Posts Tagged ‘ Schoeps Mk41 ’

My Morning Jacket: December 14, 2011 Madison Square Garden – FLAC and MP3 Downloads + Streaming Songs

December 19, 2011
By


[Photos courtesy of Pete Matthews for Feast of Music]

My Morning Jacket took their impressive stage show to Madison Square Garden last night,  demonstrating again how a band that works hard, plays tight and writes compelling songs can achieve large-scale success without much in the way of conventional marketing.  It had been a while since I last saw MMJ- I think my last check-in with them was some time in the last decade at Irving Plaza.  Since then they’ve gone from a mid-tier band straddling the indie and jam-band divide to a full-fledged juggernaut, a latter-day Phish for the less-tie-dyed set.  It’s easy to see how this band can both inspire the more jam-band-focused taper community as well as garner positive notice from sites like Pitchfork.  While we are the only folks recording at most shows we attend, this night there were several other crews in attendance.  It’s not hard to understand why – with sprawling solos, complex arrangements, and quiet solo moments, MMJ shows practically cry out for being recorded.  If you’re going to be an arena band, you have to embrace it, and MMJ delivers a large-scale rock n’ roll party, with a light show that could hold its own with any band in America.  The folks in the seats stood throughout the set, while the massive open floor was packed with hand-waving fans. The two-and-a-half hour set boasted many of the band’s big numbers, including a smoking “Mahgeetah”.  The show closed with some true holiday cheer in the form of a faithful rendition of the Bing Crosby classic, “I’ll Be Home for Christmas”.  The members of MMJ are no doubt looking forward to being home for Christmas themselves, as this show marked the end of their current tour.

I recorded this set in the raised seated section behind the soundboard area, in the center, with the Schoeps supercardiod microphones to reject unwanted sound.  While not as good as the recordings we feature from smaller venues, it is a fine capture of the evening.  Enjoy!

Stream “Off the Record”
[audio:http://www.nyctaper.com/M1412MMJ2011/15 Off the Record.mp3]

Stream “I’ll Be Home for Christmas [Bing Crosby]”
[audio:http://www.nyctaper.com/M1412MMJ2011/24 I’ll Be Home For Christmas.mp3]

Download the FLAC and MP3 files and stream the entire show on the Live Music Archive [HERE]

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request. Further, please note that this will be uploaded to the Live Music Archive after it has been up on this site for several days.

My Morning Jacket
2011-12-14
Madison Square Garden
New York, NY USA

Recorded by acidjack and Johnny Fried Chicken Boy for nyctaper.com
Produced by acidjack

Schoeps MK41 (DIN, DFC, behind SBD)>KCY>Naiant littlebox>Sony PCM-M10 (24/44.1)>Audition (EQ, normalize, limit peaks)>Audacity (set fades, tracking, downsample to 16bit)>FLAC ( level 8 )

Tracks [Total Time: 2:28:48]
01 Victory Dance
02 Circuital
03 It Beats 4 U
04 First Light
05 I’m Amazed
06 Wonderful (The Way I Feel)*
07 Steam Engine
08 Outta My System
09 Dancefloors ^
10 Golden
11 Mahgeetah
12 Dondante
13 Smokin From Shootin
14 (end of) Run Thru>Touch Me I’m Going To Scream Pt.2
15 Off The Record
16 Gideon
17 [encore break]
18 Bermuda Highway
19 Wordless Chorus
20 The Day Is Coming
21 The Bottle (Gil Scott-Heron & Brian Jackson) ** ^
22 Holdin On To Black Metal ^
23 One Big Holiday ^
24 I’ll Be Home For Christmas (Bing Crosby)

^ w/ Dearland Horns
* w/ Ben Bridwell
** w/ Brian Jackson

If you enjoyed this recording, PLEASE SUPPORT My Morning Jacket, visit their website, and purchase their latest record, Circuital, directly from the band’s store [HERE]

The Loom: December 03, 2011 Mercury Lounge – FLAC/MP3 Downloads + Streaming Songs

December 5, 2011
By

Photo courtesy of Jill and For the Love of Brooklyn
[photos courtesy of Jill and For the Love of Brooklyn]

It’s been a busy month for Crossbill Record’s The Loom, a band that is no stranger to nyctaper.com. We were fortunate enough to catch them this weekend at Mercury Lounge while the band finishes up their recent tour, along with the band BOBBY, in support of the album Teeth which was released in November. The Loom also completed a Daytrotter session this past month and from what we saw during this Saturday night performance it was very clear that they are in peak form and as comfortable an ensemble as ever. In a superb 45-minute set, we heard much of the new album as well as two unreleased songs including an 8-minute, part a cappella epic, titled “Morning Song, Mountain Song” and the more gentle outro “Caretaker”.

For this recording, I mixed an excellent soundboard feed with a pair of Schoeps hyper-cardioid microphones from the audience. The sound engineers at Mercury Lounge always have it dialed in perfectly and this evening was no different. The resulting mix is a fantastic listen and I hope you enjoy!

Stream “Morning Song, Mountain Song”
[audio:http://nyctaper.com/L0505Loom1111/loom2011-12-03.morningsongmountainsong.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

We’ll also be posting the set from BOBBY that was recorded on the same night, but are currently in the process of identifying the setlist. Please check back as we should have the recording up sometime this week!

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

The Loom
Mercury Lounge
New York, NY, US
2011-12-03

Recordist : hi and lo
Source : Soundboard + Schoeps Mk41 > E.A.A. PSP-2 > Sonic AD2k+ > Tascam DR-680 @ 24 bit / 48 kHz
Position : on-stand, roc by soundboard, DINa, 9′
Mastering : Wavelab 6 (Mixdown/EQ/Fades/resamping/dither) > Flac Level 8 with TLH v2.6.0 (Build 168)

Tracklist:

01. Song for the Winter Sun
02. The Middle Distance
03. For the Hooves That Gallop, and the Heels That March
04. Like Lamp Glow
05. The First Freeze
06. The Curtain Calls
07. Snowed In
08. Morning Song, Mountain Song
09. Caretaker

Running Time: 43:05

Please support The Loom by seeing them on their current tour and by visiting their MySpace. If you’ve enjoyed this recording, you may also purchase a copy of their new album directly from the band’s bandcamp page or from iTunes.

Fucked Up: November 15, 2011 Warsaw – FLAC and MP3 Downloads + Streaming Songs

November 21, 2011
By


[Photo courtesy of Jon Melnick. See his Flickr stream [HERE]]

Music is passion. Music is anger. Music is triumph. Music is sorrow. Music is love. Somehow a Fucked Up show manages to incorporate them all. To love Fucked Up is to understand the wonder and beauty of the clean, rising chords of “Let Her Rest”, the multilayered, joyous dueling-guitar attack of “Running On Nothing”, and the gravel-scrubbed squall of incomparable frontman Damian “Pink Eyes” Abraham’s vocals. What makes sense about a Toronto band with an absolutely crack rhythm section, who puts out double-LP rock operas (their latest, David Comes to Life), whose focal point is a hefty, shirtless man screaming into the mic (when it’s not passed into the crowd), carrying crowd-surfers on his back, and cracking off disarming riffs on everything from his weight to his penis? Yet there’s something that does. It works, in part, because Abraham may be – if not the best vocalist – the best frontman in rock right now. He is self-effacing, magnanimous to a fault, funny, and kind. And positively magnetic to watch, as he presides over the chaotic mosh pit party that his band’s music creates. After an earnest, intense set (and one of their best possibly ever) by Titus Andronicus where they paid tribute to the events of the day at Occupy Wall Street, I’ll admit that it was refreshing to crack a smile at Abraham, talking about his recent weight loss. “I felt better fatter” he said, “I don’t want you to think I’m selling out, that I’m changing”). Even talking about OWS, Abraham managed to be funny (listen to the banter tracks to hear his thoughts on OWS and why you shouldn’t “bend over”.. or as he rephrased it, “lie down”).

As noted, while Fucked Up’s sound is nominally “punk”, there is nothing simple or unfocused about its players, whose densely layered guitars are the sea in which Abraham and his antics swim. Already hailed as one of the most ambitious punk bands ever, David Comes to Life raised the stakes with a four-part opera told from the viewpoint of multiple unreliable narrators. From most bands, projects like these come off as weak gimmicks. The difference here is that Fucked Up have the chops to pull it off. This show at Warsaw in Greenpoint – a venue I had not visited in awhile, but is now being booked by the tastemaker Chris Diaz of the Knitting Factory and sure to have more great shows – was the second of two NYC shows in which the band performed the entire record straight through. And what a record it is – obvious as the band whipped through its piles and piles of pop hooks with punk seethe with occasional breaks in between series of songs for Abraham to chat with the crowd. After the encore break it was time for the deep cuts, including a very special performance of a song called “Unrequited Love” with bassist Sandy Miranda on vocals. After closing out the set with the track “David Comes to Life”, Abraham stuck around on stage to help one fan get his phone back, and another person to get their jacket – even after the house music went up. By the time I had broken down my equipment and left quite a bit later, I found Abraham standing outside the venue – still shirtless, on a fairly cold night – chatting with fans. Music is love, indeed.

I recorded this set with an excellent soundboard feed from the Warsaw team, plus the Schoeps supercardiod microphones on a high stand. The sound is excellent. Enjoy!

Thanks to Chris Diaz and the members of the band for arranging permission to record. You can also download my previous recording of Fucked Up at Maxwell’s in Hoboken last year [HERE]

We are excited to announce that this recording is now hosted on Fucked Up’s bandcamp page. You can stream below, and clicking that link will take you there to buy/download

Fucked Up
2011-11-15
Warsaw
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Soundboard + Schoeps MK41>KCY>littlebox >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Audacity (limit peaks, set fades, amplify and balance, tracking, downsample)>FLAC ( level 8 )

Tracks
01 Let Her Rest
02 Queen of Hearts
03 Under My Nose
04 The Other Shoe
05 [banter1]
06 Turn the Season
07 Running On Nothing
08 Remember My Name
09 [banter2]
10 A Slanted Tone
11 Serve Me Right
12 Truth I Know
13 [banter3]
14 Life In Paper
15 Ship of Fools
16 A Little Death
17 [banter4]
18 I Was There
19 Inside A Frame
20 The Recursive Girl
21 [banter5]
22 One More Night
23 Lights Up
24 [encore break]
25 [?]
26 [banter6]
27 Unrequited Love
28 [banter7]
29 David Comes to Life
30 [outro]

If you enjoyed this recording, we expect that you will PLEASE SUPPORT F*cked Up, visit their blog, and purchase their official releases, including David Comes to Life, directly from their page at the Matador Records website [here].

Sebadoh: November 11, 2011 Maxwell’s – FLAC and MP3 Downloads + Streaming Songs

November 14, 2011
By

sebadoh
[Photo by Chris Gersbeck for Fucking Nostalgic]

The age-old debate I have with myself about going to Maxwell’s, especially on a weekend: Will this show be worth waiting for the PATH at 3 a.m.?  The thing is, every time you talk yourself out of a Maxwell’s show, you’re probably wrong.  If I hadn’t hit this Sebadoh show in this intimate (and for Manhattan/Brooklynites, remote) venue – despite that they were down the street at Music Hall of Williamsburg the following night – I’d have missed out.  This freewheeling show felt like seeing Lou Barlow and the reunited band appear in your living room.  Lou in particular was relaxed and chatting with the crowd, clearly enjoying the chance to keep things loose.  It didn’t hurt any that Lou and the band had plenty of friends in the crowd, many of whom could be heard ribbing him throughout the show.  Oh, and did you know “Willing to Wait” from Harmacy was going to be Ross and Rachel’s breakup song on Friends?  Well, now you do.  And tonight’s show-closing rendition – perhaps to spite the “flat” recording of the song that Lou hated – was pure, magical rock n’ roll.

The band were once known as “lo-fi pioneers”, but like many of their contemporaries from the early 90s, they’ve developed into serious players (one of Lou’s anecdotes concerned the $1000 guitar he was playing).  This set was Springsteen-esque in its sprawl – the first 13 tracks occur in the first half-hour of the nearly two-hour set – but given their large catalog of two- and three-minute songs, Sebadoh had a lot of ground to cover.  While rockers like “License to Confuse” are always thrillers, it was the band’s slower numbers like “Dream”, the poignant “Soul and Fire” and the band’s classic “Together or Alone” that stood out, allowing Barlow’s lyrics to shine.  The set focused primarily on the band’s more hook-driven, lyrical numbers, rather than some of the Eric Gaffney-penned more punkish material, and to good effect.  Among the band’s records, Bakesale was particularly well-represented (and also was just re-released this year by Sub Pop), as was Bubble and Scrape, while their seminal III, the first with Jason Loewenstein, was mostly-ignored.  By the end of the set, it was hard to imagine a favorite Sebadoh song the band didn’t play at this show, and indeed, I can’t think of one.  The PATH trade ride home was a long one, but damn, it was worth it.

I recorded this set with the Schoeps supercardiod microphones and a soundboard feed from Mitch, a new FOH engineer at Maxwell’s, who did a flawless job with the house mix all night.  The results are truly outstanding, absolutely one of my finest recordings of the year, and by far the finest fan recording of this band I have ever heard – yes, it’s that good.  Enjoy!

Stream “Willing to Wait”
[audio:http://www.nyctaper.com/S1111Sebadoh2011/39 Willing to Wait.mp3]

Stream “Soul and Fire”
[audio:http://www.nyctaper.com/S1111Sebadoh2011/26 Soul and Fire.mp3]

Stream “Beauty of the Ride”
[audio:http://www.nyctaper.com/S1111Sebadoh2011/30 Beauty of the Ride.mp3]

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]
If the FLAC link is not active, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Sebadoh
2011-11-11
Maxwell’s
Hoboken, NJ USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Schoeps MK41 (LOC, at SBD, DINa)>KCY>Littlebox + Soundboard >> Edirol R-44 [Oade Concert Mod]>Audition (balance, mixdown)>Audacity (tracking, set fades, amplify and balance)>FLAC ( level 8 )

Tracks
01 [intro banter]
02 Too Pure
03 [banter]
04 On Fire
05 Skull
06 Rebound
07 Ocean
08 [banter]
09 Magnet’s Coil
10 [banter]
11 Shit Soup
12 Mind Reader
13 Got It
14 Love to Fight
15 Drag Down
16 [banter]
17 Dreams
18 The Freed Pig
19 License to Confuse
20 Sister
21 Dramamine
22 Crystal Gypsy
23 Careful
24 Bird In the Hand
25 [banter]
26 Soul and Fire
27 Two Years Two Days
28 Not A Friend
29 Together or Alone
30 Beauty of the Ride
31 Forced Love
32 Sixteen
33 [encore break]
34 Give Up
35 New Worship
36 Brand New Love
37 Not Too Amused
38 [banter]
39 Willing to Wait

If you enjoyed this recording, PLEASE SUPPORT Sebadoh, visit their website, and buy their official releases, including Bakesale, [HERE]

Hooray For Earth: October 27, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

November 4, 2011
By

horrayforearth001
[Photo courtesy of Kevchino]

Listen to one of their records, and you might wrongly conclude that Hooray for Earth are a “studio band”. Sure, there are big dance beats and rock hooks – especially on their debut EP Momo – but there is a lot to get into on these records that you might imagine would be hard to re-create live. Indeed, Noel Heroux, the creative force behind the band, is a wizard in the studio, and his beautifully produced, detailed compositions make for amazing headphone listening. But as we have continued seeing their shows over the past couple of years, HFE have also continued to develop as live performers who are comfortable turning Heroux’s studio compositions into a massive on-stage reveries. With their friends and fellow travelers Zambri providing the backing vocals once again (as they did at the Glasslands show in March), the more tribal, less four-to-the-floor tracks of the band’s latest, True Loves, came alive at this Bowery Ballroom homecoming show with tourmates Cymbals Eat Guitars (that recording here). Only two of the big, dance-y Momo tracks – “Rolling/Nectarine” and “Get Home” – made an appearance, as the set focused on the more mature True Loves material, including its two standout tracks, “True Loves” and “Black Trees”. Even those who didn’t know the band at all – and there were several near me – were chanting their name by the end of the set, and why not? This is the kind of band that is worth cheering for.

I recorded this set in the same manner as the Cymbals Eat Guitars recording, and the sound is excellent. Thanks again to Aaron Treptow for the hospitality. Enjoy!

Stream “No Love”:
[audio:http://www.nyctaper.com/H7206HFE0201/06 No Love.mp3]

Stream “Sails”:
[audio:http://www.nyctaper.com/H7206HFE0201/01 Sails.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Hooray for Earth
2011-10-27
Bowery Ballroom
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Soundboard+Schoeps MK41>CMC6>Sound Devices USBpre2>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Audacity (set fades, tracking, amplify and balance)>FLAC ( level 8 )

Tracks
01 Sails
02 Bring Us Closer Together
03 Get Home
04 True Loves
05 Rolling/Nectarine
06 No Love
07 Realize It’s Not the Sun
08 Black Trees

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Hooray For Earth, visit their website, and purchase their debut EP Momo and their new LP, True Loves directly from Dovecote Records.

Cymbals Eat Guitars: October 27, 2011 Bowery Ballroom – FLAC and MP3 Downloads + Streaming Songs

November 2, 2011
By

ceg2012-04-02-1
[Photo by acidjack]

Cymbals Eat Guitars were critical darlings out of the gate, praised for the fully-realized vision of their 2009 debut album, Why There Are Mountains. While they used many 90s acts as touchstones – Pavement in particular – they were always viewed as purveyors of something new. Indeed, their latest effort and Barsuk Records debut, Lenses Alien, is a challenging followup record that combines frontman and songwriter Joseph D’Agostino’s dense verbiage with a caustic, acid-drenched sound. In this celebratory homecoming at the Bowery Ballroom, fresh off a national tour, the band showed us again what made them so special in the first place. Their songs can shift effortlessly from pop lullabyes to punk screeds, and they often do, keeping the listener on edge – witness the explosive ending to the creepy narrative “Plainclothes.” Although the attendance suffered a bit from the nasty weather, this show was a fitting coda to a tour whose sendoff was at Music Hall of Williamsburg. After playing “And the Hazy Sea” for their second encore – egged on by Noel from Hooray For Earth – CEG left the stage, tired but satisfied. And so were we.

I recorded this set with a soundboard feed from CEG’s longtime engineer Aaron Treptow and Kenny at Bowery Ballroom, and the Schoeps microphones. Aaron is supposedly retiring from live sound work for awhile – work from which he’ll be missed – but we know he will be successful in his future endeavors. We would like to thank him for hosting us.

Stream “Wind Phoenix”:
[audio:http://www.nyctaper.com/C2140CEG2990/15 Wind Phoenix (Proper Name).mp3]

Stream “Plainclothes”:
[audio:http://www.nyctaper.com/C2140CEG2990/02 Plainclothes.mp3]

Direct download of MP3 files [HERE] | Direct Download of the FLAC files [HERE]

Follow acidjack on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Cymbals Eat Guitars
2011-10-27
Bowery Ballroom
New York, NY USA

An acidjack master recording
Recorded and produced by acidjack for nyctaper.com

Soundboard+Schoeps MK41>CMC6 (Balcony, DFC, PAS)>SD USBpre2>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Audacity (set fades, track, amplify, balance)>FLAC Level 8

Tracks
01 Indiana
02 Plainclothes
03 Shore Points
04 Wavelengths
05 [banter]
06 Definite Darkness>
07 Another Tunguska
08 Rifle Eyesight
09 The Current
10 Keep Me Waiting
11 Cold Spring
12 Secret Family
13 [encore break]
14 Gary Condit
15 Wind Phoenix (Proper Name)
16 [encore break 2]
17 And the Hazy Sea

If you enjoyed this NYCTaper recording, we expect that you will PLEASE SUPPORT Cymbals Eat Guitars, visit their website, visit their MySpace page, and purchase Lenses Alien from the links at their web store [HERE].

North Mississippi Allstars: October 28, 2011 Brooklyn Bowl – FLAC and MP3 Downloads + Streaming Songs

October 31, 2011
By

After hearing this site’s incredible capture of brothers Luther and Cody Dickinson of the North Mississippi Allstars back in June, I knew I needed to see what this Mississippi blues act was all about for myself.  Brooklyn Bowl – now the obvious heir to Wetlands in terms of this type of programming – was the perfect place for the introduction.  As is the norm for a Friday night, a lot of the drunken suburban crowd was mostly there to party, but those paying more attention were rewarded with some incredible guitar work from Luther, percussion from Cody, and bass from Chris Chew.  The band gave us a veritable education in the blues, mixing in their own favorites with classic covers like Bob Dylan’s “Stuck Inside of Mobile With the Memphis Blues Again”, which appears on their latest record, Keys to the Kingdom.  The record’s title is an homage to the brothers’ father, the blues legend Jim Dickinson, but it could as easily be a reference to their own place in the blues pantheon.  NMAS are the honest heirs of this centuries-old American tradition, and they will no doubt do their best to make the genre as alive, fresh, and relevant as it was a hundred years ago.

The entire nyctaper crew was on-hand for this event with a slew of mics at full height above the crowd.  This particular recording is a combination of AKG large-diaphragm mics to give “air” at the top end and edge to the guitar, combined with Schoeps supercardiods to add the direct sound.  While there is no mistaking that it’s a Friday night crowd, the sound quality of the music is outstanding.  Please help out with any setlist corrections – it was my first time seeing the band live and there were a a few songs I did not recognize or couldn’t figure out.  Enjoy!

Stream “Stuck Inside of Mobile With the Memphis Blues Again [Bob Dylan]”:
[audio:http://www.nyctaper.com/N0409NMAS9002/09 Stuck Inside of Mobile With The Memphis Blues Again.mp3]

Stream “Rollin’ and Tumblin'”
[audio:http://www.nyctaper.com/N0409NMAS9002/20 Drinkin’ Muddy Water.mp3]

This Recording is now available for Download in FLAC and MP3 at Archive.org [HERE].

North Mississippi Allstars
2011-10-28
Brooklyn Bowl
Brooklyn, NY USA

Recorded for nyctaper.com by acidjack, hi and lo, nyctaper and Johnny Fried Chicken Boy
Produced by acidjack

AKG C 414 B-XLS (cardiod)>Sound Devices USBpre2 + Schoeps MK41>NBox+ >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (mixdown)>Audacity (tracking, amplify and balance)>FLAC ( level 8 )

Tracks [Total Time: 1:51:29]
01 Sitting On Top of the World
02 Across the Great Divide
03 Let It Roll
04 Shake What Your Momma Gave You
05 People Get Ready
06 Mean Ol’ Wind Died Down
07 Shake ‘Em On Down
08 [guitar jam]
09 Stuck Inside of Mobile With the Memphis Blues Again [Bob Dylan]
10 Meet Me In the City
11 Po Black Maddie>
12 Drum Solo/jam>
13 Jellyrollin’ All Over Heaven
14 New Orleans Walkin’ Dead
15 Harlem River Blues [Justin Townes Earle]
16 Sugar Hill
17 Teasin’ Brown
18 I’d Love To Be A Hippie
19 Everything I Do Gonna Be Funky (From Now On)
20 Rollin’ and Tumblin’
21 [encore break]
22 Lordy Lord>
23 [unknown?]
24 All Night Long

If you email nyctaper for access to this recording, we expect that you will PLEASE SUPPORT North Mississippi Allstars, visit their website, and purchase Keys to the Kingdom and their other available releases through The Store at their website [HERE].

Smashing Pumpkins: October 18, 2011 Terminal 5 – FLAC/MP3 Downloads + Streaming Songs

October 21, 2011
By

Photo courtesy of Jill and For the Love of Brooklyn
[photos courtesy of Jill and For the Love of Brooklyn. See all her pictures here!]

For me, the hobby of live recording at concerts has one origin; the Smashing Pumpkins. It was in 2000 and the band was on their final world tour when I was drawn into this hobby. The band, still mired in the politics of a big recording label, did not openly allow taping, but those that were interested were just an internet search away from immersion into a community of passionate fans who were taping, trading and archiving recordings.

Since the band’s humble beginnings in Chicago, Billy Corgan was receptive towards live recordings and the community often saw ‘leaked’ analog cassettes from the archives. (Mashed Potatoes, anyone?) It was through these tapes that I was drawn to the beauty of live recordings, experiencing the energy and passion of a show I could not attend, or creating a permanent memory of those I could. Fortunately for the taping community, in 2003, Billy Corgan instituted an open taping policy with his side project Zwan and legions of fans could finally – and legally – document their performances.

Though the only remaining original member of the band is Corgan, this open taping policy has remained constant and is exposing new fans to their huge catalog of music while showcasing the talent of their three new members, guitarist Jeff Schroeder, bassist Nicole Fiorentino, and 21-year-old Mike Byrne on drums. But regardless of the lineup changes, the music remains as powerful as ever, selling out venues and enthralling crowds worldwide.

The NYCTaper crew caught the Smashing Pumpkins on tour at Terminal 5 this week and they did NOT disappoint. Indeed, their performance was a mind-blowing mix of new material from their forthcoming album, Oceania, with sprinklings of hardcore fan favorites from Gish, Siamese Dream, Pisces Iscariot, Mellon Collie, and Adore. We recorded this show with multiple rigs clamped to an ideal spot above the soundboard, and the house mix was as good as any of us had ever heard at Terminal 5. Thanks to the electric performance of the band and the crazy high energy of the crowd, the results of our recordings were nothing short of fantastic.

In honor of JFCB who sent us a 4AM email (he just couldn’t stop listening!), we are streaming two of his favorites from the show:

Stream “Geek U.S.A.”
[audio:http://nyctaper.com/S1810SmashingPumpkins1102/tsp2011-10-07.mk41.GeekUSA.mp3]
Stream “Muzzle”
[audio:http://nyctaper.com/S1810SmashingPumpkins1102/tsp2011-10-07.mk41.Muzzle.mp3]

Direct download of MP3 files [HERE]

Direct download of FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request. Note that this show will be uploaded to the Live Music Archive shortly. Please do not upload to the LMA on our behalf.

Photo courtesy of Jill and For the Love of Brooklyn

The Smashing Pumpkins
Terminal 5
New York, NY, US
2011-10-18

Recordist : hi and lo
Location : first balcony rail, DFC
Source : Schoeps MK41/CMR > Naiant PFA > EAA PSP-2 > Tascam DR-680 @ 24 bit / 48 kHz
Edit : WaveLab V6 (EQ/Fades/Resampling/Dither)
Final Format : 16 bit, 44.1 kHz
Tracking : CD-Wave v1.98
Encoding : FLAC v1.2.1 Level 8 with TLH v2.6.0 (Build 168)

Tracklist:

01. Intro
02. Quasar
03. Panopticon
04. Starla
05. Geek U.S.A.
06. Muzzle
07. Window Paine
08. Lightning Strikes
09. Soma
10. Siva
11. Oceania
12. Frail and Bedazzled
13. Silverfuck
14. Obscured
15. Pale Horse
16. Thru the Eyes of Ruby
17. Cherub Rock
18. Owata
19. My Love Is Winter
20. For Martha
21. (Encore Call)
22. Pissant
23. Bullet with Butterfly Wings

Running Time: 2:16:45

Please support Smashing Pumpkins by seeing them on their current tour in support of Oceania and by visiting their official website. If you’ve enjoyed this recording, you may also purchase an official soundboard version directly from the band’s website and by signing up for the Smashing Pumpkins Record Club.

The Antlers: October 3, 2011 Wellmont Theatre – Flac and MP3 Downloads + Streaming Song

October 6, 2011
By


[photo by Amanda Hatfield]

In our many posts about The Antlers, we have never spoken about the band’s technical prowess. The new album, Burst Apart, was produced by the band, but the lion’s share of the studio and tech work was done by keyboardist Darby Cicci. At Wellmont Theatre on Monday night, it was a question in my mind as to whether the band’s sound could fill such a cavernous theatre, but from the very outset The Antlers did just that. As they opened with perhaps the most aggressive song from Burst Apart “Parentheses”, Michael Lerner’s well-mic’d bass drum and the strong dual guitar work of Peter Silberman and Tim Mislock produced a wall of sound, but it was Darby’s keys and effects that provided both the bottom end and the depth to the booming sound. The set continued in the same vein, with six new songs of the seven played, supplemented by an emotional version of “Atrophy” from Hospice. The Antlers return to the NYC area on December 10, with a newly announced date at Webster Hall.

We recorded this set in the same manner and location as the EITS set, and the sound quality is equally rich. Enjoy!

Stream “I Don’t Want Love”:
[audio:http://www.nyctaper.com/A3398Antlers3200/03.%20I%20Don%27t%20Want%20Love.mp3]

This Recording is now available to Download in FLAC and MP3 at Archive.org [HERE].

The Antlers
2011-10-03
Wellmont Theatre
Montclair, NJ USA

Four-Track Digital Master Recording
Recorded from Front Center of Balcony Rail

Schoeps MK-41 > PSP2 + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by
nyctaper and hi and lo
2011-10-06

Setlist:
[Total Time 46:57]
01 Parentheses
02 No Widows
03 I Don’t Want Love
04 Atrophy
05 Rolled Together
06 Hounds
07 Putting The Dog To Sleep

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Antlers, visit their website, and purchase Burst Apart from their site [HERE].

Explosions In The Sky: October 3, 2011 Wellmont Theatre – Flac and MP3 Downloads + Streaming Song

October 5, 2011
By


[photo courtesy of Brian C. Reilly and Bowery Houselist]

An Explosions In The Sky concert can be an emotional experience simply because of the depth and breadth of the music created on stage. At Wellmont Theatre on Monday night, EITS performed a ninety-minute set of their post-rock mini-symphonies to a rapt audience. There were a few hoots and some random clapping, but for the most part the 2000 capacity crowd were mesmerized. Inexplicably, there was a toddler in the balcony and at the most quiet moments of the music, she could be heard throughout the theatre. EITS are touring on their newest album Take Care, Take Care, Take Care, but the set featured only two new tracks and songs were selected judiciously throughout their catalog. We have chosen to stream “The Birth and Death of the Day”, the opening track from their 2007 release All of a Sudden I Miss Everyone, and a piece of extraordinary beauty. The song is a reversal of the common EITS structure as it opens with a crashing of the instruments and evolves into a simple but quietly eloquent multi-guitar passage. The Explosions In The Sky world tour continues through January.

Hi and Lo and I recorded this set from the front and center balcony rail. This location afforded us a direct line to the huge stacks and also provided a tremendous soundstage. We combined his Schoeps hypers with the DPA 4021s and the result is a tremendously rich and deep recording. Enjoy!

The Antlers opening set was also recorded and will be posted soon.

Stream “The Birth and Death of the Day”:
[audio:http://www.nyctaper.com/E3060EITS9992/09.%20The%20Birth%20and%20Death%20of%20the%20Day.mp3]

This Recording is now available to Download in FLAC and MP3 at Archive.org [HERE].

Explosions In The Sky
2011-10-03
Wellmont Theatre
Montclair, NJ USA

Four-Track Digital Master Recording
Recorded from Front Center of Balcony Rail

Schoeps MK-41 > PSP2 + DPA 4021’s > Edirol R-44 (Oade Concert Mod) > 2x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > Flac Frontend (level 7, align sector boundaries) > flac

Recorded and Produced by
nyctaper and hi and lo
2011-10-05

Setlist:
[Total Time 1:26:07]
01 [introduction]
02 The Only Moment We Were Alone
03 Last Known Surroundings
04 Catastrophe and the Cure
05 Postcard From 1952
06 Greet Death
07 Six Days at the Bottom of the Ocean
08 Let Me Back In
09 The Birth and Death of the Day
10 The Moon Is Down

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Explosions in the Sky, visit their website, and purchase Take Care, Take Care, Take Care and their other official releases directly from their online store [HERE]

SUPPORT NYCTaper




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