nyctaper Recordings

concert discussion and free flac downloads

The Heavy Pets: August 26, 2011 Bowery Ballroom – Flac and MP3 Downloads + Streaming Song

September 15, 2011
By


[photo courtesy of Nick Irving]

We spoke last about the concept that “jam band” can be seen in some circles as a pejorative term. What separates The Heavy Pets from other bands lazily tagged with this unfortunate label is that each member of this band possesses obvious talent and the unit as a whole is impressive from the first note. When they were selected from among 350 contestants to play the Langerado Music Festival in 2006, The Heavy Pets took off on a trek that has brought them nothing but accolades (everyone from The Huffington Post to High Times) for the last half decade. In late August, we had a chance to capture this excellent band at the Bowery Ballroom at a CD release show for the latest album Swim Out Past The Sun — their third full-length record. The superb two-hours-plus set consisted of a fairly representative mix of the band’s material, and just three songs from the new album. We’re streaming “Bridge” below, which is the first single from the new release, due in early October. The album tour continues throughout the Fall on the East coast.

Hi and Lo and I recorded this set from our standard balcony rail position at Bowery. Our four microphone mix — DPAs for warmth and Schoeps for bottom end — was supplemented by an excellent board feed from The Heavy Pets sound engineer, the legendary Charlie Miller. The mix is approximately one-third from each source and the sound quality is superb. Enjoy!

Stream “Bridge”:
[audio:https://www.nyctaper.com/H8026HeavyPets1122/05.%20Bridge.mp3]

This Recording is now available for Download in FLAC and MP3 at Archive.org [HERE].

The Heavy Pets
2011-08-26
Bowery Ballroom
New York, NY USA

Digital Master Recording
Six-Channel Soundboard + Audience Matrix

Soundboard + DPA 4021 > Edirol R-44 (Oade Concert Mod) + Schoeps MK41s > CMR>EAA PSP2 > Tascam DR-680 > 3 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by
nyctaper and hi and lo
2011-09-12

Setlist:
[Total Time 2:01:34]
01 John Galt
02 Dew Point
03 Jam
04 3AM
05 Bridge
06 [banter]
07 Pass it Down
08 Chew
09 No More Time
10 Keep Me Running
11 Lantern
12 Sigismondi
13 Sigismondi Part II
14 Better
15 Jackie Bones
16 [encore break]
17 So Thank You Music
18 STYM Part II

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT The Heavy Pets, visit their website, and purchase their official releases from the Store at their Website [HERE].

Umphrey’s McGee: September 9, 2011 Brooklyn Bowl – FLAC / MP3 Downloads + Streaming Song

September 12, 2011
By

Umphreys BBowl
[still from this video]

If you look at the bands I generally post about on this site, most of them tend to fall pretty far from the “jam band” category.  But you can’t really be in the hobby of taping without being aware of this rich, diverse and somewhat pejoratively-titled genre, and the Chicago band Umphrey’s McGee are one of the rising stars of the scene.  So, three of us – hi and lo, Johnny Fried Chicken Boy, and myself – hit up UM’s final show at Brooklyn Bowl, the culmination of a five-night stand at the venue that has rapidly become a staple for improvisationally-minded bands when they come through the NYC area (a trend even picked up on by the review of Thursday’s show in The New York Times).  It being a Friday night, fans came ready to party, and UM rewarded with two full sets of their staple extended numbers as well as their usual offerings of fun covers like Van Halen’s “Hot For Teacher”, all backed by an outstanding light show.

The vibes from the band and crowd were all good, although the Brooklyn Bowl PA was oddly not very loud (good for conversation, bad for music).  Still, you couldn’t deny the virtuosity of the band, whose dense musical explorations often turned in unexpected directions, led by their dueling guitarists Brendan Bayliss and Jake Cinninger.  UM are known for a heavier sound that references prog-metal acts like King Crimson, Yes, Pink Floyd and Iron Maiden (and if you closed your eyes during a few parts, Metallica) that sets them in a unique position between the traditional funk/bluegrass/folk sound of some of the older bands in the scene and the “rocktronica” sound that has gained popularity of late.  Heady instrumentals like “Push the Pig” demonstrate that intersection of prog and “jam” music perfectly, combining a funky groove with a proggy guitar sound.  And, it should be mentioned, as a live experience, these guys just throw a hell of a party.  The three of us stumbled out of the show happy, for sure.

The band’s recent blitz of NYC was to promote their new record, Death By Stereo. Although it was largely ignored at this show, there are some amazing packages available if you buy DBS online, including the opportunity to tune into all-request webcasts where the band will play fan requests, band favorites, and acoustic and solo material.

Three of us recorded this show from one of the usual taping spots in the venue with our mic stand as high as it would go (about 15′) to avoid crowd chatter, using three sets of high-end mics and a variety of similarly high-end pre-amps.  Although the somewhat low PA volume meant a few chatterers here and there weren’t completely drowned out, and the venue’s layout presents certain sonic limitaitons, hi and lo’s outstanding post-production mix of these three sources has produced a recording that captures the sound and feel of the show perfectly.

Stream “Nemo”:
[audio:https://www.nyctaper.com/U8709Umphreys1192/um2011-09-09.nemo.mp3]

Download the FLAC/MP3 files and stream this entire show on the Live Music Archive [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Umphrey’s McGee
Brooklyn Bowl
Brooklyn, NY, US
2011-09-09

Digital Master Audience Recording
Recorded and produced for nyctaper.com

Recordist : hi and lo, acidjack, and Johnny Fried Chicken Boy
Location : Right side on-stand, ~ 30 yds
Source : Schoeps MK5 > CMR > PFA > PSP-2 + Schoeps MK41 > CMC6 > Oade M248 + DPA 4021 > Sound Devices MixPre >> Tascam DR-680 @ 24 bit / 48 kHz
Edit : WaveLab v5 (fades/dither/+11dB gain), Izotope SRC/Dither
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.98
Encoding : FLAC v1.2.1 ( level 8 ) with TLH v2.6.0 (Build 168)

Tracklist:

Set I

01. Jazz Odyssey
02. Prowler
03. Words
04. All In Time
05. Push the Pig
06. Nemo
07. Pay the Snucka
08. Hot For Teacher [Van Halen]
09. Wizard Burial Ground

Set II

10. Divisions > “Jimmy Stewart” > Divisions
11. Bridgeless
12. Eminence Front [Townshend]
13. Hurt Bird Bath
14. America the Beautiful [Bates/Ward]
15. Soul Food I
16. 1348
17. (Encore Call 1)
18. Front Porch
19. (Encore Call 2)
20. All In Time

Running Time: 2:44:13

We expect that you will PLEASE SUPPORT Umphrey’s McGee, visit their website, go see them on tour, and purchase Death By Stereo directly from their online store [HERE]

Skeletons: August 25, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Song

September 9, 2011
By

skeleteons2011-08-25best
[photo by acidjack]

Originally a solo project of Chicago native Matt Mehlan, Skeletons‘ lineups change frequently, but their commitment to challenging, engaging post-rock does not. Skeletons are reflexively described as “experimental”, but that tag ignores Mehlan’s proclivity for making music that can be as catchy as it is complex. This show at Glasslands, courtesy of PopGun Booking, kicked off with “More Than The One Thing,” a feel-good tune whose combination of tribal, global sounds with pop songcraft brings to mind acts like Vampire Weekend and Here We Go Magic, and followed, as it does on the band’s latest record, with the similarly catchy “Wal-Mart and the Ghost of Jimmy Damour.”

But in case anyone was worried that Skeletons were bowing to the college-rock set, Mehlan took the show in a radically different direction, with a combined 22-plus minute combination of the free jazz referencing “Paint Over It” which segued directly into “Grandma”, with its engaging lead guitar and propulsive beat. “Thank you for making it through that,” Mehlan joked at the end of that mini-epic, but he needn’t have apologized for what was, in my view, the highlight of the set.  One of Mehlan’s greatest strengths is his ability to change directions rapidly and weave disparate elements into a cohesive whole, and this combination spoke to that fusion element perfectly.

I found some songs, in particular the first two, slightly more accessible (meaning, poppy) than their versions on the band’s latest record, People, which is released on the Oberlin-based Shinkoyo.  That may also owe to the fact that this show was played by the band’s leanest lineup – Mehlan also enjoys playing shows as the “Skeletons Big Band”, which gives him a much more expansive sonic palette to play with.  While People was well represented at this show, it is worth delving into Skeletons’ back catalog as well, including the excellent Lucas, which was released on Ghostly International in 2007 (and represented at this show by the melancholy slow-burner “Push ‘im Out”).  I’ll be looking forward to Skeletons’ next show – hopefully with the big band!

I recorded this set with a perfect soundboard feed combined with the DPA microphones and an analog preamp.  The sound quality is outstanding. Enjoy!

Stream “Grandma”:
[audio:https://www.nyctaper.com/S2508Skeletons2011/05 Grandma.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Skeletons
2011-08-25
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

DPA 4021>Oade M248 + Soundboard>>Edirol R-44>2x24bit 48kHz WAV>Audition (mix down, effects)>Audacity (set fades, tracking, EQ, amplify and balance)>FLAC ( level 8 )

Tracks
01 More Than The One Thing
02 Wal-Mart and the Ghost of Jimmy Damour
03 Paint Over It
04 Grandma
05 [banter]
06 No
07 Push ‘im Out
08 [encore break]
09 Lil’ Rich

We hope you enjoy this recording. We also hope that you will PLEASE SUPPORT Skeletons by buying People and their other excellent releases from Shinkoyo [HERE]

Wavves: June 18, 2011 McCarren Park – Flac and MP3 Downloads + Streaming Song

September 7, 2011
By


[Photo courtesy of MaryAnne Ventrice]

We have covered Wavves from the very beginning — their first NYC show at Market Hotel was featured on NYCTaper. Their sets at Mercury, Bowery, and Knitting Factory followed, and this Summer we were fortunate to capture Nathan Williams’ latest incarnation of the band at McCarren Park in front of 5000 people in a set opening for Guided By Voices as part of the Northside Festival. While the crowd was a mix of younger Wavves fans, local Williamsburg music fans, and folks who undoubtedly were old enough to have seen GBV in the 90s, Wavves did get a pretty universal positive reception. The set consisted primarily of straightforward and tight renditions of the material from the first two albums. At its best, Wavves is the kind of power punk that even grizzled music fans like the GBV faithful can appreciate, and apparently did, as Wavves set went off without a single indication of impatience for the much anticipated headliner. Nathan and Wavves have parted company with Fat Possum Records, and will release a self-distributed EP in two weeks, entitled Life Sux.

We recorded this set with the Neumann microphones mounted dead center in front of the soundboard about 50 feet from the stage, and mixed with a finely mixed soundboard feed. The sound quality is excellent. Enjoy!

Stream “Linus Spacehead”:
[audio:https://www.nyctaper.com/W2206Wavves2990/05.%20Linus%20Spacehead.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wavves
2011-06-18
McCarren Park
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 44.1kHz wav file > Soundforge (dither, level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded by nyctaper and acidjack
Produced by nyctaper
2011-09-06

Setlist:
[Total Time 37:17]
01 Friends Were Gone
02 Idiot
03 Wavves
04 King of the Beach
05 Linus Spacehead
06 No Hope Kids
07 Super Soaker
08 So Bored
09 Green Eyes
10 Bug
11 [banter]
12 Take On The World
13 To the Dregs
14 Post Acid

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Wavves, visit their website, and purchase their first two releases from Fat Possum Records [HERE], and preorder their new EP Life Sux (due on September 20) [HERE].

Megafaun: April 16, 2011 Music Hall of Williamsburg – Flac and MP3 Downloads + Streaming Song

September 1, 2011
By


[photos by Amanda Hatfield]

This Spring, we were fortunate to catch Megafaun four times in a span of less than three weeks. The final performance was their opening set for Sharon Van Etten at Music Hall in April. The set featured several new numbers, and now four months down the road the band is poised to release their new album (self-titled) on Hometapes Records on September 20, 2011. The band will also launch tours in September through Europe and the US. The local dates are a pair of nights at Mercury Lounge, on Saturday September 24 and Sunday September 25. We expect to capture at least one of the Mercury dates.

I recorded this set with the Neumann microphones on a stand in the upfront of the right side of the balcony, fifteen feet from the stage. The sound quality is excellent. Enjoy!

Stream “Lazy Suicide”:
[audio:https://www.nyctaper.com/M3330Megafaun2110/12.%20Lazy%20Suicide.mp3]

This Recording is now available to Download in FLAC and MP3 at Archive.org [HERE].

Megafaun
2011-04-16
Music Hall of Williamsburg
Brooklyn, NY USA

Digital Master Audience Recording
Recorded from Balcony Rail
Far Right 15 feet from Stacks

Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-08-28

Setlist:
[Total Time 48:03]
01 Beloved Binge
02 Carolina Days
03 [banter]
04 Real Slow
05 [banter2]
06 Volunteers
07 [banter3]
08 Worried Mind
09 His Robe
10 [banter4]
11 The Longest Day
12 Lazy Suicide
13 The Process

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Megafaun, visit their website, and purchase their official releases from Hometapes Records [HERE].

Exitmusic: August 19, 2011 Glasslands – FLAC/MP3 Downloads + Streaming Songs

August 30, 2011
By

Photo courtesy of Jill and For the Love of Brooklyn
[photos courtesy of Jill and For the Love of Brooklyn]

A Friday night show at Glasslands, setup by PopGun Booking, featured four great bands including Exitmusic, a duo of Aleksa Palladino and Devon Church. This Secretly Canadian band has been on the scene for a number of years, but recently signed to their new label and are slated to release their upcoming EP, From Silence. While we missed Exitmusic during their recent residency at Pianos, the show at Glasslands did not disappoint as they played six songs, two of which we had not heard before. Their first song, “The Sea,” filled the room with a complex, layered sound that immediately had the listener fully immersed. By the last song, a seven minute epic titled “Sparks of Light,” it was clear that Exitmusic has a captivating sound that will, no doubt, continue to evolve with each live performance.

This set was recorded with a pair of Schoeps Cardioid microphones clamped high on a column dead-center in the room. Derek, Glassland’s sound engineer, provided an incredibly well balanced feed which resulted in one of the best mixes I’ve heard from Glasslands. The sound quality is excellent and we hope you enjoy!

Stream “The Sea”
[audio:https://www.nyctaper.com/E1908ExitMusic1210/exitmusic2011-08-19.thesea.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Exitmusic
Glasslands
Brooklyn, NY, US
2011-08-19

Recordist : hi and lo
Source : Soundboard + Schoeps MK5/CMR > EAA PSP-2 >> Tascam DR-680 @ 24 bit / 48 kHz
Encoding : Flac Level 8 with TLH v2.6.0 (Build 168)

Tracklist:

01. The Sea
02. [Unknown]
03. The Hours
04. The Night
05. [Unknown]
06. Sparks of Light

Running Time: 32:05

Please support Exitmusic by visiting their MySpace page and by purchasing their upcoming release, From Silence. A digital download of “The Sea” is available, for free, here.

White Fence: August 13, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

August 30, 2011
By

White Fence
[photo by Maryanne Ventrice]

One of the real joys of seeing live shows is seeing an opening band that just blows you away. That was the case with this opening set from White Fence on a stacked Bowery Ballroom bill led by NYCTaper favorites Woods. White Fence’s records are the solo effort Tim Presley, who also does time in the Strange Boys and Darker My Love, so for this show his backing band consisted of Nick Murray on Drums, and two members of Woods (Jarvis and Kevin), who handled Presley’s material as capably as if it were their own. Presley brings a Dylanesque vocal turn to his garage-psych songs, but the laid-back vibe of the songs doesn’t mean the playing isn’t also top notch, particularly Presley’s guitar work. The band’s entire set brought the rapidly-packing room to peak energy level, climaxing with jammed-out version of “Sticky Fruitman Has Faith” that was worthy of the night’s headliner in its ambitious scope. Whatever Presley’s other commitments musically, I hope he makes this project a priority, as White Fence is a can’t-miss band on any bill they’re on.

We recorded this set in the same manner as the Woods set, and the results are similarly outstanding. Enjoy!

Stream “The Love Between”:
[audio:https://www.nyctaper.com/W0813WhiteFence0211/03 The Love Between.mp3]

Stream “Sticky Fruitman Has Faith”:
[audio:https://www.nyctaper.com/W0813WhiteFence0211/15 Sticky Fruitman Has Faith.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

White Fence
2011-08-13
Bowery Ballroom
New York, NY USA

6-Channel Multitrack Digital Master Recording
Recorded by nyctaper and acidjack
Produced by acidjack

Soundboard + Neumann KM150 + DPA 4021>Sound Devices USBpre2 >> Tascam DR680>6x24bit/48kHz WAV>Audition (mixdown, EQ)>Audacity (tracking, set fades, amplify and balance)>FLAC ( level 8 )

Tracks
01 Mr. Adams>
02 Who Feels Right
03 The Love Between
04 Baxter Corner
05 [banter]
06 Be Right Too
07 When There Is No Crowd
08 Growing Faith
09 Enthusiasm
10 Harness
11 Lillian (Won’t You Play Drums?)
12 Get That Heart
13 [banter]
14 Sara Snow
15 Sticky Fruitman Has Faith

If you enjoyed this recording, PLEASE SUPPORT White Fence, visit his MySpace page, and purchase his latest record Is Growing Faith directly from Woodsist records [HERE]

Minerva Lions: August 7, 2011 BBS at the Richardson – FLAC and MP3 Downloads + Streaming Songs

August 29, 2011
By

minerva-lions-13
[photo by Dominick Mastrangelo]

After a great set by Teletextile at the temporarily-related Backyard Brunch Sessions at The Richardson, Minerva Lions played an inspired set that showed off their soulful side, and debuted a new song to boot. The band has a classic, but updated sound that incorporates elements of folk, alt-country and rock; if you hear a little Wilco in them, that’s not such a bad thing. Lead vocalist Jared Samuel has a compelling, easy to like voice that can deliver laid-back phrasing, as on the opener “Megrims”, as easily as the deep blues of their cover of “Bring It On Home to Me” by Sam Cooke. Songwriting, as ever, is key, though, and Minerva Lions are on point there, too, with songs that are instantly memorable. Even in a four-song set, we saw several sides of the band stylistically, with the organ-dominated songs like the newly-debuted “You & Yr Arrow” giving a very different vibe than the more straight-ahead guitar sounds of songs like “Megrims.” Even without the backyard, Minerva Lions gave us a lovely, all-American music experience for a warm summer afternoon.

hi and lo and I recorded this set with six strategically placed high-end microphones. The recording is excellent. Enjoy!

Stream “Bring It On Home To Me [Sam Cooke]”:
[audio:https://www.nyctaper.com/M8007MinervaLions2011/04 Sam Cooke.mp3]

Stream “You & Yr Arrow” [Exclusive new release!]:
[audio:https://www.nyctaper.com/M8007MinervaLions2011/05 You & Yr Arrow.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Minerva Lions
2011-08-07
BBS at the Richardson
Brooklyn, NY USA

Recorded by acidjack and hi and lo for nyctaper.com
Produced by acidjack

AKG C 414 B-XLS>Sound Devices USBpre2 + Schoeps Mk41>CMR>EAA PSP2 + DPA 4021 >> Tascam DR-680 (24/48)>Audition (mixdown, effects)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 [intro]
02 Megrims
03 For R.A.
04 Bring It On Home To Me [Sam Cooke]
05 You & Yr Arrow
06 If I Didn’t Care

If you enjoyed this recording, PLEASE SUPPORT Minerva Lions, like them on Facebook, and check out their bandcamp page, where you can download more of their songs.

Joan of Arc: August 10, 2011 Mercury Lounge – FLAC and MP3 Downloads + Streaming Songs

August 27, 2011
By

joa2011-08-10-2
[Photo by acidjack]

Whether you find Joan of Arc frustrating or incredible is likely to come down to your overall view of what rock music is about: If you hold the attitude of “I am here, you must entertain me with classics and catchy tunes”, you are likely to be in the former camp.  You’re also probably that person that customizes every dinner order beyond recognition. A sauce-on-the-sider, if you will. People like you would do well to avoid bands like Joan of Arc, who tend to reward the other type of listener, who enjoys being challenged, who enjoys taking in the breadth of an artist’s vision, and who would rather see something new than something familiar.

Which is not to say that this set by Tim Kinsella’s main project of the past 15 years was not thoroughly entertaining. Kinsella, who made his name in Cap’n Jazz before that band split up (other than their brief reunion last summer that we recorded HERE and HERE), can put on a fierce live show, and keep some wacky stage banter in the mix as well. Eschewing emo-or-whatever-you-call-it tradition, Joan of Arc’s set is heavy on variety – a short burst of almost-pure pop here, a lengthy instrumental there. This set had both, as well as encore songs from another Kinsella side project, Owls. The band’s virtuosity couldn’t be denied – they rocked, time signature or structure-of-the-moment be damned. Songs thrive on dense, angular riffs and plaintive vocals. The resulting recording is a thing of beauty as well – as clear an indication if there ever was one that a small club, excellent sound engineer (Kevin, as usual) and band that knows what they’re doing is an unbeatable combination.

Kevin’s soundboard feed blended perfectly with the Schoeps supercardiod microphones, and the resulting recording is clear, crisp and excellent. Enjoy!

Stream “Every Day I Saw Was the Same Face [Owls]”:
[audio:https://www.nyctaper.com/J8010JoanofArc2011/13 Every Day I Saw Was the Same Face.mp3]

Stream “I Saw the Messed Blinds of My Generation”:
[audio:https://www.nyctaper.com/J8010JoanofArc2011/08 I Saw the Messed Blinds of My Generation.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Joan of Arc
2011-08-10
Mercury Lounge
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Soundboard + Schoeps Mk41>CMC6 >> Edirol R-44 [Oade Concert Mod] (24/48)
Position: ROC, at soundboard, mics at 7.5′
Mastering: 2x24bit/48kHz WAV>Audacity (mix down, set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks:
01 Night Life Style
02 Howdy Pardoner
03 Still Life
04 Let’s Wrestle
05 Who’s Afraid of Elizabeth Taylor?
06 On A Bedsheet In the Breeze on the Roof
07 [instrumental]
08 I Saw The Messed Blinds of My Generation
09 Love Life
10 [banter]
11 Like Minded
12 [long banter]
13 Every Day I Saw Was the Same Face [Owls]
14 [banter]
15 Anyone Can Have A Good Time [Owls]
16 My Summerlong High Wipeout

If you enjoyed this recording, PLEASE SUPPORT Joan of Arc, visit their website, and purchase their products and releases from their online store [HERE]

Deerhunter: August 23, 2011 Webster Hall – FLAC and MP3 Downloads + Streaming Songs

August 25, 2011
By

deerhunter ventrice
[Photo by Maryanne Ventrice]

The first show I saw by the ultra-talented recording artist Bradford Cox was an Atlas Sound set at the ATP New York music festival in 2009. It was a disaster. Consisting mostly of pedal troubles and tuning woes that took up more than half the set, with Bradford apologizing profusely, it didn’t live up to the promise of the recorded material. So, despite the unique, compelling sound of Bradford’s records, I was reluctant about the live show – even though both Deerhunter and Atlas Sound have been featured on this site many times (albeit not my recordings).

This Deerhunter show at Webster Hall erased my doubts – and made me kick myself for not going to see this band sooner. This show was one of the best I have seen this year, with Bradford confidently, brilliantly owning his instrument, his voice, and the stage. Deerhunter is rock music – popular(ish) rock music, at least – at its bleeding edge, where Radiohead used to be, creating an entirely new sound from the tools that have (mostly) been there for rock’s 40+ years. This show kicked off with the anthemic “Fluorescent Grey”, featuring original bandmember Colin Mee, who stuck around for the first five songs. The band spent the entire show bathed in green light, with Cox commanding a visceral torrent of sound. The band’s live sound feels like a living, breathing thing – an alien form that surges, crackles, crinkles and trills. The band’s best songs on this night were otherworldly: “Nothing Ever Happened” morphed into an extended jam, with Cox melding in some of Patti Smith’s “Land”. “Twilight at Carbon Lake”, closing the main set, held us in rapture. Almost the entire show was seamless, with extended guitar loops and chirps filling in between songs. The show ended with “Calvary Scars II”, which bled into an extended loop that terminated as the lights went up.

As this show ended, I understood what had happened at ATP a few years ago. Cox may not always be perfect – someone as prolific, as ambitious as he is almost can’t be. But he is the kind of artist whose excesses must not only be tolerated, but celebrated – this creator needs every encouragement we can give him to create and succeed. And when he does succeed, you get a night like this night: phenomenal.

I recorded this set from the center of the floor with the DPA microphones. I spent a great deal of time post-processing and was rewarded with an excellent recording than is free of unnecessary crowd chatter almost throughout. No recording can match the experience of being at a show like this – but turn this up, and you might get close. Enjoy!

Stream “Nothing Ever Happened”:
[audio:https://www.nyctaper.com/D9090Deerhunter8282/11 Nothing Ever Happened.mp3]

Stream “Earthquake”:
[audio:https://www.nyctaper.com/D9090Deerhunter8282/07 Earthquake.mp3]

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Deerhunter
2011-08-23
Webster Hall
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

DPA 4021>Edirol R-44 [Oade Concert Mod]>24bit/48kHz WAV>Audition (EQ, effects, parallel compression, downsample to 44.1kHz)>Audacity (tracking, fades, amplify and balance, downsample to 16bit)>FLAC (level 8 )

Tracks [Total Time 1:30:31]
01 Fluorescent Grey
02 Intro>
03 Cryptograms
04 White Ink
05 Lake Somerset
06 [banter]
07 Earthquake
08 Don’t Cry
09 Revival
10 Never Stops
11 Nothing Ever Happened
12 Twilight at Carbon Lake
13 [encore interlude]
14 Desire Lines>
15 Calvary Scars II

If you enjoyed this recording, PLEASE SUPPORT Deerhunter, visit their MySpace page, visit the band blog, visit the Halcyon Digest page, and purchase Halcyon Digest from 4AD Records [here].

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