Deafheaven: February 22, 2013 Saint Vitus – Flac/MP3/Streaming

February 27, 2013
By

Deafheaven UnArtig Cap
[screenshot from UnArtigNYC video]

I have attended thousands of concerts over the years, so its not very often when a performer literally takes my breath away. At Saint Vitus on Friday night, Deafheaven was one of the few bands that effected me this way. The band opened their set with the first song of their debut album Roads to Judah “Violet” which begins with a very un-Metal like dual-guitar melodic passage before it crashes into the song proper, and features the intense screaming vocals of lead singer George Clarke. From that point forward, it was hard to take my eyes off Clarke whose magnetic stage presence and breathtaking vocals demand awe-inspired attention. And when Deafheaven begins a song, it doesn’t end quickly. The nearly hour-long set contained five songs — the first 3 tracks from Judah, a Mogwai dual-cover (streaming below) and a new song from their forthcoming album Sunbather. Throughout the show, Clarke’s unrelenting energy never wavered, and at its conclusion it was likely the audience and not the singer who needed oxygen. Deafheaven is from San Francisco, but came all the way East for this one-off show in support of Sacrament and Sannhet. They will tour Europe in April, dates here.

I recorded this set in the same manner as the Sannhet set and the sound is equally superb. Enjoy!

Stream “Punk Rock / Cody” [Mogwai cover]:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Deafheaven
2013-02-22
St. Vitus
Brooklyn, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-02-24

Setlist:
[Total Time 51:04]
01 Violet
02 Language Games
03 Unrequited
04 Punk Rock/Cody [Mogwai]
05 Dream House

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Deafheaven, visit their website, and purchase their official release from Deathwish Inc. [HERE].

Grace Potter & the Nocturnals: February 23, 2013 Capitol Theatre (Port Chester, NY) – FLAC/MP3/Streaming

February 25, 2013
By


gpn2013-02-23-2
[photos by acidjack]

The Grateful Dead graced the stage of the Capitol Theatre on the 23rd of February exactly forty two years before this Grace Potter & the Nocturnals show. They may not be the Dead, but Grace Potter & the Nocturnals have clearly been sprinkled with some of that early 70s pixie dust. The band, formed in 2002, has come into their own over the last few years as their reputation as a live juggernaut spreads, but they could as easily be from ’71.  How they got their reputation isn’t hard to figure out; listen to Potter start belting the opening lines of “The Lion the Beast the Beat” from their 2012 record of the same name, and then pick your jaw up off the floor. If Grace Slick, Janis Joplin, Ann and Nancy Wilson, and Chrissie Hynde each took a turn at the mic, they might not be better than Potter. This woman has rare, powerful, lead singer pipes, the kind that are too often misspent winning reality singing competitions these days, rather than actually rocking.

GPN do plenty of rocking, mostly of the big-riff, huge chorus, blues-inflected variety. For a band that cut its chops for years in small venues as an “indie” band, everything about the Nocturnals’ sound circa-2013 is as big as Potter’s Hammond B-3.  While other time-machine acts have risen more quickly (e.g., Alabama Shakes, the Lumineers), GPN has the most polish, and arguably the most staying power.  Potter’s ability to put on a big rock show, while sounding and looking every inch the Big Time Rock Star, is the key ingredient, sure, but her crack band similarly looks and plays the part.

On this Saturday night, Potter and the Nocturnals positively owned the stage and the room for a full two hour-plus performance, including a particularly on-fire rendition of “Medicine” to close out the main set. We saw the band tear through old and new songs from their catalog, as well as choice covers of “Paint It Black” and “House of the Rising Sun”.  But perhaps the most memorable moment of the night came at the end, when GPN gave a direct tribute to their forebears in the form of their first-ever Dead cover, a faithful version of “Casey Jones”.  The howls of this crowd could probably be heard through the streets of Port Chester by the time Grace thanked us and walked off. Who says there aren’t any rock heroes anymore?

I recorded this set with Schoeps microphones in a Mid-Side configuration to allow optimal stereo separation without unnecessary “room boom”.  This was a noisy Saturday night crowd, which is painfully evident at points on the recording.  Otherwise, the sound quality is excellent. Thanks also to the excellent staff of the Capitol. We wish you all continued success.  Enjoy!

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below.

To download, MP3s are [HERE], FLACs are [HERE] and FLACs via BitTorrent (faster) are [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from the original source, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

gpn2013-02-23-4

Grace Potter & the Nocturnals
2013-02-23
Capitol Theatre
Port Chester, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c+MK8 (M-S, DFC, BOB)>KC5>CMC6>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition CS5.5 (decode, adjust levels)>Izotope Ozone 5 (light EQ and exciter)>Audacity 3.0 (tracking, fades, amplify, downsample)>FLAC ( level 8 )

Tracks [Total Time: 2:16:18]
01 The Lion, the Beast, the Beat
02 Some Kind of Ride
03 One Short Night
04 Never Go Back
05 Keepsake
06 Goodbye Kiss
07 Low Road
08 Apologies
09 Oasis
10 [banter1]
11 House of the Rising Sun [The Animals]
12 Watching You
13 [banter2]
14 Stop The Bus>
15 Paint It Black [Rolling Stones]
16 Nothing but the Water (I)
17 Nothing but the Water (II)
18 Paris (Ooh La La)
19 Medicine
20 [encore break]
21 Stars
22 The Divide
23 Big White Gate
24 Casey Jones [Grateful Dead]

If you enjoyed this recording, PLEASE SUPPORT Grace Potter & the Nocturnals, visit their website, and buy their  records, including The Lion The Beast the Beat from their online store [HERE]

gpn2013-02-23-1

Shellshag: February 9, 2013 Music Hall of Williamsburg – Flac/MP3/Streaming

February 22, 2013
By

shellshag rafe baron impose
[photo by Rafe Baron courtesy of Impose Magazine]

Shellshag have a modest but very loyal following and on this recording from a couple of weeks ago at the second night of the Don Giovanni Records showcase at Music Hall of Williamsburg, you can hear them chant the band’s name in between songs. One of the reasons for this kind of support is that Shellshag is authentic — the duo have worked the DIY scene in multiple cities over the last fifteen years. Their recent partnership with Don Giovanni has worked well for both, as their appearances as the annual showcases have been highlight, and their last album Rumors in Disguise is perhaps their best yet. The relationship fortunately continues this year as Shellshag is poised to release a new album Shellshag Forever on DGR in April. The band revealed a new track this week, “Face to Face” (the live version is streaming below), which seems not only autobiographical but also describes the live layout of the duo on stage. While we wish greater exposure for a band that truly deserves it, and this new album could very well be that spark, like their vocal fans at Music Hall, sometimes we’re happy Shellshag remains our little secret.

I recorded this set in the same manner as the Screaming Females set and the sound is superb. Enjoy!

Stream “Face to Face”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Shellshag
2013-02-09
Music Hall of Williamsburg
Brooklyn, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper
2013-02-21

Setlist:
[Total Time 36:15]
01 [intro]
02 Face to Face
03 Crashing Rockets
04 Kiss Me Harder
05 Little Birdy
06 Carry On
07 Happiness
08 Means That Much to Me
09 Medley
10 Sweet Hoody
11 Magnet
12 Resilient Bastard
13 Just Like Heaven [Cure]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Shellshag, visit their website, and purchase their official releases from the Don Giovanni Records store [HERE] and the Starcleaner Records website [HERE].

Arbouretum: February 15, 2013 Cameo Gallery – FLAC/MP3/Streaming

February 21, 2013
By

DSC_0044
[Photos courtesy of P Squared Photography]

One of the first things you notice at an Arbouretum show is how clearly you can hear frontman and lyricist Dave Heumann’s vocals. He enunciates, he articulates each word carefully, in a way that suggests he wants you to actually hear what he’s singing. And if you don’t pay attention to that, you’re missing out. This is, after all, a band that wrote an entire album (The Gathering) inspired by Karl Jung’s The Red Book.  You could be forgiven, though, since along with those literary-inspired vocals, you’ll get a deep, Southern rock-inflected groove punctuated by Heumann’s own searing guitar solos. This show, which we helped to present, at Cameo Gallery proved a worthy sequel to their set at Glasslands back in 2011 when we last saw them. This set introduced us to new material from their excellent Thrill Jockey release, Coming Out of the Fog, plus some choice back catalog including one of my favorites, “St. Anthony’s Fire” from their split EP with Hush Arbors. Also not to be missed among the older material was the mighty set closer, “The Gathering”, while “World Split Open” was a highlight of the new material, which is some of the band’s most concise in years.  Helped by an outstanding mix from Josh of the Cameo Gallery, the band put out a flawless set before the packed house that surpassed the 2011 show in intensity, though not quite in length. The band is spending the rest of this month and March in the UK and Europe, so for our readers across the pond, now is your chance.

I recorded this set with Schoeps MK5 microphones and a soundboard feed from house engineer Josh. The sound quality is outstanding. Enjoy!


Direct download of the complete show: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

DSC_0079

Arbouretum
2013-02-15
Cameo Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DFC, DINa)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Josh)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (set fades, mix down)>Izotope Ozone 5 (light EQ, exciter)>Audacity 3.0 (tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 46:03]
01 All At Once, the Turning Weather
02 World Split Open
03 [banter]
04 The Promise
05 Oceans Don’t Sing
06 [banter2]
07 St. Anthony’s Fire
08 The Gathering Song

If you enjoyed this recording, PLEASE SUPPORT Arbouretum, visit their website, and buy Coming Out of the Fog and their other releases directly from Thrill Jockey [HERE]

Lemuria: February 8, 2013 Music Hall of Williamsburg – FLAC/MP3/Streaming

February 20, 2013
By





lemuria2013-02-08-2
[photos by acidjack]

Buffalo’s Lemuria aren’t actually on Don Giovanni Records, but as friends of the label they joined several of their like-minded acts for an epic night of music that also included Hilly Eye (that recording coming soon), Jeffrey Lewis (recording here), Waxahatchee (coming in early March) and Laura Stevenson (recording here). The band served up a healthy dose of their early-90s style sound which recalls the raw, direct style of acts like Superchunk and Sleater-Kinney. Highlights included the pop-punk confection “The One” from their Pebble LP and the more measured burner “Lipstick” from 2008’s Get Better.  The band’s tour calendar is empty save a Montreal date in May, but be on the lookout for them on their next NYC run.

I recorded this set from an optimal location in the venue with MBHO microphones and a soundboard feed provided by the house engineer, Jim.  The sound quality, like all of our recordings from this night, is excellent. Enjoy!

Direct download of the complete show: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

lemuria2013-02-08-1

Lemuria
2013-02-08
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Jim) + MBHO KA200N>MBP603>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, limit peaks)>Izotope Ozone 5 (light EQ, exciter for “retro”)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 34:16]
01 Cannonballs to Hurt
02 Dog>
03 Dogs
04 Wise People
05 Durian
06 Chautauqua County
07 Lipstick
08 Expert Herder
09 Ozzy
10 Pants
11 The One
12 Mechanical

If you enjoyed this recording, PLEASE SUPPORT Lemuria, visit their website, and buy their records directly from their online store [HERE]

SUPPORT NYCTaper




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