Posts Tagged ‘ manhattan ’

Vetiver: September 13, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

September 21, 2011
By

Vetiver-010
[Photos courtesy of JC McIlwaine.  Check out his photography page here.  More of his Fruit Bats concert photos, and a review of the show, are available at Bowery Ballroom’s “House List” site here]

It’s hard to have a truly great time at a concert without a headliner that kills it.  But an almost-equal treat is catching an opener that you haven’t seen on tour before, whose music you don’t really know, and who equals or even surpasses the headliner.  Such was the case with this nearly co-headlining (in terms of length) set by the San Francisco band Vetiver, who opened the Bowery Ballroom for the Fruit Bats (that recording here). In fairness, the bands aren’t entirely separate entities; Fruit Bats frontman Eric Johnson has also played in Vetiver, and joined them during this show for “I Must Be In A Good Place Now.”  But despite the range of collaborators (which also include Devendra Banhart, Joanna Newson, Hope Sandoval and Johnson), Vetiver is first and foremost the brainchild of songwriter Andy Cabic, who has been performing with this band since 2004. Utilizing elements of the breezy, 60s-inspired sound big these days among the likes of Kurt Vile and the War on Drugs (and tagged, like anything even vaguely so, with the prefix “psych-“), and more traditional Americana and roots music (“Wishing Well” could just about be the Grateful Dead), Cabic’s songs are well-crafted and timeless in the best of ways. “Can’t You Tell”, from the band’s latest, The Errant Charm, is beautifully paced, riding a bouncy organ riff and head-bobbing backbeat.  I was also instantly charmed by “It’s Beyond Me”, another track from the new record, a slow-burner that manages to have a deliciously anthemic feel despite never cranking the volume to 11.  You can imagine Vetiver fitting in well in a lot of different settings – with various permutations of the indie set, with the folk crowd, with the Wilco fans – but this combo with the Fruit Bats was a particularly strong one, making for a perfect night of music.  The Fruit Bats closed it out strong, but it wouldn’t have been possible without Vetiver.

I recorded this set with a soundboard feed and the DPA microphones, and the resulting pull is even better than the Fruit Bats recording. Enjoy!

Stream “It’s Beyond Me”
[audio:https://www.nyctaper.com/V0913Vetiver0211/vetiver2011-09-13bowery_acidjack-07.mp3]

Stream “Can’t You Tell”
[audio:https://www.nyctaper.com/V0913Vetiver0211/vetiver2011-09-13bowery_acidjack-13.mp3]

Direct download of MP3 files [HERE] | Direct download of the FLAC files [HERE]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Vetiver
2011-09-13
Bowery Ballroom
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Soundboard + DPA 4021>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (EQ, effects, mixdown, smooth peaks, amplify and balance, downsample to 44.1kHz)>Audacity (tracking)>FLAC ( level 8 )

Tracks
01 Wonder Why
02 Streets of Your Town [Go-Betweens]
03 Strictly Rule
04 Hard to Break
05 Right Away
06 Everyday
07 It’s Beyond Me
08 You May Be Blue
09 I Must Be In A Good Place Now*
10 [banter]
11 Rolling Sea
12 Wishing Well
13 Can’t You Tell
14 More of This

* w/ Eric Johnson from Fruit Bats

If you enjoyed this recording, PLEASE SUPPORT Vetiver, visit their website, and purchase their official releases from Sub Pop Records at its online store [HERE]

Fruit Bats: September 13, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

September 20, 2011
By


[Photos courtesy of JC McIlwaine. Check out his photography page here. More of his Fruit Bats concert photos, and a review of the show, are available at Bowery Ballroom’s “House List” site here]

What a pleasure it is to see a band that knows what it wants, does it well, and draws a wide audience while doing it.  The Fruit Bats, another of several Chicago bands to be on the site of late, manage the difficult feat of making upbeat, canny music that is familiar but wholly their own.  “That was like a little bit of Bowie, a little bit of David Byrne and I think like a little bit of Dave Matthews… and a whole lot me” band founder, frontman and leading light Eric Johnson says as the finish the song “Dolly” early in this Bowery Ballroom set.  And while he’s being a bit self-effacing (as Johnson often is), the kernel of truth there is apparent in the band’s live show.  Johnson’s sweet voice and Midwestern affability, combined with his natural ear for the pop hook, make the Fruit Bats a very approachable band, one that reminds you of the good things you like about your favorites, and maybe music in general.

The band was back at Bowery touring behind their new release, Tripper, which follows 2009’s The Ruminant Band.   TRB was considered a high watermark for the band, with some outstanding songs that were represented on this night like “Feather Bed” (which recalls a young Elton John as much as anything I’ve seen in awhile), “Joy To the World” (performed this night as a solo number), and “Flamingo.”  But based on their live renditions, it is to early to sell the new record short, either – witness “Tangle and Ray” or “Heart Like An Orange” for example, which hold their own with anything in the band’s catalog.  Although the Fruit Bats are essentially a Johnson solo project in terms of the recorded output, his touring outfit plays together like a veteran band, with the casual competence that comes from years of working together.  Johnson’s good-natured crowd banter, and the introduction (for many of us) of the new songs made for an excellent night.

I recorded this set with a soundboard feed provided by the Fruit Bats’ sound engineer, together with DPA microphones.   The results are, as usual with Bowery, excellent.  Enjoy!

The Vetiver set was also recorded and will be posted soon.

Stream “Heart Like An Orange”
[audio:https://www.nyctaper.com/F9310FruitBats0211/fruitbats2011-09-13bowery_acidjack-04.mp3]

Stream “Flamingo”:
[audio:https://www.nyctaper.com/F9310FruitBats0211/fruitbats2011-09-13bowery_acidjack-13.mp3]

This recording is now available for download in FLAC or MP3 at Archive.org [HERE].

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Fruit Bats
2011-09-13
Bowery Ballroom
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Soundboard + DPA 4021>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (EQ, effects, mixdown, smooth peaks, amplify and balance, downsample to 44.1kHz)>Audacity (tracking)>FLAC ( level 8 )

Tracks
01 [intro]
02 The Blessed Breeze
03 Tony the Tripper
04 Heart Like An Orange
05 [banter]
06 Dolly
07 [banter]
08 Lives of Crime
09 Feather Bed
10 Tangle and Ray
11 Being On Our Own
12 Singing Joy to the World
13 Flamingo
14 Legs of Bees
15 Primitive Man
16 Tegucigalpa
17 When You Love Somebody
18 [encore break]
19 You’re Too Weird
20 The Ruminant Band

If you enjoyed this recording, PLEASE SUPPORT Fruit Bats, visit their website, and purchase their records from their online store [HERE]

White Fence: August 13, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

August 30, 2011
By

White Fence
[photo by Maryanne Ventrice]

One of the real joys of seeing live shows is seeing an opening band that just blows you away. That was the case with this opening set from White Fence on a stacked Bowery Ballroom bill led by NYCTaper favorites Woods. White Fence’s records are the solo effort Tim Presley, who also does time in the Strange Boys and Darker My Love, so for this show his backing band consisted of Nick Murray on Drums, and two members of Woods (Jarvis and Kevin), who handled Presley’s material as capably as if it were their own. Presley brings a Dylanesque vocal turn to his garage-psych songs, but the laid-back vibe of the songs doesn’t mean the playing isn’t also top notch, particularly Presley’s guitar work. The band’s entire set brought the rapidly-packing room to peak energy level, climaxing with jammed-out version of “Sticky Fruitman Has Faith” that was worthy of the night’s headliner in its ambitious scope. Whatever Presley’s other commitments musically, I hope he makes this project a priority, as White Fence is a can’t-miss band on any bill they’re on.

We recorded this set in the same manner as the Woods set, and the results are similarly outstanding. Enjoy!

Stream “The Love Between”:
[audio:https://www.nyctaper.com/W0813WhiteFence0211/03 The Love Between.mp3]

Stream “Sticky Fruitman Has Faith”:
[audio:https://www.nyctaper.com/W0813WhiteFence0211/15 Sticky Fruitman Has Faith.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

White Fence
2011-08-13
Bowery Ballroom
New York, NY USA

6-Channel Multitrack Digital Master Recording
Recorded by nyctaper and acidjack
Produced by acidjack

Soundboard + Neumann KM150 + DPA 4021>Sound Devices USBpre2 >> Tascam DR680>6x24bit/48kHz WAV>Audition (mixdown, EQ)>Audacity (tracking, set fades, amplify and balance)>FLAC ( level 8 )

Tracks
01 Mr. Adams>
02 Who Feels Right
03 The Love Between
04 Baxter Corner
05 [banter]
06 Be Right Too
07 When There Is No Crowd
08 Growing Faith
09 Enthusiasm
10 Harness
11 Lillian (Won’t You Play Drums?)
12 Get That Heart
13 [banter]
14 Sara Snow
15 Sticky Fruitman Has Faith

If you enjoyed this recording, PLEASE SUPPORT White Fence, visit his MySpace page, and purchase his latest record Is Growing Faith directly from Woodsist records [HERE]

Joan of Arc: August 10, 2011 Mercury Lounge – FLAC and MP3 Downloads + Streaming Songs

August 27, 2011
By

joa2011-08-10-2
[Photo by acidjack]

Whether you find Joan of Arc frustrating or incredible is likely to come down to your overall view of what rock music is about: If you hold the attitude of “I am here, you must entertain me with classics and catchy tunes”, you are likely to be in the former camp.  You’re also probably that person that customizes every dinner order beyond recognition. A sauce-on-the-sider, if you will. People like you would do well to avoid bands like Joan of Arc, who tend to reward the other type of listener, who enjoys being challenged, who enjoys taking in the breadth of an artist’s vision, and who would rather see something new than something familiar.

Which is not to say that this set by Tim Kinsella’s main project of the past 15 years was not thoroughly entertaining. Kinsella, who made his name in Cap’n Jazz before that band split up (other than their brief reunion last summer that we recorded HERE and HERE), can put on a fierce live show, and keep some wacky stage banter in the mix as well. Eschewing emo-or-whatever-you-call-it tradition, Joan of Arc’s set is heavy on variety – a short burst of almost-pure pop here, a lengthy instrumental there. This set had both, as well as encore songs from another Kinsella side project, Owls. The band’s virtuosity couldn’t be denied – they rocked, time signature or structure-of-the-moment be damned. Songs thrive on dense, angular riffs and plaintive vocals. The resulting recording is a thing of beauty as well – as clear an indication if there ever was one that a small club, excellent sound engineer (Kevin, as usual) and band that knows what they’re doing is an unbeatable combination.

Kevin’s soundboard feed blended perfectly with the Schoeps supercardiod microphones, and the resulting recording is clear, crisp and excellent. Enjoy!

Stream “Every Day I Saw Was the Same Face [Owls]”:
[audio:https://www.nyctaper.com/J8010JoanofArc2011/13 Every Day I Saw Was the Same Face.mp3]

Stream “I Saw the Messed Blinds of My Generation”:
[audio:https://www.nyctaper.com/J8010JoanofArc2011/08 I Saw the Messed Blinds of My Generation.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Joan of Arc
2011-08-10
Mercury Lounge
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Soundboard + Schoeps Mk41>CMC6 >> Edirol R-44 [Oade Concert Mod] (24/48)
Position: ROC, at soundboard, mics at 7.5′
Mastering: 2x24bit/48kHz WAV>Audacity (mix down, set fades, tracking, amplify and balance, downsample)>FLAC ( level 8 )

Tracks:
01 Night Life Style
02 Howdy Pardoner
03 Still Life
04 Let’s Wrestle
05 Who’s Afraid of Elizabeth Taylor?
06 On A Bedsheet In the Breeze on the Roof
07 [instrumental]
08 I Saw The Messed Blinds of My Generation
09 Love Life
10 [banter]
11 Like Minded
12 [long banter]
13 Every Day I Saw Was the Same Face [Owls]
14 [banter]
15 Anyone Can Have A Good Time [Owls]
16 My Summerlong High Wipeout

If you enjoyed this recording, PLEASE SUPPORT Joan of Arc, visit their website, and purchase their products and releases from their online store [HERE]

Deerhunter: August 23, 2011 Webster Hall – FLAC and MP3 Downloads + Streaming Songs

August 25, 2011
By

deerhunter ventrice
[Photo by Maryanne Ventrice]

The first show I saw by the ultra-talented recording artist Bradford Cox was an Atlas Sound set at the ATP New York music festival in 2009. It was a disaster. Consisting mostly of pedal troubles and tuning woes that took up more than half the set, with Bradford apologizing profusely, it didn’t live up to the promise of the recorded material. So, despite the unique, compelling sound of Bradford’s records, I was reluctant about the live show – even though both Deerhunter and Atlas Sound have been featured on this site many times (albeit not my recordings).

This Deerhunter show at Webster Hall erased my doubts – and made me kick myself for not going to see this band sooner. This show was one of the best I have seen this year, with Bradford confidently, brilliantly owning his instrument, his voice, and the stage. Deerhunter is rock music – popular(ish) rock music, at least – at its bleeding edge, where Radiohead used to be, creating an entirely new sound from the tools that have (mostly) been there for rock’s 40+ years. This show kicked off with the anthemic “Fluorescent Grey”, featuring original bandmember Colin Mee, who stuck around for the first five songs. The band spent the entire show bathed in green light, with Cox commanding a visceral torrent of sound. The band’s live sound feels like a living, breathing thing – an alien form that surges, crackles, crinkles and trills. The band’s best songs on this night were otherworldly: “Nothing Ever Happened” morphed into an extended jam, with Cox melding in some of Patti Smith’s “Land”. “Twilight at Carbon Lake”, closing the main set, held us in rapture. Almost the entire show was seamless, with extended guitar loops and chirps filling in between songs. The show ended with “Calvary Scars II”, which bled into an extended loop that terminated as the lights went up.

As this show ended, I understood what had happened at ATP a few years ago. Cox may not always be perfect – someone as prolific, as ambitious as he is almost can’t be. But he is the kind of artist whose excesses must not only be tolerated, but celebrated – this creator needs every encouragement we can give him to create and succeed. And when he does succeed, you get a night like this night: phenomenal.

I recorded this set from the center of the floor with the DPA microphones. I spent a great deal of time post-processing and was rewarded with an excellent recording than is free of unnecessary crowd chatter almost throughout. No recording can match the experience of being at a show like this – but turn this up, and you might get close. Enjoy!

Stream “Nothing Ever Happened”:
[audio:https://www.nyctaper.com/D9090Deerhunter8282/11 Nothing Ever Happened.mp3]

Stream “Earthquake”:
[audio:https://www.nyctaper.com/D9090Deerhunter8282/07 Earthquake.mp3]

Direct download of MP3 files [HERE]

Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Deerhunter
2011-08-23
Webster Hall
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

DPA 4021>Edirol R-44 [Oade Concert Mod]>24bit/48kHz WAV>Audition (EQ, effects, parallel compression, downsample to 44.1kHz)>Audacity (tracking, fades, amplify and balance, downsample to 16bit)>FLAC (level 8 )

Tracks [Total Time 1:30:31]
01 Fluorescent Grey
02 Intro>
03 Cryptograms
04 White Ink
05 Lake Somerset
06 [banter]
07 Earthquake
08 Don’t Cry
09 Revival
10 Never Stops
11 Nothing Ever Happened
12 Twilight at Carbon Lake
13 [encore interlude]
14 Desire Lines>
15 Calvary Scars II

If you enjoyed this recording, PLEASE SUPPORT Deerhunter, visit their MySpace page, visit the band blog, visit the Halcyon Digest page, and purchase Halcyon Digest from 4AD Records [here].

Woods: August 13, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Full Set

August 24, 2011
By

Woods Bowery Ventrice
[Photo by Maryanne Ventrice]

We caught Woods this summer in the unlikely Northside Festival venue of St. Cecilia’s Roman Catholic Church (that recording here), but it was an equally special treat to see them play the best-sounding venue in Manhattan, Bowery Ballroom. Although the set hewed fairly closely to what we saw back in June, no two Woods shows are alike, and indeed, the jam-heavy favorites “Bend Beyond” and “I Was Gone” took different directions than they did back at St. Cecilia’s. We also got a huge treat in the form of the band’s cover of the Graham Nash tune “Military Madness” as their final song. As at St. Cecilia’s, the band added an organ player to give them a bigger, more psychedelic sound, and the Bowery’s sound system was mixed to perfection.

Befitting the high quality sound in the room, we came out with a lot of high quality gear to record this show, including a soundboard feed and two sets of mics. The result is undoubtedly our best recording of Woods to date. Enjoy!

Download the complete show: [FLAC]

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Woods
2011-08-13
Bowery Ballroom
New York, NY USA

6-Channel Multitrack Digital Master Recording
Recorded by nyctaper and acidjack
Produced by acidjack

Soundboard + Neumann KM150 + DPA 4021>Sound Devices USBpre2 >> Tascam DR680>6x24bit/48kHz WAV>Audition (mixdown, EQ)>Audacity (tracking, set fades, amplify and balance)>FLAC Level 8

Tracks
01 [intro]
02 Pushing Onlys
03 Suffering Season
04 Blood Dries Darker
05 Bend Beyond
06 Rain On
07 Be All Be Easy
08 Say Goodbye
09 Find Them Empty
10 To Clean
11 I Was Gone
12 [encore break]
13 Military Madness [Graham Nash]

If you download this recording from nyctaper, we expect that you will PLEASE SUPPORT Woods, visit their website, and purchase their official releases, including Sun and Shade, from Woodist Records [HERE].

Implodes: August 10, 2011 Mercury Lounge – FLAC and MP3 Downloads + Streaming Song

August 22, 2011
By

implodes
[Photo by acidjack]

Implodes, it must be said, aren’t a very “summer-y” band, so it’s a good thing I caught their opening set for Joan of Arc in the dark, air-conditioned confines of Mercury Lounge. Hot on the heels of their debut release on Kranky Records, Black Earth, the band appeared to be eager to move past that new material into even more uncharted musical territory. This set boasted a number of brand-new songs, but the Black Earth material made for a good jumping-off point, as the band opened with that album’s three leadoff tracks. Implodes tunes have a cosmic sweep to them, with airy lead guitar riffs soaring above a foreboding, dense backbeat. Vocals, where used, are sung with the reverb on high, adding to the ghostly, atmospheric quality of the songs. Some songs abandon traditional melodic structure entirely and shift into ambient territory, echoing some of the band Mogwai’s more subtle interludes. That said, Implodes are not toying with the loud-soft dynamic in the way that some other successful post-rock acts do; their songs focus more on sustaining a level of tension throughout, without the cataclysmic release of, say, an Explosions in the Sky tune. Several of the new songs, none of which I knew the titles to, were particularly strong, indicating that the promise of Black Earth is only the beginning for this young band.

I recorded this set with a soundboard feed of the usual high-quality house mix from Kevin of Mercury Lounge, coupled with the Schoeps supercardiod microphones. The recording is outstanding. Enjoy!

Joan of Arc was recorded and will be posted in the next few days.

Stream “Marker”:
[audio:https://www.nyctaper.com/I8010Implodes1120/02 Marker.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Implodes
2011-08-10
Mercury Lounge
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps Mk41>CMC6 + Soundboard >> Edirol R-44 [Oade Concert Mod] (24/48)
Position: ROC, at soundboard, mics split 1′, PAS
Mastering: 2x24bit/48kHz WAV>Audition (effects, mixdown)>Audacity (set fades, tracking, amplify and balance)>FLAC (level 8 )

Tracks
01 Open the Door
02 Marker
03 White Window
04 [banter]
05 [unknown]
06 [tuning]
07 Screech Owl
08 [unknown]
09 [banter]
10 [unknown]

PLEASE SUPPORT Implodes, like them on facebook, and purchase Black Earth directly from Kranky [HERE]

Lucero: July 23, 2011 Mercury Lounge – FLAC / MP3 Downloads + Streaming Samples

August 12, 2011
By


[At the March 2010 Music Hall of Williamsburg show.  Photo by Johnny]

A few years ago I saw a Lucero concert for the first time and was promptly blown away.  With their amalgam of southern rock, alt country and punk, I assumed that seeing them perform in a small bar-type venue in close proximity to a drunken, unruly horde would be where they would truly shine and the pinnacle of seeing them live.  Suffice to say, I got my wish.  When a little bird told me that a band called Nobody’s Darlings booked for a particular Saturday night at Mercury Lounge was, in fact, going to be a “secret” show by Lucero, I grabbed tickets as soon as they went on sale.  Judging by the throng that showed up that night, it obviously didn’t stay a secret.  Being in the midst of the Warped Tour, the band was eager to stretch its collective legs and play a longer and more varied setlist than they had been doing.  The crowd, wanting a good time and obviously as excited to see the band as I was, gave the boys a hero’s welcome.  And Lucero didn’t disappoint.  Including songs from nearly all of their albums, they also threw in a handful of new tracks as a preview of their next disc, slated for release early next year.  Put it all together and the concert was everything I had imagined it would be.

With Lucero’s engineer, Justin, joining always-excellent house engineer, Kevin, at the controls, the sound was perfectly dialed in for the show.  Our mics, flying dead-center in the venue, combined with a soundboard feed has resulted in a superb recording.  I hope you like what you hear as much as I did.  Enjoy!

Special thanks to Lucero and Brian Schwartz for making this recording possible, and to Jay Belin and the Mercury Lounge team for their courtesy and cooperation.

Stream “That Much Further West”:
[audio:https://www.nyctaper.com/L2006Lucero9020/Lucero_-_That_Much_Further_West.mp3]
Stream “
Drink ‘Till We’re Gone“:
[audio:https://www.nyctaper.com/L2006Lucero9020/Lucero_-_Drink_Till_Were_Gone.mp3]

Direct download of the complete show in MP3 [HERE]

Direct download of the complete show in FLAC [HERE]

If either of the links are no longer working, email nyctaper with a request for the download location of the files.

Lucero
(billed as Nobody’s Darlings)
Saturday, July 23, 2011
Mercury Lounge
New York, NY, USA

Source: SBD + AKG C 414 B-XLS’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > USB > PC > Adobe Audition (mixdown, adjust levels, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > Trader’s Little Helper (check/fix SBE’s, FLAC) > FLAC Level 8
Lucero’s sound engineer: Justin
Mercury Lounge house engineer: Kevin
Recorded and produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:42:10]
01. [intro]
02. That Much Further West
03. Can’t Feel a Thing
04. Nights Like These
05. What Else Would You Have Me Be?
06. [banter]
07. Across the River
08. Like Lightning
09. Goodbye Again
10. A Dangerous Thing
11. Joining the Army
12. Last Night in Town
13. [banter]
14. Sixes and Sevens
15. [banter / whiskey break]
16. Chain Link Fence
17. Sounds of the City
18. It May Be Too Late
19. Women and Work
20. Darken My Door
21. [banter]
22. Drink ‘Till We’re Gone
23. [banter]
24. The Last Pale Light in the West
25. [banter]
26. Mom
27. [banter]
28. All Sewn Up
29. [encore break]
30. Fistful of Tears
31. [banter]
32. Hold Fast
33. [outro / A message from John C.]

If you download this recording, we expect that you will PLEASE SUPPORT Lucero, visit their website, visit their MySpace and Facebook pages, and purchase their official releases and merchandise [HERE].

Heartless Bastards: July 24, 2011 Mercury Lounge – FLAC and MP3 Downloads + Streaming Songs

August 1, 2011
By

HB ML
[Photo by acidjack]

It’s hard not to like the Heartless Bastards.  They’re one of those bands that never lets you down performance-wise, that’s always on their game, that always gives their fans something special.  This pair of shows at Mercury Lounge (our recording of night 1 here) certainly qualifies as that, as the band played these sets in “acoustic” (but really just sans-drummer) mode, and showed off considerable new material.  The most immediate effect of going drummerless was to focus even more attention on lead vocalist Erika Wennerstrom’s old-soul voice.  The opening lines of one of my Bastards favorites, “Done Got Old” proved she can carry a show without any accompaniment at all, and she remained note-perfect throughout a 90-minute set that was a bit longer than Saturday’s performance.  Most of this group stood respectfully as Erika, Jesse and Mark debuted new numbers like “Skin and Bones,” and the Western-tinged “The Arrow Killed the Beast.”  While the new record will not be acoustic, and some of the material was so new it didn’t even have names, what we heard on this night showed the level of promise we’ve come to expect from this band.  As Johnny mentioned in his review of the Saturday show, this only ups the anticipation for the new record.

I recorded this set from the same spot that Johnny used for the Saturday recording, focusing the sound a bit more toward the perfectly balanced soundboard feed from Kevin at the Mercury Lounge.  As with Saturday’s recording, the sound quality is outstanding.  Enjoy!

Stream “Skin & Bone”:
[audio:https://www.nyctaper.com/H6602HB9922/07 Skin & Bone.mp3]

Stream “You Ain’t Goin’ Nowhere [Bob Dylan]”:
[audio:https://www.nyctaper.com/H6602HB9922/13 You Ain’t Goin’ Nowhere.mp3]

Direct download of MP3 files [HERE]

Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on Twitter

Heartless Bastards
2011-07-24
Mercury Lounge
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: Schoeps Mk41>CMC6>Sound Devices USBpre2 + Soundboard >> Edirol R-44 [Oade Concert Mod] (24/48)
Position: At soundboard, DFC, mics at 7.5′, PAS
Mastering: 2x24bit/48kHz WAV>Audition (mixdown, effects)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks [Total time: 89:29]
01 Done Got Old
02 [new song]
03 Sway
04 Hold Your Head High
05 [banter]
06 The Will Song
07 Skin & Bone [new]
08 The Arrow Killed the Beast [new]
09 Blue Day
10 [new song]
11 [banter]
12 Searching for the Ghost
13 You Ain’t Goin’ Nowhere [Bob Dylan]
14 Runnin’
15 Be So Happy
16 [encore break]
17 [new song]
18 The Mountain

If you download this recording, we expect that you will PLEASE SUPPORT Heartless Bastards, visit their website, visit their MySpace and Facebook pages, and purchase their official releases and merchandise [HERE].

Heartless Bastards: July 23, 2011 Mercury Lounge – FLAC / MP3 Downloads + Streaming Samples

July 29, 2011
By


[Photo by Johnny]

Having become a fan of Heartless Bastards only in the past few years, I’ve been treated better by them in that short time than any devotee could ask for.  After catching several of their brilliant concerts, including the MHoW and Bowery gigs last year, we were graced by a pair of acoustic performances at the intimate Mercury Lounge this time around.  Sans a drummer, Erika, Jesse and Mark gave us captivating, pared down renditions of their work including several new songs, a Bob Dylan cover (one of my personal favorites of his) and brought out singer Heidi Johnson for the majority of the set to harmonize on the vocals.  And once again, when the night ended, I found myself already expectant for their next set of shows.  If the new material is an indication of what’s to come on the next Heartless Bastards album, I’m sure to find myself even more impatient in the interim.

As a compliment to our microphones, the most excellent and gracious house engineer, Kevin, gave us a patch out of the soundboard.  Combined with the dead-center location of our mics, the result is a superb recording and indicative of the outstanding sound in this venue.  Enjoy!

Night two was also recorded and will be posted soon.

Stream “Sway”:
[audio:https://www.nyctaper.com/H6602HB9922/Heartless Bastards – Sway.mp3]
Stream “
Could Be So Happy“:
[audio:https://www.nyctaper.com/H6602HB9922/Heartless Bastards – Could Be So Happy.mp3]

Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If either of the links are no longer working, email nyctaper with a request for the download location of the files.

Heartless Bastards
Saturday, July 23, 2011
Mercury Lounge
New York, NY, USA

Source: SBD + AKG C 414 B-XLS’s > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > USB > PC > Adobe Audition (mixdown, adjust levels, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > Trader’s Little Helper (check/fix SBE’s, FLAC) > FLAC ( level 8 )
Mercury Lounge house engineer: Kevin
Recorded and produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:11:10]
01. Marathon  [new song]
02. Sway
03. Hold Your Head High
04. The Will Song
05. Skin and Bone  [new song]
06. The Arrow Killed the Beast  [new song]
07. Searching for the Ghost
08. [new song]
09. You Ain’t Goin’ Nowhere  [Bob Dylan]
10. Runnin
11. Could Be So Happy
12. [encore break]
13. The Mountain

If you download this recording, we expect that you will PLEASE SUPPORT Heartless Bastards, visit their website, visit their MySpace and Facebook pages, and purchase their official releases and merchandise [HERE].

SUPPORT NYCTaper




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