Posts Tagged ‘ no quarter ’

Joan Shelley: September 23, 2022 The Colony (Woodstock, NY)

September 28, 2022
By

Back in April 2020 when we didn’t know when or if we were going to see live music again, Joan Shelley released Live at the Bomhard, the hometown tour finale recorded live in 2019 with the Best Hands Band and a special appearance by Bonnie ‘Prince’ Billy. It was both a comfort to all of us stuck at home and a reminder of what we were missing out on.

I have to admit I was only mildly familiar with Joan Shelley before that Bandcamp Friday release, but felt compelled that day to support as many musicians as I could to make sure music would still be there when we returned to normalcy. The added draw of hearing new, live music meant Live at the Bomhard would be in constant rotation ever since. These songs all became familiar in their live and studio arrangements as I added her records to my collection.

This past June, Shelley released her latest album, The Spur, a collection of songs that sound like they are grappling with comfort and safety—songs like “Home,” “Forever Blues,” and “Fawn.” And here I’ve finally gotten to see Joan Shelley live in person. Live music did return after all, though it must be added not without its difficulties.

Whether you’ve heard these songs on Live at the Bomhard, or the studio versions on The Spur, Shelley’s set at The Colony in Woodstock added new textures and arrangements with her current touring band of Nathan Salsburg, Jim Elkington, and Nick Macri, all who played on The Spur and other Joan Shelley albums. Between songs Shelley and her band are affable and engaging with their story telling and the added context for these songs. On a cold night in Woodstock at the beginning of Fall, it sure felt warm inside.

Download FLAC and MP3

nyctaper · Joan Shelley – Live at The Colony 2022
Joan Shelley
2022-09-23
The Colony
Woodstock, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard + MBHO KA500/603A (DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC + Izotope Ozone 5 > Audacity 3.0.2 > FLAC

Tracks [1:10:45]
01. Stay All Night
02. Forever Blues
03. [Fawn intro]
04. Fawn
05. If the Storms Never Come
06. [Fall in the mountains]
07. Home
08. [Favorite room in the world]
09. The Fading
10. [Storms]
11. Like the Thunder
12. Wild Indifference
13. [The Spur intro]
14. The Spur
15. Completely
16. Stay on My Shore
17. [The last show of all time]
18. Why Not Live Here
19. Coming Down For You
20. [The merch table]
21. When the Light is Dying
22. Not Over by Half

The band:
Joan Shelley
Nathan Salsburg
James Elkington
Nick Macri

Phish: August 14, 2021 Atlantic City

August 22, 2021
By

The bright sunlight of a crystal clear Saturday morning reflected off the Atlantic Ocean and offered some hope of redemption from the negative energy of Friday night’s gaseous debauchery. Overnight, the unfortunate souls tasked with cleaning the boardwalk had removed nearly all evidence of the previous evening’s wreckage and with the arrival of weekend vacationers, Atlantic City seemed to breath fresh again.

We had the pleasure of spending a little time in the Phan Art exhibition on Saturday afternoon and those gentle vibes reinvigorated me and gave us a sense that maybe the positive elements of the scene could rise above the darkness that still lurked in the shadows. The threats of rain having dissipated, we entered the beach with a sense that this night could be special.

Perhaps Phish got wind of the negative energy, as they closed the first set with the dark cautionary tale “Squirming Coil”, advising all to steer clear of “Satan on the beach”. The balance of the first set was an up and down affair, as the trainwreck opening of “Ya Mar” was offset by a near-perfect run through of the intricate “Reba” jam.

But it was the meat of the second set where this show really began to shine. Phish covered the entire Quadrophenia album for Halloween 1995, and fortunately the epic “Drowned” has remained in occasional rotation, making a couple of appearances a year. The jam out of Drowned went into the familiar Jersey territory, as Trey clearly teased Springsteen’s “Dancing In The Dark” before transitioning to a nice spooky “Ghost”. Further buoyed by the opportunity to stretch out and explore, Trey seemed to be heading into a reprise of Drowned, which somehow then weirdly morphed into the middle portion of Scents and Subtle Sounds, which sadly petered out after about five minutes. The band refocused and launched into a gnarly Chalkdust that went into deep space before emerging through a fog of noise towards the gentle keyboard opening of Zeppelin’s “No Quarter”. At this point, the weekend had achieved musically exactly what I had hoped to see — a band playing at the peak of their powers and delivering transcendent moments in a troubling time of confusion and despair. We live for these peaks, and when Phish reprised Friday night’s “Tweezer” as the second encore to bookend my own person weekend experience, it was quite emotional. No nefarious post-show Boardwalk shenanigans could bring me down on this night, as we floated home through the magical mist of a sweet Summer night.

I recorded this show in the exact same manner as the previous night, with the mic stand only a few feet away from the Friday location. The Neumann hypers again delivered their magic and cut through the elements to deliver a sharp and bright recording. We’re extremely pleased again with this recording and hope you are too. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Chalkdust Torture > No Quarter”:

nyctaper · Phish – Live in Atlantic City August 14 2021

Phish
2021-08-14
The Beach
Atlantic City NJ

Digital Master Recording
Tapers Section at Soundboard

Neumann KM-150 Hypers > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
Set 1 [Total Time 1:20:54]
01 Llama
02 Tube
03 Destiny Unbound
04 Ya Mar
05 46 Days
06 Reba
07 Soul Shakedown Party
08 Split Open and Melt
09 The Squirming Coil

Set 2 [Total Time 1:24:54]

10 I Never Needed You Like This Before
11 Drowned
12 Ghost
13 Scents and Subtle Sounds
14 Chalk Dust Torture
15 No Quarter
16 Slave to the Traffic Light
17 Suzy Greenberg
18 [encore break]
19 A Life Beyond The Dream
20 Tweezer Reprise

SUPPORT Phish: Website | Store

Chris Forsyth & The Solar Motel Band: May 28, 2016 Union Pool

June 7, 2016
By

Chris Forsyth & The Solar Motel Band

Chris Forsyth and his Solar Motel gang just finished up a tour with the Pacific Northwest’s monsters of psych, Heron Oblivion, and the NYC area was blessed with two stops, first at Jersey City’s WFMU Monty Hall and the second at Union Pool. Naturally, we were there at Union Pool to capture their performances (including openers and fellow Philadelphians Spacin’ which we’ll have up soon). Forsyth’s set gives us a lot to chew on: an extended, exploratory rendition of “The First Ten Minutes of Cocksucker Blues” and some of his finest vocals yet on “The Rarity of Experience, Parts 1-2.” In the group’s tradition of bringing covers out on the road—we’ve previously caught a couple renditions of “The Calvary Cross” and most recently the Dead’s “Cold Rain and Snow”—this tour saw a relentless version of The Dream Syndicate’s “The Days of Wine and Roses.” Rounding things out is the ponderous “Harmonious Dance,” ending things on the quiet side before Heron Oblivion stormed the stage. Forsyth & Co. will be back in town for another superb bill with Oneida at the Knitting Factory. Buy your tickets early and often; we’ll see you there.

I recorded this set from our usual location in the venue, with a board feed from FOH Leah. The sound is excellent. Enjoy!

Downloads are available at the Live Music Archive

Chris Forsyth & The Solar Motel Band
2016-05-28
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Leah) + AKG C480B/CK63 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [45:32]
01. The First Ten Minutes of Cocksucker Blues
02. The Rarity of Experience, Parts 1-2
03. The Days of Wine and Roses [The Dream Syndicate]
04. Harmonious Dance

Support Chris Forsyth & The Solar Motel Band: Website | Facebook | Buy The Rarity of Experience from No Quarter

Chris Forsyth & the Solar Motel Band: March 19, 2016 Trans-Pecos

March 24, 2016
By

DSC_0098
[photos by Joe Lops]

Chris Forsyth extended a recent run of excellent work with The Rarity of Experience, a double LP that earned plaudits from Pitchfork to The New York Times. Much has been made of the record’s unequivocal commitment to out-and-out riffage, but that has always been Forsyth’s MO with the Solar Motel Band. The side of him that produced The Island, the delicate, mellowed out collaboration with Koen Holtkamp, is still out there, but when he takes the stage with this band, expect an out and out rock show.

That’s what we got at this NYCTaper-sponsored show at Trans-Pecos, which represented the formal NY album release party for the record.  Things kicked into high gear immediately with “High Castle Rock” from the new record, followed by its appropriately-named Anthems I and II, and then its title track. Our only detour to Forsyth’s earlier work came in the form of “The Ballad of Freer Hollow” from 2014’s Intensity Ghost, which nestled in well with the extended two-part jams “Anthem” and “The Rarity of Experience” (notable also for adding vocals to the mix). In a nod to the band who inspired so much of improvisational guitar music (not to mention the practice of fan-based live concert recording), Forsyth and crew gave us their take on the Dead’s “Cold Rain and Snow.” It was a worthwhile reminder that while Forsyth’s name is front and center in the proceedings, part of what makes these performances special is the interplay among a very, very talented group of band members. Forsyth’s delivery wouldn’t be what it is without bassist Peter Kerlin and drummer Ray Kubian doing more than just making a backbeat, nor fellow guitarist Nick Millevoi providing the other half of the guitar attack. You don’t get a sound this all-encompassing with a “solo” artist and some guys; this is truly a band. And, for those of you who missed them this time around, head to Union Pool on May 28, where you can catch the band opening for Heron Oblivion.

I recorded this set with a pair of Schoeps MK22 microphones at the stage lip, another pair of Schoeps MK4V back by the soundboard, and a direct soundboard feed of house engineer Ned’s mix. The sound quality is outstanding, and a perfect representation of the enormity of the Solar Motel Band’s sound. Enjoy!

Download the complete set from its page on the Live Music Archive: [FLAC] | [MP3]

Stream the complete set: 

Chris Forsyth & the Solar Motel Band
2016-03-19
Trans-Pecos
Queens, NY USA

Exclusive download hosted by nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (stage lip, DFC, ORTF)>Nbob Cables>PFA>Aeta PSP3 + Soundboard (engineer: Ned) + Schoeps MK4V (at SBD, ROC, PAS)>>Zoom
F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust balance of SBD, compress SBD, adjust levels)>Izotope Ozone 5 (effects, EQ)
>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 High Castle Rock
02 Anthem I
03 Anthem II
04 The Rarity of Experience pt. 1
05 The Rarity of Experience pt. 2
06 The Ballad of Freer Hollow
07 [banter]
08 The First Ten Minutes of Cocksucker Blues
09 Cold Rain and Snow [Grateful Dead]
10 [banter2]
11 Boston Street Lullaby

If you enjoyed this recording, please visit his website and buy The Rarity of Experience from No Quarter Records.

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Jennifer Castle: October 4, 2015 Webster Hall

October 20, 2015
By

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[photos courtesy of P Squared Photography]

It’s never an easy task to be a singer-songwriter opening for an eight-piece band in a 1500-capacity venue, but Jennifer Castle pulled off that feat, opening for Destroyer, in a way that let her material shine. I was surprised to discover that we hadn’t checked in with her since a Union Pool show in 2012, which came before the release of her widely-acclaimed 2014 album, Pink City. So, this was our first time getting to engage with much of that material, and I’m glad we had the chance. Accompanied by guitars and keys, but no percussion, Castle spared little time between songs, packing in as much as she could into the thirty-minute slot. What came across, in the big space of Webster Hall, was how strong her voice is, as able to fill this space as the coffee shops and smaller clubs where this music is typically more comfortable. She began with a newer song, “I Don’t Care About Money,” followed by “Powers” from her 2012 album Castlemusic, possibly the strongest track on that offering. From there, the Pink City material began in rapid-fire fashion, beginning with “Working For the Man.” The diaphanous-but-tensile quality of Castle’s voice is especially evident on this song, and the impressive vocal turns continued for many of the new songs. Not that Castle’s a stranger to challenging work — she’s played with everyone from fellow Canadian folkie Doug Paisley to the somewhat more aggro Toronto crews Fucked Up and The Constantines. Even if this setting might not have been the perfect way to be introduced to Jennifer Castle in terms of size, I suspect she earned a lot of new fans here. She continues with Destroyer on the West Coast before heading to Europe with them in November. Make sure to show up early to catch her set.

As with the Destroyer set, I recorded this set with a soundboard feed from the Webster Hall engineer Raphael, with a bit of Schoeps MK41V microphones to add ambiance. The sound quality is outstanding. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

Jennifer Castle
2015-10-04
Webster Hall
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Thanks to Jennifer Castle for permission

Soundboard (engineers: Raphael) + Schoeps MK41V (at SBD, DFC)>KCY>Z-PFA>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, align, mix down)>Izotope Ozone 5 (EQ, effects, compression)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 29:34]
01 I Don’t Care About Money
02 Powers
03 Working For the Man
04 Truth Is the Freshest Fruit
05 How Or Why
06 Sailor’s Blessing
07 Sailing Away
08 Pink City

Band
Jennifer Castle – Vocals, guitar
Mike Smith – Bass
Ryan Driver – Keyboards

If you enjoyed this recording, PLEASE SUPPORT Jennifer Castle, like her on facebook, and buy Pink City from No Quarter Records.

Joan Shelley: February 12, 2015 Union Pool – FLAC/MP3/Streaming

September 4, 2015
By

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Joan Shelley released her excellent new album, Over and Even, today on No Quarter Records. For many, this will be their first time hearing these new songs, unless you checked in with NPR last week. However, the crowd on this chilly night at Union Pool back in February had almost everyone beat by several months, as Shelley decided to use this performance to show off a majority of the new album.

The Kentucky-based singer-songwriter first came to wider attention with her previous effort, Electric Ursa, but it was evident from the get-go that the new songs represent a further refinement of her craft and acknowledgment, but not a caving to, pop sensibility. The extra-approachable riff of the album’s title track sets the tone for the rest of the material, making it no surprise that Stereogum made it an “Album of the Week.” In doing so, they pointed out that Over and Even is more about the setting of a mood than any specific turn of phrase or even specific song, and that’s not a negative. The new work, even in its fledgling form on this night, shows incredible consistency, with each number feeling a bit like an old song you’re being introduced to for the first time. It’s a pastoral, flawlessly crafted album that holds your attention as it takes its time to unfold.

Shelley was joined for this show not only by regular collaborator Nathan Salsburg — a force on the guitar in his own right — as well as Glen Dentinger on bass. Site favorite Nathan Bowles also made an appearance, and he’s always a welcome presence on any stage. None of that can distract from the main event, of course, which is Shelley’s voice and her presence, both of which manage to be delicate but resolute. What Shelley’s live show drives home is just how spare and right her album’s production is, as there is clearly little she needs to embellish what’s already there. As good as the new songs are, Electric Ursa got its due during the show as well, with the title track of that album closing out the night, and one of its most approachable songs, “Something Small,” providing a welcome dose of recognition mid-set. As requested by Joan’s label, we’ve held back this recording until the release of Over and Even, and are thrilled to be able to share this performance on its release day.

I recorded this set with a soundboard feed from Union Pool engineer Rob, together with Schoeps MK41 microphones. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

Joan Shelley
2015-02-12
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Rob) + Schoeps MK41 (PAS)>KCY>Z-PFA>Sound Devices USBPre2 >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, compression, mix down)>Izotope Ozone 5 (effects, exciter)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 47:00]
01 Brighter Than the Blues
02 Wine and Honey
03 River Low
04 [banter1]
05 Over and Even *
06 Something Small
07 [banter2]
08 Stay on My Shore
09 Easy Now
10 [banter3]
11 Not Over By Half
12 Electric Ursa

Band
Joan Shelley – vocals
Nathan Salsburg – guitar
Glen Dentinger – bass
* Nathan Bowles – guitar

If you enjoyed this recording, PLEASE SUPPORT Joan Shelley, visit her website, and buy Over and Even from No Quarter Records.

IMG_8262

Zachary Cale: July 16, 2015 The Living Room – FLAC/MP3/Streaming

July 28, 2015
By

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Zachary Cale has been called a “musician’s musician,” in part because he seems to be friends with just about everybody, but more importantly because he exudes a music-first mentality that prioritizes creation over every other aspect of what’s so-often called the “music business.” To wit, he’s released his past four records, including the higher-profile Blue Rider in 2013, on his own label, All Hands Electric, and his output has been strikingly consistent throughout. His work rolls out of him, sounding as effortless as it surely isn’t. Reviews of Blue Rider pointed out that that finger-picked guitar you hear that sounds like three people working. Well, that’s just him. Zach’s stage persona is humble; his abilities are not.

This show at the Living Room previewed an exciting turn for Cale’s recorded output, as his forthcoming Duskland will be his first for Brooklyn-based No Quarter, a label that has a diverse roster but has shown, of late, a penchant for great singer-songwriters (e.g., Doug Paisley, Joan Shelley, Jennifer Castle). Five of the seven tracks on offer here come from the new album, plus the brand-new “Riverbed” and “Hangman Letters” from Blue Rider. The new album proves to be something to look forward to — it’s of a piece with Blue Rider stylistically but with a more melancholic tone that befits the “dusk” in the title. Cale hails from Louisiana, but this work feels closer to the empty parts of Texas most times, the kind of songs that belong under an open sky, particularly the windswept, propulsive “Evensong.” The country-tinged trifecta of “I Forged the Bullet,” “Sundowner,” and “Changing Horses” made for a fine set closer. Cale may not have “changed horses” with the move to No Quarter, but he has put himself in the best position to succeed, alongside like-minded artists he belongs with. Make sure to get ahold of Duskland on pre-order, or when it hits stores on August 7.

I recorded this set with a soundboard feed from Living Room engineer Kevin and Schoeps MK41V supercardiod microphones. The sound quality is excellent. Enjoy!

Cale plays New York again on August 28 at Baby’s All Right. 

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Zachary Cale
2015-07-16
Living Room
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kevin) + Schoeps MK41V>KC5>CMC6>>Edirol R-44>2x24bit/48kHz WAV>Adobe Audition CS5.5 (align, mix down, fades, compress SBD)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Blue Moth
02 Evensong
03 [banter1]
04 Riverbed
05 Hangman Letters
06 I Forged the Bullet
07 Sundowner
08 [banter2]
09 Changing Horses

If you enjoyed this recording, please support Zachary Cale by visiting his website, pre-ordering Duskland from No Quarter, and buying his other records from his online store. 

Cian Nugent: September 7, 2013 Hopscotch Music Festival, Fletcher Opera Theater (Raleigh, NC) – FLAC/MP3/Streaming

October 18, 2013
By

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[Photo by Ross Grady]

Everyone ought to pause once or more at a festival full of big, bombastic noisy bands to revel in the simple beauty of a solo player who is expert at his instrument. Such was the case for those lucky enough to witness Cian Nugent‘s performance at the Fletcher Opera Theater during Hopscotch Music Festival, where the Irish guitarist wowed a pin-drop quiet crowd eagerly anticipating a rare U.S. show. Like virtually every solo acoustic guitar player, Nugent earns comparisons to masters like John Fahey, but the combination of the influence of his home country and the American heartland gives Nugent’s compositions a different flavor than the work of U.S. contemporaries like Danny Paul Grody or Daniel Bachman. Those craving some electric non-solo Nugent would be wise to check out the Desert Heat (Nugent, Steve Gunn, John Truscinski and Jason Meagher) set we posted here, as well as his outstanding upcoming release on Brooklyn label No Quarter, Born With the Caul, which you can pre-order now.

This set was recorded by North Carolina taper Larry Tucker with Peluso cardiod microphones, and the sound is quite good. Enjoy!

Stream “Grass Above My Head”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Cian Nugent
2013-09-07
Hopscotch Music Festival
Fletcher Opera Theater
Raleigh, NC USA

Recorded by Larry Tucker
Produced by Cory Rayborn

Peluso CEMC6/CK4 (Cardiod)>Fostex FR2-LE>24bit/48kHz WAV>Cool Edit Pro>FLAC ( level 8 )

Tracks
01 [intro]
02 Grass Above My Head
03 [banter]
04 Hire Purchase (Part I)
05 [banter]
06 Rathsallagh Rose
07 [banter]
08 Double Horse

If you enjoyed this recording, PLEASE SUPPORT Cian Nugent, like him on Facebook, and pre-order Born With the Caul directly from No Quarter.

The Psychic Paramount: July 26, 2011 Union Pool – FLAC and MP3 Downloads + Streaming Song

August 15, 2011
By

Psychic Paramount UP
[still from this video]

New York crowds are notoriously, almost epically jaded. As much as bands love the exposure of America’s largest city and cultural capital, they also tend to be dispirited by the “show me” attitude of crowds that have seen it all before. Being from Brooklyn themselves, The Psychic Paramount must know this all too well – which is why they pulled out all the stops at Union Pool on a recent Tuesday night to deliver a jaw-dropping set that was one of the most incredible I have seen this year. Cloaked for the duration in thick billows of smoke, their set, culled primarily from their latest release, II, left the crowd in awe at the vortex of sound coming from this three-man band. I don’t know that I have been to another show this year that had as many audience members actually talking about the show when it was over – and stark silent during. These instrumental songs seethe with emotion; even staring into shadows in the smoke, you can’t help but be moved by them. It doesn’t hurt, of course, that they are rendered by players of obvious talent and technical skill – bassist Ben Armstrong and guitarist Drew St. Ivany first met in the now-defunct art-noise-jazz band Laddio Bolocko, a less rock n’ roll but no less compelling outfit, and drummer Jeff Conaway is (as in most three pieces) the glue that gives the band its propulsive, driving sound. Bands like TPP are the artists that live shows were made for – even this fine recording cannot capture their brilliance. Mark your calendars, folks – their next show is September 3 right here in Brooklyn at a free show at the Aviator Sports Complex with White Hills, Pictureplane, Wise Blood and others, and after that, our friends in the UK can catch them at the always-legendary ATP Nightmare Before Christmas. Do it. They’ll blow your mind.

I recorded this set with both the DPA microphones set up in our usual spot in the venue, and a soundboard feed. At the band’s request, only the microphone portion is being used, as they felt it provided a more natural, balanced sound. Enjoy!

Special thanks to Will of Union Pool for having us, and Devin for the soundboard feed and stellar house mix!

Stream “Ddb”:
[audio:http://www.nyctaper.com/P2607PsychicParamount2011/tpp2011-07-26unionpool_acidjack-02.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on Twitter

The Psychic Paramount
2011-07-27
Union Pool
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Equipment: DPA 4021>Oade M248>Edirol R-44 [Oade Concert Mod]
Position: Balcony, DFC, ORTF
Mastering: 24bit/48kHz WAV>Audacity (set fades, tracking, smooth peaks, amplify and balance)>FLAC Level 8

Tracks [Total Time 44:08]
01 Intro/Sp
02 Ddb
03 N6>Isolated
04 X-Visitations
05 Gamelan

PLEASE SUPPORT The Psychic Paramount, visit their website, and buy II directly from No Quarter records [HERE]

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