Hamilton Leithauser: February 20, 2011 Cameo Gallery (Noncerts 1) – Flac and MP3 Downloads + Streaming Song

May 31, 2011
By

The first show in what promises to be a long-running charity series called Noncerts took place in the end of February at the Cameo Gallery. The main purpose of Noncerts is to purchase a piano for every public school in Brooklyn, and all proceeds from the events go towards that goal. The first night featured performances from Noncerts founder Dave Godowsky, superb songwriter David Dondero, Ween leader Gene Ween, and the lead singer of The Walkmen Hamilton Leithauser. Hamilton’s set threw us for a bit of a loop — but in a good way. Instead of solo Walkmen numbers, the entire Leithauser set consisted of fairly obscure but brilliant covers, which included nyctaper-favorite Cass McCombs (“Don’t Vote”), and DC political punk band Weird War (stream “See About Me” below) . We also recorded the second Noncerts show in the end of April, and hope to offer sets from that night soon.

I recorded this set with the Neumanns mounted at the front of the sound booth and mixed with an excellent soundboard feed. The sound quality of this set is superb. Enjoy!

Support Noncerts by following them on twitter [here].

Stream “See About Me” (Weird War cover):
[audio:https://www.nyctaper.com/N2002Noncertsxcv1102/See%20About%20Me%20%5bWeird%20War%5d.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Hamilton Leithauser
2011-02-20
Cameo Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-02-21

Setlist:
[Total Time 28:39]
01 [introduction]
02 Tall Tale Storyline [Mazarin]
03 [banter]
04 Don’t Vote [Cass McCombs]
05 [banter2]
06 Young Fool [Max St. Michael]
07 Road Song [Max St. Michael]
08 [banter3]
09 See About Me [Weird War]
10 [banter4]
11 Ballz [Josh Wise]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Hamilton Leithauser and The Walkmen, visit their website, and purchase their official releases from the Fat Possum Records website [HERE].

Times New Viking: May 27, 2011 Knitting Factory – FLAC and MP3 Downloads + Streaming Songs

May 31, 2011
By


[Photo by acidjack]

The term “lo-fi” gets thrown around a lot, but when you’re talking about the Columbus, OH three-piece Times New Viking, it is impossible to avoid it. Where a lot of bands earn the label by dint of using cheap gear and not giving a shit, for TNV, the scratchy, blown-out, distorted sound is an important part of their aesthetic. Their songs arrive in short bursts, almost universally under the three- or even two-minute mark, in a similar vein to kindred spirits and sometime tourmates Guided by Voices. While their new release on Merge Records (their first for the label), Dancer Equired, utilizes more legitimate studio production than their past records – a pretty low bar to set considering that their four previous efforts were recorded to lo-fi analog media such as cassettes and VHS – their live show still has the perverse characteristic of sounding more glossy than most of their recorded work. This Friday night show at the Knitting Factory – well attended despite coming at the start of Memorial Day weekend – found TNV blasting through 22 songs in 50 minutes (including an encore break). The set represented the new Dancer Equired material well, but also gave fans plenty to like from all of their records, including a mean “The Early 80s” from their breakout 2008 record, Rip It Off. Catchy, irreverent, and indisputably rocking, this night with TNV was a perfect way to kick off a Williamsburg Memorial Day weekend.

I recorded this set with AKG large-diaphragm microphones set up near the soundboard, together with a soundboard feed prepared by Rob, one of the outstanding house engineers at the Knitting Factory. The sound quality is excellent. Enjoy! (And please feel free to let me know what the few songs I didn’t know the titles of are)

Stream “Try Harder”:
[audio:https://www.nyctaper.com/T7520TNV2011/09 Try Harder.mp3]

Stream “The Early 80s”:
[audio:https://www.nyctaper.com/T7520TNV2011/13 Early 80s.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Times New Viking
2011-05-27
Knitting Factory
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: AKG C 414 B-XLS (cardiod)>Sound Devices USBpre2 + Soundboard>>Edirol R-44 [Oade Concert Mod] (24/48)
Position: At soundboard, slightly ROC, mics at 7ft, PAS
Mastering: 2x24bit/48kHz WAV>Audacity (EQ audience source, mixdown, set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Intro
02 It’s A Culture
03 [unknown]
04 Don’t Go to Liverpool
05 Busy Making Love & War
06 The Apt.
07 [banter]
08 Ever Falling In Love
09 Try Harder
10 No Room To Live
11 City On Drugs
12 [unknown]
13 The Early 80s
14 Devo & Wine
15 Telephone
16 [unknown]
17 Fuck Her Tears
18 Move to California
19 Ways To Go
20 New Vertical Dwellings
21 Teenage Lust!
22 [encore break]
23 My Head
24 [unknown]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Times New Viking, visit their web site, and purchase Dancer Equired directly from Merge Records [HERE]

Little Scream: May 20, 2011 Bowery Ballroom – Flac and MP3 Downloads + Streaming Song

May 30, 2011
By


[photo by Amanda Hatfield]

I like to think we have a pretty solid record here at nyctaper of predicting future success for emerging artists — particularly those of the female persuasion. Admittedly, we’ve jumped on the already moving bandwagons of Holly Miranda and Nicole Atkins, but in recent years we’ve sung early praises for current movers such as Jessica Lea Mayfield, Alela Diane and of course Sharon Van Etten. A few months ago we foresaw the current success of Tristen. Last week at Music Hall and Bowery, our new can’t-miss performer Little Scream opened two shows for the Antlers and proved why her April-release debut album The Golden Record (Secretly Canadian) is already an album of the year contender. Little Scream began as the solo recording project for US ex-pat and currently Montreal resident Laurel Sprengelmeyer but at the recent performances she was joined by a crack band which included along with the standard band format, a flutist and synthesizers. At Bowery, the Little Scream band worked through much of the new album in order, skipping only a couple of the quieter numbers. We’re streaming a very strong version of “People Is Place”, which begins as a melodic solo guitar number before tasteful additions from the band complete the narrative. Lauren chose to end the set solo with a poignant new number (“Letter”) that she appropriately dedicated to her cohort and fellow riser Sharon Van Etten.

I recorded this set with the exact setup as the Antlers set and the sound quality is superb. Enjoy!

Stream “People Is Place”:
[audio:https://www.nyctaper.com/L2005LS1102/08.%20People%20Is%20Place.mp3]

Direct download of complete show in MP3 files (HERE)

Download the Complete show in FLAC [HERE].

Little Scream
2011-05-20
Bowery Ballroom
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2011-05-25

Setlist:
[Total Time 38:45]
01 The Lamb
02 Cannons
03 The Heron And The Fox
04 [banter – tuning]
05 Your Radio
06 Boatman
07 [banter – russian baths]
08 People Is Place
09 Red Hunting Jacket
10 [banter – thanks]
11 Letter

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Little Scream, visit their website, and purchase The Golden Record from the Secretly Canadian Records website [HERE].

Queens of the Stone Age: March 25, 2011 Terminal 5 – FLAC / MP3 Downloads + Streaming Song

May 26, 2011
By


[Photos courtesy of a.f. cortes.  See more of his outstanding work HERE]

It’s basic fact that Josh Homme has been one of the principle contributors to the stoner rock handbook and it would’ve made for a very different read without his input.  Starting with his first band, Kyuss, in the early 90’s and continuing through present day with Queens of the Stone Age, he’s been adding chapters to it ever since.  On tour to coincide with the re-release of their long-out-of-print debut album, the crux of these shows was to play it in its entirety; a popular trend that seems to be the case with many bands nowadays.  The sticking point is that the Queen’s self-titled first disc is brilliant, a touchstone of hard rock that many professional reviewers and fans alike have added to “must-have” rosters.  With many of these songs rarely showing up in setlists, it was a treat to hear them performed in a live setting.  In addition to surrounding himself with talented musicians that have great chops, Homme takes to the frontman role well and has a knack for keeping the audience entertained.  The proof being the crowd’s interaction with him, the adulation that teeters on the brink of feverish worship and the many declarations of love from female fans that I witnessed during this sell-out performance.  With devotees like that, I predict this band will have more continued years of success.

Per our usual in this venue, we were set up in the dead-center spot on the first balcony.  Terminal 5 can be tricky when it comes to getting the sound just right, so while the instruments sounded very good and are nicely balanced, the vocals were pretty low in the mix throughout most of the concert.  Nonetheless, the recording is solid and a great snapshot of the show.  Enjoy!

Stream “If Only”:
[audio:https://www.nyctaper.com/Q3052QOTSA1012/QOTSA_-_If_Only.mp3]

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If either of the links are no longer working, email nyctaper with a request for the download location of the files.

Queens of the Stone Age
Friday, March 25, 2011
Terminal 5
New York, NY, USA
(opening band: The Dough Rollers)

Source: AUD > DPA 4021’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > USB > PC > Adobe Audition (mixdown, adjust levels, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > Trader’s Little Helper (check/fix SBE’s, FLAC conversion) > FLAC (level 8 )
Recorded and produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:40:05]
01. Regular John
02. Avon
03. If Only
04. Walkin’ on the Sidewalks
05. You Would Know
06. How to Handle a Rope
07. Mexicola
08. [banter]
09. Hispanic Impressions
10. The Bronze
11. Give the Mule What He Wants
12. I Was a Teenage Hand Model
13. You Can’t Quit Me Baby
14. [1st encore break]
15. Turnin’ on the Screw
16. Long Slow Goodbye
17. Little Sister
18. [2nd encore break / banter]
19. Burn the Witch
20. [banter / band intros]
21. Make It Wit Chu
22. No One Knows

If you download this recording, we expect that you will PLEASE SUPPORT Queens of the Stone Age, visit their website, visit their MySpace and Facebook pages, and purchase their official releases and merchandise [HERE].

Thurston Moore: May 20, 2011 Music Hall of Williamsburg – FLAC and MP3 Downloads + Streaming Songs

May 25, 2011
By


[photo by Bryan Bruchman]

Thurston Moore has a sweeping, almost uncontainable musical vision. He is an artist who I have personally seen, just in the past year, perform everything from a chaotic, sprawling noise collage to Sonic Youth’s classic postpunk to these, his somnolent, captivating acoustic meditations. He is in many ways the archetype of the modern New York musician to which almost anyone, in any genre, aspires, and he and his bandmates in Sonic Youth almost single-handedly revitalized and redefined the scene in the 80s and 90s. If you are trying to describe, using one person, everything that is honest and right and excellent and so very New York about modern New York rock musicians, look no further than Thurston Moore.

This Friday night show at Music Hall of Williamsburg celebrated the release of Moore’s most recent solo record, the Beck-produced Demolished Thoughts, which picks up on the quieter end of where his 2007 solo release Trees Outside the Academy left off. The set concentrated heavily on that record, as well as some songs from Trees Outside the Academy, and finished with the title track from Moore’s first proper solo outing, Psychic Hearts. While the songs in this set fall within the more conventional range of Moore’s spectrum, there was nothing banal about them, as each track demonstrated his virtuosity on the guitar – witness the back end of “Orchard Street” and his amazing consistency at writing catchy, interesting songs (“In Silver Rain With A Paper Key” being one). Moore was backed by a crack band of hyper-cool indie luminaries that included Keith Wood from Hush Arbors on guitar and John Moloney of Sunburned Hand of the Man, and they did the songs ample justice. Unlike most gigs Thurston Moore is involved in, this one never required earplugs – but it didn’t need the noise to be noticed.

I recorded this set from the left balcony of the venue with the Schoeps microphones on an extension arm pointed directly at the stacks, with tiny DPA omnidirectional microphones providing the room warmth and ambiance that usually lack from up-close recordings of this type. Both mics ran through quiet preamps that minimized hiss from this more quiet show. The results are excellent. Enjoy!

Stream “In Silver Rain With A Paper Key”:
[audio:https://www.nyctaper.com/S2111SonicYouth2222/13 In Silver Rain With A Paper Key.mp3]

Stream “Orchard Street”:
[audio:https://www.nyctaper.com/S2111SonicYouth2222/08 Orchard Street.mp3]

Direct download of MP3 files [HERE]

Direct download of lossless FLAC files [HERE]

PLEASE DO NOT REPOST THE DIRECT LINKS TO THESE FILES. IF YOU DO, WE WILL HAVE TO CHANGE THE LINKS, AND THEY WILL BE DEAD FOR  A PERIOD OF TIME.

Follow acidjack on Twitter

Thurston Moore
2011-05-20
Music Hall of Williamsburg
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps Mk41>CMC6>Sound Devices USBpre2 + DPA 4061>Church Audio CA9200 >> Edirol R-44 [Oade Concert Mod] (24/48)
Position: Left balcony, about 15′ from stack, mics on extension arm split A/B
Mastering: 2x24bit/48kHz WAV>Audacity (smooth peaks, hard limit and de-amplify applause, mixdown, downsample to 44.1kHz, set fades, tracking, amplify and balance, downsample to 16bit)>FLAC ( level 8 )

Tracks
01 intro
02 Mina Loy
03 Blood Never Lies
04 Never Day
05 [banter]
06 January
07 Space
08 Orchard Street
09 [banter]
10 Benediction
11 Illuminine
12 [banter]
13 In Silver Rain With A Paper Key
14 Circulation
15 [encore break]
16 Psychic Hearts

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Thurston Moore, visit his MySpace page, and purchase his official releases directly from his label, Ecstatic Peace, [HERE]

The Felice Brothers: May 18, 2011 Bell House – FLAC and MP3 Downloads + Streaming Songs

May 24, 2011
By

Felice Bell
[Video screenshot courtesy of D.F. Yonkman of Dead Elm]

From busking in NYC subway stations six years ago to selling out the Bell House two nights in a row this week, life for The Felice Brothers keeps evolving in a positive direction. Although they effectively got their start here in New York City, their sound and their approach are more informed by their hometown of Palenville, in the Catskill Mountains upstate. Their country-inflected rock is full of grit, with primary vocalist Ian Felice drawling out his lines in whiskey-drenched full throat, reminiscent at times of early Dylan, and brother James Felice adding meat to their delivery with his brawny vocals (plus his accordion, and piano work). The third brother, Simon Felice, left the band several years ago and tours on his own, but rest assured, the non-related remaining members of the band do an excellent job here, too. Their music isn’t prettified or trendy or arch; these are songs born for the barroom, suitable to a night of melancholy or getting ripshit with your oldest friends. Their lyrics brim with casual violence and the desolation of America’s darkest corners; a guy running an upstate meth lab might or might not listen to this, but these songs are often perilously close to his story.

These Brooklyn shows heralded the release of the band’s pathbreaking new record, Celebration, Florida (even the name of this central Florida planned town evokes something twisted). The new record takes a dramatic push beyond the basic strictures of the country/rock genome, incorporating such varied instrumentation as synths, a horn section, and drum machines, as well as some found sounds. The show kicked off with the first track from the album, “Fire At the Pageant,” and it was immediately evident that the new direction, while maybe a bit jarring at first listen, works to broaden the band’s palette without detracting from the raw, elemental sound that made fans fall in love. The band’s first new single, “Ponzi”, also demonstrated the new approach well, with its synth beats and politically current subject matter (you can probably guess from the title). Several special guests came out to show their love for the band, including former tourmate Conor Oberst on “Wonderful Life” (streaming below) and the searing finale, the fan favorite “Frankie’s Gun”, which also featured Deer Tick‘s Ian O’Neill and the opening act for the evening, South Carolina’s Shovels and Rope. The song, with the stage packed with musicians and friends of the band, was a fitting end to this first of two evenings in Brooklyn. Clearly, the Felice Brothers have plenty of friends here.

I recorded this set with a soundboard feed from the Bell House engineer Jeff, together with the Schoeps microphones. The recording is outstanding, and this audio will be featured in upcoming video footage from Dead Elm.

Special thanks to the band’s management, Ravenhouse Ltd, for inviting us to the performance!

Stream “Wonderful Life”:
[audio:https://www.nyctaper.com/F1805FeliceBrothers0211/15 Wonderful Life.mp3]

Stream “Ponzi”:
[audio:https://www.nyctaper.com/F1805FeliceBrothers0211/06 Ponzi.mp3]

Direct download of MP3 files [HERE]

Direct download of FLAC files [HERE]

PLEASE DO NOT REPOST DIRECT LINKS TO EITHER THE MP3 OR FLAC FILES

Follow acidjack on Twitter

The Felice Brothers
2011-05-18
The Bell House
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Soundboard + Schoeps Mk41>CMC6>Sound Devices USBpre2 >> Edirol R-44 [Oade Concert Mod] (24/48)
Position: Clamp to soundboard booth, about 9ft up, PAS
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, downsample to 44.1kHz, set fades, tracking, amplify and balance, smooth peaks, downsample to 16bit)>FLAC ( level 8 )

Tracks [Total Time 1:21:46]
01 intro
02 Fire at the Pageant
03 Run Chicken Run
04 White Limousine
06 Hey Hey Revolver
06 Ponzi>
07 Take This Bread
08 Back In the Dancehalls
09 Got What I Need
10 Iron Mike
11 Honda Civic
12 Greatest Show On Earth
13 The Big Surprise
14 [banter]
15 Wonderful Life
16 Love Me Tenderly
17 Stepdad
18 River Jordan
19 [encore break]
20 Whiskey In My Whiskey
21 Frankie’s Gun

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Felice Brothers, visit their website, and purchase their official releases directly from their web store [HERE]

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