Mdou Moctar: September 7, 2019: Hopscotch Music Festival (Raleigh, NC)

October 28, 2019
By
Photo by Rodney Boles

On the final night of the Hopscotch Music Festival, our buds at Kings curated an eclectic show that featured two recordings we have already shared (Moon Duo and Boogarins), a superb set from “house” band Birds of Avalon, Kid Millions, and another very special international guest, Mdou Moctar. Hailing from a small village in Niger, Moctar has received international acclaim as one of the best-known Tuareg guitarists. If you’re not familiar with the Saharan brand of rock music, or you have no idea what that means, let me put it more simply: this guy shreds like Jimi Hendrix. His latest LP, Ilana, the Creator was recorded in Detroit, and is already making its way onto early “best of 2019” lists for obvious reasons. Moctar’s work is special not only for its technical virtuosity but for his willingness to expand upon the genre’s conventions, as well as focus on original music over standards and covers. These four songs will give you a taste of what Moctar is about, but really, do yourself a favor and head to Sahel Sounds to get educated not only about his work, but the variety of 21st century African artists they represent. (Jesse Jarnow wrote an excellent piece about the label here). And keep your eye on those “best of 2019” lists — I know Mdou Moctar is making mine.

I recorded this set with onstage Schoeps MK5 microphones, MBHO microphones back at the soundboard, and a soundboard feed. The sound is excellent. Enjoy!

Thanks to Mdou Moctar and his management team for letting us share the recording.

Download the complete show: [FLAC/ALAC/MP3]

Mdou Moctar
2019-09-07
Hopscotch Music Festival
Kings
Raleigh, NC USA

Recorded and produced by acidjack

Soundboard + Schoeps MK5c (onstage, XY)>KC5>CMC6 + MBHO MBP603a/KA200N (at SBD, PAS)>Aerco MP-2>>Sound Devices MixPre6>24/48 polyWAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.3.0>FLAC ( level 8 )

01 Iblis Amghar
02 [tuning]
03 Ilana
04 Afrique Victime
05 Tarhatazed

PLEASE SUPPORT Mdou Moctar – buy Ilana, the Creator from Sahel Sounds

Luna: October 20, 2019 Bowery Ballroom

October 23, 2019
By

The Luna tour that just completed was a big one. The band played seventeen shows in twenty days, and played a complete album every night, alternating between Lunapark, Bewitched, and Penthouse. The added bonus was the appearance of original bassist Justin Harwood, who shared duties with Britta Phillips throughout the shows and also allowed Britta to provide some vocal harmonies when Justin performed.

Now five years into their reunion, we’ve already noted that Luna seems poised to stick around as a working band and their performances have been revelations of consistency and excellence. And the fans seem to agree — both Bowery shows were sold out and it was actually a bit of a chore to score a ticket (thanks generous friend!). We did get one at the last minute for Sunday night’s show, and were fortunate to have captured this show.

Sunday night at Bowery was a Penthouse night and the band’s first set was a meticulous performance of the album, with personal favorite “23 Minutes in Brussels” as my highlight. After a brief intermission, the band returned to play the bonus or hidden track of “Bonnie and Clyde”, followed by a neat set of favorites, oddities, and a couple of covers. The final encore was “IHOP”, the lead track from the Pup Tent album that is virtually never played live — it was a personal request from a band superfan who despite travelling all over the country and indeed internationally to see Luna had never experienced this song live. This tour was like that — tricks and treats for the superfans and just plain great music for the rest of us.

Luna returns to performance in February, with two West coast shows announced thus far. We’d expect some New York dates to be added.

I recorded this set from our usual spot with the Neumann hypers this time, and mixed with a feed mixed expertly by the band’s sound man Paul. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete show (minus banter):

Luna
2019-10-20
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:44:43]
First Set (Penthouse)
01 [intro]
02 Chinatown
03 Sideshow by the Seashore
04 Moon Palace
05 Double Feature
06 Twenty-Three Minutes in Brussels
07 Lost In Space
08 Rhythm King
09 Kalamazoo
10 [banter – Tolstoy]
11 Hedgehog
12 Freakin’ and Peakin’
Second Set
13 Bonnie and Clyde [Serge Gainsbourg]
14 California Blue [Roy Orbison]
15 Still at Home
16 Inside Your Heart [The Monochrome Set]
17 Eggnog
18 Slide
19 Superfreaky Memories
20 [encore break]
21 Pup Tent
22 Season of the Witch [Donovan]
23 IHOP

SUPPORT Luna:  Website | Bandcamp

Cold Cream: September 6, 2019 Three Lobed/WXDU Annual Ritual of Summoning (Raleigh, NC)

October 21, 2019
By
Photo courtesy of Dan Kulpa

After watching three experimental/improv projects at the Three Lobed / WXDU Annual Ritual of Summoning, this spectacular day pivoted with a return to some straight-ahead punk. Cold Cream is a project from Triangle punk lifers from bands such as Flesh Wounds, Pipe, and Tegucigalpan, so despite their first record’s arrival in 2018, they own a room like the vets they are.

Here at Kings, Cold Cream energized the room with their erudite, politically-charged songs (not sure how many punk bands work “Dulce et decorum est / Pro patria mori” into their lyrics, but they do). Given the political climate in North Carolina, “Rat Fucker” (about gerrymandering and other forms of voter disenfranchisement) particularly resonated. But really, none of that would matter if the band didn’t, you know, rock, and that they most assuredly do. Tune in and turn this up loud.

I recorded this set in the same manner as the other sets of the day, with Schoeps mics onstage, MBHO mics at the board, and a soundboard feed. The sound quality is excellent. Enjoy!

Download the complete set: [FLAC/MP3/ALAC]

Cold Cream
2019-09-06
Three Lobed / WXDU Annual Ritual of Summoning
Kings
Raleigh, NC USA

Recorded and produced by acidjack

MBHO MBP603A/KA200N (at SBD, PAS)>Aerco MP-2 + Soundboard + Schoeps MK5c (onstage, XY)>KC5>CMC6>>Sound Devices MixPre6>24/48 polyWAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.3.0>FLAC ( level 8 )

Tracks
01 [intro]
02 Anti-Fi
03 Eichmann In Jerusalem
04 First They Came>
05 Angie
06 Wage Theft
07 Decorate
08 Rat Fucker
09 In Carrz
10 Objects In Mirror
11 See You On the Somme
12 Cactus Wife
13 Shit Bird
14 Fasting

Cold Cream is:

Mara Thomas – Vocals
Clarq Blomquist – Drums
Laura King – Bass
Ron Liberti – Guitar

PLEASE SUPPORT COLD CREAM: bandcamp | facebook

Diane Cluck: September 20, 2019 Trans-Pecos

October 18, 2019
By

These days, Diane Cluck performs in NYC about once every eighteen months or so. Her last appearance in NY was in May of 2018 where she was backed into a late show and as a result her set that night was somewhat truncated. When we booked Diane for this year’s show at Trans-Pecos, there were no such limitations and this performance was undoubtedly the longest Diane Cluck show we’ve ever seen.

At Pecos last month, Diane was relaxed, playful, in good spirits, and thoroughly engaging. The set clocks in well over 90 minutes and the show contains plenty of banter, accepted requests, give and take with the engaged crowd, and two encores. Early in the set, Diane played tribute to her friend David Berman with a heartfelt cover of The Silver Jews “People”.

The exciting news is that Diane Cluck has fully recorded a new album due for release soon, which will be her first proper l.p. release since 2014’s Boneset. This night saw the performance of several of the new songs, the quality of which bodes well for this much anticipated album. The balance of the show was a nice sampling of the best material of Diane’s distinguished career and ultimately there really wasn’t much more that we could have asked for. Diane’s Northeast tour is complete, but we eagerly await her return perhaps for an album release show!

This set was recorded directly from the soundboard at a fairly low volume. The boosting and balance of the levels introduced some background noise into the sound (minor hiss mostly) but the mix and the sound quality is still quite excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show (minus banter):

Diane Cluck
2019-09-20
Trans-Pecos
Ridgewood NY

Digital Master Soundboard Recording

Soundboard [Engineer: RL] > 16bit 48kHz wav file > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 1:35:42]
01 [hello]
02 The Smile
03 [banter – new york]
04 People [Silver Jews]
05 [banter – that’s a club]
06 The Power of Allowing and Receiving
07 Heartloose
08 [banter – new album]
09 Jenny
10 Love You This Much
11 Maybe a Bird
12 Content to Reform
13 [Brian Festa set]
14 We Love You
15 Grandma Say
16 Draw Me Out
17 Pull Out the Bad Bone
18 [banter – thanks]
19 How Long
20 Sara
21 Telepathic Desert
22 Learn to Lose
23 Not Afraid to Be Kind
24 [banter – mellow Friday]
25 Peace I Leave
26 [banter – request]
27 Sandy Ree
28 [banter – merch]
29 Wild Deer at Dawn
30 [encore break]
31 Reveler
32 The Turnaround Road

PLEASE SUPPORT Diane Cluck, visit her website, and purchase her official releases from her Store [HERE].

Kevin Morby: September 28, 2019 Woodsist Festival (Accord, NY)

October 17, 2019
By
Photos courtesy of P Squared Photography

The tenth annual Woodsist Festival not only found Kevin Morby reprising his role as bassist in Woods during their set, but it highlighted Morby’s continued growth as an artist (and in popularity) since those days.

This stripped down set, featuring Morby with saxophonist Cheme Gastelum, focused on material from this year’s Oh My God, a record that, as its name suggests, focuses more heavily on spiritual and religious issues than Morby has in the past. Those songs were joined by “Harlem River” (of course), featuring Jarvis Taveniere, Meg Duffy and Jeremy Earl (on drums) to make it a full-band effort. But Morby saved his most impactful number for last: “Beautiful Strangers,” Morby’s 2016 tribute to the Pulse Nightclub shooting victims in Orlando, joined by Katie Crutchfield on vocals. It felt like a fitting tribute to people whose lives had ended at an event and a place not so dissimilar from this: one of community, positivity, and love.

I recorded this set with Evan’s soundboard feed, combined with a little bit of Schoeps MK5 microphones back at the board for ambiance. The sound is excellent. Enjoy!

Thanks to Kevin Morby for granting permission to post the set, and Woodsist for letting us record the festival.

Download the complete show: [MP3/FLAC/ALAC]

Kevin Morby
2019-09-28
Woodsist Festival
Arrowood Farm-Brewery
Accord, NY USA

Recorded and produced by acidjack

Soundboard + Schoeps MK5c (at SBD, PAS)>KC5>CMC6>>Sound Devices MixPre6>24/48 polyWAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.3.0>FLAC ( level 8 )

Tracks
01 Congratulations
02 Hail Mary
03 Piss River
04 No Halo
05 Parade
06 Crybaby
07 Aboard My Train
08 Harlem River*
09 Beautiful Strangers^

Kevin Morby – guitar, vocals
Cheme Gastelum – saxophone

*w/ Jarvis Taveniere, Meg Duffy, and Jeremy Earl
^ w/ Katie Crutchfield

PLEASE SUPPORT KEVIN MORBY: Website | Buy Oh My God

Wilco: October 13, 2019 Brooklyn Steel

October 15, 2019
By
Photos by Ellen Qbertplaya

I first saw Wilco 23 years ago, and first taped them live 22 years ago. Wilco was one of the first bands to be featured on NYCTaper in 2007 and have been consistently featured on this site over the years. By my count, we’ve featured Wilco 26 times on this site, from many local venues but also as far away at Virginia, Massachusetts, Cooperstown, and Connecticut. The simple reason for this consistent and voluminous documentation is that Wilco is perhaps the greatest American band of the last 25 years and their live performances are unfailingly superb. We’ve never had a bad time at a Wilco show, and very clearly have had some of our best live experiences thanks to them.

The release of any new Wilco album is a cause for excitement, but by all accounts (including ours) the latest release Ode To Joy is their strongest and most accomplished album in more than a decade. In times when the world is reeling out of control on a nearly daily basis, Wilco’s newest album is a thoughtful and measured approach to contemporary life. Given that Jeff Tweedy recently completed his autobiography and released two solo albums, this kind of contemplative Wilco release seems to have been the next step in this artist’s evolution.

After a newly two-year hiatus from touring, the entire Wilco band seems very much to have absorbed the energy at the center of the recent artistic output of its leader. The Wilco we saw on Sunday night, and by all accounts on every night of this tour, is a relaxed and confident band comfortable with themselves and each other. The result is that these shows have been not only celebrations of the return of the band to touring, but also kinetic performances of the new material mixed in with virtuoso versions of the classics. Of note at Brooklyn Steel was the absolutely stunning guitar solo by Nels Cline in “Impossible Germany”. Just check out the audience response at the close of the song and the extended ovation. What a moment. We were also quite pleased to see another spacey “Laminated Cat” and first album stand-out “Box Full of Letters”. But on this night, the showcase was on Ode To Joy and the setlist wisely spaced the songs throughout the set where we heard nine of the album’s eleven songs nearly in order of the album.

The Wilco tour continues with dates throughout the country for most of the rest of the year (dates here), culminating in the Wilco Sky Blue Sky Festival in Mexico in January.

I recorded this set with the Neumann hyper cards raised high directly centered behind the soundboard. The Stan Doty mix in this already-excellent sounding room was simply perfect and as a result we’re offering what I currently believe to be the best sounding Wilco recording I’ve ever captured. Enjoy!

Download The Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Wilco
2019-10-13
Brooklyn Steel
Brooklyn NY

Digital Master Audience Recording
Recorded at Soundboard Booth

Neumann KM-150 Hypercardioids > Sound Devices 744t > 24bit 48kHz wav file > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 2:14:58]
01 Bright Leaves
02 Before Us
03 Company in My Back
04 War on War
05 One and a Half Stars
06 Handshake Drugs
07 You and I
08 Hummingbird
09 [banter – Radio City]
10 Someone to Lose
11 White Wooden Cross
12 Via Chicago
13 Laminated Cat
14 Random Name Generator
15 On and On and On
16 We Were Lucky
17 Love Is Everywhere (Beware)
18 [banter – Schmilco]
19 Impossible Germany
20 Box Full of Letters
21 [banter – Paul]
22 Everyone Hides
23 I’m Always in Love
24 Heavy Metal Drummer
25 I’m the Man Who Loves You
26 [non-encore break]
27 Hold Me Anyway
28 Misunderstood
29 [encore break]
30 An Empty Corner
31 Red-Eyed and Blue
32 I Got You
33 Outtasite
34 I’m a Wheel

PLEASE SUPPORT Wilco, visit their website, and purchase their Ode To Joy and their other releases from their website [HERE]

SUPPORT NYCTaper




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