Les Claypool: June 8, 2010 Brooklyn Bowl – Flac and MP3 Downloads + Streaming Sample

June 10, 2010
By


[photo credit]

For good or bad, Brooklyn Bowl is the perfect venue for a Les Claypool show in NYC. First, the good. The superior sound system at The Bowl presented all the intricacies of the band — bass, electric cello, xylophone, drums — with superb clarity. Every plucked and slapped note on Claypool’s bass was pristine. The venue’s odd juxtaposition of music and sport also provided Les with comedic fodder. Finally, the room seemed to be the perfect size for this crowd. While the show was sold out, it was also not so packed as to be uncomfortable. Then, there was the bad. Brooklyn Bowl has an outstanding beer selection, primarily from their neighbors the Brooklyn Brewery and Red Hook’s craft beer wizards at Six Point. The potency of some of these fine beers though was too much for a good portion of the crowd. The end result was puddles of beer and broken glass on the floor and some seriously strange behavior (somewhat noticeable on the recording). Les actually stopped playing in the middle of “Duchess” to chide “Mr. Bald Headed Guy” who was harassing women up front. However, the set itself was a seriously outstanding Claypool show, which touched on his Primus work and his various solo incarnations. “Makalaster > Pachyderm > Makalaster” was an extended exercise in true collaborative improvisation, and the “One Better” medley featured Les at his best. Ever the cut-up, he introduced the Rush cover encore as a “Sly and the Family Stone tune” that takes him back to the “Oakland soul” citing as his “only true source of information” — Wikipedia.

I recorded this set with the Neumann microphones pointed directly up at the stacks at about 30 feet from the stage. The sound quality in the venue was superb and this recording reflects that quality, along with the boisterous crowd. Enjoy!

Download and stream the complete show [HERE].

https://archive.org/details/les-claypool-2010-06-08.nyctaper

Les Claypool
2010-06-08
Brooklyn Bowl
Brooklyn, NY USA

Digital Master Recording
Recorded Upfront 30 Feet from Stage

Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2010-06-09

Setlist:
[Total Time 1:45:04]
01 Highball with the Devil
02 Duchess And The Proverbial Mind Spread
03 Amanitas
04 David Makalaster I
05 Southbound Pachyderm
06 David Makalaster I
07 Red State Girl
08 Precipitation
09 Jam/Drums
10 Booneville Stomp
11 One Better / The Awakening / One Better
12 Riddles Are Abound Tonight
13 [encore break]
14 The Spirit Of Radio (Rush)

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Les Claypool, visit his website, and purchase his official releases directly from Club Bastardo [HERE].

Ghastly City Sleep, Royal Forest, and Royal Chains: May 3, 2010 Glasslands – FLAC and MP3 Downloads

June 6, 2010
By


[Ghastly City Sleep. All photos courtesy of Jonny Leather]

Our good friend Jonny Leather has been going above and beyond to give the already-teeming Brooklyn scene access to exciting new music through his semi-regular concert series.  We were fortunate enough to capture this excellent bill, featuring Brooklyn’s Ghastly City Sleep, garage rock duo Royal Chains and Austin’s Royal Forest (along with Brick + Mortar, whose set we unfortunately missed) at Glasslands, which is a perfect place to absorb yourself in some new music.  Each act was striking in it own way, but perhaps none so much as Ghastly City Sleep, whose music takes a sharp turn from current trends with dark, sometimes lengthy songs that are not afraid to challenge listeners’ expectations.  Jonny Leather compares them to Radiohead, and I can see the resemblance in the rhythmic variations,  sharp, angular vocals, and the aforementioned dark overall tone. For a young band, these guys have a fully developed sound that is poised for bigger things. Check out their debut album at Robotic Empire Records and see for yourself.


[Royal Forest]

Royal Forest could be called “The Band Formerly Known As Loxsly”, but they probably made the right choice with the wholesale name change to avoid any association with the somewhat weak act by a very similar former name.  Apparently in their former incarnation the band earned a lot of comparisons to Grandaddy, which I still hear echoes of, along with occasional hints of my favorites Polvo.  Currently the band is promoting a self-titled EP, with a full-length on the way.


[Royal Chains]

Being a garage-rock duo, Royal Chains needed to do everything right to impress me – and they did.  Too often, I find these setups aren’t musical enough (or are just too wasted), or seem to treat the whole thing as a joke.  Royal Chains came out and played their asses off.  With two EPs under their belt, these guys have shown they are serious about songwriting, and they seem determined not to fall into the lame “we’re two drunk guys playing half-assed songs” trap at all.  Instead, band members Adam and Dan bring real musicianship and feeling.  And, in a perfect ending, they managed to show they don’t take themselves too seriously by playing a cover of Tom Petty’s “Won’t Back Down.”

Please support Jonny Leather and the shows he promotes.  One good way to learn more is to be his friend on Facebook. Thanks to Jonny for inviting us to this excellent show.  It took us a month to get it posted, but I think it will be worth the wait!

I recorded this set from the balcony with the DPA microphones in an “XY” pattern.  The recordings are generally excellent, with a small caveat – during Royal Forest’s set, the mics were clamped to the balcony rail, which was vibrating due to a fan clamped to it nearby.  Therefore, during quiet parts of the music, you can hear these vibrations.  The band thought it sounded good despite this flaw, so I think it is still very worth your time.  For listeners’ convenience, and to provide maximum exposure to all three bands, the music of all three bands is included in one ZIP file of MP3s.  The MP3s are properly tagged for easy importing into iTunes, including artwork!

Download and stream the complete shows [GHASTLY CITY SLEEP] / [ROYAL FOREST] / [ROYAL CHAINS]

https://archive.org/details/ghastlycitysleep2010-05-03.acidjack

Ghastly City Sleep
2010-05-03
Glasslands
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Naiant littlebox>Sony PCM-M10 (24/44.1)
Position: Clamp to balcony rail, XY
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, EQ, tracking, amplify)>FLAC ( level 8 )

Tracks
01 I Never Left My Head
02 Farewell My Friend
03 [banter]
04 Foreboding Shapes
05 1994 (it’s a weird world)
06 Subtle Disaster

https://archive.org/details/royalforest2010-05-03.acidjack

Royal Forest
(same source info)
Tracks
1. Civilwarland
2. Battalions
3. Spines Came Unglued
4. Anagrams
5. The Manual That You Wrote
6. Save the Ghost
7. Courtesy in Decline
8. Borrowed Tune (Neil Young)

https://archive.org/details/royalchains2010-05-03.acidjack

Royal Chains
(same source info)
Tracks (please help with the setlist)
01
02 Feedback
03 Lucy Takes the Dare
04 [banter]
05
06
07
08
09 Won’t Back Down [Tom Petty]

Please support all of these excellent bands by visiting their websites and buying their music and merchandise (or in some cases, downloading it for free), as follows:
Websites/MySpace:
Ghastly City Sleep
Royal Forest

Royal Chains

Records/Merchandise:
Ghastly City Sleep
Royal Forest Bandcamp Site (Free Download)

The Royal Chains (EPs are $5)

Galactic: June 3, 2010 Brooklyn Bowl – FLAC and MP3 Downloads

June 5, 2010
By


[Galactic at Roseland in November 2007.  Photos courtesy of Andrew J Fischler]

Galactic made a recent appearance in the HBO series Treme, producer David Simon’s love letter to the culture and resilience of the band’s native neighborhood and their home city of New Orleans.  The episode goes out of its way to point out that although Galactic is a funk band with white members, they are 100% legit.  Spend a night with them, like their kickoff of a three-day run this weekend at Brooklyn Bowl, and you won’t need a TV show to make the case that great music, of any genre, is neither black nor white.  Just ask guest vocalist Corey Glover, who is best known for his work in late-80s/early-90s phenomenon Living Colour, a band that reminded those who had forgotten that rock music is not “white” any more than funk, R&B and soul are “black.”  Along with Glover, the band was joined at various points by NOLA legend Cyril Neville, Corey Henry of the Dirty Dozen Brass Band, and the night’s DJ, Questlove.  Among many high points during the roughly two hour set, the band ripped through some classic rock covers, including Hendrix’s “Fire” and the night’s encore, a bombastic, funked-up version of Led Zeppelin’s “Whole Lotta Love,” and showed off some new material from their NOLA-all-star collaboration, Ya-Ka-May.  The final show of this run is tonight, so get your tickets while you can.

I recorded this set from along the right side wall, about halfway between the stage and the soundboard, with the mics up high to avoid crowd chatter, with my new Schoeps supercardiod microphones.  The result is an excellent capture despite the somewhat challenging placement in the venue.

I would appreciate help with the setlist – although I don’t want to make this a habit, I am still trying to process a long backlog of shows, and getting setlist assistance is a huge help.  The fileset is otherwise properly tagged (both the FLACs and MP3s).  Enjoy!

Download and stream the complete show [HERE].

https://archive.org/details/galactic2010-06-03.acidjeck

Galactic
2010-06-03
Brooklyn Bowl
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced by acidjack exclusively for nyctaper.com

Equipment: Schoeps CMC6/mk41>Edirol R-44 (Oade Concert Mod) (24/44.1)
Position: FOB, ROC, ~11ft up
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, tracking, amplify channels, downsample)>FLAC Level 8

Tracks
01 [venue intro banter]
02
03 [banter]
04
05
06
07
08
09 [banter]
10
11
12 Fire [Jimi Hendrix]
13
14
15
16
17
18
19
20
21 [encore break]
22 Whole Lotta Love [Led Zeppelin]

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Galactic, visit their website, and purchase Ya-Ka-May and their other releases [HERE].

NYCTaper Upcoming Schedule — The Long Hot Summer

June 4, 2010
By

63_taperbird

There are many new additions to the schedule, but it is becoming increasingly difficult for two people to cover the shows that really need to be recorded and featured on nyctaper. The simple reality is that we need more tapers. We are still trying to figure out how to make that happen.

[Below is the updated schedule. We expect to attend and record these events. However, circumstances will prevent some of these from being done, and others will be added in the meantime.]

If you want nyctaper to record your band, a band you represent, a show you’re promoting, or even your favorite band in the world, get me on the list and make sure everyone who needs to approve of the recording gives permission. Also, remember I’m doing this all for free — the recordings, the post-production, the reviews, the links, etc. — so treat me fairly.

2010 Schedule:

Jay Farrar:
June 4, 2010 Maxwell’s Hoboken NJ (acidjack)

Les Claypool:
June 8, 2010 Brooklyn Bowl

This Will Destroy You:
June 8, 2010 Knitting Factory Brooklyn (acidjack)

School of Seven Bells / Arpline:
June 10, 2010 Mercury Lounge NYC

JEFF the Brotherhood:
June 13, 2010 Santos Party House NYC

Warpaint:
June 14, 2010 Mercury Lounge NYC (permission request pending)
PERMISSION DENIED (yeah, really!)

The National / The Antlers:
June 16, 2010 Radio City Music Hall NYC

Melvins:
June 18, 2010 Webster Hall NYC (acidjack)
June 19, 2010 Music Hall of Williamsburg

Eddy Current Suppression Ring:
June 18, 2010 Cake Shop NYC

Tortoise:
June 23, 2010 Le Poisson Rouge NYC (acidjack)

Fiery Furnaces:
June 24, 2010 Maxwell’s Hoboken NJ

Real Estate / Woods:
June 25, 2010 Music Hall of Williamsburg

Liars / F*cked Up:
June 26, 2010 Newtown Barge Park Brooklyn

Memory Tapes / Twin Sister:
June 26, 2010 Music Hall of Williamsburg (acidjack)

Matt Pond PA:
June 27, 2010 Bowery Ballroom NYC (acidjack)

Heartless Bastards:
July 14, 2010 Music Hall of Williamsburg (acidjack)

Thee Oh Sees:
July 16, 2010 South Street Seaport NYC

Deer Tick:
July 19, 2010 Maxwell’s Hoboken NJ

Antlers / Dinosaur Feathers:
July 22, 2010 Pier 54 NYC

Flaming Lips:
July 26, 2010 Central Park Summerstage NYC

The National:
July 27, 2010 Prospect Park Brooklyn (acidjack)

Built to Spill:
July 28, 2010 Irving Plaza NYC

Avi Buffalo:
July 30, 2010 South Street Seaport NYC

Sonic Youth:
July 31, 2010 Prospect Park Brooklyn

Deerhunter / Real Estate:
August 12, 2010 Pier 54 NYC

Benevento Russo Duo:
August 27, 2010 Highline Ballroom NYC

Black Mountain:
August 30, 2010 Knitting Factory Brooklyn

Dirty Projectors / Owen Pallett:
September 11, 2010 Terminal 5 NYC (permission request pending)

Ween:
September 17, 2010 Central Park Summerstage

Belle & Sebastian:
September 30, 2010 Williamsburg Waterfront

Swans:
October 9, 2010 Bowery Ballroom NYC (permission request pending)

The Depreciation Guild: May 25, 2010 Knitting Factory – FLAC and MP3 Downloads

June 2, 2010
By


[The Depreciation Guild at the After the Jump Fest, 2009.  Photo courtesy of Bryan Bruchman]

The Depreciation Guild kicked off Wednesday night at the Knitting Factory – in a week with the NYC Popfest recently completed, and a number of strong shows happening in a holiday week – to celebrate the release of their new record, Spirit Youth. Frontman Kurt Feldman and guitarist Christoph Hoccheim may now be better known for their roles in Slumberland darlings The Pains of Being Pure at Heart (as drummer and touring guitarist), but The Depreciation Guild are much more than a side project, with a more shoegaze-driven sound that has been further refined on Spirit Youth (as compared with their acclaimed first album, In Her Gentle Jaws).  The live show and the new record show what I view as a positive departure from the almost antiseptic gloss of Jaws; though it may sound messier at times, the music, I think has much more heart.

I recorded this set from our standard position at the soundboard cage with the DPA microphones.  Other than a few spots of chatter from disrespectful audience members, the capture is spot on.  Unfortunately, a battery failure mid-set also caused the recorder to lose part of two songs.  With those minor caveats, enjoy!

Download and stream the complete show [HERE].

https://archive.org/details/TheDepreciationGuild2010-05-25.acidjack

The Depreciation Guild
2010-05-25
Knitting Factory
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Edirol R-44 (Oade Concert Mod) (24/44.1)
Position: Clamp to right side of SBD cage, 8′ up, DIN
Mastering: 24bit/44.1kHz WAV>Audacity (set fades, tracking, slight EQ, amplify)>FLAC ( level 8 )

Tracks (thanks to The Depreciation Guild’s management for the setlist help!)
01. My Chariot
02. Crucify You
03. Blue Lily
04. November
05. Trace
06. A Key Turns
07. Spirit Youth [fades out]
08. Through the Snow [fades in]
09. White Moth
10. (banter)
11. Dream About Me

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT The Depreciation Guild, visit their website, and purchase their excellent new album, Spirit Youth, from your favorite retailer.

Natureboy: May 15, 2010 Pianos – Flac and MP3 Downloads

May 31, 2010
By


[photos taken for nyctaper by David Andrako]

Natureboy was fresh off their well-received Truck America Festival appearance when they returned to NYC to play the NYCTaper 3rd Anniversary show a couple of weeks ago. While the late-arriving crowd meant the band played half their set to a handful of people, by the time Sara Kerminshahi grabbed the acoustic guitar for a superb solo rendition of the Dylan-via-Nico classic “I’ll Keep It With Mine”, the room was packed. And lucky for them. Sara’s intense performance was one of the highlights of the evening. The entire Natureboy set was a strong run through a mix of material from their excellent self-titled 2009 debut and two promising new numbers. Natureboy will play a couple of shows in Brooklyn this month, at Zebulon on June 13, and another Kevchino show at Knitting Factory on June 16.

We recorded this set with the same mix as the Dinosaur Feathers set from this night and the sound quality is excellent. Enjoy!

Download and stream the complete show [HERE].

https://archive.org/details/natureboy-2010-05-15.nyctaper

 

Natureboy
2010-05-15
NYCTaper 3rd Anniversary Concert
Pianos
New York, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by nyctaper
2010-05-30

Setlist:
[Total Time 32:22]
01 A Flame
02 Ode to Merry Maid
03 Dither
04 Don’t Worry
05 [new song]
06 Pariah
07 [new song]
08 I’ll Keep It With Mine (Dylan/Nico)

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT Natureboy, visit their MySpace page, and purchase Sara’s self-released debut album by following the links to amazon.com mp3s and Itunes at the Natureboy MySpace page.

SUPPORT NYCTaper




DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.