Posts Tagged ‘ sound devices usbpre2 ’

Soulive: March 1, 2012 Brooklyn Bowl – FLAC and MP3 Downloads + Streaming Songs

March 4, 2012

[Photos by Jill at For the Love of Brooklyn]

In what has now become a tradition, Soulive are currently taking over Brooklyn Bowl for a series of shows filled with special guests and blow-the-doors-off playing.  Billed as “Bowlive III”, these shows highlight the band’s efforts to move forward with a jazz/funk genre that all too often seems content to rest on its laurels.  This show, for example, had almost nothing in common with the final night of Bowlive II that we covered last year.  While that show seemed to emphasize the soul elements of the band, this performance made the guitar skills of the band’s virtuosic regular Eric Krasno its focus.  The show opened with several extended numbers with just the trio before the band was joined by a rotating cast that included Karl Denson, regular guest Nigel Hall, and Sam Williams of Big Sam’s Funky Nation. While the guests added some range to the band’s sound, for this set, it was the trio numbers like “Aladdin” that kicked it off that I appreciated most – reminders that even with all the hoopla of the guests at these shows, this is one incredible band on its own.

After about 75 minutes of inspired playing, the band took a break during an appearance by special guest Rahzel, who gave a 25-minute beatbox performance that challenged the limits of the physically possible with his ability to essentially play, and sing, an entire song using only his mouth.  He joined the band for “I Am the Magnificent” before exiting the stage.  The crowd, already partying like madmen, was fully loaded for what was to come.

The band’s most recent recorded output is a record of Beatles covers called Rubber Soulive that highlights the shared heritage of jazz and rock n’ roll, so it came as no surprise when the band performed a mini-Beatles set of “Come Together,” “Eleanor Rigby” and “I Want You (She’s So Heavy)”.  While the heavily-covered “Come Together” (you may have heard the Aerosmith version) was probably the biggest crowd-pleaser, I was most impressed with the extended jamming on “Eleanor Rigby”, which turned that two-minute gem of a vocal performance into an extended guitar meditation.  Rather than being a real “cover” version, the original was merely a starting point for what followed.  “Too Much”, one of few repeats from the show we saw last year, came next, before Brooklyn Bowl regular Questlove took the stage with Hall, Williams and Lenesha Randolph for a series of songs, including Stevie Wonder’s “Signed, Sealed, Delivered”.   With four more Bowlive shows on the way next week (Tuesday, Wednesday, Thursday and Friday), Soulive are sure to have more tricks up their sleeves.  Don’t miss out.

Thanks to the Brooklyn Bowl staff for their hospitality to us at this show, and to the band for continuing to allow fan audio taping.  

hi and lo and I recorded this set with Schoeps MK21 wide cardiod microphones onstage, combined with Schoeps MK22 open cardiod microphones on the left side near one of the speakers to pick up some vocals and room ambiance.  The result is an incredible recording that truly feels like you are watching the band from the stage lip – which is an amazing experience.  There may be some tracking errors here and there – feel free to send corrections.

Stream “Eleanor Rigby [Beatles]”:
[audio: Eleanor Rigby.mp3]

Stream “Aladdin”
[audio: Aladdin.mp3]

Download the FLAC and MP3 files and stream the entire show at the Live Music Archive [HERE]

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Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Brooklyn Bowl
Brooklyn, NY USA

Download hosted at
Recorded by hi and lo and acidjack
Produced by acidjack

Schoeps MK21 (onstage, NOS)>KC5>PFA>SD USBPre2 + Schoeps MK22 (A-B, 3ft split, 15 ft back, left stack)>CMC6 >> Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Audition (Izotope Ozone limiter, EQ), resample to 44.1kHz>Audacity (tracking, downsample to 16bit)>FLAC ( level 8 )

Set I [1:13:26]
01 [intro]
02 Steppin’
03 Uncle Junior
04 Aladdin
05 The Swamp
06 [banter]
07 Shaheed^
08 Rudy’s Way
09 [banter]
10 Leave Me Alone #

Rahzel [26:36]
11 improv

Set II [1:25:12]
12 I Am the Magnificent %
13 Come Together [Beatles]
14 Eleanor Rigby [Beatles]
15 I Want You (She’s So Heavy) [Beatles]
16 Too Much $
17 [banter]
18 Signed, Sealed, Delivered [Stevie Wonder] $&
19 [banter]
20 Tuesday Night Squad> $
21 Bewildered #
22 Tuesday Night Squad
23 [farewell]

^ with Karl Denson
# with Nigel Hall and Sam Williams
% with Rahzel
$ with Karl Denson, Nigel Hall, Sam Williams and Lenesha Randolph
& with Questlove

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Soulive, visit their website, and purchase their official releases and merchandise directly from the band’s online store [HERE].  You can also stream these shows live on iClips [HERE].  It’s also not too late to get tickets to the last four nights from Brooklyn Bowl.

Arbouretum: October 14, 2011 Glasslands – FLAC and MP3 Downloads + Streaming Songs

October 28, 2011

[Photos by acidjack]

Thrill Jockey’s band page for Arbouretum describes them as a “taper’s dream”, and they could well be right about that.  With open song structures, a hard-rocking, Southern-informed psych-rock sound an solid dose of showmanship, the band comes off a bit like an updated, thinking man’s version of bands like CCR and Lynyrd Skynyrd, and they play a hell of a good show that doesn’t belie that comparison.  The band took the stage behind a veil of smoke, launching into a brief psychedelic intro before hitting full stride on “False Spring” the leadoff track to their 2009 record, Song of the Pearl.  That led into “White Bird”, the sole song played from their latest Thrill Jockey release, The Gathering.  The musical virtuosity only went up from there, with “Down By the Fall Line” leading directly into “Mohammed’s Hex and Bounty” in a combined 17-minute piece that found the band in top form.  Frontman Dave Heumann puts a lot of thought into his dense, literary lyrics, and (somewhat unusually for an indie artist) actually sings them so you can hear them.  As audience members called out various rarities and covers throughout the set, the band finally obliged with a ripping version of CCR’s “Long As I Can See the Light.”

I recorded this set with my usual mounted setup of DPAs on the center post plus a soundboard feed from Josh, the head FOH engineer at Glasslands. The sound is excellent.  Enjoy!

Stream “The White Bird”
[audio: The White Bird.mp3]

Stream “Long As I Can See the Light [Creedence Clearwater Revival]”
[audio: Long As I Can See the Light.mp3]

This recording is now available to download as FLAC or MP3 at [HERE].

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Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for

DPA 4021 (DFC, ORTF)>Sound Devices USBpre2+Soundboard >> Edirol R-44 [Oade Concert Mod] (24/48)>2x24bit/48kHz WAV>Audition (mixdown)>Audacity (tracking, set fades, amplify and balance)>FLAC ( level 8 )

Tracks [Total Time 59:22]
01 [intro]
02 False Spring
03 The White Bird
04 Down By the Fall Line>
05 Mohammed’s Hex and Bounty
06 Ghosts of Here and There
07 Song of the Nile
08 Long As I Can See the Light [Creedence Clearwater Revival]

If you enjoyed this recording, PLEASE SUPPORT Arbouretum by visiting their MySpace page and purchasing their official releases directly from Thrill Jockey [HERE]

U Say USA: June 19, 2011 NYCTaper Northside Showcase @ Public Assembly – FLAC and MP3 Downloads + Streaming Song

July 4, 2011

[Video still by Cannons]

I invited Bushwick’s U Say USA to play our first annual NYCTaper Northside Showcase without having actually seen their live show, but on the strength of some very positive word of mouth. Though the term “Bushwick band” might conjure the thought of an experimental keyboard project, U Say USA use their neighborhood (prominently featured on the cover of their record, The Greatest Recession (I’ve Ever Been To)) as the jumping off point for their songwriting, which deals with populist themes appropriate to the current moment, with a sense of humor to boot. As to their sound, the band combines some of punk’s jagged edges with a strong classic rock vibe. Particularly of note (and uncommon to an indie rock show) is lead guitarist Ian Gilliam’s guitar work – the man can seriously solo. The band have been upping their gig count of late, including a recently-completed residence at Williamsburg’s Trash Bar, and we expect to see more of them in the neighborhood.

I recorded this set in the same manner as the other sets from this show. This recording emphasizes the board feed a bit more heavily, but overall is quite good. Also, apologies for the minor tracking error on tracks 2 and 3. Enjoy!

Stream “If U Feel Like Ur Dreamin”:

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Follow acidjack on Twitter

NYCTaper Northside Showcase
Public Assembly
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for

Equipment: AKG C414 B-XLS (cardiod)>Sound Devices USBpre2 + Soundboard >> Edirol R-44 [Oade Concert Mod] (24/48)
Position: Each mic clamped to pole, split 5ft
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, amplify and balance)>FLAC ( level 8 )

01 Cutting Down Forests
02 Rome>
03 Rome (cont)>Holding Barrels
04 Amy & the Ghost
05 Under the Weather
06 Where’d It All Go?
07 C.E.O.
08 If U Feel Like Ur Dreamin’
09 Diesel

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT U Say USA, like them on Facebook, and purchase The Greatest Recession (I’ve Ever Been To) on their bandcamp page.

Times New Viking: May 27, 2011 Knitting Factory – FLAC and MP3 Downloads + Streaming Songs

May 31, 2011

[Photo by acidjack]

The term “lo-fi” gets thrown around a lot, but when you’re talking about the Columbus, OH three-piece Times New Viking, it is impossible to avoid it. Where a lot of bands earn the label by dint of using cheap gear and not giving a shit, for TNV, the scratchy, blown-out, distorted sound is an important part of their aesthetic. Their songs arrive in short bursts, almost universally under the three- or even two-minute mark, in a similar vein to kindred spirits and sometime tourmates Guided by Voices. While their new release on Merge Records (their first for the label), Dancer Equired, utilizes more legitimate studio production than their past records – a pretty low bar to set considering that their four previous efforts were recorded to lo-fi analog media such as cassettes and VHS – their live show still has the perverse characteristic of sounding more glossy than most of their recorded work. This Friday night show at the Knitting Factory – well attended despite coming at the start of Memorial Day weekend – found TNV blasting through 22 songs in 50 minutes (including an encore break). The set represented the new Dancer Equired material well, but also gave fans plenty to like from all of their records, including a mean “The Early 80s” from their breakout 2008 record, Rip It Off. Catchy, irreverent, and indisputably rocking, this night with TNV was a perfect way to kick off a Williamsburg Memorial Day weekend.

I recorded this set with AKG large-diaphragm microphones set up near the soundboard, together with a soundboard feed prepared by Rob, one of the outstanding house engineers at the Knitting Factory. The sound quality is excellent. Enjoy! (And please feel free to let me know what the few songs I didn’t know the titles of are)

Stream “Try Harder”:
[audio: Try Harder.mp3]

Stream “The Early 80s”:
[audio: Early 80s.mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Times New Viking
Knitting Factory
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for

Equipment: AKG C 414 B-XLS (cardiod)>Sound Devices USBpre2 + Soundboard>>Edirol R-44 [Oade Concert Mod] (24/48)
Position: At soundboard, slightly ROC, mics at 7ft, PAS
Mastering: 2x24bit/48kHz WAV>Audacity (EQ audience source, mixdown, set fades, tracking, amplify and balance)>FLAC ( level 8 )

01 Intro
02 It’s A Culture
03 [unknown]
04 Don’t Go to Liverpool
05 Busy Making Love & War
06 The Apt.
07 [banter]
08 Ever Falling In Love
09 Try Harder
10 No Room To Live
11 City On Drugs
12 [unknown]
13 The Early 80s
14 Devo & Wine
15 Telephone
16 [unknown]
17 Fuck Her Tears
18 Move to California
19 Ways To Go
20 New Vertical Dwellings
21 Teenage Lust!
22 [encore break]
23 My Head
24 [unknown]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Times New Viking, visit their web site, and purchase Dancer Equired directly from Merge Records [HERE]

Thurston Moore: May 20, 2011 Music Hall of Williamsburg – FLAC and MP3 Downloads + Streaming Songs

May 25, 2011

[photo by Bryan Bruchman]

Thurston Moore has a sweeping, almost uncontainable musical vision. He is an artist who I have personally seen, just in the past year, perform everything from a chaotic, sprawling noise collage to Sonic Youth’s classic postpunk to these, his somnolent, captivating acoustic meditations. He is in many ways the archetype of the modern New York musician to which almost anyone, in any genre, aspires, and he and his bandmates in Sonic Youth almost single-handedly revitalized and redefined the scene in the 80s and 90s. If you are trying to describe, using one person, everything that is honest and right and excellent and so very New York about modern New York rock musicians, look no further than Thurston Moore.

This Friday night show at Music Hall of Williamsburg celebrated the release of Moore’s most recent solo record, the Beck-produced Demolished Thoughts, which picks up on the quieter end of where his 2007 solo release Trees Outside the Academy left off. The set concentrated heavily on that record, as well as some songs from Trees Outside the Academy, and finished with the title track from Moore’s first proper solo outing, Psychic Hearts. While the songs in this set fall within the more conventional range of Moore’s spectrum, there was nothing banal about them, as each track demonstrated his virtuosity on the guitar – witness the back end of “Orchard Street” and his amazing consistency at writing catchy, interesting songs (“In Silver Rain With A Paper Key” being one). Moore was backed by a crack band of hyper-cool indie luminaries that included Keith Wood from Hush Arbors on guitar and John Moloney of Sunburned Hand of the Man, and they did the songs ample justice. Unlike most gigs Thurston Moore is involved in, this one never required earplugs – but it didn’t need the noise to be noticed.

I recorded this set from the left balcony of the venue with the Schoeps microphones on an extension arm pointed directly at the stacks, with tiny DPA omnidirectional microphones providing the room warmth and ambiance that usually lack from up-close recordings of this type. Both mics ran through quiet preamps that minimized hiss from this more quiet show. The results are excellent. Enjoy!

Stream “In Silver Rain With A Paper Key”:
[audio: In Silver Rain With A Paper Key.mp3]

Stream “Orchard Street”:
[audio: Orchard Street.mp3]

Direct download of MP3 files [HERE]

Direct download of lossless FLAC files [HERE]


Follow acidjack on Twitter

Thurston Moore
Music Hall of Williamsburg
Brooklyn, NY  USA

An acidjack master recording
Recorded and produced by acidjack for

Equipment: Schoeps Mk41>CMC6>Sound Devices USBpre2 + DPA 4061>Church Audio CA9200 >> Edirol R-44 [Oade Concert Mod] (24/48)
Position: Left balcony, about 15′ from stack, mics on extension arm split A/B
Mastering: 2x24bit/48kHz WAV>Audacity (smooth peaks, hard limit and de-amplify applause, mixdown, downsample to 44.1kHz, set fades, tracking, amplify and balance, downsample to 16bit)>FLAC ( level 8 )

01 intro
02 Mina Loy
03 Blood Never Lies
04 Never Day
05 [banter]
06 January
07 Space
08 Orchard Street
09 [banter]
10 Benediction
11 Illuminine
12 [banter]
13 In Silver Rain With A Paper Key
14 Circulation
15 [encore break]
16 Psychic Hearts

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Thurston Moore, visit his MySpace page, and purchase his official releases directly from his label, Ecstatic Peace, [HERE]

Yo La Tengo: May 11, 2011 Bell House – FLAC and MP3 Downloads + Streaming Songs

May 15, 2011

[Photo from the 5/10 show courtesy of Chris Gerbeck at fucking nostalgic]

After an epic Tuesday night “Spin the Wheel” show that found Yo La Tengo playing a special “Name Game” first set, the second night kicked off with “I’d Like To Buy A Vowel,” a new wheel item that requires the band to play only songs of theirs that begin in vowels. In other words, the fans got some great music, but compared to having to, say, perform a classic sitcom, it was a fairly lucky and safe choice for the band. The safe moves ended after that, though, as they kicked off with the punked-up “Artificial Heart” that transitioned seamlessly into their more mellow classic, “Autumn Sweater.” From there the band played through the low-key trio of “If It’s True,” “I’m On My Way” and “Alyda” before kicking the tempo back up with the explosive (and rarely played) “86-Second Blowout” from 1992’s May I Sing With Me. After an inspired, noise-drenched “Outsmartener”, the band launched into an insane 14-minute version of “I Heard You Looking” that left it all on the stage. It was hard to imagine a band not finishing an entire show, let alone a set, after such a monster performance, but this being Yo La Tengo, they let us come down easy, wrapping up set one with the subdued Lou Reed cover, “It’s Alright (The Way That You Live).”

In general, I felt like the sequencing of this show was a slight improvement over the previous night, though we have seen so many Yo La Tengo shows in the past 12 months, it is hard to play favorites. Still, the second set of this show felt incredibly cohesive, kicking off with “Walking Away From You,” a 12-minute “More Stars Than There Are In Heaven” and “False Alarm” all presented as a virtually seamless composition. The noisy side of Yo La Tengo has always been my favorite, so this trifecta pushed all the right buttons for me. Set 2 ended with another awesome 23-minute three-song series, of a monster “Big Day Coming” that found Ira in top form on guitar, jamming straight into “Tom Courtenay” and ending with the band’s reimagined version of Beach Boys’ “Little Honda”.

Perhaps feeling sheepish that they hadn’t been forced to play anything ridiculously out-of-the-box during their two Brooklyn shows, for the encore, the band decided to play a mini-set of three songs in their alter ego cover band mode, Condo Fucks. As with the first set, the encore ended on a quiet note, with another May I Sing With Me number, “Detouring America With Horns.” Few bands get the chance to do truly do whatever the want night after night in front of sell-out crowds, and Yo La Tengo have done everything possible to earn it. No matter how many shows you see, there are always new dimensions, new twists, new laughs, and new songs to be impressed and surprised by, and these two nights exemplified that perfectly.

I recorded this set with the Schoeps microphones running into an ultraquiet digital preamp, combined with an excellent soundboard feed. The results are outstanding. Enjoy!

Stream “86-Second Blowout”:
[audio: 86 Second Blowout.mp3]

Stream “It’s Alright (The Way That You Live) [Lou Reed]”:
[audio: It’s Alright (The Way That You Live).mp3]

Direct download of MP3 files [HERE]

Download the Complete show in FLAC [HERE].

Yo La Tengo
The Bell House
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for

Equipment: SBD+Schoeps Mk41>CMC6>Sound Devices USBpre2>Edirol R-44 [Oade Concert Mod] (24/48)
Position: At soundboard, DFC, mics pointed at stacks
Mastering: 2x24bit/48kHz WAV>Audacity (mixdown, set fades, tracking, smooth peaks, amplify and balance, downsample to 16bit/44.1kHz)>FLAC ( level 8 )

Set I: I’d Like To Buy A Vowel
01 Game Show Intro
02 Artificial Heart>
03 Autumn Sweater
04 If It’s True
05 I’m On My Way
06 [banter]
07 Alyda
08 86 Second Blowout
09 Outsmartener
10 I Heard You Looking
11 It’s Alright (The Way That You Live) [Lou Reed]

Set II
12 Walking Away From You>
13 More Stars Than There Are In Heaven>
14 False Alarm
15 [banter]
16 The Weakest Part
17 [banter]
18 Mr. Tough
19 Satellite>Big Day Coming>
20 Tom Courtenay
21 Little Honda [Beach Boys]
22 [encore break]

Encore: (Mostly) Condo Fucks Set
23 Whatcha Gonna Do [Small Faces]
24 Come On Baby [Young Rascals]
25 Dog Meat [Flamin’ Groovies]
26 Detouring America With Horns

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, visit their MySpace page, and purchase their official releases from the store at their website [HERE].

Jukebox the Ghost: May 4, 2011 Rock Shop – FLAC and MP3 Downloads + Streaming Song

May 12, 2011

[Photo courtesy of The Wild Honey Pie]

Things seem to be going well for Philly’s Jukebox the Ghost – not long after they booked this show at the intimate Rock Shop as the support act for tourmates Wakey Wakey!, they found themselves at the top of the bill at Bowery Ballroom the following night. It isn’t terribly surprising: Since their founding in their present incarnation in 2005, the band has toured extensively behind big name, accessible pop-rock acts like Ben Folds and Barenaked Ladies and released two strong albums, their 2008 debut, Let Live and Let Ghosts, and its 2010 followup, Everything Under the Sun, and in that time, they have made a name for themselves as a bouncy, fun and consistent pop act.  Much like Ben Folds Five, their music revolves around classically-trained keyboardist/vocalist Ben Thornewill’s upbeat piano melodies and the sugar-sweet vocal harmony of lead vocalists Tommy Siegel and Thornewill.  Songs like “Empire” are reminders of the power of a perfect pop song; JTG are neither angst-ridden nor ironic, nor even particularly earnest – their pop is served without pretension or anxiety. I heard several people in the crowd, who didn’t know the band at all, talking about how much they enjoyed the show – and how could you not? Jukebox the Ghost are pros, ladies and gentlemen, and they have the power to deliver a nice injection of optimism into a jaded city crowd. All that said, it’s hard to deny the highlight of the show – an only-somewhat-ironic cover, a mean version of Huey Lewis & the News’ “Power of Love”, the theme song from Back to the Future (with a little jam of the theme from Ghostbusters in there – it was an 80s kind of night, I guess).

I recorded this set in the same manner as the Wakey Wakey! recording, and the sound quality is once again outstanding. Enjoy!

Stream “Empire”:
[audio: Empire.mp3]

Stream “The Power of Love [Huey Lewis and the News]”:
[audio: The Power of Love.mp3]

This Recording is now available for Download in FLAC and MP3 and to Stream at [HERE].

Follow acidjack on Twitter

Jukebox the Ghost
Rock Shop
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for

Equipment: DPA 4021>Sound Devices USBpre2+Soundboard>>Edirol R-44 [Oade Concert Mod] (24/44.1)
Position: LOC, mics at 7.5ft, pointed at stacks
Mastering: 2x24bit/44.1kHz WAV>Audacity (balance, EQ right channel, mixdown, set fades, tracking, amplify and balance)>FLAC ( level 8 )

01 Mistletoe
02 Half Crazy
03 Hold It In
04 [banter]
05 The Stars
06 Empire
07 Summer Sun
08 [banter]
09 Don’t Let Me Fall Behind [new]
10 Nobody
11 Say When
12 Good Day
13 Static to the Heart
14 [banter]
15 The Power of Love [Huey Lewis & the News]
16 Schizophrenia

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Jukebox the Ghost, visit their website, and purchase Everything Under the Sun and their other official releases from the Yep Roc Records store [HERE]

Wakey Wakey!: May 4, 2011 Rock Shop – FLAC and MP3 Downloads + Streaming Songs

May 9, 2011

[Wakey Wakey! at SXSW 2011. Photos courtesy of James Buchan – check out his Flickr stream [HERE]]

A lot can be learned about Brooklyn’s Wakey Wakey! by considering the following anecdote from last Wednesday’s show at Rock Shop. It was the third song in their headlining set, following an outstanding set from tourmates Jukebox the Ghost. Keyboardist/vocalist/frontman Mike Grubbs dismisses the band from the stage and launches into a quiet solo number. As he sings the first line, peals of laughter erupt – he is covering Madonna’s Cyndi Lauper’s “Girls Just Wanna Have Fun.” But what is more surprising and refreshing about this tour staple is the fact that Mike completely transforms the song, finding a sad, wistful undercurrent to what has to be one of the most bouncy, ridiculous songs of the 1980s. Plus, he just sings the hell out of it. With folk/pop music like this that can at times veer into melancholy territory, that very lack of self-seriousness, and the willingness to have fun, are essential ingredients. This set – a homecoming for the band after a long tour – was strong throughout, with Grubbs and his bandmates on-point musically and loose with the crowd, having fun with this intimate group before their big night at Bowery Ballroom the following evening. This show was so intimate, in fact, that one couple got a chance to talk to Mike about how they got engaged just before the show!

I recorded this set from our usual location in the venue with the DPA microphones and an outstanding soundboard feed from the house engineer, Shane. The quality is outstanding. Enjoy!

Stream “Girls Just Wanna Have Fun [Cyndi Lauper]”:
[audio: Girls Just Wanna Have Fun.mp3]

Stream “War Sweater”:
[audio: War Sweater.mp3]

Direct download of MP3 files [HERE]

Direct download of FLAC files [HERE].

Follow acidjack on Twitter

Wakey Wakey!
Rock Shop
Brooklyn, NY USA

An acidjack master recording
Recorded and produced by acidjack for

Equipment: DPA 4021>Sound Devices USBpre2+Soundboard>>Edirol R-44 [Oade Concert Mod] (24/44.1)
Position: LOC, mics at 7.5ft, pointed at stacks
Mastering: 2x24bit/44.1kHz WAV>Audacity (balance, mixdown, set fades, tracking, downsample)

Tracks [Total Time 51:58]
01 [intro]
02 Square Peg, Round Hole
03 War Sweater
04 Light Outside
05 [banter]
06 Girls Just Wanna Have Fun [Madonna] [Cyndi Lauper]
07 [banter]
08 Got It All Wrong
09 [banter]
10 Dance So Good
11 1876
12 Feral Love
13 Take It Like A Man
14 [banter]
15 Brooklyn
16 [banter]
17 Almost Everything
18 [banter]
19 Car Crash

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Wakey Wakey!, visit their website, and buy their latest releases from Family Records [HERE]

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All recordings and original content posted on this site are as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of is strictly prohibited. hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.