nyctaper Recordings

concert discussion and free flac downloads

Thee Silver Mt. Zion Memorial Orchestra: October 2, 2011 ATP I’ll Be Your Mirror – FLAC and MP3 Downloads + Streaming Song

October 12, 2011
By

Mt Zion
[Photo by Jason Persse. Used with permission]

The final day of this year’s ATP “I’ll Be Your Mirror” festival in Asbury Park, NJ found the festival split between a hip-hop dominated Convention Hall (Ultramagnetic MCs and Public Enemy), and the Paramount Theatre across the concourse hosting (along with Jeff Mangum’s second set of the weekend) some incredible post-rock performances, including Earth (which we posted recently) and Thee Silver Mt. Zion Memorial Orchestra. SMZ (to use the favored shorthand) were the final act that I saw at the festival, and their grandiose, challenging performance sent me home on a high note. SMZ is anchored by guitarist/vocalist Efrim Menuck, who plays guitar in Godspeed You Black Emperor! along with SMZ bandmates and co-founders Thierry Amar and Sophie Trudeau.

SMZ’s similarities to GYBE are about as numerous as its contrasts from it. The contrasts are obvious, starting with Menuck’s bombastic, harsh vocals, which he sing/speaks in a punk rock style. Like GYBE, SMZ compositions are lengthy and follow a classical, narrative structure rather than pop’s verse/chorus/verse style. The use of string instruments also gives SMZ a classical feel that echoes GYBE, but SMZ’s storytelling is distinct. Where GYBE relies on symbolism and found sounds to tell their story, Menuck’s overtly political vocals make SMZ’s approach more direct. Menuck engaged the audience repeatedly between songs, decrying the right-wing (for Canada, anyway) regime of Prime Minister Stephen Harper, and giving a shout-out to the 99% whose Occupy Wall Street movement continues to grow. True to form, this 90-minute set consisted of just six compositions, primarily drawn from 2008’s 13 Blues for Thirteen Moons rather than the band’s current effort, Kollaps Tradixionales, from which they played only “There Is A Light”. A new number, “What We Loved Was Not Enough”, was also performed, but my personal highlight was “Black Waters Blowed/Engine Broke Blues” from Thirteen Moons, a huge two-part number with strong vocal harmonies between Menuck and Trudeau, excellent stringwork, and a cataclysmic crescendo worthy of these Montreal artists’ unique style.

I recorded this set with the DPA microphones from an ideal spot in the venue. Other than some rustling noises and an evident volume adjustment during the first four minutes of “BlindBlindBlind”, the sound quality is quite good (though not as good as the Earth set from almost the same spot). Enjoy!

Stream “What We Loved Was Not Enough”
[audio:https://www.nyctaper.com/S0012SilverMtZion2011/08 What We Loved Was Not Enough.mp3]

Stream “Black Waters Blowed/Engine Broke Blues”
[audio:https://www.nyctaper.com/S0012SilverMtZion2011/07 Black Waters Blowed_Engine Broke Blues.mp3]

Download the FLAC and MP3 files and stream the entire show on the Live Music Archive [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Thee Silver Mt. Zion Memorial Orchestra
2011-10-02
ATP presents I’ll Be Your Mirror
Paramount Theatre
Asbury Park, NJ USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

DPA 4021 (FOB, DFC)>Denecke PS/2>PCM-M10 (24/44.1)>24bit/48kHz WAV>Audacity (set fades, EQ, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 [intro]
02 BlindBlindBlind
03 [banter]
04 13 Blues for Thirteen Moons
05 [banter]
06 There Is A Light
07 Black Waters Blowed/Engine Broke Blues
08 What We Loved Was Not Enough
09 [banter]
10 Horses in the Sky

If you enjoyed this recording, PLEASE SUPPORT Thee Silver Mt. Zion Memorial Orchestra, visit their website, and purchase SMZ, Godspeed Your Black Emperor!, and Efrim’s official releases from Constellation Records [HERE]

Lady Lamb the Beekeeper: October 9, 2011 Backyard Brunch Sessions – FLAC and MP3 Downloads + Streaming Songs

October 11, 2011
By

backyard_brunch-22
[Photo by Dominick Mastrangelo]

When I first heard Aly Spaltro, aka Lady Lamb the Beekeeper, I flat-out couldn’t believe a girl so small (the band’s Facebook page cheekily describes her as 6’2″) – and so young (early 20s) – could make such a large, mature sound. Her “band” is no more than her and her guitar, but Aly never sounded intimidated or lonely on that empty stage. She cold-opened with an a cappella number – “Up In the Rafters” – that gave me chills. Stripped bare, the song is a sustained cry of longing, at once sultry, dangerous and sweet, and it’s delivered fearlessly. She closes out “Rafters” and moves straight into “Mezzanine”, this time accompanied by her guitar. Her playing is the equal of that lovely gravel in her voice, taking abrupt and unexpected twists in time and tempo. Both songs appear on LLTB’s current release Mammoth Swoon, a collection of unreleased, rare, and bedroom tracks that Aly released at the end of last year. You may be asking yourself how a young artist like Aly manages to have a rarities comp already, and that would be a good question. But head to LLTB’s bandcamp page, and you’ll see that she is already three releases deep. This set of six songs was culled from several of her records other than Mammoth, and each song showcased her unique songwriting ability. It’s hard for the word “precocious” not to come to mind, but LLTB would be an act of striking talent and depth at any age.

Backyard Brunch Sessions work best with artists who have the confidence to let their music stand unadorned. In a simple East Village backyard surrounded by a garden, new friends (and some delicious French Toast Grilled Cheese Sandwiches), Aly Spaltro fit this show’s aesthetic perfectly. She’s been playing alone on that empty stage since day one.

I recorded this set with a combination of high-end microphones, including the DPA 4021 that you can see miking Aly’s vocals. The sound quality is excellent, other than a two-second spot during “Up In the Rafters” where her guitar hit the mic stand. Enjoy!

Lady Lamb the Beekeeper’s next show will be a Windish Agency CMJ Showcase at Rockwood Music Hall on October 21.  More info here.

Stream “Up in the Rafters”
[audio:https://www.nyctaper.com/L1009LLTB0211/Rafters.mp3]

Stream “Southernfly”
[audio:https://www.nyctaper.com/L1009LLTB0211/Southernfly.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter | visit the backyard brunch sessions homepage

Lady Lamb the Beekeeper
2011-10-09
Backyard Brunch Sessions
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

AKG C 414 B-XLS (cardiod pair, on guitar amp)+DPA 4021 (on vocals)>Edirol R-44 [Oade Concert Mod] (24/48)>Audition (studio effects, mixdown)>Audacity (set fades, tracking, amplify and balance)>FLAC Level 8

Tracks
01 [intro]
02 Up In the Rafters
03 Mezzanine
04 Between Two Trees
05 Florence Berlin
06 Southernfly
07 [banter]
08 Crane Your Neck
09 [outro]

PLEASE SUPPORT Lady Lamb the Beekeeper, like her on Facebook, visit her website, and purchase her releases from her bandcamp page.

Trans Am: October 8, 2011 Union Pool (playing “Futureworld”) – FLAC and MP3 Downloads + Streaming Songs

October 10, 2011
By

trans am
[Photo by acidjack. The photos are bad, but the recording is great.]

The band Trans Am reintroduced themselves in a big way with their seminal 1999 album, Futureworld nine years into their career. For the first time, the post-rock band introduced vocoder-enhanced vocals to their rock/krautrock hybrid. In many ways, this record, with its Atari graphics cover, augured the chiptunes genre, with its propulsive, fast-paced rock attack and robotic vocals. It also showcased a little bit of the band’s sense of humor, which you can get a dose of on their band page at Thrill Jockey. As is all the rage these days for classic bands, Trans Am did a two-night stand at one of my favorite venues, Union Pool, to close out their tour celebrating this classic record by playing it straight through.

With the smoke still clearing from The Psychic Paramount’s thunderous opening set, Trans Am kicked off the opening track “1999” to roars of approval from the crowd. By the time they hit the title track, “Futureworld,” the crowd was singing along to the vocoder-enhanced vocals, dancing, and sweating like hell – the show was completely sold out, and the room was packed. The band tore through the record with virtuosity and aggression; I can’t imagine this show being better in ’99 than it was today. The band even gave us an unexpected dose of (slightly) newer flavor when they ended the set with “I Want It All” and “Play in the Summer”, both from their 2000 record Red Line. Expect a followup to the band’s 2010 record, Thing, soon, and go see them live for an unforgettable experience.

I recorded this set from the balcony with the DPA microphones split wide, and an excellent soundboard feed. The quality is excellent. Enjoy!

Stream “Futureworld”
[audio:https://www.nyctaper.com/T0018TransAm2011/03 Futureworld.mp3]

Stream “Play In the Summer”
[audio:https://www.nyctaper.com/T0018TransAm2011/13 Play in the Summer.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Trans Am
2011-10-08
Union Pool
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Soundboard + DPA 4021 (slightly LOC, ORTF)>Naiant littlebox>>Edirol R-44 [Oade Concert Mod] (24/48)>Audition (mixdown)>Audacity (set fades, tracking, EQ, amplify and balance)>FLAC Level 8

Tracks
Futureworld
01 1999
02 Television Eyes
03 Futureworld
04 City in Flames
05 Am Rhein
06 Cocaine Computer
07 Runners Standing Still>Futureworld II
08 Positron
09 Sad and Young

Additional Songs from Red Line
10 [banter]
11 I Want It All
12 [encore break]
13 Play in the Summer

If you enjoyed this recording, PLEASE SUPPORT Trans Am, visit their website, and purchase their official releases directly from Thrill Jockey.

Doug Paisley: September 24, 2011 Mercury Lounge – Flac and MP3 Downloads + Streaming Song

October 9, 2011
By


[photo courtesy of Jon Behm]

When an artist who I respect asks me to do something, I usually comply. On a night when I barely arrived in time to record their set at Mercury Lounge (here), Megafaun’s Phil Cook informed me that I should definitely record Doug Paisley’s set. I quickly finished setting up the rig and immediately hit record to capture Doug’s set — and I’m quite happy that I did. While singer-songwriters with sweet voices and narrrative lyrics are all too common, Doug Paisley is clearly a special case — his natural manner and authenticity immediately strikes the listener and draws them in. At Mercury last week, Doug had the tough task of opening the set, on a Saturday night, at a late show. But the crowd quickly responded and for the next 30 thirty minutes were strikingly attentive. Doug’s set consisted of numbers from this two albums on No Quarter Records, including 2010’s Constant Companion. We have chosen to stream “What About Us?”, from his self-titled debut, and a song that also appeared on Mojo Magazine’s “New Harvest” compilation.

I recorded this set in the same manner as the Megafaun capture. The volume on stage and in the PA was quite low, so the boosting of levels in post introduced a slight hum into the recording. Otherwise the sound quality is superb. Enjoy!

Stream “What About Us”:
[audio:https://www.nyctaper.com/D2409DougPaisley1120/09.%20What%20About%20Us.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Doug Paisley
2011-09-24
Mercury Lounge
New York, NY USA

Four-Track Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.98 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-10-08

Setlist:
[Total Time 29:58]
01 What I Saw
02 No One But You
03 In The Morning
04 Broken in Two
05 I Stand Alone
06 Sugartown
07 City Lights
08 At The End of the Day
09 What About Us

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Doug Paisley, visit his website, and purchase his official releases from No Quarter Records [HERE].

The Gourds: October 1, 2011 Sullivan Hall – FLAC / MP3 Downloads + Streaming Songs

October 7, 2011
By


[Photos courtesy of Cassandra Mullinix at Bucket Of Rock]

Having been playing together for the better part of two decades, The Gourds have drawn favorable comparisons to The Band and Los Lobos.  After my first exposure to them, they also remind me at times of The Radiators crossed with the looniness of their Austin, Texas brethren Butthole Surfers.  Anyway you want to call it, it’s evident that they bring great songcraft, spot-on vocalizing and tightly meshed musicianship to a brilliant combination of blues, country, bluegrass and shake-yer-ass rock ‘n’ roll.  And with two frontmen in the mix, it’s a really nice contrast to have Kevin Russel sounding a bit like a smoother version of John Hiatt and counterpoint Jimmy Smith bringing the grit.  A very dedicated crowd showed up this night at Sullivan Hall and the boys brought their chops and humor for a wonderful, non-stop 90+ minutes of music.  Playing nearly all the tracks off the excellent new album, ‘Old Mad Joy‘, they also dug out a handful of choice nuggets from their older discs.  Since a lot of people know this group best through their popular cover of Snoop Dogg’s “Gin and Juice”, I can’t help but say that they’re selling themselves and the band short.  With such an extensive catalog and marvelous live show, The Gourds have so much more to offer.

Thanks to Sullivan Hall’s great P.A. and the efforts of The Gourd’s excellent sound engineer, Mark, we were able to grab a superb capture with a soundboard feed and our microphones.  The only glitch is a 5-second dropout we had during “Haunted” that has been spliced to make for minimal distraction.  Other than that, the resultant recording is excellent.  Enjoy!

Special thanks to The Gourds, Nick Loss-Eaton, Lucy Sabini at Vanguard Records, and Steve at The Gourds News for the setlist.

Stream “Peppermint City”: [audio:https://www.nyctaper.com/G1012Gourds0101/The_Gourds_-_Peppermint_City.mp3]

Stream “Pickles”: [audio:https://www.nyctaper.com/G1012Gourds0101/The_Gourds_-_Pickles.mp3]

Download the FLAC/MP3 files and stream this entire show on the Live Music Archive [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

The Gourds
Saturday, October 1, 2011
Sullivan Hall
New York, NY, USA

Source: SBD + AKG C 414 B-XLS’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > USB > PC > Adobe Audition (mixdown, adjust levels, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > Trader’s Little Helper (check/fix SBE’s, FLAC conversion) > FLAC (level 8 )
The Gourd’s sound engineer: Mark
Recorded and produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:40:48]
01. intro
02. You Must Not Know
03. Peppermint City
04. Marginalized
05. Haunted
06. banter
07. Web Before You Walk into It
08. banter
09. Hellhounds
10. banter
11. Melchert
12. Ink and Grief
13. Two Sparrows
14. Your Benefit
15. banter / Pickles false start
16. Pickles
17. banter
18. Meteorite  [The Tinys]
19. banter / Louisiana 1927 tease  [Randy Newman]
20. Blankets
21. Burn the Honeysuckle
22. Drop the Charges
23. All the Labor
24. I Want It So Bad
25. Lower 48
26. Drop What I’m Doing

If you download this recording, we expect that you will PLEASE SUPPORT The Gourds, visit their website, visit their Facebook and MySpace pages, and purchase their official releases (including new release, ‘Old Mad Joy’) and merchandise [HERE].

The Antlers: October 3, 2011 Wellmont Theatre – Flac and MP3 Downloads + Streaming Song

October 6, 2011
By


[photo by Amanda Hatfield]

In our many posts about The Antlers, we have never spoken about the band’s technical prowess. The new album, Burst Apart, was produced by the band, but the lion’s share of the studio and tech work was done by keyboardist Darby Cicci. At Wellmont Theatre on Monday night, it was a question in my mind as to whether the band’s sound could fill such a cavernous theatre, but from the very outset The Antlers did just that. As they opened with perhaps the most aggressive song from Burst Apart “Parentheses”, Michael Lerner’s well-mic’d bass drum and the strong dual guitar work of Peter Silberman and Tim Mislock produced a wall of sound, but it was Darby’s keys and effects that provided both the bottom end and the depth to the booming sound. The set continued in the same vein, with six new songs of the seven played, supplemented by an emotional version of “Atrophy” from Hospice. The Antlers return to the NYC area on December 10, with a newly announced date at Webster Hall.

We recorded this set in the same manner and location as the EITS set, and the sound quality is equally rich. Enjoy!

Stream “I Don’t Want Love”:
[audio:https://www.nyctaper.com/A3398Antlers3200/03.%20I%20Don%27t%20Want%20Love.mp3]

This Recording is now available to Download in FLAC and MP3 at Archive.org [HERE].

The Antlers
2011-10-03
Wellmont Theatre
Montclair, NJ USA

Four-Track Digital Master Recording
Recorded from Front Center of Balcony Rail

Schoeps MK-41 > PSP2 + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by
nyctaper and hi and lo
2011-10-06

Setlist:
[Total Time 46:57]
01 Parentheses
02 No Widows
03 I Don’t Want Love
04 Atrophy
05 Rolled Together
06 Hounds
07 Putting The Dog To Sleep

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Antlers, visit their website, and purchase Burst Apart from their site [HERE].

Earth: October 2, 2011 ATP I’ll Be Your Mirror – FLAC and MP3 Downloads + Streaming Song

October 6, 2011
By


[Photo courtesy of Jason Persse]

The revivified (as of 2005) Seattle band Earth is a behemoth of sound. Progenitors of an entire microgenre (“drone doom”), the band’s latest incarnation is a slightly more epic, and also more delicate outfit that combines elements of heavy grunge guitars, drone and americana. The band also has several ties to the band Nirvana, including lead guitarist and founding member Dylan Carlson’s well-documented friendship with Kurt Cobain, and current bandmember and cellist Lori Goldston’s role as touring cellist for Nirvana (and cellist on MTV Unplugged In New York).

But the band’s connections and history are only footnotes to one of the most powerful of the sets I have seen since I began attending the various New York-based All Tomorrow’s Parties festivals. This fourth year of the festival (awkwardly rechristened “ATP Presents I’ll Be Your Mirror”) was relocated from the quirky (and sketchy) holiday resort where it was held for the previous three years to the more welcoming environs of the Asbury Park, NJ – home of Bruce Springsteen and many other notable artists (including recent NYCTaper favorite Nicole Atkins, as we learned last week). Along with the relocation came new venues, including the weathered-but-still-standing Paramount Theater, which provided the ideal venue for Earth’s prettified slowcore.

The band played five longform compositions, each of which Carlson introduced by name, including the band’s first-ever song “Ouroboros Is Broken” as well as the title track from its latest record, Angels of Darkness, Demons of Light, a sequel to which is due soon. Each song was positively massive, cinematic in its sweep, with Carlson’s darkly-tuned guitar riffs threading in between Goldston’s somber cello, all backed by a focused but dense wall of bass and drums. Earth are one of many examples of the eclectic but brilliant programming of ATP – a modern classic of a band that may have been overlooked by some, but is a fixture for those who know them. Not only was theirs the best-sounding set of the festival, but one of the most inspired – reminding us of the critical essence of the early Seattle sound, and where it could have gone if it had the chance to grow up. Indeed, ATP festivals are always somewhere to be inspired, not only by outstanding music, but by the fans and sense of community they engender. It is my privilege to bring you but a small piece of this experience.

I recorded this set with the DPA 4021 microphones from the optimum spot in the venue. Especially given the use of a mobile rig, it is one of my finest captures of the year. Enjoy!

The other set by an ATP band that allows audio taping – Thee Silver Mt. Zion Orchestra – will be posted to the site in the coming days as well.

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Stream the complete set:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Earth
ATP I’ll Be Your Mirror
Paramount Theater
Asbury Park, NJ USA

An acidjack master recording

DPA 4021>PS/2>Sony PCM-M10 (24/44.1)>Audition (set fades, fix clapping, EQ, normalize)>Audacity (tracking)>FLAC ( level 8 )

Tracks
01 Black Water Side>Old Black
02 Bees Made Honey in the Lion’s Skull
03 Father Midnight
04 Ouroboros is Broken
05 Angels of Darkness, Demons of Light

If you enjoyed this recording, PLEASE SUPPORT Earth, visit their website, and purchase Angels of Darkness, Demons of Light I directly from their site [HERE]

Explosions In The Sky: October 3, 2011 Wellmont Theatre – Flac and MP3 Downloads + Streaming Song

October 5, 2011
By


[photo courtesy of Brian C. Reilly and Bowery Houselist]

An Explosions In The Sky concert can be an emotional experience simply because of the depth and breadth of the music created on stage. At Wellmont Theatre on Monday night, EITS performed a ninety-minute set of their post-rock mini-symphonies to a rapt audience. There were a few hoots and some random clapping, but for the most part the 2000 capacity crowd were mesmerized. Inexplicably, there was a toddler in the balcony and at the most quiet moments of the music, she could be heard throughout the theatre. EITS are touring on their newest album Take Care, Take Care, Take Care, but the set featured only two new tracks and songs were selected judiciously throughout their catalog. We have chosen to stream “The Birth and Death of the Day”, the opening track from their 2007 release All of a Sudden I Miss Everyone, and a piece of extraordinary beauty. The song is a reversal of the common EITS structure as it opens with a crashing of the instruments and evolves into a simple but quietly eloquent multi-guitar passage. The Explosions In The Sky world tour continues through January.

Hi and Lo and I recorded this set from the front and center balcony rail. This location afforded us a direct line to the huge stacks and also provided a tremendous soundstage. We combined his Schoeps hypers with the DPA 4021s and the result is a tremendously rich and deep recording. Enjoy!

The Antlers opening set was also recorded and will be posted soon.

Stream “The Birth and Death of the Day”:
[audio:https://www.nyctaper.com/E3060EITS9992/09.%20The%20Birth%20and%20Death%20of%20the%20Day.mp3]

This Recording is now available to Download in FLAC and MP3 at Archive.org [HERE].

Explosions In The Sky
2011-10-03
Wellmont Theatre
Montclair, NJ USA

Four-Track Digital Master Recording
Recorded from Front Center of Balcony Rail

Schoeps MK-41 > PSP2 + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by
nyctaper and hi and lo
2011-10-05

Setlist:
[Total Time 1:26:07]
01 [introduction]
02 The Only Moment We Were Alone
03 Last Known Surroundings
04 Catastrophe and the Cure
05 Postcard From 1952
06 Greet Death
07 Six Days at the Bottom of the Ocean
08 Let Me Back In
09 The Birth and Death of the Day
10 The Moon Is Down

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Explosions in the Sky, visit their website, and purchase Take Care, Take Care, Take Care and their other official releases directly from their online store [HERE]

Felice Brothers: September 29, 2011 Webster Hall – Flac and MP3 Downloads + Streaming Song

October 4, 2011
By


[photo courtesy of JC McIlwaine and Bowery Houselist]

When we recorded The Felice Brothers at the Bell House in May, acidjack noted that the band’s new album Celebration, Florida represented a stylistic advance and a more varied mature approach to the americana genre that the band had perfected over their first seven albums. Four months later, The Felice Brothers tour on the album returned to NYC, this time at the more spacious Webster Hall. While the Celebration material dominated the set, this was truly a show for the fans as the group featured some rare numbers and a very appropriate cover. Springsteen’s “Darkness” was a celebratory version, and as the Boss’s fans are often exuberant towards their hero, The Felice Brothers fans at Webster Hall were equally voracious. The crowd-participation number “Whiskey in My Whiskey” is a good barometer of the audience’s involvement at any particular Felice show, and this crowd was up for the challenge. We are streaming the excellent version of “Whiskey” below. The Felice Brothers extensive tour continues throughout the US this Fall before they head over to Europe in December.

We recorded this set with the Neumann microphones mounted inside the soundboard booth front and center of the balcony. The microphones were mixed with a well-balanced soundboard feed. There are instances in the recording of digital interface interference, which I believe was from the violin’s DI and also some interference in the vocal microphone. These problems are intermittent and should not impede listening enjoyment of a superb performance.

Stream “Whiskey in My Whiskey”:
[audio:https://www.nyctaper.com/F1805FeliceBrothers0211/15.%20Whiskey%20in%20My%20Whiskey.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Felice Brothers
2011-09-29
Webster Hall
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced
by nyctaper and acidjack
2011-10-02

Setlist:
[Total Time 1:41:51]
01 Honda Civic
02 Fire at the Pageant
03 Murder by Mistletoe
04 Back in the Dancehalls
05 Endless Night
06 Ponzi
07 Take This Bread
08 Refrain
09 White Limousine
10 Cus’s Catskill Gym
11 The Big Surprise
12 [banter]
13 Run Chicken Run
14 Love Me Tenderly
15 Whiskey in My Whiskey
16 [crowd]
17 Frankie’s Gun
18 Greatest Show on Earth
19 Saint Stephen’s End
20 River Jordan
21 [encore break]
22 Darkness on the Edge of Town [Springsteen]
23 Helen Fry

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Felice Brothers, visit their website, and purchase their official releases directly from their web store [HERE]

Nicole Atkins: September 29, 2011 Webster Hall – Flac and MP3 Downloads + Streaming Song

October 3, 2011
By


[photo courtesy of JC McIlwaine and Bowery Houselist]

After several near misses, we were fortunate to finally catch Nicole Atkins live for the first time since March at Maxwell’s. As she is currently on tour in support of The Felice Brothers (recording coming soon), Nicole’s set was an abbreviated version of her recent performances. While we pined for her mid-set solo segment, her Webster Hall show on Friday was full of peak moments — her band The Black Sea continues to impress, particularly guitarist Irina Yalkowsky whose aggressive slide guitar work shined in several numbers. As Nicole continues to tour behind Mondo Amore, that album’s songs predominated the setlist. The Leadbelly cover “In The Pines” was dedicated to Kurt Cobain (Nirvana also covered the song), and it was perhaps the most powerful song of the set. We are streaming it below. Nicole Atkins has several more local dates coming up this month, including the Petty Fest, a City Winery show, and the O Positive Festival in Kingston NY.

I recorded this set with the Neumann microphones mounted in the soundboard booth at the front and center of the balcony and mixed with a soundboard feed. There is some interference from a digital interface on stage that is noticeable at quieter moments of the show, but overall the sound is excellent. Enjoy!

Stream “In The Pines”:
[audio:https://www.nyctaper.com/N1906NicoleAtkins1020/11.%20In%20The%20Pines.mp3]

This Recording is now available to Download in FLAC and MP3 at Archive.org [HERE].

Nicole Atkins
2011-09-29
Webster Hall
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper and acidjack
2011-10-01

Setlist:
[Total Time 47:46]
01 Heavy Boots
02 Party’s Over
03 This Is For Love
04 [banter]
05 The Way It Is
06 Cry Cry Cry
07 You Come To Me
08 Brooklyn’s On Fire
09 My Baby Don’t Lie
10 Vultures
11 In The Pines
12 The Tower

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Nicole Atkins, visit her website, and purchase her new album Mondo Amore from her website [HERE].

SUPPORT NYCTaper




Email

Email nyctaper

DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.