorded and produced by acidjack
Hosted at nyctaper.com and backyardbrunchsessions.com

Schoeps MK5 (omni)+Schoeps MK8 (M-S) + Audio Technica 3031>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (various effects and mixdown)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro – David Chaitt]
02 Be That As It May
03 [tuning]
04 For the Fields
05 Necessary Evil
06 [tuning2]
07 Marry Me Annie
08 [tuning3]
09 Untitled (Patito)

If you enjoyed this recording, please support Modern Merchant, visit their website, and buy For the Fields from their bandcamp page.

The Dismemberment Plan: October 18, 2013 Terminal 5 – FLAC/MP3/Streaming Full Set

October 21, 2013
By


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[Photos courtesy of Sean O’Kane for Bowery House List]

Before Pitchfork anointed The Dismemberment Plan‘s third LP Emergency & I as the best album of 1999 (and there were some good ones that year), The Plan were a quirky, well-loved cult band from Washington, DC, but they were hardly a household name even among dedicated indie fans. I first saw them in 1996, around the time of release of !, their first record, when their sound was at its most freeform and spastic. The bill was The Plan, first, then Smart Went Crazy, then Archers of Loaf. Even in that eclectic company, I remember my main impression of The Dismemberment Plan being this band is weird. That late-90s Pitchfork crew weren’t kidding when it came to extolling the band’s uniqueness. They were also right when they foretold the Plan’s influence on a number of sounds that would come to commercial fruition in the coming decade. None of that benefited the band itself much (of course), but all you R&B and dance-copping indie bands of the aughts, you can tip your hats now, thanks.

The Dismemberment Plan, in the end, were way too weird to make it “big” in the way bands of the era like Modest Mouse somehow managed to. However refined the pop technique on Emergency & I and its worthy successor, Change, this was still not a band that fit will onto “alternative” radio or manning huge festival stages. In the same way that cult faves like Neutral Milk Hotel now sell out venues three or four times bigger than what they played during their halcyon days, it felt really weird to see The Dismemberment Plan playing the Bowery Presents‘ midtown behemoth Terminal 5 (albeit with the top balcony closed). But after seeing the band in action in that space, I think I’d sold them short. The band’s four members had more room than they needed on the huge stage, but the sound they put out was massive yet focused enough to give T5 a feel reminiscent of their old club shows. The band — frontman Travis Morrison in particular — not only looks like they’re still on their game, they sound like it.

That’s another critical distinction between The Dismemberment Plan and certain other ’90s acts taking their victory laps. This show wasn’t some nostalgia trip or “one time only” reunion. Rather, The Plan were here for a purpose, promoting their new Partisan Records release Uncanney Valley, an album that’s been well-received to date and stands to add several new standout tracks to the live show. The set opener, “Invisible” was one of my favorites, as was the melancholy, “Daddy Was A Real Good Dancer”. The record grew out of the band’s reunion shows for the Emergency & I vinyl release, after the four discovered they had new ideas to explore. The hope is that Uncanney Valley is the beginning of a new phase, not the end.

Of course, for those nostalgic for older stuff, this 90-minute set hit pretty much all the biggest highlights. For me, that meant “The City”, “You Are Invited” and “What Do You Want Me To Say” from Emergency & I, “Time Bomb” and “The Face of the Earth” from Change, and “OK Jokes Over” from !, among many others. But the set closer — “Ice of Boston” from The Dismemberment Plan Is Terrified, that made for the most Dismemberment Plan-moment of all, as Morrison invited the crowd to join the band onstage. Not every band can turn a song about a cold, depressing New Year’s Eve drinking alone in Boston into an edifying rave-up. But then, no other band is quite like The Plan.

I recorded this set with Schoeps MK41 microphones and a super-clean Sound Devices preamp to capture the maximum amount of clean, direct sound. The recording is excellent. Enjoy!

Thanks to The Dismemberment Plan, their management team, Partisan Records and the Terminal 5 staff for making this possible.

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below or download it via the links provided.

Direct download of the entire show: [MP3] | [FLAC]

Stream the entire show:

the-dismemberment-plan-32

The Dismemberment Plan
2013-10-18
Terminal 5
New York, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (BOB, DFC, PAS)>KC5>CMC6>Sound Devices USBPre2>Sony PCM-D50>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:33:56]
01 Invisible
02 Time Bomb
03 [banter1]
04 Mexico City
05 Spider In the Snow
06 Lets Just Go To the Dogs Tonight
07 The Face of the Earth
08 The City
09 [banter2]
10 No One’s Saying Nothing
11 A Life of Possibilities
12 Follow Through
13 Do the Standing Still
14 [banter3]
15 White Collar White Trash
16 [banter4]
17 You Are Invited
18 Ellen and Ben
19 Daddy Was A Real Good Dancer
20 What Do You Want Me To Say?
21 [banter5]
22 OK Joke’s Over
23 [encore break]
24 Lookin’
25 [banter6]
26 Waiting
27 Ice of Boston

If you enjoyed this recording, PLEASE SUPPORT The Dismemberment Plan, visit their website, and buy Uncanney Valley from Partisan Records.

the-dismemberment-plan-82

Parkington Sisters: October 10, 2013 Joe’s Pub – Flac/MP3/Streaming

October 20, 2013
By

Parkington_JOES_001
[photos by Chris Battaglia]

The Parkington Sisters are a great story. The group are all the biological children of musical parents and each of the sisters is a remarkable talent in and of themselves. But as a group they are a breathtaking display of vocal and instrumental proficiency. Last week at Joe’s Pub, we experienced the live Parkington Sisters and the show was simply mesmerizing. While sister Rose is the most frequent lead singer, along with playing piano and guitar, it would be a mistake to focus solely on her talents. Ariel and Sarah play viola and violin and produce stunning harmonies. And Nora provides much of the percussion, additional harmonies, and is the unofficial band onstage spokesperson. The Sisters’ set was a nice mix of their recorded material and some neat covers, and included much of their brand new EP Inside My Head (title track streaming below). The personal highlight of the evening was a song that I believe is an unreleased original track called “Fall To My Knees”, which begins with Rose solo at the piano but develops into a full-on sister harmony number of depth and poignancy. We hope to hear more of this song on the band’s next release. It has the potential to deliver the huge fan base that the Parkington Sisters deserve. We are streaming it below.

I recorded this set with the Sennheiser cardioids mounted adjacent to a floor beam about twenty feet from the stage and mixed it with a mono board feed. The sound quality is superb. Enjoy!

Stream “Inside My Head”:

Stream “Fall To My Knees”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Parkington_JOES_002

Parkington Sisters
2013-10-10
Joe’s Pub
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:04:49]
01 Ours By The Day
02 Plastic Islands
03 Cruel
04 September
05 Fatal Heart
06 Stay [Rihanna]
07 Fall To My Knees
08 Me Oh My
09 Try For You
10 Siren
11 Shadows
12 Jolene [Dolly Parton]
13 In The Pines [Leadbelly]
14 [banter – intros]
15 There There [Radiohead]
16 Inside My Head
17 [encore break]
18 Everything Will Be OK

If you enjoyed this recording, PLEASE SUPPORT The Parkington Sisters, visit their website, and purchase their official material from the Store at their website or purchase the new EP Inside My Head from Bandcamp [HERE].

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Cian Nugent: September 7, 2013 Hopscotch Music Festival, Fletcher Opera Theater (Raleigh, NC) – FLAC/MP3/Streaming

October 18, 2013
By

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[Photo by Ross Grady]

Everyone ought to pause once or more at a festival full of big, bombastic noisy bands to revel in the simple beauty of a solo player who is expert at his instrument. Such was the case for those lucky enough to witness Cian Nugent‘s performance at the Fletcher Opera Theater during Hopscotch Music Festival, where the Irish guitarist wowed a pin-drop quiet crowd eagerly anticipating a rare U.S. show. Like virtually every solo acoustic guitar player, Nugent earns comparisons to masters like John Fahey, but the combination of the influence of his home country and the American heartland gives Nugent’s compositions a different flavor than the work of U.S. contemporaries like Danny Paul Grody or Daniel Bachman. Those craving some electric non-solo Nugent would be wise to check out the Desert Heat (Nugent, Steve Gunn, John Truscinski and Jason Meagher) set we posted here, as well as his outstanding upcoming release on Brooklyn label No Quarter, Born With the Caul, which you can pre-order now.

This set was recorded by North Carolina taper Larry Tucker with Peluso cardiod microphones, and the sound is quite good. Enjoy!

Stream “Grass Above My Head”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Cian Nugent
2013-09-07
Hopscotch Music Festival
Fletcher Opera Theater
Raleigh, NC USA

Recorded by Larry Tucker
Produced by Cory Rayborn

Peluso CEMC6/CK4 (Cardiod)>Fostex FR2-LE>24bit/48kHz WAV>Cool Edit Pro>FLAC ( level 8 )

Tracks
01 [intro]
02 Grass Above My Head
03 [banter]
04 Hire Purchase (Part I)
05 [banter]
06 Rathsallagh Rose
07 [banter]
08 Double Horse

If you enjoyed this recording, PLEASE SUPPORT Cian Nugent, like him on Facebook, and pre-order Born With the Caul directly from No Quarter.

SUPPORT NYCTaper




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