The Lemonheads: January 11, 2012 Knitting Factory – FLAC and MP3 Downloads + Streaming Songs

January 16, 2012
By


[Photos by Ken Grand-Pierre.  See his Flickr stream here]

As acts from the early 90s have continued to take victory laps over the past few years, I have had a chance to reflect on how different the personalities were that dominated the music scene then than those from today’s self-affirming generation making vital new music today.  In an era principally concerned with authenticity, its troubadours were often people who lived hard and felt deeply – addicts, romantics, and the generally self-destructive.  And if you wanted a picture of the archetypal musician of the era, you might consider Evan Dando of The Lemonheads (which he actually formed in ’86, but rose to stardom in the early 90s).  A soft-spoken singer whose lyrics tell tales of broken romance, addiction, and self-doubt, Dando has had his ups and downs professionally.  I last saw the band headline the 9:30 Club in Washington, DC in 1997 – the last year the band was together before going on hiatus – and they packed the place.  In fact, a little known Orlando, FL band called Matchbox 20 opened.  The next time I encountered the band, Dando was playing a show in an out of the way honky tonk near a Vermont ski resort.

Dando brought the band back in 2005 and has put out two new records, The Lemonheads and the covers album Varshons, as well as a greatest-hits collection in the UK, Laughing All the Way to the Cleaners: The Best Of.  While Dando has struggled at times on this current tour – I heard reports from other cities of shows completely falling apart due to him being too impaired to play – the quality of his music and his songwriting hasn’t wavered.  To see a Lemonheads show is to see song after song that you know, each as good as the last, each intensely, searingly personal.  Listen to “All My Life”, streaming below, and see if it hits close to home.

At this show at the Knitting Factory in Brooklyn, Dando was every bit the musician I had seen nearly 15 years ago, playing an epic show that consisted of multiple solo sets, a full run-through of The Lemonheads’ breakout album, It’s A Shame About Ray, and a second full-band set.  The show ran for an epic 105 minutes – even more impressive considering the average song length of about three minutes.  Dando delved into some of the covers from Varshons, as well as some of his other concert favorites.  Some of these covers could have been written especially for Dando; he chooses covers that tell his story as much as the orignal authors’.  As Dando continued to play a string of classics, it was hard not to yearn for the era that spawned them, when cred and emotions were a band’s currency, and musicians didn’t need car commercials to earn enough money for the booze and drugs that fueled their damaged art.

Wrapping up a set that never faltered, Dando closed with the twofer of “Rick James Style” – whose refrain “don’t wanna get high / but I don’t wanna not get high” is lent added menace by James’ eventual end – and the Angry Samoans’ “You Stupid Jerk,” a short, chaotic burst of silliness that ended this show on a happy note.  The band continues their U.S. tour westward today, and I hope fans in the Midwest don’t miss a chance to see Evan Dando back at the top of his game.

I recorded this set with Schoeps “open cardiod” microphones and an excellent soundboard feed by the Knitting Factory team.  The recording is an outstanding capture of the night.  Enjoy!

Stream “All My Life”

[audio:https://www.nyctaper.com/L1111Lemonheads0002/lemonheads2012-01-11knit_mixdown-06.mp3]

Stream “Confetti”

[audio:https://www.nyctaper.com/L1111Lemonheads0002/lemonheads2012-01-11knit_mixdown-09.mp3]

Stream “How Much I’ve Lied [Gram Parsons]

[audio:https://www.nyctaper.com/L1111Lemonheads0002/lemonheads2012-01-11knit_mixdown-26.mp3]

Direct download of the complete set: [MP3/FLAC]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Lemonheads
2012-01-11
Knitting Factory
Brooklyn, NY USA

Digital Master Recording hosted exclusively at NYCTaper.com
Recorded and produced by acidjack

Schoeps MK22 (ROC, DIN, 8ft)>KCY>Naiant littlebox + SBD >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mastering effects on SBD source, align, mixdown, amplify and balance, downsample)>24bit/44.1kHz WAV>Audacity (set fades, tracking, downsample to 16bit)>FLAC ( level 8 )

Tracks [Total Time 1:44:00]
[Evan Solo]
01 Being Around
02 My Idea
03 Why Do You Do This To Yourself?
04 The Outdoor Type
05 Frying Pan
06 All My Life
07 [intro the band]

[The Lemonheads perform “It’s A Shame About Ray”]
08 Rockin Stroll
09 Confetti
10 It’s A Shame About Ray
11 Rudderless
12 My Drug Buddy
13 The Turnpike Down
14 Bit Part
15 Alison’s Starting to Happen
16 Hannah & Gabi
17 Kitchen
18 Ceiling Fan in My Spoon

[Evan solo (finishing “It’s A Shame About Ray”)]
19 Frank Mills

[Evan solo]
20 It’s About Time
21 No Backbone
22 Tenderfoot
23 Your Home Is Where You’re Happy [Charles Manson]
24 Streets of Baltimore [Gram Parsons]
25 A Song For You [Gram Parsons]
26 How Much I’ve Lied [Gram Parsons]
27 Ride With Me

[The Lemonheads]
28 [intro band]
29 Hospital
30 Down About It
31 If I Could Talk I’d Tell You
32 Big Gay Heart
33 The Great Big No
34 Rick James Style
35 [encore break]

[Evan solo]
36 You Tore Me Down [Flaming Groovies]
37 Don’t Tell Yourself
38 Rain [Blake Babies]
39 Favorite T
40 It Looks Like You
41 Like A Rose [Lucinda Williams]
42 Nighttime [Big Star]
43 $1000 Wedding
44 You Stupid Jerk [Angry Samoans]

If you enjoyed this recording, PLEASE SUPPORT The Lemonheads, see them on tour, visit their website (which contains those tour dates) and purchase Laughing All the Way to the Cleaners and their other records from Amazon or your favorite retailer (their online store is not yet up).

Wires Under Tension: December 17, 2011 285 Kent – Flac and MP3 Downloads + Streaming Song

January 12, 2012
By


[photo from Wires Under Tension Facebook page]

Wires Under Tension is one of those bands formed out of a happy accident. After he left his condemned Brooklyn practice space for a building in the Bronx, Christopher Tignor met and teamed with drummer Theo Metz to form the band. The 2011 release of Light Science (Western Vinyl) was one of those “out of nowhere” albums that took many critics by surprise. But really, WUT is a duo of incredibly talented individuals who produce compelling instrumental post-rock music, and its no surprise that they’re quite good — Tignor is a classically trained violist after all. Last month at 285 Kent, Wires Under Tension played the Printed Matter Benefit gig, and worked through the entire album in re-ordered fashion. The songs are performed live with violin and guitar, but with both players manipulating electronics to complete the full band sound. We are streaming the show’s finale “Position And Hold”, which provided a powerful finish to the excellent set.

I recorded this set with the DPA Cardioid microphones mounted on a pole 15 feet from the stage and mixed with a soundboard feed. The sound quality is excellent. Enjoy!

Stream “Position And Hold”:
[audio:https://www.nyctaper.com/W1712WiresTension1102/07.%20Position%20And%20Hold.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wires Under Tension
2011-12-17
285 Kent
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + DPA 4021s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-01-07

Setlist:
[Total Time 38:54]
01 Irreversible Machines
02 Electricity Turns Them On
03 A List Of Things To Light On Fire
04 Mneumonics in Motion
05 Cka3an, Cka3ana
06 Wood, Metal, Bone
07 Position And Hold

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Wires Under Tension, visit their website, and purchase Light Science from Western Vinyl Records [HERE].

Suuns: December 10, 2011 Webster Hall – Flac and MP3 Downloads + Streaming Song

January 11, 2012
By

Suuns Ventrice
[photo courtesy of Maryanne Ventrice and Impose Magazine]

When acidjack recorded Suuns in January at Rock Shop, he noted the versatility of the band and the “controlled intensity” that the band brings to each song. By December, when I recorded their show at Webster Hall opening for The Antlers, Sunns seem to have perfected that approach. In one of the best-received opening sets we’ve seen in quite some time, Suuns began with the new 12″ b-side “Red Song” (streaming below), which presaged the compelling tension and release of the post-rock they delivered in spades. The balance of the setlist included much of their excellent 2010 release Zeroes QC (Secretly Canadian Records) and one new song. We expect that the continued development of this talented and imaginative quartet will bring to them to larger stages and audiences — it won’t be long before they’ll play Webster again as the headliner.

I recorded this set in the same manner as the Antlers set from the same show, and the sound quality is superb.

Stream “Red Song”:
[audio:https://www.nyctaper.com/S0125Suuns0211/01.%20Red%20Song.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Suuns
2011-12-10
Webster Hall
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, downsample, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2011-12-18

Setlist:
[Total Time 31:46]
01 Red Song
02 Arena
03 Pie IX
04 [new song – Cities]
05 Sweet Nothing

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Suuns, visit their Facebook page, and purchase Zeroes QC from Secretly Canadian Records [HERE].

Kevin Devine: January 7, 2012 Maxwell’s – Flac and MP3 Downloads + Streaming Song

January 10, 2012
By


[screenshot from video here]

It almost unfathomable, considering the many many shows we’ve attended over the last decade, that we had not previously crossed paths with Kevin Devine. His abundant vocal and songwriting talents, and the picture perfect nature of his intelligent indie-pop records are exactly what we look for in a performer. So when we finally got the chance to catch Kevin at Maxwell’s on Saturday, the entire show felt completely natural. And when we met and chatted with Kevin after the show, he seemed like a kindred spirit. The songs themselves make it obvious that we are listening to a writer with vision, emotion and fortitude — dealing with life’s difficulties while persistently finding the beauty in it all. On Saturday, Kevin performed solo acoustic and while surrounded by diehard fans in an intimate venue, and delivered a powerful set that included much of his new album Between the Concrete & Clouds (Razor & Tie), but also dug deep into his catalog including classics “Cotton Crush”, “Tap Dance” and “Ballgame” (streaming below). Kevin even included a song from his old band Miracle of ’86 (“Knife”), and two new songs. Kevin Devine will be touring Europe in February, and will be back in the US for some Midwest dates in March, but promised some East coast dates in the Spring.

Stream “Ballgame”:
[audio:https://www.nyctaper.com/K7010KevinDevine1202/21.%20Ballgame.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Kevin Devine
2012-01-07
Maxwell’s
Hoboken, NJ USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-01-08

Setlist:
[Total Time 1:26:30]
01 [intro]
02 Petite Mort
03 Tap Dance
04 Off Screen
05 Afterparty
06 Brooklyn Boy
07 Time To Burn
08 [banter – Maxwells]
09 Knife
10 [banter – dream]
11 Awake in the Dirt
12 A Story A Sneak
13 Noose Dressed Like a Necklace
14 [banter – I know how its gonna go]
15 Tomorrows Just Too Late
16 Carnival
17 No Sides
18 [banter – encore]
19 Country Sky Glow
20 Cotton Crush
21 Ballgame
22 [crowd – teases]
23 I Used To Be Someone
24 Between the Concrete and Clouds
25 [banter – thanks]
26 Brother’s Blood

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Kevin Devine, visit his website, and purchase Between the Concrete and Clouds from Razor and Tie Records [HERE].

Clear Plastic Masks: January 4, 2012 Mercury Lounge – FLAC and MP3 Downloads + Streaming Song

January 9, 2012
By


[Photo courtesy of the band and hosted at the band’s Facebook page]

I started my musical 2012 off right with a dose of feel-good rock from Brooklyn’s Clear Plastic Masks at the always-welcoming Mercury Lounge in Manhattan.  Despite the continuing interest in various forms of bedroom recordings and keyboard-and-loop heavy atmospherics in the Brooklyn scene, there remain a solid cadre of new bands making organic, straight-ahead rock, and CPM fall into that category.  The most obvious reference for their bluesy rock sound is The Black Keys, but being a four-man act (Charlie Garmendia on drums, Eddy DuQuesne on bass/keys, Matt Menold guitar/keys and Andrew Katz guitar/keys/vocals), they have a denser, richer sound that also draws from classic acts like Sam and Dave, the Violinaires, and Jimmie Rodgers.  The band puts that dense sound – and good humor – to good use in the live setting, cranking out the type of songs that shake asses and sell drinks.  It’s not clear whether their new single, “Working Girl”, intends the double-entrendre for that title, but this modern-day version of a blue collar lament makes a good starting point for understanding the band.  The song was recorded at the Bomb Shelter in Nashville for a forthcoming 7″ single, which will accompany the band’s self-released, self-titled EP available at their bandcamp page.  The band have a relaxed, easy rapport with the crowd and clear enthusiasm for what they’re doing, besides the ability to shred pretty hard – witness the guitar work on “Phoenix is Rising”, streaming below. You can find out for yourself at their next NYC show tomorrow (Tuesday Jan 10) at Union Pool, after which they head on a southward tour that will wind up in New Orleans. Clear Plastic Masks also plan to dive in to recording a full-length record while down South – a good way to immerse themselves in their source material, for sure.

I recorded this set in our usual manner for Mercury, with Schoeps supercardiod microphones and a soundboard feed from Kevin, the head engineer at the club.  The results are outstanding. Enjoy!

Stream “Phoenix is Rising”
[audio:https://www.nyctaper.com/C1004ClearPlasticMasks2012/14 Phoenix Is Rising.mp3]

Stream “Working Girl”
[audio:https://www.nyctaper.com/C1004ClearPlasticMasks2012/06 Working Girl.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE].

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Clear Plastic Masks
2012-01-04
Mercury Lounge
New York, NY USA

Recorded and produced by acidjack
for nyctaper.com

Soundboard + Schoeps MK41>KCY>Naiant littlebox >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (mixdown, downsample to 44.1kHz, set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 [intro]
02 Death of Me
03 I’m Free
04 Outcast [Eddie and Ernie]
05 [banter]
06 Working Girl
07 [banter]
08 Pegasus and Glue
09 Rolling Down A Hill
10 [tuning]
11 Uncle Chris
12 Everything’s Gonna Be Alright
13 [banter]
14 Phoenix Is Rising
15 Baby Come On

If you enjoyed this recording, PLEASE SUPPORT Clear Plastic Masks, visit their Facebook page, and download their self-titled EP from their bandcamp page.

THE FIELD RECORDINGS: January 4, 2012 Mercury Lounge – FLAC and MP3 Downloads + Streaming Songs

January 8, 2012
By


[Photos by acidjack]

The very first band I saw in 2012 was a bit of a shot in the dark – I wasn’t really aware of THE FIELD RECORDINGS (capitalization theirs), but scanning the first-week schedules of my regular haunts, I came across their gig with Clear Plastic Masks at Mercury Lounge, checked out their music on bandcamp, and liked what I heard.  The New Haven, CT threesome didn’t disappoint, delivering a set of ambitious, well-crafted guitar-driven noise pop.  Their upbeat guitar sound and penchant for unusual time changes recalls some bands of the mid-90s DC scene, The Dismemberment Plan in particular, while frontman Daniel Gallo’s vocals remind me of a younger, more caffeinated Lou Barlow (Gallo claims to have never listened to Sebadoh, so it would seem to be coincidental).  The band’s name derives from, as Gallo puts it, “that our songs are whatever is going on around us, socially, politically, and philosophically.  Which is a long way of saying that I don’t quite write about girls but I wish I did.”

No matter.  In the live setting, you’re likely to be paying more attention to the band’s infectious enthusiasm (Gallo’s in particular) and the tightness and professionalism of their playing – a sloppy indie band this is not. Gallo and drummer Jared Thompson have been playing music together since high school, and have been in the band’s current configuration since 2008 when bassist Noel Thomas joined, and the time spent building that chemistry shows. The band’s current record, The Elastic Nostaglia, is available for five bucks on their bandcamp page, and that’s money well spent for some of the most exciting music coming from our neighbor state to the northeast.  After gigging heavily for the last few years, the band is looking to take things to the next level this year – and if this show is any indication, they have a solid chance of doing it.

The most important factor in any Mercury Lounge recording is the quality and skill of the FOH team, and Kevin did not disappoint as usual with an outstanding house mix and board feed.  Schoeps supercardiod mics recorded the house mix. The sound quality is flawless. Enjoy!

Stream “Wide-Eyed Runners Kicking In Time”
[audio:https://www.nyctaper.com/F0014FieldRecordings2012/06 Wide-Eyed Runners Kicking In Time.mp3]

Stream “(Caught Up In All the) Interludes”
[audio:https://www.nyctaper.com/F0014FieldRecordings2012/11 (Caught Up in All the) Interludes.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

THE FIELD RECORDINGS
2012-01-04
Mercury Lounge
New York, NY USA

Recorded and produced by acidjack
for nyctaper.com

Soundboard + Schoeps MK41>KCY>tinybox >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audacity (mixdown, downsample to 44.1kHz, set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 We Will Become Strangers Faster Now
02 The Sad Catalogers
03 Lifelines of the Magical Thinkers
04 [banter]
05 Framing Happiness
06 Wide-Eyed Rumors Kicking In Time
07 Tell Me Tell Me Tell Me
08 [banter]
09 “The Sun Looked Down on Nothing New”
10 Here Comes the War Dept
11 (Caught Up In All the) Interludes

If you enjoyed this recording, PLEASE SUPPORT THE FIELD RECORDINGS, visit their website, and purchase The Elastic Nostalgia from their bandcamp page [HERE]

SUPPORT NYCTaper




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