nyctaper Recordings

concert discussion and free flac downloads

Mary Halvorson: July 14, 2014 The Wick – FLAC/MP3/Streaming

July 15, 2014

[photos courtesy of P Squared Photography]

Mary Halvorson is a multi-talented, multifaceted musician who represents the best of the New York scene, which is to say that she seems to be everywhere all at once. A survey of her recent shows includes everything from more sedate jazz gigs at Cornelia Street Cafe, appearances with Tim Berne at the avant-jazz club Roulette, a show in the band People at Death By Audio, and of course, her current performances as opening act for Buzz Osborne aka King Buzzo of the Melvins, currently promoting his new solo album (that recording soon). As the New Yorker put it more succinctly, “she’s in tons of bands”.

While we have tried to feature many of the best-known current virtuoso guitarists on this site, this is a first appearance for Halvorson, a slight embarrassment to us given both her talent and how prolific she is. As this set at Bushwick’s The Wick demonstrated, she is a singular improviser who in a single set can cut across generations and genres. For this set, Halvorson chose to go the all-covers route, including songs by Ornette Coleman, Oliver Nelson, the bassist Chris Lightcap, and a host of other U.S. and international leading lights of jazz and guitar music. To their credit, Buzzo’s metal-minded audience understood what was going on, giving Halvorson her due. She deserves all that and more.

I recorded this set with a simplistic onstage rig of two small Countryman omnidirectional microphones split two and a half feet apart. While there is some ambient noise evident at points, the sound quality is excellent. Enjoy!

Stream “Platform” [Chris Lightcap]

Download the complete set: [MP3] | [FLAC]

Mary Halvorson
2014-07-14
The Wick
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Countryman B3 (onstage, split 2.5ft)>CA-UBB>Sony PCM-M10>24bit/44.1kHz WAV>Izotope Ozone 5 (effects, EQ)>Adobe Audition CS 5.5 (adjust levels, compression)>Audacity 2.0.3 (fades, tracking, amplify, balance, dither)>FLAC ( level 8 )

Tracks
01 Sadness [Ornette Coleman]
02 Cheshire Hotel [Noël Akchoté]
03 Ida Lupino [Carla Bley]
04 Blood [Annette Peacock]
05 Cascades [Oliver Nelson]
06 [banter]
07 Someday My Prince Will Come [Frank Churchill]
08 Solitude [Duke Ellington]
09 Platform [Chris Lightcap]
10 Reflections [Thelonious Monk]

If you enjoyed this recording, PLEASE SUPPORT Mary Halvorson, visit her website, and buy records from her substantial discography, which isn’t available all in one place but can generally be purchased at Discogs.

Phish: July 12, 2014 Randall’s Island – FLAC/MP3/Streaming

July 13, 2014

By acidjack

Follow @acidjacknyc

[photos by acidjack]

Phish represents a lot of things that people don’t understand. Tell those who listen to almost all of the other bands I listen to that you’re going to a Phish show, and expect rolled eyes and chuckles. At one time, Phish meant to its fans the continuation of the promise of The Grateful Dead and the beautiful movement they created; that gave way, in short order, to Phish being a juggernaut in its own right. If anything, the band’s very stylistic and and generational dissimilarity to the Dead is a key source of lament for its detractors. For others, so is the fact that they play really long songs, some of which have wincingly twee lyrical concepts. These things, I’ll concede.

Some people will never be convinced, but if you’re in the mood to be, you could do worse than starting with this excellent Village Voice blog post. Maybe a Phish show is a “you have to be there” kind of thing, but I’d like not to think so. Their career was, after all, built in part by people sharing live tapes. If you listen to this recording, in particular the emotional rollercoaster of a kickoff to the second set from “Punch You In the Eye” into “Carini”, followed by an especially cosmic rendition of “Ghost”, you might get an inkling of what this is all about when its firing on all cylinders. What’s on offer is neither party music nor music school pyrotechnics nor straight ahead rock n’ roll, but some combination of all three, a high wire act of a journey for its audience that only masters of their craft could create. One can’t ignore, too, the skills of Phish’s crew, especially veteran light man Chris Kuroda, who makes Phish’s shows as visually stunning as anything in the music business, and the entire FOH sound crew, who accomplished the difficult feat of making a windy, open-field outdoor venue sound flawless.

I haven’t attended a huge number of shows myself (this was the first I taped since 1999, though I’ve attended others since then), so, as was commented on our post of last night’s show, I won’t allow myself standing to say whether this was a “great” Phish show. But it was a reminder of the many things this band has done so right. Haters might ask themselves what they have against a band who created a community this large and this durable organically, turning their hard work into something commercially successful and culturally relevant, even if not to the mainstream. “Phish 3.0” at this point has a little something for everybody, community-wise, continuing to grow its fan base from the grizzled vets to the kids in their early 20s getting into their groove for the first time. For us tapers, seeing the band at this point is part ritual, part nostalgia trip. Most people are aware that they sell very good soundboard recordings on their site, meaning what we’re doing doesn’t have the same relevance, maybe, that it did before. But the mere act of recording the band is, for us, our connection to the community and to a band that for many of us was the one that brought us into the hobby to begin with. We share the recordings not only because they represent our own personal takes on the show, but out of tradition, community, and the original spirit that made this band what it is today.

I recorded this set from the same position nyctaper used for last night’s recording, forward of the board and dead center. Tonight’s recording was made with Schoeps MK4V cardiod microphones and the warm Aerco custom preamp. The crowd was generally respectful around us, meaning the only occasional flaws are gusts of wind that were stronger than those experienced last night. Enjoy!

Download the complete show: [MP3] | [Direct FLAC] | [FLAC torrent at bt.etree.org]
If the above MP3 link is not working, use this one: [MP3]

Stream “Carini”

Stream the full set:

Phish
2014-07-12
Randall’s Island
New York, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (FOB, DFC, PAS, 7ft)>KC5>CMC6>Aerco MP-2>Sony PCM-M10>24bit/44.1kHz WAV>Izotope Ozone 5 (EQ, effects)>Adobe Audition CS 5.5 (fades, light compression)>Audacity 2.0.3 (tracking, amplify, balance, dither)>FLAC ( level 8 )

Set One [1:20:57]
01 AC/DC Bag>
02 46 Days
03 [banter]
04 Yarmouth Road
05 Devotion To A Dream
06 Free
07 My Sweet One>
08 Back on the Train
09 [banter2]
10 Halfway to the Moon>
11 Sparkle
12 A Song I Heard the Ocean Sing
13 The Line
14 Run Like An Antelope

Set Two [1:34:05]
15 [crowd in]
16 Punch You In the Eye>
17 Carini
18 Ghost>
19 Wingsuit
20 Rock N’ Roll [Lou Reed]>
21 Harry Hood
22 [encore break]
23 Tube
24 Joy
25 First Tube

If you enjoyed this recording, PLEASE SUPPORT Phish, visit their website, and purchase Fuego from the Phish Dry Goods store [HERE].

Phish: July 11, 2014 Randall’s Island – Flac/MP3/Streaming

July 12, 2014

By nyctaper

[photo by Scott Harris]

I’ll be the first to admit that my street cred when it comes to Phish is pretty light. After all, its been almost fifteen years since I’ve actually even seen the band live. That night in the Fall of 1999 at Nassau Coliseum was a fairly famous Phish event, when lyricist Tom Marshall took the stage to sing a few covers with the band. I was also at a Madison Square Garden show during New Year’s week in 1998 when the band played a mini acoustic set in the middle of the show. But 90s memories aside, I do still have some very good friends with close connections to the band — close enough to give us the first-report exclusive of the Phish reunion way back in August of 2008, for which we took a lot of flak but which ultimately proved to be correct. So when it was announced that Phish would play three local GA shows at Randall’s Island I figured it was about time I got out and saw them again and brought to the site a recording that many of our readers have asked about over the years.

The trek to Randall’s started out a little rocky — a long line and long-ish wait for the Ferry. But once on the boat the day went about as smooth as could be expected. At the GA shows, there is no “tapers’ section” to speak of, so when I arrived as the second taper to reach the spot we pretty much set up where we landed — about 30 feet in front of the board and pretty close to the ideal spot. Phish fans take a lot of criticism but in reality people were extremely nice to us and also respectful of the rigs. We weren’t able to raise the mic pole as high as I would have liked because we were instructed not to block the band’s cameras, but even with a “low” pole, there is surprisingly little chatter on this recording.

My knowledge of Phish is not sufficient for me to say whether this was a “great” show but I’m pretty sure it was a very good one. Perhaps motivated by the release of their new album Fuego, by all accounts of the current tour the band is playing very well right now. And while Friday’s show did feature songs from the new album (we are streaming the excellent performance of “Fuego”), the show itself didn’t dwell on the new material with only three played. Overall the band played a nice selection of songs highlighted by first set standouts “Bathtub Gin” (also streaming) and “Stash”, and second set stalwarts “Down With Disease” and “David Bowie” and a rare-ish cover of local band TV on the Radio (“Golden Age”). I can’t say this show will make me drop everything and follow Phish on tour, but I certainly won’t wait another 15 years to see them again.

I recorded this show with the large diaphragm Neumann mics from the front of board spot referenced above. These mics perform well outdoors and this show was no exception. There are two bumps from balloons, but with the excellent location, good crowd and no weather-related issues, this recording came out superbly. Enjoy!

acidjack and hi and lo will be recording the Saturday night Phish show for posting on the site on Sunday or Monday.

Stream “Bathtub Gin”:

Stream “Fuego”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Phish
2014-07-11
Randalls Island
New York NY

Digital Master Recording
Front of Board Audience

Neumann TLM-102 Large Diaphragm Cardioids > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
Set 1
[Total Time 1:21:42]
01 Moma Dance
02 Kill Devil Falls
03 Ya Mar
04 Bathtub Gin
05 [banter – how many people walked]
06 Five Fifty-Five
07 Rift
08 Sample in a Jar
09 The Wedge
10 Waiting All Night
11 Stash

Set 2
[Total Time 1:20:05]
12 Steam
13 Down With Disease
14 Golden Age [TV on the Radio]
15 Limb by Limb
16 Fuego
17 David Bowie
18 Cavern
19 [encore break]
20 Character Zero

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Phish, visit their website, and purchase Fuego from the Phish Dry Goods [HERE].

Night Beats: July 2, 2014 Baby’s All Right – FLAC/MP3/Streaming Full Set

July 9, 2014

By acidjack

Follow @acidjacknyc

[photo from the House of Vans show by Chris La Putt for BrooklynVegan]

Seattle garage rockers Night Beats helmed a stacked bill this night at Baby’s All Right that also featured Frankie Rose’s new project Beverly (that recording to be posted soon pending band approval), Hamish Kilgour’s latest project Roya, and Brooklyn garage punks LODRO. Night Beats had been teasing new songs for a while (including our last meet up with them at Glasslands) and we’ve finally gotten to see the final versions in the form of the songs on their record Sonic Bloom. Much of that material was on display on this night, but the Beats jumped around some, playing some more new ones, plus songs from their self-titled debut LP. Of note from that album in particular were a fiery “Puppet On A String” and the jammed-out set closer “The Other Side”, but the real fun came in hearing new songs like “Dewayne’s Drone” and “Useless Game” come to life. The Beats were joined after the show by the Black Lips on the turntables, and returned the favor the following night when they opened for the Lips at the ~~lame corporate marketing opportunity~~ House of Vans.

This set was recorded by Baby’s All Right head of production Devin Foley using the house multitrack system, whose files I produced and mixed down. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the entire set:

Night Beats
2014-07-02
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by Devin Foley
Produced by acidjack

Multitrack digital soundboard>SanDisk Cruzer USB Drive>Adobe Audition CS 5.5 (mix down, effects, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 38:12]
01 Rat King [cuts in]
02 As You Want
03 Outta Mind
04 Dewayne’s Drone
05 Useless Game
06 The New World
07 [unknown1]
08 [unknown2]
09 Puppet On A String
10 [encore break]
11 The Other Side

If you enjoyed this recording, PLEASE SUPPORT Night Beats, like them on Facebook, and buy Sonic Bloom from the Austin Psych Fest label here.

Sharon Van Etten: October 9, 2010 Mercury Lounge – FLAC/MP3/Streaming Full Set [From the archives]

July 8, 2014

By acidjack

[Photos courtesy of Dominick Mastrangelo Photography for BrooklynVegan]

NYCTaper’s love affair with Sharon Van Etten has been long, going back all the way to a Piano’s performance back in summer of 2008. In the intervening six years, Van Etten has transformed from the prodigious but slightly awkward performer we saw then into a commercial success and confident headliner of large venues, culminating as of late with NYC shows headlining Bowery Ballroom (our recording here) and Music Hall of Williamsburg. This pristine soundboard recording from the Mercury Lounge in 2010, which we unearthed recently, finds Van Etten charging ahead with the release of her breakthrough album, Epic, which would set the stage for the career-defining Tramp and everything that has come since. Sharon had only recently begun playing with a full band (the first such show which we captured), and this show reflects the transition, with a mix of full-band and solo material. We have already shared the Epic release show from the night before at Rock Shop; now you can check out Van Etten’s follow-up to that from Mercury, where Kyp Malone opened and Cat Martino once again gave the assist on vocals for half the set. This show provides an interesting midpoint between Sharon’s early innocence and future poise; the performance is resolute even if her crowd banter reveals how young she still is as an artist. While the longer Rock Shop recording, which adds audience microphones to the soundboard mix, is arguably the one to have of the two, one can never have enough Sharon. You can stream and download the entire set via the links below.

Download the complete show from archive.org: [FLAC] | [MP3]

Stream the complete show:

Sharon Van Etten
2010-10-09
Mercury Lounge
New York, NY USA

Hosted at nyctaper.com
Produced by acidjack

Midas Verona Soundboard>Tascam CD–RW900SL>AAC>Izotope Ozone 5 (effects, imaging, EQ, exciter)>Audacity 2.0.3 (tracking, fades, amplify, balance, upsample)>FLAC ( level 8 )

*Note on source: The CD was destroyed by the original recordist before ever being copied losslessly. The single AAC file which I tracked and edited is the only existing source

Tracks [Total Time 44:40]
01 [intro]
02 Don’t Do It
03 [banter]
04 One day
05 [untitled]
06 [banter2]
07 Love More
08 For You
09 I’m Wrong
10 Holding Out
11 [encore break]
12 [unknown1]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Sharon Van Etten, visit her website, and purchase Are We There from the Jagjaguwar Records website [HERE].

Thee Oh Sees: June 14, 2014 McCarren Park (Northside Fest) – Flac/MP3/Streaming

July 5, 2014

By nyctaper

[photo by Adela LoConte]

Here at NYCTaper we’ve been big fans of the Northside Festival, and L Magazine and indeed the Stedmans for quite a while. And we hope the feelings are mutual — we’ve hosted multiple Northside showcases over the years and have been the subject of several L Magazine profiles too. But the show that seems to have been the pinnacle for the Fest has also been one of our favorites and that’s the Saturday afternoon mega-show at McCarren Park. In previous years we captured the uber Guided By Voices event in 2011. But this year it was a whole other level — one of the best live bands in the world playing in the bright sunshine in front of a few thousand adoring fans. Thee Oh Sees return to NYC after a brief “hiatus” was met with quite a bit of enthusiasm — by the time the band began their set much of the huge McCarren yard was filled. Indeed, John Dwyer joked that the next night’s show at Death By Audio would have a capacity one-fourteenth the size of this day’s crowd. After an introduction by Daniel Stedman, the band ripped through more than an hour of their intense garage-rock before the show’s curfew called an end to the set. We’ve previously discussed Dwyer’s move of the band to a trio but on the big stage in a huge venue, the three oh sees had no problem filling up the sound. As John announced, they’ll return to NYC in November and we’ll certainly be there again.

I recorded this set with the Neumann wide cards set up in front of the soundboard tent about 80 feet from the stage and mixed with a fine stereo board feed. The problem on this day was the wind. It was blowing and bursting right into the face of the stage, so that there is phasing that’s present in the board feed through the mics on stage and also in the sound projected by the speakers. There is no wind noise problem in the mics because of was in front of the tent, and protected by both the mic grills and big windscreens. Other than the wind-phasing, this is an excellent recording. Enjoy!

Stream “Lupine Dominus”:

Download the Complete Show in both FLAC and MP3 by utilizing our Personalized WeTranfer Page [HERE].

We are very pleased to be able to partner with WeTransfer to offer direct downloads at NYCTaper without the limitations of our server speeds and without the limitations of other download services. WeTransfer offers our readers unlimited downloads at excellent speeds. This is a partnership that we believe will benefit the site and our readers and we’re quite pleased to be working with WeTranfer.

Thee Oh Sees
2014-06-15
McCarren Park
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:05:47]
01 [introduction]
02 I Come From The Mountain
03 Tunnel Time
04 Tidal Wave
05 The Dream
06 [unknown]
07 Lupine Dominus
08 [tuning]
09 Toe Cutter – Thumb Buster
10 Withered Hand
11 Encrypted Bounce
12 [banter – one-fourteenth]
13 Carrion Crawler
14 [banter – thanks]
15 Dead Energy
16 [banter – Matt]
17 The Web

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Thee Oh Sees, visit their website, and purchase their official releases from Castle Face Records [HERE].

Train Company: June 20, 2014 Bowery Electric – Flac/MP3/Streaming

July 3, 2014

By nyctaper

[photo from Train Company website]

If Chicago is the home of the blues, then perhaps its appropriate that one of the City’s best new-ish indie bands plays pretty killer blues. Train Company is more than just a blues band though — they’re a quintet of extremely talented musicians with a plethora of influences that adds up to a superb roots rock band. Train Company’s tour took them East and we were there when they played their first ever NYC show last week at Bowery Electric. The initial impression is that these guys are pros — belied by the fact that they’re mostly young men in their 20s. But between lead singer John Zozzaro’s wise growling vocals, the addition of a sax in several numbers, and killer organ/piano/keytar from Samuel Wyatt, Train Company has an authentic and compelling bluesy sound that really can’t miss. We’re streaming “Steve”, a number that captures all of these traits in one strong song.

I recorded this set with the Sennheiser cards set up in front of the board about twenty feet from the stage and mixed with an excellent feed. The sound quality is superb. Enjoy!

Stream “Steve”:

Download the Complete Show [MP3] / [FLAC]

Train Company
2014-06-20
Bowery Electric
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 39:30]
01 City Down By The Shoreline
02 Zilla
03 Change
04 Queso
05 Banister
06 Steve
07 On Time
08 Still Can Feel The Heat

If you enjoyed this recording, please support Train Company, visit their website, and purchase their official releases from the Store at their website [HERE]

Chris Robinson Brotherhood: June 8, 2014 Mountain Jam X (Hunter, NY) – FLAC/MP3/Streaming

July 1, 2014

By acidjack

Follow @acidjacknyc

[Images from the Mountain Jam Website]

While the latest breakup/hiatus of the always-volatile Black Crowes may have chagrinned the band’s fans, one thing it brought back to the forefront were the separate efforts of its dynamic duo, the brothers Chris and Rich Robinson, who are each out on the road supporting their own material. For his part, Chris seemed more than comfortable as the sole bandleader with the Chris Robinson Brotherhood here at Mountain Jam. If I’m being honest, his distinct voice has always been what I saw as the Crowes’ secret sauce, distinguishing them from other retro-minded acts, and Robinson’s own songs stood up well next to he and his brother’s combined catalog. Robinson also couldn’t resist sharing a little Crowes goodness, throwing “I Ain’t Hiding” into the mix along with a great cover of Dylan’s “Crash On the Levee (Down In the Flood)”. The mellow vibes laid down on this final day of the Jam nicely complemented the sounds to come from Sean Ono Lennon’s the GOASTT (that recording here), Lucius (that one here), and of course, the festival’s ultimate headliner, the Allman Brothers.

I recorded this set with Schoeps MK4V microphones into a nice and warm custom Aerco preamp. Though there are the usual minor issues caused by wind and distance, the sound quality is overall excellent. Enjoy!

Stream “Crash On the Levee (Down In the Flood)” [Bob Dylan]

Stream “Rosalee”

Download the Complete Show [MP3] | [FLAC]

Mountain-Jam-2014-Chris-Robinson-Brotherhood-Chris-Cleary-31

Chris Robinson Brotherhood
2014-06-08
Mountain Jam X (East Stage)
Hunter, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (Right of SBD, PAS)>KC5>CMC6>Aerco MP-2>Sony PCM-D50>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:08:15]
01 Let’s Go, Let’s Go, Let’s Go [Hank Ballard and The Midnighters]
02 Shore Power
03 Beggar’s Moon
04 Clear Blue Sky & the Good Doctor
05 Crash On the Levee (Down In the Flood) [Bob Dylan]
06 Vibration & Light Suite
07 I Ain’t Hiding [Black Crowes]
08 Rosalee

If you enjoyed this recording, please support Chris Robinson Brotherhood, visit their website, and buy stuff there.

Nicole Atkins: June 18, 2014 Madison Square Park – Flac/MP3/Streaming

July 1, 2014

By nyctaper

[photo by Chris La Putt – complete set at brooklynvegan]

The last time we connected with Nicole Atkins her brilliant new album Slow Phaser had just been released and her tour was literally just beginning — it was the tour’s first show. That night at Bowery Ballroom there was a palpable excitement in the room and despite a huge winter storm the venue was quite filled. This album is a career-defining accomplishment and we were more than pleased when her new crack band brought the songs to life. Now with six months of shows behind them, we caught Nicole and her band earlier this month at Madison Square Park. This show was the first night of the Park’s concert series, run impeccably by the Madison Square Park Conservancy. On a beautiful summer-like night the crowd was a mix of fans, families on blankets, curious locals and park supporters but from the outset Nicole had their attention and kept it for the entire full-length show — even with the lively city noise behind us (including persistent police and ambulance sirens). There was been one change in the band which now contains one guitarist but has added a keyboardist who provided much color to the music. Nicole played much of Slow Phaser but also added a few older tracks. We’re streaming “Its Only Chemistry”, which ended the main set and contains a particularly strong vocal performance. In July, Nicole goes on a national tour in support of Nick Cave with two NYC dates, July 26 at Celebrate Brooklyn/Prospect Park and July 27 at Hammerstein Ballroom.

I recorded this show with the Neumann large diaphragm mics set up at the soundboard tent and mixed with a fine board feed. The Neumann LD’s are especially warm and wide in the outdoor setting and the mix is quite well balanced resulting in a superb recording. Enjoy!

Stream “Its Only Chemistry”:

This Recording is now Available to Download in FLAC and MP3 and to Stream the Entire Show via Archive.org [HERE].

Nicole Atkins
2014-06-18
Madison Square Park
New York NY

Digital Master Recording
Soundboard + Front of Board Audience Matrix

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:12:19]
01 Who Killed The Moonlight
02 What Do You Know
03 Cool People
04 Gasoline Bride
05 The Way It Is
06 Maybe Tonight
07 Girl You Look Amazing
08 We Wait Too Long
09 Vultures
10 Red Ropes
11 The Worst Hangover
12 Party’s Over
13 Cool Enough
14 [banter – Oh Mercy]
15 Its Only Chemistry
16 [thanks]
17 The Tower

If you enjoyed this recording, please support Nicole Atkins, visit her website, and purchase Slow Phaser through her Pledge Music Campaign [HERE]

Courtney Barnett: June 17, 2014 Bowery Ballroom – Flac/MP3/Streaming

June 30, 2014

By nyctaper

[photo by Amanda Hatfield – complete set at brooklynvegan]

Courtney Barnett is a natural. Her singing style is so comfortable and nonchalant that she’s been described as “slacker rock” by the lazy non-music media. The reality is that Courtney is an incredibly hard-working artist who has in the last two years founded her own label, played in an Australian super-group, released two EPs and toured incessantly. In fact, Courtney Barnett could be accurately compared to Ty Segall in terms of her indefatigable nature. In May she released her first album with Mom and Pop Music which is essentially re-release of her two EPs as a single long player. The Double EP: A Sea of Split Peas is an outstanding collection of songs — really a stunningly mature collection for a artist in her mid-20s. Courtney has performed in NYC quite a bit in the last few months, each time attracting a larger crowd and earlier this month she sold out Bowery Ballroom. Although she’s not a local, this show had that celebratory air that comes with a first-Bowery-sellout event. The trio came out to a warm welcome and immediately launched into a run of four songs before even coming up for air. After she greeted the crowd and thanked all for their support, the band worked more casually through much of the album and a couple of new songs before Courtney played another new song solo for the encore. We’re streaming the main set final “History Eraser” on which the band raged before exiting the stage.

I recorded this set with the Sennheiser cards mounted in our usual balcony location and mixed with an excellent feed by Bowery’s legendary FOH Kenny. The sound quality is superb. Enjoy!

Stream “History Eraser”:

Download the Complete Show [MP3] / [FLAC]

Courtney Barnett
2014-06-17
Bowery Ballroom
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Kenny] + Sennheiser MKH-8040s > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:02:22]
01 David
02 Lance Jr
03 Canned Tomatoes (Whole)
04 Scotty Says
05 Don’t Apply Compression Gently
06 Are You Looking After Yourself
07 Out Of The Woodwork
08 Blah
09 [band introductions]
10 Avant Gardener
11 [new song]
12 [banter – end of the show]
13 History Eraser
14 [encore break]
15 DePreston

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Courtney Barnett, visit her website, and purchase The Double EP: A Sea of Split Peas from Mom and Pop Music [HERE].

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Mary Halvorson: July 14, 2014 The Wick – FLAC/MP3/Streaming

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Nicole Atkins: June 18, 2014 Madison Square Park – Flac/MP3/Streaming

Courtney Barnett: June 17, 2014 Bowery Ballroom – Flac/MP3/Streaming

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