Wizard Rifle: September 11, 2015 Pour House, Raleigh, NC (Hopscotch Music Festival)

October 16, 2015
By

Wizard Rifle
[Photo by Karen A. Mann]

Though Wizard Rifle has been on my radar for a little while now, it took a trip down to Raleigh for me to finally catch this Brooklyn-by-way-of-Portland duo. Their sound is hard to pin down, but fits in somewhere between progressive metal and Sabbath-y sludge. This set from Hopscotch drew a packed crowd to the Pour House for a heavy bill that also featured Tombs and Old Man Gloom—which is to say that Wizard Rifle were in good company. Three out of four of these songs—”Megatherium,” “Tears Won’t Soften Steel,” and “Leathery Gentlemen”—are off the first Wizard Rifle record, Speak Loud Say Nothing. The fourth, “Psychodynamo,” is off of last year’s Here in the Deadlights. If you haven’t heard either record, I encourage you to do so immediately because both are killer. Seeing them live finally only proves their chops are for real and I’m anticipating catching them again soon on their—and my—home turf. Dig in!

I recorded this set with the mics mounted near the soundboard plus a feed from the Pour House’s FOH Jack. The sound is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Wizard Rifle
2015-09-11
Hopscotch Music Festival
Pour House
Raleigh, NC

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Jack) + AKG CK61 > actives > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, mixdown, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [40:50]
01. Megatherium
02. [banter]
03. Tears Won’t Soften Steel
04. Psychodynamo
05. [banter]
06. Leathery Gentlemen

Support Wizard Rifle: Bandcamp | Facebook | Buy Here in the Deadlights via Seventh Rule.

Ryley Walker: October 9, 2015 Rough Trade NYC (Tompkins Square 10th Anniversary)

October 16, 2015
By

20151010-RyleyWalker-3
[photos by Jill Harrison]

For the past decade, Tompkins Square Records has pursued the dual missions of enlightening listeners about the current state of folk and guitar music, as well as unearthing underappreciated classics, such as John Hulburt’s Opus III, compilations of gospel songs, and Harry Taussig’s Fate Is Only Once. But on the first side of that slate — current artists — is where Tompkins Square has stood out the most, offering up records by Daniel Bachman, Shawn David McMillen, and last year’s Grammy-nominated set of music from respected folk singer Alice Gerrard. The biggest single breakout, though, might be Ryley Walker, of Chicago, whose debut album the label released back in 2014. From there, things moved fast, with Walker blowing our minds at a full-band appearance at Hopscotch, releasing his second album, Primrose Green, in 2015 (and a live album with Bill MacKay in August), and ending up on the roster of, among others, the Pitchfork Music Festival, Levitation, and Wilco’s Solid Sound Festival. As followers of this site know, we’ve seen him a slew of times since that Hopscotch show, each revealing new songs and new dimensions of his style.

Fitting, then, that Ryley and his band would headline Tompkins Square’s tenth-anniversary celebration, at the top of a bill that also featured living legend Michael Chapman and the rediscovered D.C. folk musician Bob Brown, playing his first show in 30 years. Ryley said at the outset that he and his band didn’t deserve to be headlining over such company, and even if that wasn’t necessarily true, they certainly were the young guns among their peers. What followed that introduction was a sprawling, hour-plus set consisting of just four songs, all of them non-album material, two of them brand new to us. The band began with “The Roundabout,” a fitting metaphor for a song about possibilities that can just as easily turn into inertia. After that came the night’s sprawling centerpiece, “Sullen Mind,” which we first heard at Le Poisson Rouge back in June. This time, the song became a 25-minute showcase for the band and Ryley’s talents, the natural interplay among them obvious they grinned visibly at the transitions. “Funny Thing She Said” continued in that vein, giving sax man Levon Henry a showcase for his talents before Ryley even got to the first verse. This and “Sullen Mind” underscore how far Walker has come since even that 2014 Hopscotch performance; if one were inclined to accuse him of being a “traditional” folk musician, or some kind of tribute act for Van Morrison and the classics, his recent performances throw those assumptions out the window. What Walker is attempting here is something entirely different, and something that’s a total stranger to the Civil War-wave garbage that passes for modern folk or “indie” music on most stages these days. That he has already attempted it on the biggest stages, such as at Pitchfork, further proves that Walker isn’t taking the easy, commercial way here. More power to him.

After begging from the audience, the band closed with an even-newer tune, “The Great and Undecided,” a slightly more traditional number (so far) that we’re excited to hear develop. As Ryley enlightened us at the outset of this show, Tompkins Square has been delivering “sick nugs” for ten years now. I feel confident saying Ryley Walker will keep doing the same. He represents the best of the future, as well as the past.

I recorded this set with a soundboard feed from engineer Dustin Meyers together with Schoeps MK4V microphones. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC] | [Apple Lossless]

Stream the complete show (note: banter tracks removed. Enjoy them on the download versions):

Ryley Walker
2015-10-09
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Dustin Myers) + Schoeps MK4V (PAS, FOB)>KC5>CMC6>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression, limiter)>Izotope Ozone 5 (EQ, imaging, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:05:05]
01 [intro banter]
02 The Roundabout
03 Sullen Mind
04 [tuning]
05 Funny Thing She Said
06 [encore break]
07 The Great and Undecided

Band:
Ryley Walker
Ben Boye – Keys
Brian Sulpizio – Guitar
Anton Hatwich – Bass
Ryan Jewell – Drums
Levon Henry – Sax

If you enjoyed this recording, PLEASE SUPPORT Ryley Walker, like him on Facebook, and buy All Kinds of You and The West Wind EP on Tompkins Square and Primrose Green from Dead Oceans. Also, check out Ryley’s new acoustic live album with Bill MacKay, which you can stream and buy here.

20151010-RyleyWalker-4

Greg Fox + Jefre Cantu-Ledesma: September 11, 2015 WXDU/WKNC/WXYC Hopscotch Day Show

October 15, 2015
By

Greg Fox + Jefre Cantu-Ledesma

While of course we missed Three Lobed’s annual Hopscotch day show at Kings, those big shoes were filled by an epic day show team-up of three local university radio stations: Duke’s WXDU, NC State Raleigh’s WKNC, and UNC Chapel Hill’s WXYC. The show spanned two clubs, Kings upstairs and Neptunes down. And while a noon start in Neptunes’ darkness with a lineup of four noise acts could be brutal for a hungover crowd, the event wall well-attendended among the Hopscotch faithful. Today’s recording brings together Greg Fox (GDFX, Guardian Alien, Liturgy) on drums and Jefre Cantu-Ledesma (founder of seminal noise label Root Strata) on electronics. Fox pummels the drums like only he can while Cantu-Ledesma works the noise blasts on equipment that I won’t even pretend to grasp. It’s a short twenty-minute performance, one you’ll no doubt have on repeat for a while.

I recorded this set with the room mics clamped to the ceiling combined with a board feed. The sound is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Greg Fox + Jefre Cantu-Ledesma
2015-09-11
WXDU/WKNC/WXYC Hopscotch Day Show
Hopscotch Music Festival
Neptunes
Raleigh, NC

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard + AKG CK61 > actives > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, mixdown, normalize, fades) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [19:26]
01. Improvisation

Support Greg Fox: Website

Support Jefre Cantu-Ledesma: Website

Heaters: September 26, 2015 Alphaville

October 15, 2015
By

FullSizeRender

Considering that Heaters are from Grand Rapids, Michigan, it’s notable how well they conjure a California garage, a Pacific coast parking lot, the beach (and no, I don’t mean Saugatuck, Michigan folks). Schooled in the ways of garage-psych contemporaries like Ty Segall, Thee Oh Sees and others, the Midwesterners bring their own vibe to the genre, packing a lot into the time of their new record, Holy Water Pool, released by the Brooklyn label Beyond Beyond Is Beyond, a mark of quality among bands of their kind. This was that album’s record release show, at the not-DIY Bushwick venue Alphaville, and Heaters’ tight 39-minute set made as strong an argument for them as a live band as for their record. We heard several of the new songs, including the standout “Detonator Eyes.” You can catch Heaters tonight at their CMJ show at Berlin, on Avenue A. Trust us, you want to do that.

I recorded this set with Audio Technica 4051 cardiod microphones and a soundboard feed from house engineer Theo Klein. The sound quality is quite good for the relatively modest sound system being used. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream and download the complete show on our bandcamp page:

Heaters
2015-09-26
Alphaville
Brooklyn, NY USA

Exclusive download hosted at nyctaper
Recorded and produced by acidjack

Audio Technica 4051 (FOB, LOC, PAS) + Soundboard (engineer: Theo Klein)>Roland R-26>24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 39:02]
01 [intro]
02 Master Splinter
03 Levitate Thigh
04 Hawaiian Holiday
05 Propane
06 Detonator Eyes
07 Dune Ripper
08 Heaven Hill
09 Gum Drop
10 Bad Beat

If you enjoyed this recording, PLEASE SUPPORT Heaters, like them on Facebook, and buy their records from Beyond Beyond Is Beyond Records and at their bandcamp page.

FullSizeRender (1)

Luna: October 7, 2015 Bowery Ballroom – Flac/MP3/Streaming

October 14, 2015
By

Luna Dean Keim 2
[photos by Dean Keim]

Ten years ago Luna retired with a series of shows at the Bowery Ballroom that eventually became part of the documentary Tell Me Do You Miss Me. In their return for two shows last week the band were well aware of the connection, but in their infinite jest used the reference as inspiration for their usual relaxed and often hilarious banter. When a band feels like they’re playing in front of friends, the show tends to be a celebratory affair and that was exactly feeling on this Wednesday night. In terms of the setlist, Luna pulled out a few numbers that haven’t seen much rotation this tour — “Fuzzy Wuzzy” and “Anesthesia” among them, the latter of which we are streaming below. Its going to be a good time for Luna fans here at NYCTaper. After this Bowery show, we’ll also have at least two more recordings.

I recorded this set in our usual location at Bowery. The mix in the room was terrific and we supplemented that with a feed from the board that fortified the vocals. The result is a superb recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Anesthesia”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Luna
2015-10-07
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Paul] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:28:48]
01 Chinatown
02 Going Home
03 Double Feature
04 Sideshow by the Seashore
05 California
06 Malibu Love Nest
07 Tracy I Love You
08 [banter – champagne cork]
09 Moon Palace
10 Lost in Space
11 [banter – different time]
12 Bonnie and Clyde
13 Bewitched
14 Friendly Advice
15 [encore break]
16 Fuzzy Wuzzy
17 Anesthesia
18 Twenty Three Minutes in Brussels
19 [second encore break]
20 Blue Thunder

If you Download this recording from nyctaper, we expect that you will PLEASE SUPPORT Luna, visit their website, and purchase their official releases from the links at their website, from Bandcamp and the Long Players Box Set from Captured Tracks Records [HERE].

Eugene Chadbourne-Steve Gunn-Mary Lattimore: September 11, 2015 WXDU/WXYC/WKNC Day Show, King’s (Raleigh, NC)

October 12, 2015
By

chadbournegunnlattimer-boles
[photo courtesy of Rodney Boles]

For their final act of their day show at King’s, Triangle college radio stations WXDU, WKNC and WXYC outdid themselves with a three-way-combo of stringed instrument experts. Legendary improvisational guitarist and banjo player Eugene Chadbourne, whose long list of collaborators runs the gamut from Camper Van Beethoven to John Zorn, was joined by New Yorker and longtime site favorite Steve Gunn and the renowned experimental harpist Mary Lattimore. Having never played together before, the three worked out their collaborative style in real time, which was a fascinating process to watch, and even more of one to hear. It was fascinating to watch Lattimore turn an instrument known for its delicacy into an aggressive, atonal element, with her slapping at its sides for percussive effect. Gunn and Chadbourne likewise built off of each other, with Chadbourne providing emphatic bursts of noise at points on the banjo. The piece flowed from delicate and restrained to harsh and intense minute-to-minute, holding your attention as you wondered where the trio would end up next, and reveling in the fact that they might not be quite sure, either. Chadbourne even added some vocals at the end, with lines referencing the traditional song “I Wish I Was A Mole In the Ground.” It’s safe to say that nothing else about this unique meeting was “traditional.”

I recorded this set in the same manner as the day’s other recordings, with a soundboard feed from King’s engineer Justin together with Schoeps MK4V microphones onstage. There is a bit of DI hiss on the quiet passages, but overall the sound is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Eugene Chadbourne, Steve Gunn & Mary Lattimore
WXDU/WKNC/WXYC Hopscotch Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (onstage, roughly ORTF)>KC5>CMC6 + Soundboard (engineer: Justin)>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.5 (amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 improvisation

Musicians:
Eugene Chadbourne – Banjo
Steve Gunn – Guitar
Mary Lattimore – Harp

SUPPORT NYCTaper




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