Posts Tagged ‘ ridgewood ’

So So Glos: July 16, 2016 Out In The Streets Fest

July 31, 2016

There may not be another band whose influence and work ethic has done more to establish the music of Brooklyn over the last ten years than So So Glos. The band was the original tenant of the Market Hotel, and later established Shea Stadium — two venues still open today that support and incubate local music. As an active touring band, So So Glos have performed across the globe with a large variety of bands and recorded and released five full length albums.

Kamikaze (Votiv Records) is the latest So So Glos release and it may be their most fully realized album. The album appears three years after the breakthrough of Blowout, but continues in the same vein of offering intelligent and aggressive punk which is both faithful to the genre and to the borough that produced the band. So So Glos headlined the first night of Out In The Streets Fest and were afforded the opportunity to play a full set. A healthy crowd remained throughout the day in the good and bad weather and by the time the Glos took the stage and the band commandeered everyone inside, the tent filled up and their energetic set was a great send-off to a terrific day. The band performed much of the last two albums in a set that began with a burst of energy and never let up.

I recorded this set in the same manner as the Guerilla Toss set from the same day of the Festival and the sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

So So Glos
2016-07-16
Out in the Streets Fest
Onderdonk House
Queens NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Cliff Ribeiro] + Neumann TLM-102s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:00:23]
01 Dancing Industry
02 Diss Town
03 ADD Life
04 Going Out Swingin
05 Devil’s Doing Handstands
06 Magazine
07 Black and Blue
08 Lost Weekend
09 Cadaver
10 Fool on the Street
11 [banter – thanks]
12 We Got The Days
13 [encore break]
14 Mold Baby
15 Wrecking Ball
16 Replay [Lost Boy]
17 Son of an American

Support So So Glos: Website | Facebook | Buy Kamikaze | Votiv Records Page

Hans Chew: July 23, 2016 Trans-Pecos

July 27, 2016

By acidjack

We’ve been following Hans Chew for a while now, since he first played our CMJ show in 2012. Back then, Hans spent the set behind the piano, playing his boogie-driven tunes like modern madcap Jerry Lee Lewis. By the time Hans showed up for this Trans-Pecos show in 2016, he was preparing to release a stellar new album, Unknown Sire, with our friends Divide By Zero records. But when we talked to Hans before this show, he explained to us that he had been so motivated by reading a recent biography of Neil Young that he decided to take an entirely different approach this time — and that for this show, he had an entire new album to draw from. As a result, Hans played the role of guitar lead this time, and he shared three new jams that take clear inspiration from Young’s most daring guitar efforts. As he led off with the sprawling “Cruikshanks,” we could tell this was a very different Hans Chew indeed, one who reveled in extended guitar solos and longer narratives. If any of the three songs fit most closely with Chew’s previous efforts, it was probably the upbeat, honky-tonk inspired “Open Sea,” which itself clocked in at over six minutes, and led into “Freely,” which began as a midtempo rocker before exploding into a fiery solo at the end. Though we’re thrilled for the upcoming record, one has to hope this latest material doesn’t have to sit in the hopper for too long, either.

I recorded this set with Schoeps MK22 microphones close to the stage, Naiant X-X omnis split wide on stage, and a soundboard feed. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set:

Hans Chew
2016-07-23
Trans-Pecos
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22 (FOB, ROC)>KCY>Z-PFA + Soundboard + Naiant X-X (3’ split, onstage)>>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, compression)>Izotope Ozone 5 (image, EQ, exciter)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Cruikshanks
02 Open Sea
03 Freely

Band:
Hans Chew – Vocals, Guitar
Dave Cavallo – Guitar
Rob Smith – Drums
Jimy SeiTang – Bass

Support Hans Chew: Website | Facebook | Divide By Zero Records

Horse Lords: July 23, 2016 Trans-Pecos

July 26, 2016

By acidjack

For most of its nearly ten-year history, this website has been a collaboration, reflecting the individual tastes and contributions of those who contribute to it. In the past two years, it’s hard to overstate the contribution that Eric PH has made to the team, introducing not only a number of great recordings, but a slew of new bands to the mix. Horse Lords, of Baltimore, are one of his very best finds, and since he first saw them in 2015, we’ve been hoping to do something with them directly. The band headlined a stacked bill this past Saturday at Trans-Pecos, which felt like a welcome, air-conditioned respite from the steaming heat outside. But more important than the change in temperature was the change in perspective, as each of the forward-thinking acts on the bill reminded us of how powerful experimental music can be. While too many bands of their ilk toil in obscurity, Horse Lords have received their due of late, in the form of stellar reviews for their latest album, Interventions (released by NYC label Northern Spy).

The band’s heady combination of guitar, bass, drums, and at-times keys, sax, and second percussion isn’t the easiest to describe; it has a tinge of desert blues to it, the controlled chaos of free jazz, the music-school time shifts of math rock and the propulsiveness of, well, rock. The band brought all of that complexity to the stage and didn’t miss a beat, holding our attention through the latest album’s first single, “Truthers” straight through to the album’s centerpiece, “Toward the Omega Point,” at the end. As Eric PH pointed out in his review of the 2015 show, the band members know how to fill the spaces in the music when they need to, but also know when to leave some open air. We were floored by the band’s musicianship, their control, and their ability to craft a setlist that hung together through a diverse range of sounds. For anyone who cares about where music is going next, be sure to put Horse Lords on your list of things to see.

I recorded this set with a set of Schoeps MK22 open cardioids near the front of the room, a pair of Naiant X-X omnis split onstage, and a soundboard feed from the night’s engineer. The sound quality is phenomenal. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Stream the complete show:

Horse Lords
2016-07-23
Trans-Pecos
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Tracks
01 Truthers
02 Intervention III
03 Bending to the Lash
04 Untitled
05 Toward the Omega Point

Please support Horse Lords: Facebook | Bandcamp | Tumblr

Big Ups: July 16, 2016 Out In the Streets Festival

July 21, 2016

By acidjack

Big Ups is one of the very best live bands in New York right now. At the core of that has to be the kinetic-but-controlled performance of vocalist Joe Galarraga, who reminds at times of a skinny Henry Rollins with a sense of humor. Mugging for the crowd, twisting his body into unusual positions, he never loses sight of the music or the message being delivered, which he propels at you in spoken word that rises at the right moments to scream. Brendan Finn (drums), Amar Lal (guitar) and Carlos Salguero (bass) make that performance possible, with controlled dynamics that pay as much attention to the softer interludes as to their songs’ frequent climaxes. Having seen these guys twice in 2014, promoting their first album Eighteen Hours of Static, and been blown away each time, we were eager to see where they’d gone from there.

The band’s 2016 record, Before A Million Universes, advances the conversation both lyrically and musically. At this performance at the Out In the Streets Festival, the band’s growth was evident in the current-album numbers “Contain Myself,” “Hope for Someone,” and “National Parks,” as well as a new piece that explores the soft/loud dynamic even further. On this sweltering, thunderstorm-pocked afternoon, the band commanded a friendly crowd who clearly knew them well, and made the most of the thirty minutes’ time allotted. The band’s music may be darker in tone, but Galarraga doesn’t let that get in the way of having a laugh with the crowd, or pulling faces that fall on the lighter side of serious. Even with the sun shining, by the time the set reached the band’s most straightforward hardcore number, “Goes Black,” we were all living in his world, and there was nothing else around.

In a crowded festival season, Out In the Streets is a perfect, smaller-scale local standout, with a tent to shield the bands and the music part of the crowd in the middle of Ridgewood’s historic Onderdonk House’s ample backyard, ringed with vendors, lounge chairs and picnic tables, and (not to be underestimated) plenty of bathrooms. The lineup, of course, reflected that ethos, with many of the best local acts (including Big Ups and, coming soon, Guerilla Toss) that Brooklyn fans see year-round at clubs like Shea Stadium and Baby’s All Right. It was one of those days that brought together like-minded people in a comfortable, manageable way — and gave us yet another serious jones for more Big Ups.

nyctaper and I recorded this set with his Neumann TLM-102 large-diaphragm microphones and an excellent house mix by Cliff Ribeiro. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the full set:

Big Ups
2016-07-16
Out In the Streets Festival
Onderdonk House
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded by nyctaper and acidjack
Produced by acidjack

Neumann TLM-102 (FOB, DFC, PAS) + Soundboard (engineer: Cliff Ribeiro)>Sound Devices 744T>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix
down, compression)>Izotope Ozone 5 (light EQ, exciter, image)>Audacity 2.0.5 (track, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Contain Myself
02 Hope for Someone
03 Not Today
04 Wool
05 [new song]
06 T.M.I.
07 Goes Black
08 National Parks

If you enjoyed this recording, PLEASE SUPPORT Big Ups, visit their website, like them on Facebook and buy Before A Million Universes from Exploding In Sound.

Journalism: May 21, 2016 Trans-Pecos

June 7, 2016

By acidjack

You can’t always be sure that a band that sounds good in the studio — and Journalism sounds great on their debut, Faces — will measure up live. We’re extra-excited to report that Journalism are one of those bands, and then some, and we were grateful to host them at Trans-Pecos on a recent Saturday night. Lead singer/guitarist Kegan Zema is a savvy live performer, one who works to look and act the part, and the crack band of Mike Greene (guitar), Owen Keiter (bass) and Brendan Mehan (drums) has a well-oiled and well-practiced sound. Sound-wise, I hear a little bit of Television and Ride in them, as well as some later younger bands like DIIV and Cloud Nothings. This show led off with a new song, “Passenger,” before taking us through most of Faces. The band saved their best song (so far) for last, the propulsive, engaging “Faces I,” a rather dark take on the business of rock n’ roll itself, especially coming from a young band. In this day and age I wouldn’t disagree with Zema’s cynicism, but for his sake and ours, I hope Journalism keep on finding this ride to be worth it.

I recorded this set with Schoeps MK22 microphones at the stage lip, plus Schoeps MK41V supercardiod mics on the room and a stereo soundboard feed. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Stream Faces (then buy it!):
<a href="http://journalism.bandcamp.com/album/faces">Faces by Journalism</a>Journalism
2016-05-21
Trans-Pecos
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22>NBob Cables>PFA> + Soundboard + Schoeps MK41V (at SBD, ROC, PAS)>KCY>Z-PFA>Zoom F8>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels)>Izotope Ozone 5 (EQ, compression, tube effect)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Passenger
02 Watching & Waiting
03 Faces II
04 Time Being
05 Night of Knife
06 Denim Jesus
07 Faces I

SUPPORT Journalism: Facebook | bandcamp

Courtesy Tier: March 30, 2016 Trans-Pecos

April 22, 2016

By acidjack

It took an impromptu interview with two of us and the band Courtesy Tier for me to realize that we had been following them for six years. Having first impressed at a Backyard Brunch Session, then at our CMJ show, we were struck early on by the easy interplay between Layton Weedeman and Omer Leibovitz who, being a duo who play blues-driven rock n’ roll, earn easy comparisons to The Black Keys. But at the 2015 Rough Trade show we wrote about recently, the band had expanded to a three piece, and with Alex Picca on bass, the three became more than the sum of their parts. The band is promoting their Little Rock EP, in anticipation of a full-length album they are hard at work on, and we were thrilled to have them join us to preview some of that material such as their new single, “When You Were Young.”

While they may share a gulf in years with Wussy, for whom they opened this Trans-Pecos show, Courtesy Tier share many good qualities with their stagemates that night: an unpretentious, quality-based approach to music; an ability to write distinct, memorable songs around a cohesive sound; and a general ability to grab control of a room. I’d hazard that much of the audience at this show was new to Courtesy Tier, so we knew we’d made the right pick for an opener as we watched the crowd grow throughout their set, rather than the all-too-common flight for the bar. But then, you’d have had to be crazy to bolt during any of these songs, from the propulsive kickoff track and longtime band favorite “Cold” to the lighters-in-the-air closeout singalong, “Home.”

As with the Wussy set, I recorded this with Schoeps MK4Vs at the stage lip, Neumann KM150s on the room, and a soundboard feed from David Fine. The quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Courtesy Tier
2016-03-30
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded by acidjack and nyctaper
Produced by acidjack

Schoeps MK4V>NBob Cables>PFA>Aeta PSP3 + Soundboard (engineer: David Fine) + Neumann KM150 (at SBD, ROC, PAS)>>Zoom F8>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels)>Izotope Ozone 5 (EQ, compression, tube effect)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Cold
02 [removed]
03 [banter1]
04 Childish Blues
05 And We Don’t Know
06 [banter2]
07 When You Were Young
08 Jackson
09 Roll On
10 [banter3]
11 Home

SUPPORT Courtesy Tier: Website | Facebook | Get “When You Were Young”

Wussy: March 30, 2016 Trans-Pecos

April 4, 2016

By acidjack

[photos by Rich Tarbell]

How unlikely, really, that a band that represents its frontman’s second act (Chuck Cleaver was in Ass Ponys), that’s several albums into its career (Forever Sounds is the band’s sixth; Attica, its fifth, could be called its breakout), that comes from a city (Cincinnati) that nobody accuses of being a cultural or media hub, and that seems delightfully uninterested in the posing, PR machine and gimmicks that tend to attract notice, would end up at a career peak here in New York, on a Wednesday night, in Ridgewood, Queens, and a lot of people would show up.

Whether you think of Wussy as a band that defies odds or that is the picture of what hardworking, road-hardened rock musicianship ought to look like probably depends on some combination of your generation and your cynicism level. You don’t have to fall into one camp or the other to admire the 100-minute set on display here, which shot like a cannon from the oddly-lit but accommodating stage of Trans-Pecos last Wednesday. This site has flogged this band incessantly since 2010, and we relished the chance to come full circle and serve as promoters of the show. And, true to Cleaver’s observation when we caught them in 2015, they “suddenly” had a crowd.

It’d be hard to cherry pick all the specific things that were exceptional about this set, but one quick glance at the 100-minute run time should give an idea of where we’re headed. Unbothered by the pesky time limits you find at corporate venues, the band stretched into a set that spanned their career, from 2005’s Funeral Dress to their 2016 album, Forever Sounds. Rarely-played gems like the opener, “Little Paper Birds” from their self-titled 2009 record merged perfectly with regular rotation winners like “Pizza King” and new, shoegaze-leaning favorites like “Dropping Houses” and “Donny’s Death Scene.” We got one but not two encores, the first of which included a rare cover of New Order’s “Ceremony.”

If the setlist came as a welcome surprise, what was on usual display was the band’s hardworking, crowd-pleasing mojo, including Cleaver and Lisa Walker’s wry onstage banter. She was the one, after all, who refused to leave the stage for the pretend “encore break,” preferring instead to use it as an opportunity to play another song. And if that first encore, with “Ceremony” went well, it still wasn’t clear that the band were going to convince themselves to throw it back in for a second, but the crowd wouldn’t let them leave. Two more songs later, and well past midnight, the band finally closed things out for real, and everyone left happy. In the band’s fine tradition, they once again got more than their money’s worth.

nyctaper and I recorded this set with Schoeps MK4V microphones at the stage lip, Neumann KM150s capturing the room sound, and a soundboard feed from engineer David Fine. The sound quality s excellent. Enjoy!

Download the complete show: [FLAC/ALAC/MP3]

Stream the complete show (less banter tracks):

Wussy
2016-03-30
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded by acidjack and nyctaper
Produced by acidjack

Tracks [Total Time 1:38:03]
01 Little Paper Birds
02 She’s Killed Hundreds
03 Gone
04 Donny’s Death Scene
05 [banter – Dangerbird]
06 Teenage Wasteland
07 [banter – Ed Ames]
08 In The Tall Weeds
09 Pulverized
10 Pizza King
11 Better Days
12 [banter – thanks]
13 Hello, I’m a Ghost
14 Sidewalk Sale
15 To The Lightning
16 [banter – Job’s Daughter’s Club]
17 Dropping Houses
18 Aliens In Our Midst [The Twinkeyz]
19 I Give You All
20 Beautiful
21 [encore break]
22 Majestic-12
23 [banter]
24 Ceremony [New Order]
25 Airborne
26 [second encore break]
27 Gene, I Dream
28 Rigor Mortis

SUPPORT Wussy: Website | Buy Forever Sounds | Bandcamp

Matt Valentine: February 7, 2016 Trans-Pecos

February 9, 2016

By EricPH

This past Sunday, those of us with little interest in the big game joined Matt Valentine for an afternoon of warbly space-psych at Trans-Pecos. Valentine is perhaps best known as one-half of MV/EE with partner Erika Elder, but lately he’s been dropping some heavy solo outings, most notably last year’s excellent double-LP, Midden Mound. (Though I’ll note that MV’s solo career hasn’t slowed the duo down at all—last year also saw the release of two killer companion MV/EE joints, Alpine Frequency and Alpine Tenement.) But back at Trans-Pecos, Valentine treated us to a set culled mostly from Midden Mound with a couple exceptions. “Anji Variations” is Valentine’s take on the Davy Graham/Bert Jansch song “Angie.” That one’s a b-side from the “Before It’s Gone” single. “Ave B” is a Tower Recordings song from way back when, and if you’re a long-time New Yorker you’ll appreciate his story about playing the Mercury Lounge on a Super Bowl Sunday bill with Chavez. Speaking of way back when, I’ll use this opportunity to mention that it was this very room in which I first saw MV/EE perform, back when bands played in the kitchen of the old Silent Barn. It was a pummeling show, with Valentine and Elder joined by Mick Flower and Chris Corsano (later collected on No Floor Tour). And while this solo set from MV is something of a quieter sort, and performed on a stage instead of a kitchen floor, the spirit of the music is the same.

I recorded this set from the stage lip combined with a board feed from Trans-Pecos FOH, Ned. The results are excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Matt Valentine
2016-02-07
Trans-Pecos
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Ned) + AKG C480B/CK61 (stage lip) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, balance, compression, normalize, fades) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [47:48]
01. Freeware
02. [banter]
03. Jeremiah Red
04. Virtual
05. [banter]
06. Ave B
07. [banter]
08. Anji Variations
09. [banter]
10. Shine a Ton > Black Sun > Shine a Ton

Support Matt Valentine: Facebook | Buy MV/EE and MV solo records from their blog

Herbcraft: December 12, 2015 Trans-Pecos

January 4, 2016

By EricPH

Like the Northeast’s answer to Eternal Tapestry, Herbcraft trade in spaced-out, far-flung psych pastorals. Ever since we caught the Portland, Maine band nearly two years ago at Mercury Lounge, we’ve been itching for the opportunity to get them back to NYC. So when we booked Chris Forsyth & The Solar Motel Band to headline Trans-Pecos (that set here), Herbcraft were high up on our wish list of openers. In forty mind-expanding minutes, Herbcraft took the room on a wild journey. Their set begins with a long improvised jam that segues seamlessly into “A Knock at the Door” from The Astral Body Electric and then into “Bread Don’t Rise” from last year’s Wot Oz. The tunes are rhizomatic head trips—pulsating, looping, and expanding without origin or destination. There is no other option but to kick back, tune in, and give in to the mighty Herbcraft…

I recorded this set with the mics set up at the stage lip, combined with a board feed from Trans-Pecos FOH, Ned. The results are outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Herbcraft
2015-12-12
Trans-Pecos
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Tracks [40:59]
01. Untitled Improvisation
02. A Knock at the Door
03. Bread Don’t Rise

Support Herbcraft: Bandcamp | Facebook | Buy Wot Oz from Woodsist

Chris Forsyth & The Solar Motel Band: December 12, 2015 Trans-Pecos

December 21, 2015

By EricPH

Over the past couple years—and 2015 especially—this site has developed quite a rapport with Chris Forsyth & The Solar Motel Band, resulting in six separate recordings in 2015 alone, plus a pair from 2013 and 2014. So it was only fitting that we booked this year-end engagement at one of the few clubs Forsyth & co. had yet to play: Trans-Pecos. I’m happy to report that the show was a raging success and that all were rewarded with what is truly the standout set of the year. Having recently announced the second proper album with The Solar Motel Band on No Quarter, The Rarity of Experience (preorder it here!), the band graced us with not only a pair of newer tracks we hadn’t heard before (the impeccably titled “The First Ten Minutes of Cocksucker Blues,” and “Boston Street Lullaby”), but played some older ones we hadn’t heard in a while either. The set’s centerpiece is a sprawling three-parter, consisting of the older “Paranoid Cat” into a transitional jam that takes us into “Solar Motel Part II.” A twenty-five minute epic that left the room spinning. Easing us out of 2015 with the quiet closer “Boston Street Lullaby,” we look forward to what 2016 has in store for Chris Forsyth. And no doubt, we’ll be there to capture more exciting shows to come.

I recorded this set with the mics set up at the stage lip, combined with a board feed from Trans-Pecos FOH, Ned. The results are outstanding. Enjoy!

Downloads are available at the Live Music Archive

Chris Forsyth & The Solar Motel Band
2015-12-12
Trans-Pecos
Queens, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Tracks [1:06:15]
01. Anthem I
02. Anthem II
03. The Ballad of Freer Hollow
04. Paranoid Cat > Jam >
05. Solar Motel Part II
06. The First Ten Minutes of Cocksucker Blues
07. Boston Street Lullaby

Support Chris Forsyth & The Solar Motel Band: Website | Facebook | Preorder The Rarity of Experience from No Quarter

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Posts Tagged ‘ ridgewood ’

So So Glos: July 16, 2016 Out In The Streets Fest

Hans Chew: July 23, 2016 Trans-Pecos

Horse Lords: July 23, 2016 Trans-Pecos

Big Ups: July 16, 2016 Out In the Streets Festival

Journalism: May 21, 2016 Trans-Pecos

Courtesy Tier: March 30, 2016 Trans-Pecos

Wussy: March 30, 2016 Trans-Pecos

Matt Valentine: February 7, 2016 Trans-Pecos

Herbcraft: December 12, 2015 Trans-Pecos

Chris Forsyth & The Solar Motel Band: December 12, 2015 Trans-Pecos

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