Ty Segall and the Freedom Band: October 2, 2019 Bowery Ballroom

October 7, 2019
By
Photos courtesy of Will from We All Want Someone blog

Ty Segall is really good at music. I mean seriously, this guy has the most prolific catalog in recent memory, but is also a master at a litany of genres, and consistently releases high quality material. There’s an argument that Ty Segall is the most accomplished rock musician of this century. No, really, just take a look at his enormous body of work and its hard to argue against its superior quality.

We have been there for many of his NYC performances, going all the way back to the early years in the tiny DIY rooms but also conversely for two of his Webster Hall appearances. I’m not sure exactly why its been a few years since we last saw Ty, but within about 10 minutes of experiencing this magical night at Bowery Ballroom we immediately remembered why we’ve sought out this artist’s shows for many years. He’s simply a kinetic bundle of talent and energy, and now he’s surrounded himself with an all-star team of virtuoso friends that has become the “Freedom Band” for the last three albums.

Ty Segall’s most recent album, First Take, features the Freedom Band but reportedly has no guitars. The newest band member Shannon Lay plays a bouzouki, a Greek stringed instrument that resembles a guitar, so the idea that one of the world’s most prominent garage rock icons would forsake the guitar is a good cover story, but the reality is that the album doesn’t need guitars. The variety of instruments played by the Freedom Band more than fills the gaps on an album of great imagination and songcraft. As with Ty’s 2018 release Freedom’s Goblin, the artist’s moving away from restrictive genres is in its way his own statement about the evolution of his career — his freedom from labels if you will.

At Bowery Ballroom on Wednesday night, First Taste was played start to finish as the first half of the show. Spoiler alert, Ty did play guitar during quite a few of the tracks, but stepped behind a front-of-stage drum kit for about half the numbers. Often accompanied by two bass guitars and two keyboardists, the new songs feature heavy rhythms, dense melodies, and often harmonized vocals. Sure, there’s some good old punk rock in the mix, but by the time the final number “Lone Cowboys” was performed, it was clear that 2019 Ty Segall is a very different and far more diverse artist than a decade before.

So, what did he do with the rest of the show — surprise! The band stepped back almost a decade for a straight-through performance of 2010’s Melted, Ty’s third album and the first of his many many releases to really stretch its wings beyond straightforward garage punk. But other than not sitting behind the drum kit again, Ty’s approach to this music was not so radically different from the “first set”. The Freedom Band put its stamp on this music and in a way proved that even 2010 Ty Segall was ahead of his time.

Its not often when a musician can play a two-hour show with literally no gaps of energy or interest, but that is exactly what Ty Segall is doing these days. By compiling a band of maestros to compliment his newest and most ambitious material, this artist is maturing into a true composer. As the show both looks forward and nods with respect to the past, its is clear that Ty Segall is an all-timer and we are fortunate that an artist of this caliber is sharing these moments. The Bowery show was very clearly the best concert I’ve seen this year, and one of the best I’ve seen this decade and yes, I was lucky to be there and to capture it.

This set was recorded as we always do at this venue, with Schoeps mounted at the front of the balcony and mixed with a very fine board feed. The sound quality is superb. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set:

Ty Segall
2019-10-02
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:46:27]
01 Taste
02 Whatever
03 Ice Plant
04 The Fall
05 I Worship the Dog
06 The Arms
07 When I Met My Parents Part 1
08 I Sing Them
09 When I Met My Parents Part 2
10 Radio
11 When I Met My Parents Part 3
12 Self Esteem
13 Lone Cowboys
14 Finger
15 Caesar
16 Girlfriend
17 Sad Fuzz
18 Melted
19 Mike D’s Coke
20 Imaginary Person
21 My Sunshine
22 Bees
23 Mrs.
24 Alone
25 [encore break]
26 Fanny Dog
27 The Hand
28 She

Freedom Band: Mikal Cronin, Shannon Lay, Charles Moothart, Emmett Kelly, and Ben Boye

SUPPORT Ty Segall: website | buy official releases

Garcia Peoples: October 3, 2019 Nublu

October 4, 2019
By

Let’s get real here: You already know we love Garcia Peoples. I’m getting this recording to you less than 24 hours after it occurred. So if you want to know our opinions on GP and their shows, read any number of other reviews on this site. I’m here to tell you the basics:

  1. This is part of a month-long residency at Nublu . Buy tix to the other shows here.
  2. These shows celebrate the release of their latest LP on Beyond Beyond is Beyond, One Step Behind. Buy it here.
  3. Garcia Peoples are good peoples, and they rule. See items #1 and #2.

I recorded this set with Schoeps MK4Vs on the right side toward the front. The sound is excellent. Enjoy!

Download the complete set via its Live Music Archive page.

Garcia Peoples
2019-10-03
Nublu 151
New York, NY USA

Recorded and produced by acidjack

Schoeps MK4V (FOB, ROC)>KCY>Z-PFA>Sound Devices MixPre6>24/48 WAV>Adobe Audition CC>Izotope Ozone 5>Audacity 2.3.0>FLAC ( level 8 )

Tracks
01 Feel So Great>Break Me Down
02 Nublu jam
03 High Noon Violence
04 7 jam>
05 World’s Illusion
06 Ave C jam

PLEASE SUPPORT GARCIA PEOPLES: bandcamp Facebook

GG King: September 6, 2019 Hopscotch Music Festival (Raleigh, NC)

October 3, 2019
By

Among the bounty of riches at every Hopscotch Music Festival is the variety of punk shows that get put on, both throughout the day show circuit and during the official evening events. Out of a particularly good crop this year, one of my very favorite punk acts was the Atlanta band GG King, who played both this official evening set at Kings and then a day show set at Neptune’s (the downstairs room of the same club) the following day.

This set shows the band at its best, playing high-velocity, hardcore-inflected punk. Frontman Greg “GG” King hails from the defunct hometown favorite the Carbonas, who were at it from 2001 to 2009, and his eponymous band continues many of the things people loved about his last band. In particular, both had a certain pop sensibility that, without making either act cheesy or soft, give them appeal beyond their core audience. This night’s song selection should satisfy both the new fan and the veteran alike; you can hear many of the studio versions on these rehearsal demos streaming on their label’s bandcamp page. Once you’re done here, I recommend you stream your way over to Scavenger of Death Records and discover the rest of what GG King has to offer.

I recorded this set with MBHO microphones into the warm n’ fuzzy Aerco preamp. My man Dave Schwentker was kind enough to track this one out so we could present it to you. Enjoy!

Download the complete recording: [MP3/FLAC]

GG King
2019-09-06
Hopscotch Music Festival
Kings
Raleigh, NC USA

Recorded by acidjack
Produced by David Schwentker

MBHO MBP603/KA200N (at SBD, PAS)>Sound Devices MixPre6>24/48 WAV>editing by David Schwentker>FLAC

Tracks
01 Remain Intact
02 Epoch Rock
03 Unending Darkness
04 Mephitic Hallways
05 Acid
06 Another Dimension
07 Joyless Masturbation
08 Cul De Sac
09 God’s Chalk(?)
10 [unknown]
11 Picnic Destinations

SUPPORT GG KING: Facebook | Scavenger of Death Records

Elkhorn: September 21, 2019 Nublu

October 2, 2019
By

Last weekend’s Elkhorn show at Nublu was something of a belated release party for their double-LP Sun Cycle / Elk Jam set from earlier this year. That album brings Jesse Sheppard and Drew Gardner together with Willie Lane on guitar and Ryan Jewell on drums for two sides of composed songs followed two more sides of improvisation caught during the same session. Like Sheppard comments during the show, the unique makeup of the Elkhorn quartet makes live outings of some of the songs pretty infrequent, so it was extra special to see the whole gang together for this one.

Their set begins with the duo playing “Darkness” and “Song of the Son” into “Wilderness,” before Ryan Jewell joins on tablas for “Subway Mirror Heart.” It gets into full quartet swing when Willie Lane joins for the back half of the set, playing with them on “Altun Ha,” “Seasonal” into “Distances,” and the set-closing “Train.” It’s great to see Elkhorn getting a long set and really settling in like this—we’re used to seeing way-too-brief outings from them. Let these guys stretch their, um, horns, and they’ll chart you out some new paths.

I recorded this from our usual spot at Nublu and as usual for the venue, the sound is excellent. Enjoy!

Download MP3/FLAC



Elkhorn
2019-09-21
Nublu
New York, NY

Recorded and produced by Eric PH for nyctaper.com

MBHO KA200N/603A > Naiant PFA >> Sound Devices MixPre-6 > WAV > Adobe Audition CC + Izotope Ozone 5 > Audacity 2.0.5 > FLAC

Tracks:
01. Darkness
02. Song of the Son > Wilderness
03. Subway Mirror Heart
04. Altun Ha
05. Seasonal > Distances
06. Train

Ryley Walker & David Grubbs: September 12, 2019 Trans-Pecos

October 1, 2019
By

We’ve seen our man Ryley Walker hit the stage with David Grubbs as recently as the final night of his Union Pool residency earlier this year — that night with Ryan Jewell and C. Spencer Yeh also in the mix. But as we all know, one Ryley show rarely bears much resemblance to another, particularly when it comes to the panoply of collaborations in which he engages. If RW isn’t the hardest working man in music, he’s got to be up there, touring constantly, opening for other acts, playing band gigs, solo gigs, and stuff like this — all within the span of a week or even a single day.

This set at Trans-Pecos came just a few days after his sojourn at Hopscotch Music Festival (look for those shows soon) where played yet another collab show followed by a full band set within a span of hours. Walker is a professed fan of Grubbs, and the mind-meld between the two musicians easily bridged any generational divides on this night, as they took turns leading and following, creating a dual-guitar piece that kept the packed room in contemplative silence.

Speaking of Ryley Walker and collaborations, he has a record coming up on Thrill Jockey on November 8 with Charles Rumback. I think you should buy it.

This recording is straight off the Trans-Pecos digital soundboard, and it’s clean as a whistle. Enjoy!

Download the recording at the Live Music Archive

Ryley Walker & David Grubbs
2019-09-12
Trans-Pecos
Queens, NY USA

Recorded by nyctaper, produced by acidjack

Midas Soundboard>Sandisk SD card>16/48 WAV>Adobe Audition CC>Izotope Ozone 5>FLAC ( level 8 )

Tracks
01 Pecos improv

Buy their stuff: Ryley Walker | David Grubbs

Planting Moon: September 6, 2019 Three Lobed / WXDU Annual Ritual of Summoning (Raleigh, NC)

September 30, 2019
By

Planting Moon, of Asheville, NC, didn’t quite debut at this year’s Three Lobed / WXDU Annual Ritual of Summoning, but it’s fair to say this was a key performance by a new band — one that landed the right way on these ears. This combo of guitarists Sarah Louise and Nathan Olson, together with drummer Thom Nguyen, takes full of advantage of these players’ improvisational talents, with Louise adding occasional vocals to her heady guitar interplay with Olson.

This was one of my favorite sets of this year’s Hopscotch — not only are Planting Moon excellent, but their gigs to date have been largely local affairs. Along with the marquee national and international acts (who all play New York eventually), this festival is a chance to see the best acts coming out of North Carolina, particularly the vibrant scenes in Raleigh/Durham/Chapel Hill and Asheville. Trust me, Planting Moon check that box in a big way.

I recorded this set with the same three-source setup I used throughout the day, with onstage Schoeps MK5s carrying the load, together with a soundboard feed and MBHO mics back at the soundboard to capture the room feel. This one sounds great, folks. Enjoy!

Download the entire show: [MP3/FLAC/Apple Lossless]

Planting Moon
2019-09-06
Three Lobed / WXDU Annual Ritual of Summoning
Kings
Raleigh, NC USA

Recorded and produced by acidjack

Schoeps MK5c (onstage, XY, DFC)>KC5>CMC6 + Soundboard + MBHO MBP603/KA200N>Aerco MP2>>Sound Devices MixPre6>24/48 polyWAV>Adobe Audition CC>Izotope Ozone 5>FLAC ( level 8 )

Tracks
01 song 1
02 song 2
03 song 3
04 song 4

Planting Moon is:

Sarah Louise (guitar/vox)
Nathan Olson (guitar)
Thom Nguyen (drums)

It’s too early for Planting Moon to have any recorded output, but you ought to support them by visiting their Facebook page. Don’t skip the members’ other work as well.

SUPPORT NYCTaper




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