Posts Tagged ‘ Eric PH ’

Mind Over Mirrors: March 17, 2016 Littlefield

April 14, 2016

[Photos from Le Poisson Rouge by PSquared Photography]

If you saw Tortoise on their most recent tour, I hope you got there early to see the awesome Mind Over Mirrors—a.k.a. Jaime Fennelly and his Indian pedal harmonium. We first saw Mind Over Mirrors back in February 2015 at Union Pool, when Fennelly was collaborating with Haley Fohr adding her distinct vocals to the project. This time around, Mind Over Mirrors is a solo outing, the harmonium combined with sequencers, synthesizers, oscillators, and other sorts of gadgetry. But despite all the electronics, Mind Over Mirrors’ sound is strikingly organic, owing to the harmonium’s unique intonation. This set from last month at Littlefield builds and evolves over nearly thirty minutes, starting off as a quiet drone that morphs into an intricate, whirling piece with overlapping rhythms. Fennelly has been working on new material for a future Paradise of Bachelors release and this set hints at great things to come.

I recorded this set in the same manner as the Tortoise set from the same night. The sound is excellent. Enjoy!

Download: [MP3/FLAC]

Stream:

Mind Over Mirrors
2016-03-17
Littlefield
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

AKG C480B/CK63 (ROC, FOB, PAS) > Roland R-26 > WAV (24/48) > Adobe Audition CC (normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither) > FLAC (16/44.1, level 8)

01. Live at Littlefield [27:44]

Support Mind Over Mirrors: Website | Bandcamp | Buy The Voice Calling from Immune Recordings

Acid Mothers Temple: April 5, 2016 Mercury Lounge

April 11, 2016

By EricPH

The cost of touring being what it is, there aren’t many Japanese bands that make it to the U.S. as frequently as Acid Mothers Temple. Their yearly tour has become ritual, for the band and its audience. NYCTaper has been capturing the band’s New York appearances for the past few years—always a stop on the Lower East Side at Mercury Lounge, and one in Williamsburg at the Knitting Factory. I’m delighted that this year I got to do my part and record the Mercury Lounge show. The “Wake to a New Dawn of Another Astro Era Tour 2016” wraps up next week in Los Angeles, having begun last month in Mexico City. Through the month-long visit, setlists have been fairly consistent and their Mercury Lounge set features most of the songs they’ve been playing, including “La Novia,” “The Wizard,” “Another Nanique Dimension,” “Cometary Orbital Drive,” and of course it wouldn’t be an Acid Mothers Temple show without their signature “Pink Lady Lemonade.” If you’re familiar with Acid Mothers Temple, you know the deal and no further introduction is needed. If this is your initial foray into the Acid Mothers cosmos, welcome aboard.

I recorded this set from our usual location in the venue combined with a board feed from Mercury FOH, Alex. The sound is excellent. Enjoy, and stay tuned for the Knitting Factory set, which we’ll be posting soon.

The Wake to a New Dawn of Another Astro Era Tour 2016 continues! Check here for the remaining Texas and California dates.

Download the complete show at the Live Music Archive.

Stream the complete show:

Acid Mothers Temple
2016-04-05
Mercury Lounge
New York, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Alex Beaulieu) + AKG C480B/CK63 (ROC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [1:26:30]
01. La Novia
02. The Wizard >
03. Pink Lady Lemonade >
04. IAO Chant >
05. Pink Lady Lemonade
06. Blue Velvet Blues >
07. Another Nanique Dimension
08. Cometary Orbital Drive

If you download this recording from NYCTaper, PLEASE SUPPORT Acid Mothers Temple, visit their website, and buy their records here.

Faust: March 30, 2016 Market Hotel

April 6, 2016

By EricPH

[photo by Peter Cauvel]

Difficult. Inscrutable. Brilliant. Faust’s current U.S. tour is leaving concertgoers baffled in every city they’ve visited. Those expecting to hear the greatest hits, a complete performance of Faust IV, or even something simply coherent might be disappointed. But those of us open to the experience, a “happening” as Jean-Hervé Peron calls it, were rewarded with a unique set from the krautrock legends. The band graced us with three local stops on their tour, with one show in Jersey City at WFMU Monty Hall and a two-night stand at Market Hotel. We caught the last of those and it’s really something.

Jean-Hervé Peron is less frontman and more mouthpiece or director of the group, which also includes original member Werner “Zappi” Diermaier, Maxime Manac’h, and Pas Musique. The loose collective has been going since 1971 and surprisingly for a band celebrating 45 years, the past isn’t its focus. After securing blankets for the knitting ladies in front of the stage—and yes, that is a consistent feature of Faust shows on this tour—the band opens with an at least partly improvised drone that segues into the most krautrock-y song they’ll play the entire evening, “Fresh Air.” If you’re timid or maybe approaching Faust for the first time, this track is the place to start. Next is noise-improv and Dadaist poem, “Harlekin,” followed by a song called “Chlorophyll” (probably). “Partitur” is the crowd-participation part of the evening, where all leave the stage save for Zappi on drums, who orchestrates the graphic score. “Tell the Bitch to Go Home” is from a more recent Faust album, Something Dirty, while “Lass Mich” is from the band’s collaboration with Nurse With Wound. “Listen to the Fish” is another latter day Faust classic and then Peron encores with a solo performance of “Cendre” (again, probably). I have to admit that not all made it through to the end of this challenging set. But no one can deny that Faust is a singular band and anyone there to witness this performance won’t soon forget it.

I recorded this set with our installed Audio Technica 4051 mics and a board feed from Market Hotel FOH Jason. The quality is excellent. Enjoy! (Please note: at the band’s request this is offered for streaming only.)

Stream the complete show:

Faust
2016-03-30
Market Hotel
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Jason) + AT4051 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [1:12:57]
01. [Intro]
02. Drone
03. Fresh Air
04. Harlekin
05. Chlorophyll
06. Partitur
07. Tell the Bitch to Go Home
08. Lass Mich
09. Listen to the Fish
10. [encore and band intros]
11. Cendre

Support Faust: Website | Buy Tony Conrad With Faust, Outside the Dream Syndicate via Superior Viaduct

Nick Millevoi’s Desertion Quartet: March 6, 2016 Palisades

March 31, 2016

By EricPH

You may be most familiar with Nick Millevoi as one-half of the two-pronged guitar offensive of the Solar Motel Band. But you may not know that Millevoi leads his own band of psych-jazz merchants, the Desertion Quartet, featuring Jamie Saft (frequent John Zorn collaborator), Ches Smith (whose extensive credits include Marc Ribot’s Ceramic Dog), and Johnny DeBlase (who also plays with Millevoi in Many Arms). Named for Millevoi’s upcoming album, Desertion, the group’s longform instrumentals oscillate between heavy riffage and and free-jazz freakouts. The Quartet opened up for the like-minded Sunwatchers earlier this month and treated the crowd to a preview of that album, which is due out May 20 on Shhpuma. “Desertion and the Arsonist’s Match” was recently written up by NPR and encompasses the breadth of the band’s range; but for my money it’s the eight-minute noise breadown “The Fire That Partially Destroyed City Hall” that’s most compelling. Either way, the players have the credentials and the songs to make Desertion one of this year’s most anticipated releases.

I recorded this set from the stage lip, combined with a board feed from Palisades FOH Ariel. The sound is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Nick Millevoi’s Desertion Quartet
2016-03-06
Palisades
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Ariel) + AKG C480B/CK61 (stage lip) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [31:19]
01. Where They Do Their Capers >
02. Desertion and the Arsonist’s Match
03. Just for a Moment, I Stood There in Silence
04. [banter]
05. The Fire That Partially Damaged City Hall

Support Nick Millevoi’s Desertion Quartet: Website | Preorder Desertion via Bandcamp

Tortoise: March 17, 2016 Littlefield

March 20, 2016

By EricPH

[Photo from Le Poisson Rouge by PSquared Photography]

There are a lot of twentieth anniversaries going around these days: 2016 marks twenty years since Tortoise’s Millions Now Living Will Never Die cemented their place in the annals of indie-slash-post-rock. And the last time the band played New York, it was for Thrill Jockey’s twentieth anniversary show at Webster Hall in 2012.

Tortoise’s return to New York after a four-year absence was a significantly more intimate one, playing the tiny Littlefield in front of a packed, sold-out crowd. And the band didn’t do much looking back, as the set focuses most heavily on their new album, The Catastrophist—their first since 2009’s rock-y Beacons of Ancestorship. While nothing played dates further back than 1998’s TNT, that doesn’t mean Tortoise didn’t play the hits. Ask anyone what their favorite Tortoise album is and you’ll receive a variety of answers, the most likely being Millions… and TNT; however you’re also likely to hear votes for Standards and I’ll go ahead and stump for the underrated (and perhaps maligned) It’s All Around You. Listen to this recording of “Salt the Skies” and then give It’s All Around You another listen if you don’t believe me. Other modern classics played include “Seneca” with it’s signature dual-drummer intro, the slinky “Monica,” and the rocking “Prepare Your Coffin.”

At this point it’s worth mentioning that the Littlefield crowd got to see what could turn out to be the most special moment of Tortoise’s current tour, when the band was joined onstage by Georgia Hubley (of Yo La Tengo fame, of course) to sing “Yonder Blue.” Hubley guests on that track on The Catastrophist and it’s pure geographical luck that the Brooklyn crowd got to experience the collaboration live.

I recorded this set with the AKGs clamped to the soundboard cage, at about 10 feet high. The sound quality is outstanding. Enjoy!

Thanks to Littlefield FOH Todd and the rest of their production team for their help in making this recording happen.

Tortoise are still on tour through at least July and you can see their full listing of dates here.

Download the complete show at the Live Music Archive.

Stream the complete show:

Tortoise
2016-03-17
Littlefield
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

AKG C480B/CK63 (ROC, FOB, PAS) > Roland R-26 > WAV (24/48) > Adobe Audition CC (compression, normalize, fades) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [01:33:45]
01. [Intro]
02. The Catastrophist
03. Prepare Your Coffin
04. Tesseract
05. Monica
06. In Sarah, Mencken, Christ, and Beethoven There Were Women and Men
07. Hot Coffee
08. Gesceap
09. Blackjack
10. At Odds With Logic
11. Gigantes
12. Eros
13. Salt the Skies
14. [encore break]
15. Yonder Blue (with Georgia Hubley)
16. Seneca
17. [encore break]
18. Shake Hands With Danger
19. High Class Slim Came Floatin’ In

Support Tortoise: Website | Facebook | Buy The Catastrophist and more via Thrill Jockey

Alan Licht: March 4, 2016 Saint Vitus

March 16, 2016

By EricPH

[photos by PSquared Photography]

Since 2011, Alan Licht has been playing guitar in Lee Ranaldo’s backing band, The Dust. For someone normally associated with the downtown No Wave and Minimalist set, The Dust has been an outlet for Licht to play song-oriented guitar rock. His recent album, Currents, splits the difference between experimental and rock music, blending minimalist and melodic solo guitar work into one of the most compelling solo-guitar records of the last few years.

Last week at Saint Vitus, opening for Rangda (that recording here), Licht devoted most of his set to tracks off Currents, adding a special cover that he has only recently begun playing solo. Openers “Riding on the S’s” and “First Love, Haleema” recall Licht’s guitar work with The Dust, and accomplish what even the most seasoned guitar players have difficulty doing: creating a narrative without words. Those tracks are followed by “Raw Deal” and the album-closer, “(Thems the) Breaks,” which despite their titles manage not to sound like downers.

For his closing piece, Licht looks back to his performance at the 2004 No Fun Fest (where he and band were billed as Alan Licht’s 1970), for a fifteen-minute explorative composition based on The Stooges’ “1970.” What begins as an earnest cover with that most-recognizable riff, wanders into a thematic meditation on that tune before returning back to the original. While I normally expect some audience chatter to seep in to a solo guitar set, in this recording you can almost feel the crowd’s collective breath held for the length of Licht’s set. The performance of this Stooges—and Licht—classic tops off an already excellent set.

I recorded this set from our usual location at Saint Vitus, the room mics combined with a board feed from FOH Nick. I mixed those two sources, favoring the room sound. The quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Alan Licht
2016-03-04
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Nick) + AKG C480B/CK61 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, compression, normalize, fades) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [35:57]
01. Riding on the S’s
02. First Love, Haleema
03. [banter]
04. Raw Deal
05. (Thems the) Breaks
06. 1970 [The Stooges]

Support Alan Licht: Buy Currents via VDSQ

Sunwatchers: March 6, 2016 Palisades & March 11, 2016 The Studio at Webster Hall

March 13, 2016

By EricPH

Sunwatchers’ self-titled debut record was unleashed on unsuspecting turntables everywhere last week, via Castle Face Records. In celebration, the band embarked on a short tour bookended by two hometown shows: March 6th at Palisades for a late night vegan chili- and alcohol-fueled set, then March 11th opening for Yonatan Gat at the Studio at Webster Hall. We caught up with Sunwatchers for both.

The Palisades recording captures the band playing to an audience of friends and family who know what to expect from their jazz-psych excursions. Most of the record’s cuts are represented here, with a couple non-album additions: “There Are Weapons You Can Take to School” and “New Dad Blues.” For the raucous denouement of “Ape Phases” and “Moonchanges,” Sunwatchers are joined by Sam Kulik on trombone and Jesse DeRosa on trumpet to round out the brass section.

Meanwhile, their Studio at Webster Hall set finds the band among an audience who may not know Sunwatchers yet; but opening for Yonatan Gat, the open-minded had their minds opened indeed. For the shorter opening slot, Sunwatchers pared down to the essentials with album-opener “Heard of Creeps,” “For Sonny,” and “Moonchanges,” plus newcomer to their repertoire, “New Dad Blues.”

I recorded the Palisades set from the stage lip, combined with a board feed from Palisades FOH, Ariel, while Acidjack recording the Studio at Webster Hall set from our usual location at the soundboard with a board feed from the Studio’s FOH, John. The recordings each sound fantastic, presenting different shades of Sunwatchers—I highly recommend both.

Sunwatchers will be back in Brooklyn on March 22, at The Living Gallery. More info here.

Download the Palisades show at the Live Music Archive

Download the Studio at Webster Hall show at the Live Music Archive

Stream the Palisades show:

Stream the Studio at Webster Hall show:

Sunwatchers
2016-03-06
Palisades
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Tracks [59:17]
01. [Intro]
02. Herd of Creeps
03. [banter]
04. For Sonny
05. [banter]
06. There Are Weapons You Can Bring to School
07. [tech break]
08. New Dad Blues
09. [banter]
10. White Woman
11. [banter]
12. Ape Phases
13. [banter]
14. Moonchanges

Sunwatchers
2016-03-11
Studio at Webster Hall
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (at SBD, DFC, PAS) + Soundboard (engineer: John)>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust balance of SBD, adjust levels)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Herd of Creeps
02 For Sonny
03 [banter]
04 New Dad Blues
05 Moonchanges

Support Sunwatchers: Facebook | Bandcamp | Buy Sunwatchers via Castle Face

Rangda: March 4, 2016 Saint Vitus

March 8, 2016

By EricPH

[photos by PSquared Photography]

When the first Rangda record, False Flag, arrived in 2010, it was a transmission out of the multiverse—from an alternate reality where Corsano, Bishop, and Chasny wielded their instruments for evil instead of good. The roaring cacophonies bore titles like “Waldorf Hysteria,” “Bull Lore,” “Fist Family,” “Sarcophagi,” and “Serrated Edges” (to literally list in order the first five of the six songs on that record), ensuring that Rangda was not for the psych-tourist or those with pacemakers. At the time, who knew if these three could sustain this cosmic energy, or even find overlap in three busy touring schedules to make Rangda more than a one-off supergroup.

Two albums later, even if they aren’t the most prolific band out there, Rangda is sticking around. 2012’s Formerly Extinct softened their approach only slightly, trading in the instrumental clash for interlocking rhythms and something resembling rock songs. Their latest, The Heretics Bargain, continues on that trajectory, making Rangda downright palatable. Songs like “The Sin Eaters” and “Spiro Agnew” sound upbeat, anthemic even. But if the album itself isn’t proof Rangda is drawing the newly-initiated, last week saw the band play their largest yet NYC venue and crowd, with a set focused most-heavily on Formerly Extinct and the new material.

False Flag is here represented by the sole “Bull Lore.” Formerly Extinct by “Majnun,” “Silver Nile,” “Idol’s Eye,” “The Vault,” and “Plugged Nickel.” From The Heretic’s Bargain, it’s “The Sin Eaters,” “To Melt the Moon,” “Spiro Agnew,” and the song nearly as long as its title, “Mondays Are Free at the Hermetic Museum.” For opening night of their tour, the band is on fire. I can only imagine the many realities ahead.

Rangda may be coming to your very hometown! Full tour dates over at Drag City.

Download the complete show: [MP3/FLAC]

Stream the complete show:

Rangda
2016-03-04
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Nick) + AKG C480B/CK61 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, compression, normalize, fades) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [56:36]
01. Majnun
02. The Sin Eaters
03. Bull Lore
04. [tuning]
05. To Melt the Moon
06. Silver Nile
07. [tuning]
08. Idol’s Eye
09. Spiro Agnew
10. [tuning]
11. The Vault
12. [tuning]
13. Plugged Nickel
14. [tuning]
15. Mondays Are Free at the Hermetic Museum

Support Rangda: Buy The Heretic’s Bargain and other records from Drag City

Mary Lattimore and Dave Mies: February 7, 2016 Trans-Pecos

February 24, 2016

By EricPH

I might’ve had one of the quietest ever Super Bowl Sundays this year, having spent the afternoon at Trans-Pecos for a bill featuring a Matt Valentine solo set, another solo set from Samara Lubelski, and a duo set from experimental harpist Mary Lattimore and Dave Mies, one-half of Tall Firs. For a self-described “depressy guy,” Mies’s songs aren’t nearly the downers the lyrics might suggest. Instead, his overpowering-yet-delicate vocals and quietly strummed guitar produce songs that you feel you could wrap yourself in like blankets. Paired with Lattimore’s harp, the two instruments form a dialog that belies the isolation of the lyrics. Besides a cover of Townes Van Zandt’s “Nothin'” and the Tall Firs tune “Winter Wind” (off last year’s excellent Ghostlight Ensemble), the set is a batch of entirely new songs that will nonetheless sound pretty familiar if you’ve been following along with Tall Firs. One can only hope they’ll see release soon in some form, whether as a Tall Firs record or something else entirely. In the meantime, there’s still some winter left for you to get warm and depressy with this recording.

I recorded this set from the stage lip at Trans-Pecos, with the mics also picking up the vocals from the monitors. As usual for a quiet set like this there’s some ambient noise, but nothing too distracting. Overall the sound is excellent. Enjoy!

Mary Lattimore will be back at Trans-Pecos on March 4 for a record release show. All upcoming dates are here.

Stream and Download via Bandcamp:
<a href="http://nyctaper-official.bandcamp.com/album/live-at-trans-pecos-2016-02-07">Live at Trans-Pecos 2016-02-07 by Dave Mies & Mary Lattimore</a>

Mary Lattimore and Dave Mies
2016-02-07
Trans-Pecos
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

AKG C480B/CK61 (stage lip) > Roland R-26 > WAV (24/48) > Adobe Audition CC (limiter, compression, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [26:09]
01. [Intro]
02. Not My Friend
03. 69
04. Nothin’ [Townes Van Zandt]
05. 55 Watts
06. Winter Wind
07. [banter]
08. Scratch
09. [banter/tuning]
10. I Give Up

Support Tall Firs: Facebook | Website | Buy Ghostlight Ensemble via Amazon

Support Mary Lattimore: Website | Buy Luciferin Light via Bandcamp | Buy Slant of Light (with Jeff Zeigler) via Thrill Jockey

SAVAK: January 22, 2016 Union Pool

February 17, 2016

By EricPH

It was sad news last year when Obits announced their dissolution. Fortunately we were there for their second-to-last NYC performance, at Brooklyn Night Bazaar back in November 2014. It goes without saying that Obits will be missed. However, Obits alums Sohrab Habibion (also ex-Edsel) and Greg Simpson weren’t quiet for very long. Only a month after that announcement, Habibion and Simpson debuted their new band, SAVAK, having recruited a veritable who’s-who of nineties and aughts indie rock: Michael Jaworski (The Cops, Virgin Islands); James Canty (The Make-Up, Nation of Ulysses); and Matt Schulz (Enon, Holy Fuck); plus Greg Vegas (Hat City Intuitive, Monsterland) guesting on saxophone. SAVAK recently completed the recording of Best of Luck in Future Endeavors, which will be released on Comedy Minus One in late May. I conned my way into a sneak preview of the mastered album—why else tape shows if not for the graft?—and I assure you, this one’s a keeper.

In anticipation of the upcoming record, we made it out for a snowy evening with SAVAK at Union Pool where we were treated to a performance of much of the Best of Luck in Future Endeavors, plus a cover of MDC’s “I Remember.” If I were to make comparisons I’d feel pretty confident making the obvious one to Sohrab Habibion’s classic nineties band Edsel. Additionally, SAVAK channels I.R.S.-era R.E.M., especially on the standout track “Reaction.” The rest of the set will have you shaking in your desk chair in no time, so let this tide you over until the album release.

SAVAK’s next scheduled show is at the Bell House on May 11, with Kid Congo Powers & The Pink Monkeybirds. Tickets are on sale.

I recorded this set from our usual location at Union Pool, the room mics combined with a board feed from FOH Robert. I mixed those down and then Sohrab provided some additional mastering. The results are excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

SAVAK
2016-01-22
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH
Mastered by Sohrab Habibion

Soundboard (engineer: Robert) + AKG C480B/CK61 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, compression, mixdown, normalize, fades) > Izotope Ozone 5 (EQ) > Mastering > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [37:27]
01. Split Decision
02. Alive in Shadows
03. They Are Bones
04. Reaction
05. This Currency Exchanged
06. Elapsed Remaining
07. Drop the Pieces
08. Sick of War
09. Early Western Traders
10. Call It a Night
11. I Remember [MDC]

Support SAVAK: Website | Facebook | Comedy Minus One

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Posts Tagged ‘ Eric PH ’

Mind Over Mirrors: March 17, 2016 Littlefield

Acid Mothers Temple: April 5, 2016 Mercury Lounge

Faust: March 30, 2016 Market Hotel

Nick Millevoi’s Desertion Quartet: March 6, 2016 Palisades

Tortoise: March 17, 2016 Littlefield

Alan Licht: March 4, 2016 Saint Vitus

Sunwatchers: March 6, 2016 Palisades & March 11, 2016 The Studio at Webster Hall

Rangda: March 4, 2016 Saint Vitus

Mary Lattimore and Dave Mies: February 7, 2016 Trans-Pecos

SAVAK: January 22, 2016 Union Pool

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