The Suburbs: September 27, 2013 Mercury Lounge – Flac/MP3/Streaming

October 3, 2013
By

suburbs mercury
[photo by Mark Hervey]

So yeah, its the Summer of 1986. About a month after I attended that legendary Replacements show about which I’ve written on this site, another one of the great 1980s Minneapolis bands played the Ritz. The Suburbs did not have the exposure of MN bands like Husker Du and The Replacements, but they were on Twin/Tone for five years or so before moving onto a major label. Love Is The Law was their first major album and it was a college radio staple for a couple of years. By the time they appeared at the Ritz in ’86 as the second of three bands opening for the Australian band The Church, the Suburbs had been together for eight years and released 4 albums and 2 EPs of their quirky glam new-wavish blue-eyed soul. And I had every single one of them on vinyl. I recall the set that night was all familiar material and since the band traveled with a horn section, the finale was “Love Is The Law”. I didn’t even stay for the “headliner”. But little did I realize on that warm summer night that it wouldn’t be for another 27 years before the Suburbs would play New York again. The band broke up in 1987 and although they’ve played multiple reunion shows over the years, all of the shows have been in Minnesota. But fate has a funny way of intervening and when the Minnesota marriage equality movement adopted “Love Is The Law” as their theme song and the Minnesota legislature legalized marriage for all, the Suburbs performed the song on the steps of the Capital with the Governor on guitar. The increased exposure seemed to give the band momentum to finish recording some new songs, and after a successful Kickstarter, the Suburbs’s first album of new material in nearly 30 years was born. If Si Sauvage is an historically unlikely album, its a remarkably good one. The Suburbs always had a quirky edge that has perhaps softened a bit, but the songcraft (and sense of humor) are as strong as ever. On Friday night the band returned to NYC and although it wasn’t 1986 all over again, the Suburbs delivered a tight one-hour set mixed between the new album and old classics. Of the older material, “Music for Boys” from 1981’s Credit in Heaven was a near perfect version and we’re streaming it below. But like the Ritz all those years ago, it was “Love Is The Law” to close the set. I suspect it won’t be another 3 decades before I see the Suburbs again.

I recorded this set with the Sennheiser cards mounted in front of the soundboard and mixed with a soundboard feed. The crowd is a little rowdy and you can hear that even in the mixdown, but overall the sound quality of this recording is superb. Enjoy!

Stream “Music For Boys”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Suburbs
2013-09-27
Mercury Lounge
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2013-09-28

Setlist:
[Total Time 54:41]
01 Born Under A Good Sign
02 Waiting
03 Reset The Party
04 Music For Boys
05 Dumbass Kids
06 Dish It Up
07 What’s It Like Out There
08 Turn The Radio On
09 Life Is Like
10 Rattle My Bones
11 Cows
12 [banter – cowbell]
13 Si Sauvage
14 Love Is The Law

If you enjoyed this recording, PLEASE SUPPORT The Suburbs, visit their website, and purchase Si Sauvage directly from their site [HERE].

Promised Land Sound: September 7, 2013 Paradise of Bachelors / WXYC Day Show, Hopscotch Music Festival (Raleigh, NC) – FLAC/MP3/Streaming

October 2, 2013
By

IMG_5810
[Photos by acidjack]

The young Nashville band Promised Land Sound represents a bold new move by the fledgling North Carolina label Paradise of Bachelors. It’s their first attempt to officially break a new act. And, if the quality of PLS’ live performance at the PoB/WXYC Hopscotch Music Festival Day Show is any way to gauge it, I’d say they have a good shot at succeeding. The Bachelors signed the band on a bit of a whim, having caught them as an opening act for established underground artists Wooden Wand and MV & EE at William Tyler‘s venue The Stone Fox. The band fits well into PoB’s musical vision, with a catalog that expresses a continuous line from the rock of decades ago to today’s artists. Which is to say that while PLS is new, their country-inflected barroom choogling could have lit a fire under people’s ass back when the band members’ parents were still on the prowl.

This set covered both material from their just-released debut LP, Promised Land Sound (which features Tyler as a guest performer), as well as some earlier material from their Stoned Eagle EP from 2012. The boys’ live performance emphasized the grittiness of their sound, and in many ways flattered the hands-off approach taken to the record’s production, which has a good bit of similarity to the live sound. Rocking out in the lovely Stephenson Amphitheatre in the late summer sun, I could see how the comparisons made between such luminaries as CCR, Jim Ford and Gene Clark in the press materials were more than fair. Promised Land Sound should have a lot to look forward to in the years ahead.

I recorded this set in the same manner as the other PoB Day Show recordings, with Schoeps MK4V cardiods at the stage lip and a soundboard feed. While the performance, and the quality of the capture of the instruments on stage is excellent, the PA suffered from some distortion that is evident on the recording, primarily in the vocals. With the understanding that this is a limitation of the equipment and not the band, this should be a worthwhile introduction to this up-and-coming young act. Enjoy!

Stream “Fadin’ Fast”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_5807

Promised Land Sound
2013-09-07
Paradise of Bachelors Day Party
Louise “Scottie” Stephenson Amphitheatre
Raleigh, NC USA

Schoeps MK4V>KC5>CMC6 + Soundboard>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjustments)>Izotope Ozone 5 (tube effect, EQ)>Audacity 2.03 (tracking, fades, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [POB Intro]
02 [instrumental]
03 The Storm
04 Yes You Can
05 Weed and Wine
06 Fadin’ Fast
07 Fuck Cancer
08 If Only
09 All the Time

If you enjoyed this recording, PLEASE SUPPORT Promised Land Sound, like them on Facebook and buy Promised Land Sound from Paradise of Bachelors. Support the University of North Carolina-Chapel Hill’s WXYC by paying them a visit as well.

Superchunk: September 27, 2013 Bowery Ballroom – Flac/MP3/Streaming

October 2, 2013
By

superchunk-71
[photos by PSquared Photography]

I couldn’t make the Friday night Superchunk show, as I was attending The Suburbs at Mercury (recording very soon). But fortunately, intrepid correspondent neild was there for the capture. Neil reports:

“First things first: Not to contradict our fearless leader, but Superchunk didn’t technically go on hiatus after 2001’s Here’s to Shutting Up. There were occasional shows and EPs here and there, whenever Mac McCaughan and Laura Ballance could take time away from their main gig running Merge Records. But the band’s masterful 2010 CD Majesty Shredding still deserves to be ranked with the most impressive comeback albums of all time, featuring instant classics like “Digging For Something” and “Learned to Surf” that melded the band’s guitar crunch with McCaughan’s pop hookery more deftly than ever before. And this year’s I Hate Music (spoiler alert: they don’t actually) is more of the same – or rather, another step forward in the same direction, stretching the band’s boundaries while still staying true to its strengths in rocking out.

This show was the first of two nights at the Bowery Ballroom (the second is available here), and the sold-out crowd was not disappointed: From the opening clap-along bars of “This Summer” (a throwaway single release from last year that might just be their catchiest tune ever), the band was in fine form, with McCaughan bouncing around the stage for almost the entire hour and a half of music. (As my spouse, a Superchunk first-timer, remarked with understatement, “Mac sure has a lot of energy.”) With Ballance sidelined by ear problems, drummer Jon Wurster’s Bob Mould band mate Jason Narducy subbed in as a replacement, and was an excellent fit both on bass and on backing vocals. The setlist featured a spate of songs from I Hate Music, plus a selection from the band’s catalog that managed to be almost entirely different from the next night’s set; “Skip Steps 1 and 3,” “Hyper Enough,” “Rope Light,” and “Driveway to Driveway” (streaming below) were among the highlights here that didn’t reappear on Saturday.

I recorded this from the Bowery’s left balcony, which made for reduced crowd noise and a nice direct sound from the left speaker stack. It was recorded with two sets of mics, Core Sound Binaurals and Church Audio CA-14 cardioids, which were later mixed to provide optimum depth and presence.

Do not sell this under any circumstances, buy all of Superchunk’s records if you don’t have them already (did you get their 2008 EP Leaves In The Gutter? you probably believed that “hiatus” thing and missed it, didn’t you?), and by all means, do yourself a favor and go see them live when they come to your town.

(Special thanks to nitcomb for the setlist.)

Stream “Driveway to Driveway”:

Download the Complete Show [MP3] or [MP3] (off site) / [FLAC] or [FLAC] (off site)

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Superchunk
Bowery Ballroom, NYC
September 27, 2013

Source 1: AUD > CoreSound Binaurals > MM-EBM-1 battery box (with bass roll-off) > Line In > iRiver H320 (Rockboxed) > AIFF
Source 2: AUD > Church Audio CA-14 Cardioids > Line In > iRiver H320 (Rockboxed) > AIFF
Mixing: AIFF > Sound Studio > FLAC > XAct (for SBE and tags) > FLAC
Recorded and mastered by neil d
Extremely light dynamic compression in Sound Studio

01 intro
02 This Summer
03 FOH
04 Me and You and Jackie Mittoo
05 Learned to Surf
06 Skip Steps 1 and 3
07 Staying Home
08 Void
09 Out Of The Sun
10 Kicked In
11 Nu Bruises
12 Low F
13 Animated Airplanes Over Germany
14 Rope Light
15 Digging For Something
16 Slack Motherfucker
17 encore break
18 Tiny Bombs
19 What Do I
20 Brand New Love (Sebadoh)
21 Hyper Enough
22 encore break 2
23 Driveway To Driveway
24 The First Part

If you enjoyed this recording, PLEASE SUPPORT Superchunk, visit their website, and purchase I Hate Music directly from Merge Records [HERE].

Torres: September 25, 2013 Glasslands – Streaming Full Set

October 1, 2013
By

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[Photos by acidjack]

Consider any of the singing competitions that rule TV-land and it’s obvious that there’s no shortage of perfectly good singer-songwriters. Many a loser of The Voice is capable of killing on a few cover songs in a coffee shop. There are dozens and dozens who can hit the right notes and make the right faces and get somebody to vote for them on their phone. What almost all of them don’t have, not really, is what Torres, aka Mackenzie Scott, has. She sings with grit, with feeling, and sometimes it’s not as pretty as it should be or as tied with a neat bow as a fifteen year old on an iPhone might like. When she sings “Honey” you hear the pleading and the hurt, and when her hushed voice grows into a harsh, wailing peak, you feel like you’re right there with her. This one of many good reasons that her self-released album grabbed the attention it did. Torres isn’t just putting a bunch of so-so tracks out there, hoping somebody cares. Her work demands to be heard.

Finding Glasslands pretty busy on a Wednesday night these days is hardly news, but Torres owned the audience in a way many artists can’t. From the leadoff track to her record, “Mother Earth, Father God” to the solemn, solo closer “November Baby,” she held the crowd rapt, the noise of the bar kept at bay through sheer force of will. She doesn’t take her audience for granted, but her set isn’t accommodationist, either. A lesser artist sitting on a single self-released album wouldn’t play multiple songs stretching past the five-minute mark, including her encore, but such is Scott’s confidence and skill that I didn’t even notice the track lengths until I mixed this recording down. Considering this was Scott’s first Brooklyn show as a borough resident (she comes from Nashville), I think she’s more than made the case that she’ll be around a while.

I recorded this set with the installed house sound system including a board feed from Glasslands engineer  Matt. The sound quality is excellent. Enjoy!

At the request of Torres’ management, this recording is offered in streaming format only.

Stream the full set

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Torres
2013-09-25
Glasslands
Brooklyn, NY USA

Exclusive live stream hosted at nyctaper.com

Recorded and produced by acidjack

Soundboard (engineer: Matt) + Naiant X-R>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, edits to SBD)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, light parallel compression, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Mother Earth, Father God
02 Moon & Back
03 [banter]
04 Jealousy and I
05 [banter2]
06 When Winter’s Over
07 [banter3]
08 “Proper Polish Welcome” [new]
09 Honey
10 [banter4]
11 Come To Terms
12 Waterfall
13 [encore break]
14 November Baby

If you enjoyed this recording, PLEASE SUPPORT Torres, visit her website, and buy her record (including pre-orders for physical copies) there.

Superchunk: September 28, 2013 Bowery Ballroom – Flac/MP3/Streaming

September 30, 2013
By

superchunk-34
[photos by PSquared Photography]

I don’t believe its quite accurate to say that Superchunk is the best working band in America today, but you’d be hard pressed to name one that’s actually better. For more than two decades, minus a few years hiatus, Superchunk has consistently released high quality albums filled with excellent songs. There’s not a clunker among any of their ten studio albums — heck, there isn’t even a bad song in their catalog. The newest release came out last month, and I Hate Music not only continues the streak, but its one of the strongest albums in their history. The band is currently on tour in support of the album and performed two shows at Bowery Ballroom this weekend, and we were there for Saturday’s barnburner. Superchunk opened the show on high octane, working through a democratic mix of songs from the new album interspersed with the classics in an hour-long set that barely came up for air. And the very-sold out crowd was with them throughout. From our standard balcony perch we could see the craziness on the floor, but the manic crowd response even spread to the balcony itself, where we witnessed enough pogoing to shake the floor of the upper deck. But it was in the ten song encore segment where all hell broke loose. The band welcomed out Merge recording artist Eleanor Friedberger for two legendary punk covers (we’re streaming the Patti Smith one below) and then just continued to play a series of their own deep tracks in maniacal fashion. The show reached its climax when Mac laid down his guitar, took over behind the kit and drummer Jon Wurster came out to deliver a couple of hardcore covers to end the night.

I recorded this set with the Sennheiser cards mixed with an excellent board feed. There is a couple of minutes of static near the very end of the set caused by a problematic mic on the snare drum, but otherwise this is a superb capture. Enjoy!

We will also have a recording of the first night of Superchunk’s Bowery shows. That recording should be available by the end of the week.

Stream “Free Money” (Patti Smith cover with Eleanor Friedberger):

Stream “Digging for Something”:

Download the Complete show [MP3] or [MP3] (off site) / [FLAC] or [FLAC] (off site)

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

superchunk-80

Superchunk
2013-09-28
Bowery Ballroom
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-09-29

Setlist:
[Total Time 1:32:11]
01 Breaking Down
02 FOH
03 Crossed Wires
04 Detroit Has A Skyline
05 Punch Me Harder
06 Staying Home
07 [banter – video]
08 Void
09 Like A Fool
10 Tower
11 Iron On
12 Water Wings
13 [banter – requests]
14 Out of the Sun
15 Me and You and Jackie Mittoo
16 Cast Iron
17 Digging For Something
18 Trees of Barcelona
19 [encore break]
20 Seed Toss
21 [Eleanor introduction]
22 Free Money [Patti Smith]
23 Oh Oh I Love Her So [Ramones]
24 Slack Motherfucker
25 Precision Auto
26 [second encore break]
27 Animated Airplanes Over Germany
28 Throwing Things
29 Fishing
30 20 Eyes [Misfits]
31 My War [Black Flag]

If you enjoyed this recording, PLEASE SUPPORT Superchunk, visit their website, and purchase I Hate Music directly from Merge Records [HERE].

High Aura’d: September 6, 2013 Hopscotch Music Festival, Long View Center (Raleigh, NC) – FLAC/MP3/Streaming

September 27, 2013
By

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[Photo courtesy of Freddie Ross]

With High Aura’d, the multi-talented John Kolodij creates sonic landscapes with an understated energy. This set at Long View Center — pretty much the home base for much of the drone/ambient and less-noisy avant-garde music during Hopscotch Music Festival — began with the sound of crickets. Washes of guitar and other sound began to ebb and flow underneath. The repetition was hypnotic, slightly dangerous, as if we were about to enter a world we did not know. As the undertones of bass throbbed beneath, Kolodij faced the crowd through the blackness. The intensity of the guitars crested to a torrent of noise, while the crickets kept chirping. Something had entered that dark little world.

That was just the first of three songs, each long-form compositions. Two of these songs are brand-new — newer, even than the band’s latest 7″, a split with Blood Bright Star. The middle song, “Methodist Bells,” appears on High Aura’d’s outstanding 2012 release Sanguine Futures, on the Asheville, North Carolina-based Bathetic Records. Look for at least one of these tracks on High Aura’d’s next LP release on Bathetic, date TBD.

Friend of the site David Schwentker recorded this set with a direct soundboard feed. The sound quality is outstanding. Enjoy!

Stream and download the full set:

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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[Photo by Ross Grady]

High Aura’d
2013-09-06
Hopscotch
Long View Center
Raleigh, NC USA

Recorded and produced by David Schwentker

soundboard feed>Olympus LS-10>24bit/48kHz WAV>Audacity (tracking, amplify, downsample)>Trader’s Little Helper>FLAC ( level 8 )

Tracks
01 [new]
02 Methodist Bells
03 [new]

If you enjoyed this recording, PLEASE SUPPORT High Aura’d, like him on Facebook, buy Sanguine Futures from his bandcamp page and check out his new split 7″ here.

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