Ty Segall: June 26, 2015 Rough Trade NYC – FLAC/MP3/Streaming

July 9, 2015
By

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[photos from the Bell House show by P Squared Photography]

Two things you can’t say about Ty Segall: That he doesn’t work hard enough, and that his songs don’t stand up without all the fuzz attached. While a lot of garage rock acts would fall apart without the 110dB of drums and electric guitars around them, what this series of acoustic shows by Segall around the New York area a few weeks ago proved was exactly how good his songs are on their own. If it wasn’t quite as revelatory as Nirvana Unplugged, these shows had much more in terms of set size and variety.

This show at Rough Trade was the second of Ty’s two performances of the night, following stints at Baby’s All Right (coming soon), Bell House, and Mercury Lounge earlier the same night (download here). By the time the set began around midnight, Ty was loose and ready to have a good time, making this set, possibly even more than the others, an extravaganza of both new material and covers both common (two Beatles tunes and Neil Diamond) and obscure (the Groundhogs and the Urinals). Joined again by Cory Hanson of Wand (who we recorded earlier this year), Ty took us on a winding tour through his material, both from Ty Segall Band and Fuzz, and it was hard to pick a favorite among them. A few repeats of the Mercury set are here, but most of this is new, including one song we don’t have the title for, tentatively called “She Is A Beam.” In the acoustic set, Segall occupies a comfortable place between cafe troubadour and the impish garage-rock persona for which he’s better known. That is,  he’ll deliver a moving “Bob Dylan Blues” to kick things off — but as soon as the applause goes up, he’s kidding around about dropping his pick in his guitar. Ty’s music is serious, but he doesn’t take himself too seriously. That humility is not only part of why his popularity continues to explode, but it makes him the kind of guy who’s willing to take chances, such as these four shows. We’re here to tell you that the experiment succeeded.

I recorded this set with a soundboard feed from Kameron Biehl of Rough Trade and Schoeps MK41V supercardiod microphones. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Ty Segall
2015-06-26
Rough Trade NYC
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kameron Biehl) + Schoeps MK41V (PAS)>KCY>Z-PFA>>Roland R-26>24bit/44.1kHz WAV>Adobe Audition CS 5.5 (mix down, studio reverb, fades, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (track, amplify, balance, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Bob Dylan Blues [Syd Barrett]
03 Lucy Leave [Syd Barrett]
04 Crazy
05 [banter1]
06 Sleeper
07 Breakfast Eggs [new]
08 Finger
09 [banter2]
10 Don’t You Want to Know (Sue)?*
11 Yer Blues [The Beatles]>Why Don’t We Do It In the Road [The Beatles]*
12 “She Is A Beam” [new song by Ty and Cory]*
13 The Feels*
14 Emotional Mugger [new]*
15 [banter3]
16 Orange Colored Lady [new]*
17 [banter4]
18 Wave Goodbye
19 California Hills [new]
20 Fine
21 I’m A Bug [Urinals]
22 [encore break]
23 Rich Man, Poor Man [Groundhogs]
24 You Make the Sun Fry
25 Cherry, Cherry [Neil Diamond]

* w/ Cory Hanson

If you enjoyed this recording, PLEASE SUPPORT Ty Segall, visit his website, and purchase his official releases from the Drag City Records website [HERE].

Sloan: June 29, 2015 Rough Trade – Flac/MP3/Streaming

July 8, 2015
By

IMG_2344
[photos by Ellen Qbertplaya]

Sloan has to be the most democratic working band around these days. For the band’s last album, the four members of the quartet each had a single side of a double album dedicated to that member’s songs. But Commonwealth is not a novelty record — its an album that purposefully accentuates the strengths of Sloan with each performer given the chance to shine. The first side is dedicated to the Laurel Canyon-ish sweet country soul of Jay Ferguson, side two is the power pop of Chris Murphy, the third side is Patrick Pentland’s straightforward rock and the final side is one track, Andrew Scott’s opus “Forty-Eight Portraits”. At Rough Trade last Monday, Sloan opened with Andrew’s track and it set the tone for the evening as the band passed the lead vocals democratically among the members and while the setlist was heavy on Commonwealth material, it also was culled from a variety of the band’s eleven albums. For the Fall tour, the band had utilized the two-set format to play Commonwealth in the first set and selected classics in the second. For this tour, the sets are more mixed and the result was that the sold-out crowd realized quickly that the Commonwealth material holds up to the best of the band’s catalog. We’re partial to Jay’s contributions, and we are streaming the first side track “Three Sisters” below, along with Chris’s “Carried Away”, which is the second single from the album.

I recorded this set with the Schoeps cards mounted inside of the soundboard booth and mixed with an outstanding feed provided by the band’s FOH Mike. The result is a superb recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Three Sisters”:

Stream “Carried Away”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Sloan
2015-06-29
Rough Trade
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer Mike] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set 1
[Total Time 51:02]
01 Forty-Eight Portraits
02 [banter – new record]
03 Keep Swinging
04 Unkind
05 Thirteen (Under a Bad Sign)
06 You’ve Got a Lot On Your Mind
07 Three Sisters
08 [banter – new box set]
09 I Hate My Generation
10 Carried Away
11 [banter – Rush]
12 Follow The Leader
13 Coax Me

Set 2
[Total Time 1:03:37]
14 If It Feels Good Do It
15 C’mon C’mon
16 [banter – keeping up with Rush]
17 Fading Into Obscurity
18 Worried Now
19 Who Taught To Live Like That
20 Ready For You
21 The N.S.
22 Love Is All Around
23 On The Horizon
24 Someone I Can Be True With
25 Ill Placed Trust
26 Cleopatra
27 The Other Man
28 Reach Out
29 [encore break]
30 The Rest of My Life
31 Five Hundred Up

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Sloan, visit their website, and purchase their official releases, including Commonwealth, from the Store at their site [HERE] or from the Yep Roc Records website [HERE].

Ignatz: May 24, 2015 Union Pool – FLAC/MP3/Streaming

July 7, 2015
By

Ignatz

Ignatz—named after Krazy Kat’s comic strip nemesis—is the solo folk guitar project of Belgium’s Bram Devens. Acoustic guitars and vocals are cloaked in distortion by an array of effects pedals, recalling the lo-fi sounds of AM radio. More than once during Ignatz’s set, I recalled the quieter moments in the Hush Arbors catalog—both share an affection for distorted acoustic guitars and the higher registers of the voice. Half of his Union Pool set is comprised of newer, as-yet-untitled songs, while “Drinking Tea and Bloody Maries,” “Japan is Romantic,” and “I Need a Good Night’s Sleep” are off Ignatz’s first record with De Stervende Honden (The Dying Dogs), Teenage Boys, released last year on Ultra Eczema. While the album features the full band, here Ignatz is accompanied only by his guitar and the result is an outstanding, delicate reimagining of American folk through through the lens of a Belgian guitarist.

I recorded this set with the AKGs clamped to the balcony and a board feed from Union Pool FOH, Kevin. There’s a little bit of ambient noise from the bar here, but the guitar and vocals are loud and clear. Enjoy!

Thanks to Jeff for organizing the event and inviting us down to record it. Avant Ghetto will presenting another show full of guitar worship at Union Pool on August 2 with PG Six, Chuck Johnson, Alan Licht, and Anthony Pasquarosa.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Ignatz
2015-05-24
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Kevin) + AKG C480B/CK63 (FOB, LOC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, compression, mixdown) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [35:41]
01. Untitled
02. Drinking Tea and Bloody Maries
03. Untitled
04. Untitled
05. Japan is Romantic
06. I Need a Good Night’s Sleep

Support Ignatz: Website | MySpace | Buy Ignatz & De Stervende Honden – Teenage Boys from Ultra Eczema

Bill Orcutt: June 28, 2015 Trans-Pecos – FLAC/MP3/Streaming

July 6, 2015
By

Bill Orcutt

Bill Orcutt is unlike any guitarist I’ve ever heard. He manages to conjure something primal out of the instrument that defies any normal comprehension of music. It’s at once grating and beautiful and each time I see him play, I’m simply awestruck. I most recently caught Orcutt last week playing a Sunday night set at Trans-Pecos along with Tom Carter and 75 Dollar Bill. The first track I’ve left untitled, though it likely picks up on motifs and phrasing from recorded songs. The second is Orcutt’s rendition of Ornette Coleman’s “Lonely Woman” (thanks to @boxwalla for that). The third track is, as Orcutt calls it, a “cluster” of three songs you may know well but not like he plays them. My best guesses for those are all from his 2013 Editions Mego LP, A History of Every One: interpretations of “Black Betty,” “White Christmas,” and “Solidarity Forever” (though it’s entirely possible I’m wrong on each count).

I recorded this set with the AKGs at the stage lip and a soundboard feed from Trans-Pecos FOH Max. The mix leans mostly on the board feed as the guitar was miked directly. The guitar is loud and clear; the overall sound and performance are excellent.  Enjoy!

Bill Orcutt has a couple of upcoming releases. First is a collaboration with drummer Jacob Felix Heule called Colonial Donuts. It’s out October 16 on Orcutt’s own Palilalia Records. Second is a collaboration with Alan Bishop and Chris Corsano, recorded live by our very own acidjack and due out soon on Three Lobed Recordings’ Parallelogram Box Set.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Bill Orcutt
2015-06-28
Trans-Pecos
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Max) + AKG C480B/CK61 (stage lip) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, compression, mixdown) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [29:52]
01. Untitled
02. Lonely Woman [Ornette Coleman]
03. Untitled

Support Bill Orcutt: Facebook | Palilalia Records

Shakey Graves: June 6, 2015 Mountain Jam (Hunter, NY) – FLAC/MP3/Streaming

July 6, 2015
By
Processed with VSCOcam with b1 preset

Processed with VSCOcam with b1 preset

[Photos by Jill Harrison]

Alejandro Rose-Garcia, lately of Austin, seems poised for bigger stages these days as his Shakey Graves project starts to take off on the wings of its Nashville connections and blues-rock influences. Graves pulled down a sizable crowd for this set at Mountain Jam, and made the very most of it, giving a muscular full-band performance that threatened to overwhelm his latest album, And the War Came, to task. Where that album’s highlights come mostly from his collaborations with Esme Patterson — particularly on “Dearly Departed,” Shakey Graves proved that what he really needed all along was more electric guitar and a drummer who’d really hit the skins. “Family and Genus,” in particular, barely felt like the same song, with some serious soloing and the vocals to go with it. Similarly, Rose-Garcia was a natural with the crowd, sharing a confessional tale and a solid message (always be there for your friends) before launching into the new song “Tomorrow.” There was at least one other new song on offer here, along with several that don’t appear on And the War Came, but what struck me, again and again, was how much more alive this music seems in the live setting, and how much Rose-Garcia benefits from the more “full-band” sound. He would go on to play Bonnaroo a few days after this, and I have no doubt he earned a similarly large following there.

hi and lo and I recorded this set with Schoeps MK4 microphones and a high-end Sonosax analog preamp. There is some evident wind noise at points, but for an outdoor recording in these conditions, the sound quality is quite good. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Shakey Graves
2015-06-06
Mountain Jam, West Stage
Hunter, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4>CMC6>Sonosax SX-M2>Roland R-26>16bit/44.1kHz WAV>Izotope Ozone 5 (EQ, effects)>Adobe Audition CS 5.5 (compression)>Audacity 2.0.5 (fades, tracking, amplify, balance)>FLAC ( level 8 )

Tracks [Total Time 58:07]
01 If Not For You (alt version)
02 The Perfect Parts>
03 Family and Genus
04 Tomorrow
05 Proper Fence
06 Roll the Bones
07 If Not For You
08 [unknown]
09 Where A Boy Once Stood
10 Dearly Departed
11 Late July

If you enjoyed this recording, please support Shakey Graves, visit his website, and buy And the War Came there.

Processed with VSCOcam with c3 preset

Processed with VSCOcam with c3 preset

Grateful Dead: July 4, 2015 Chicago – Flac/MP3/Streaming

July 5, 2015
By

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[screen cap from the live stream]

Tonight is the last official performance of the band formerly known as “The Grateful Dead”. The entity known as “NYCTaper” would almost certainly not exist in its current incarnation were it not for the Grateful Dead and the tapers who captured the shows. These fans were essentially the courageous pioneers whose persistence, imagination and sacrifice created the very idea that a rock band could have “tapers”. After years of back and forth, the band ultimately recognized the value of the tapers and created an official “taper’s section” for them to do what they do. I spent quite a few nights in the late-era version of that section and it was an orderly community with its own set of particular rules and mores. In our own way here at NYCTaper, we try to apply a similar set of rules and use the code that made the tapers so successful and apply it to today’s technology and the music world at large. Indeed, our friend Jesse Jarnow is writing a book about the early days of the Grateful Dead tapers and gave us a small sample of his work in an article published in Wired Magazine on Friday.

The community aspect of the tapers’ creed is also a large reason why these recordings are coming to NYCTaper and doing so very quickly. Our friend Bill won the “lottery” and nabbed taper tickets to each of the Chicago shows and very generously volunteered to have his recordings posted here at NYCTaper. I’ve met Bill and I’ve known him in taper circles for a while, and acidjack has spent time with Bill down in New Orleans, but this joint venture is more about a camaraderie between relative strangers bonding over a taper ideal that began back in the old days of the Grateful Dead. In a way, its our tribute the band’s last shows that we can come together to take the original idea and transform it to a 21st Century version of the old “taper’s section”.

The second of these three shows was a standard Saturday show — that is to say it was a show longer on songs and shorter on jams. A show not necessarily for the diehards, but more for the “weekend fan”. Its been a phenomena for these weekend runs in Grateful Dead lore for years. The Friday show is a high-energy party, the Saturday is a song night, and the Sunday show is a night for obscurities and jams. We’ll find out in a few hours if this final run follows the old trend. However, that’s not necessarily an indictment of this show. It certainly had its moments — a surprising spry first-set “Friend of the Devil”, the Jerry-tribute “Bird Song” to open the second set, and a wayback machine drive along “The Golden Road to Unlimited Devotion” (streaming below).

This set was recorded by Bill in the same manner as the July 3 show and the quality is equally excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “The Golden Road”:

Grateful Dead
2015-07-04
Soldier Field
Chicago IL

Digital Master Audience Recording
Recorded from Taper’s Section

Busman BSC2 + AKG 480/CK61 + Sennheiser MKH-8040s > Tascam DR-680 > 24bit 48kHz wav file > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by Bill Walker
Produced by nyctaper

Setlist:
Set 1
[Total Time 1:22:19]
01 Shakedown Street
02 Liberty
03 Standing on the Moon
04 Me and My Uncle
05 Tennessee Jed
06 Cumberland Blues
07 Little Red Rooster
08 Friend of the Devil
09 Deal

Set 2
[Total Time 2:02:16]
10 Bird Song
11 The Golden Road
12 Lost Sailor
13 Saint of Circumstance
14 West LA Fadeaway
15 Foolish Heart
16 Drums-Space
17 Stella Blue
18 One More Saturday Night
19 [encore break]
20 US Blues
21 [Fireworks]

If you download this show from NYCTaper, please support the band and buy anything from the plethora of available music and merch at Dead.net.

SUPPORT NYCTaper




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