Blaxxx: September 11, 2015 Slim’s, Raleigh, NC (Hopscotch Music Festival)

October 21, 2015
By

Blaxxx

David Schwentker tapes and reports:

Because Lamont ‘Bim’ Thomas is not prolific enough with his main project, Obnox, last year during SXSW he decided to hit the studio with half of the OBN IIIs (Orville Neely and Tom Triplett) to bash out some Ohio-meets-Texas blues punk. Lucky for us, 12XU Records released the recordings of this garage super-group on a 12″ earlier this year, under the name Blaxxx. As an added bonus, the trio is still getting together to play shows here and there, and for a good selection of Hopscotch Music Festival fans, their headlining slot at Slim’s on the festival’s middle night was a set circled in permanent ink.

Thomas is no stranger to the festival, as Obnox played the exact same 12:00 slot at Slim’s on the festival’s Friday night last year. By midnight on Friday, Neely and Thomas were festival vets too, having headlined a different club on Thursday night with the OBN IIIs. In fact, both Obnox and OBN IIIs played day party shows on Friday this year as well, and if you ran across town like me, you were able to catch almost all of both of those sets.

Thanks to a blistering, sub-twenty minute set from Raleigh punks No Love, Blaxxx had plenty of time to set up their gear. Hopscotch Music Festival runs remarkably on time at every venue every year, but this was the first time I’d seen the fourth band of the night ready to play 15 minutes before their specified time. With their mics not going live until midnight, the band could have elected to go spend their time hanging out. Instead, they just started playing anyway, treating the fans that were already assembled to an impromptu 11 minute instrumental jam. When the mics came on at midnight, Thomas told a story of encountering Iron Maiden one day in 1988, while working at Cedar Point Amusement Park and having them sign the only piece of paper he could find, his Social Security card. From there, the band was off, playing extended versions of 3 tracks from their “For No Apparent Reason” 12″.

Hopefully we’ll see more tunes from this band in the future, but until then, this recording is a great companion to the debut vinyl release. Slim’s is a small club where not all of the instruments are even mic’d, so this recording was captured by a pair of Church Audio omni directional mics mounted in the ceiling above the crowd. While this recording may be a little less polished than much of what is offered on this site, it’s a great representation of what it was like to be standing at the lip of the tiny stage, right in front of the band.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Blaxxx
2015-09-11
Hopscotch Music Festival
Slim’s
Raleigh, NC USA

Recorded and produced by David Schwentker

Church Audio CA-1 (omni) > Olympus LS-10 > WAV > Audacity (track, mixing) > Trader’s Little Helper (conversions) > FLAC (level 8) > foobar2000 (tagging)

Tracks:
01 [intro]
02 [pre-set jam]
03 [banter]
04 Cut Em Down
05 Let Me Hold Your Hand
06 Get A Hold Of Your Life

Support Blaxxx: Buy the For No Apparent Reason EP from 12XU

NYCTaper Upcoming Schedule: Fall 2015/Winter 2016

October 21, 2015
By

taper-larger

With the close of another hectic CMJ, its time to update the Schedule for the remainder of 2015 and into early 2016. Our journey continues with some old friends, some new and some nice surprises.

Caveat: Below is the updated schedule. We expect to attend and record these events. However, circumstances will prevent some of these from being done, and others will be added in the meantime. Feel free to make suggestions or point out shows we missed or invite us to your shows!

Schedule:

Oneida:
October 23, 2015 Cake Shop NYC

Steve Gunn:
October 24, 2015 Union Pool BK

The Hum [various artists]:
October 26, 2015 Manhattan Inn BK

Yvette:
October 29, 2015 Trans Pecos Queens

Deer Tick / Felice Brothers:
October 30, 2015 Cannons Blackthorn Rockville Centre NY

DVA / Christopher Tignor:
November 1, 2015 Trans Pecos Queens (NYCTaper Presents)

Courtesy Tier:
November 3, 2015 Rough Trade BK

Greys:
November 5, 2015 Aviv BK

Elisa Ambrogio:
November 6, 2015 Union Pool BK

She Keeps Bees:
November 8, 2015 Rough Trade BK

WAND:
November 13, 2015 Mercury Lounge NYC

WAND:
November 14, 2015 Rough Trade NYC

Hiss Golden Messenger:
November 19, 2015 Baby’s All Right Brooklyn

Pearl and The Beard:
November 19, 2015 Bowery Ballroom NYC (permission pending)

My Morning Jacket / Woods:
November 24, 25, 2015 Beacon Theatre NYC

Ground Control Touring 15th Anniversary (many bands):
December 2, 2015 Webster Hall NYC (permission pending)

Landlady:
December 6, 2015 Bell House Brooklyn

Lucero:
December 8, 2015 Music Farm Charleston, SC

Parquet Courts:
December 11, 2015 Warsaw Brooklyn

Kevin Devine:
December 11, 2015 Bell House Brooklyn

Chris Forsyth and Solar Motel Band:
December 12, 2015 Trans Pecos Queens (NYCTaper Presents)

Sleater-Kinney:
December 16 2015 Market Hotel Brooklyn

Royal Trux:
December 19, 2015 Webster Hall NYC (permission pending)

craw:
December 19, 2015 Saint Vitus BK

METZ:
January 13, 2015 Bowery Ballroom NYC

Alejandro Escovedo:
January 23, 2016 City Winery NYC

Wilco:
February 2 and 3, 2016 Capital Theatre Port Chester NY

Jennifer Castle: October 4, 2015 Webster Hall

October 20, 2015
By

jennifer-castle-12
[photos courtesy of P Squared Photography]

It’s never an easy task to be a singer-songwriter opening for an eight-piece band in a 1500-capacity venue, but Jennifer Castle pulled off that feat, opening for Destroyer, in a way that let her material shine. I was surprised to discover that we hadn’t checked in with her since a Union Pool show in 2012, which came before the release of her widely-acclaimed 2014 album, Pink City. So, this was our first time getting to engage with much of that material, and I’m glad we had the chance. Accompanied by guitars and keys, but no percussion, Castle spared little time between songs, packing in as much as she could into the thirty-minute slot. What came across, in the big space of Webster Hall, was how strong her voice is, as able to fill this space as the coffee shops and smaller clubs where this music is typically more comfortable. She began with a newer song, “I Don’t Care About Money,” followed by “Powers” from her 2012 album Castlemusic, possibly the strongest track on that offering. From there, the Pink City material began in rapid-fire fashion, beginning with “Working For the Man.” The diaphanous-but-tensile quality of Castle’s voice is especially evident on this song, and the impressive vocal turns continued for many of the new songs. Not that Castle’s a stranger to challenging work — she’s played with everyone from fellow Canadian folkie Doug Paisley to the somewhat more aggro Toronto crews Fucked Up and The Constantines. Even if this setting might not have been the perfect way to be introduced to Jennifer Castle in terms of size, I suspect she earned a lot of new fans here. She continues with Destroyer on the West Coast before heading to Europe with them in November. Make sure to show up early to catch her set.

As with the Destroyer set, I recorded this set with a soundboard feed from the Webster Hall engineer Raphael, with a bit of Schoeps MK41V microphones to add ambiance. The sound quality is outstanding. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

Jennifer Castle
2015-10-04
Webster Hall
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Thanks to Jennifer Castle for permission

Soundboard (engineers: Raphael) + Schoeps MK41V (at SBD, DFC)>KCY>Z-PFA>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, align, mix down)>Izotope Ozone 5 (EQ, effects, compression)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 29:34]
01 I Don’t Care About Money
02 Powers
03 Working For the Man
04 Truth Is the Freshest Fruit
05 How Or Why
06 Sailor’s Blessing
07 Sailing Away
08 Pink City

Band
Jennifer Castle – Vocals, guitar
Mike Smith – Bass
Ryan Driver – Keyboards

If you enjoyed this recording, PLEASE SUPPORT Jennifer Castle, like her on facebook, and buy Pink City from No Quarter Records.

Luna: October 2, 2015 Terminal West Atlanta

October 20, 2015
By

Luna_Kuba Atlanta
[photo by Kubacheck]

After a couple of successful mini-tours overseas (plus one Summer NYC show), it was time for Luna to tour the East coast in their highly successful reunion. The first show of this tour became one of the most memorable because the band chose this night to perform the complete album Penthouse start to finish. This release came at the pinnacle of Luna’s 1990s success, and it is perhaps their most consistently excellent album. Its certainly one of my personal favorites. Penthouse material has been prominent throughout the 2015 shows, so the performance of the complete record only added three songs that had not previously been played, and a couple that only made sparse setlist appearances. But it was all very tight, well played, and the band’s between-song banter continues to draw smiles. After the completion of Penthouse, Luna came out for a mini-set and an encore that stretched this concert longer than any previous in 2015.

Luna’s current tour continues with seven more shows out West (dates here), including another performance of the Penthouse album at the Teragram Ballroom in LA presented by our friends over at Aquarium Drunkard.

Kubacheck recorded this set from the front and center balcony of this venue — an excellent location sound-wise for capturing the show. Unfortunately, the crowd is boisterous and a bit chatty, but overall its an excellent recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show (banter and encore tracks not streamed):

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Luna
2015-10-02
Terminal West
Atlanta GA

Digital Master Audience Recording
Recorded from Front of Balcony

MBHO 603a – KA-500 > Naiant Tinybox > Roland R-05 > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by Kubacheck
Produced by nyctaper

Setlist:
[Total Time 1:36:17]
01 Chinatown
02 Sideshow by the Seashore
03 Moon Palace
04 [banter – play the album]
05 Double Feature
06 Twenty Three Minutes in Brussels
07 Lost in Space
08 Rhythm King
09 [banter]
10 Kalamazoo
11 Hedgehog
12 [banter – Ron Jeremy]
13 Freakin and Peakin
14 [banter – secret bonus track]
15 Bonnie and Clyde
16 [encore break]
17 Pup Tent
18 Malibu Love Nest
19 Tracy I Love You
20 [banter – requests]
21 Anesthesia
22 Friendly Advice
23 [second encore break]
24 California

If you Download this recording from nyctaper, we expect that you will PLEASE SUPPORT Luna, visit their website, and purchase their official releases from the links at their website, from Bandcamp and the Long Players Box Set from Captured Tracks Records [HERE].

WOMPS: October 15, 2015 NYCTaper Unofficial CMJ Show, Cake Shop

October 19, 2015
By

womps2

We couldn’t have been happier to kick off this year’s NYCTaper Unofficial CMJ Show at Cake Shop with the band WOMPS. As any CMJ veteran knows, this quasi-festival can be a bit of a slog — tons of shows played at venues all over town in a compressed amount of time, often for no pay. Add to that that you’ve come all the way from Scotland to do it, and well, that’s not a recipe for a good attitude or a good performance. What a delight, then, that straight off the bat these young guys brought great songcraft and the party spirit to launch this day show. You probably haven’t heard of this band, as they’ve just a seven-inch to their name currently, but big things are expected: Right now, they’re considering offers from several labels for their already-recorded debut, for which no less than Steve Albini was behind the boards. It’s not hard to see why, as they’ve got an approachable garage-rock sound that wears its angst well. The highlight of the set for me was “Dreams on Demand,” with its tuneful hook and classic 90s sound (you can easily imagine on the radio on KROQ or the like back in those days). In their short career, they’ve shared stages with the likes of METZ, Cloud Nothings and UK breakouts Royal Blood, and the good folks over at NME are already on the case. So, WOMPS may not be a household word in the U.S. just yet, but get a taste now before we say we told you so.

I recorded this set with Schoeps MK4V microphones at the front of the stage, combined with a soundboard feed of mostly vocals from Cake Shop engineer Jeff. The sound quality is not quite what I’m sure Steve Albini has done on their debut, but it’s still great. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the show [Note: “Live A Little Less” is not included as the track was partially cut]

WOMPS
2015-10-15
NYCTaper Unofficial CMJ Show
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (onstage)>KC5>CMC6 + Soundboard (engineer: Jeff)>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression)>Izotope Ozone 5 (effects, EQ, image)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 23:00]
01 Live A Little Less [fades in]
02 Ritalin
03 Cancer of the Bone
04 Another Cell
05 Plasticine
06 Dreams On Demand
07 Three Cheers

If you enjoyed this recording, PLEASE SUPPORT WOMPS, visit their website, and buy their 7″ here.

Yo La Tengo: October 10, 2015 Kings Theatre

October 18, 2015
By

yo-la-tengo-4
[Photos courtesy of P Squared Photography]

A Yo La Tengo show in New York always feels like a family affair, even if held in the sprawling, gorgeous new Kings Theatre in Flatbush, Brooklyn. (If you haven’t seen this space, it’s so spectacular that it might make the Beacon Theater blush). This tour’s format — an all-acoustic performance that highlights the band’s recent partial-covers album, Stuff Like That There — also lent it that air, as the band clustered together with ample space to spare, surrounded by artwork made by friends and family, plus the friends and family staring back at them from the audience. With this band, you can always count on the unexpected, so while of course they played their new “single,” a cover of The Cure’s “Friday, I’m In Love,” along with other highlights of the record like their covers of Darlene McCrea’s “My Heart’s Not In It” and Lovin’ Spoonful’s “Butchie’s Tune,” and the brand-new songs “Rickety” and “Awhileaway,” their set was more surprises than sure things.

I’d assume the band’s longtime friends in Antietam were floating around in the audience somewhere, so Yo La Tengo rewarded us with a cover of that band’s “Naples.” Okay, fine, maybe one would have anticipated that — but who would have thought the band would follow the ultra-quiet new number “Awhileaway” with a cover of the Minutemen’s “Corona”? And later, as if in a nod to us noiseniks who can’t live without the band’s extended improvisational songs, they gave us an acoustic version of “Pass the Hatchet, I Think I’m Goodkind.” Of course, Stuff Like That There isn’t the band’s first covers-based album, so they of course had to take us back to the Fakebook days, including an excellent rendition of “Yellow Sarong” by The Scene Is Now. “Our Way To Fall” was as lovely as always, ending the main set on a subtle note. Of course the band came back, and of course it was with another excellent cover, this time Devo’s “Bottled Up,” with James taking his first vocal turn of the night. But the show’s final two numbers that will probably go down as its key moments, as the night’s opener, the famed English musician and songwriter Nick Lowe, joined the band for “Walk Away Renee” and his own song, “Rollers Show.”

As Georgia Hubley handles the vocals on many of the band’s quiet numbers, this format gave her a more prominent role. Added to the band’s arsenal for this tour is longtime partner Dave Schramm on second guitar, while James McNew ably tackled the stand-up bass. The soft/loud dynamic has traditionally been as essential to this band’s sound as their encyclopedic music knowledge, so the choice of an all-acoustic show — following a 2014 tour that had one full acoustic set before the “loud” second set — is a bit of a detour, but I can’t say I’m surprised that it worked. We’ll call this journey to the mellower side of YLT an unqualified success.

I recorded this set with the invaluable assistance of the band’s engineer Mark Luecke and the Kings Theatre staff. The recording is Mark’s mix combined with Schoeps MK41V microphones, and the sound quality is outstanding. Enjoy!

Download the complete set: [MP3/FLAC/Apple Lossless]

Stream the complete set:

Yo La Tengo
2015-10-10
Kings Theatre
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mark Luecke) + Schoeps MK41V>KCY>Z-PFA>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (patch first song, align, mix down, amplify, balance)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Special thanks to Mark Luecke for his assistance and the patched audience portion of the first song.

Tracks
01 Tried So Hard [Gene Clark]*
02 Automatic Doom [Special Pillow]
03 Rickety
04 My Heart’s Not In It [Darlene McCrea]
05 Double Dare
06 Naples [Antietam]
07 Deeper Into Movies
08 Butchie’s Tune [Lovin’ Spoonful]
09 Awhileaway
10 Corona [Minutemen]
11 Today Is the Day
12 Pass The Hatchet, I Think I’m Goodkind
13 Can’t Forget
14 [banter]
15 Here Comes My Baby [Cat Stevens]
16 Friday I’m In Love [The Cure]
17 Yellow Sarong [The Scene Is Now]
18 Ohm
19 Our Way To Fall
20 [encore break/artwork intro]
21 Bottled Up [Devo]
22 [Nick Lowe intro]
23 Walk Away Renee [The Left Banke]&
24 Rollers Show [Nick Lowe]&

* no soundboard for first 1:20; audience mics are patched from the band’s source
& with Nick Lowe

If you enjoyed this recording, PLEASE SUPPORT Yo La Tengo, visit their website, and buy Stuff Like That There and their many other fine releases from Matador Records.

yo-la-tengo-26

SUPPORT NYCTaper




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