Posts Tagged ‘ soundboard ’

Sloan: October 17, 2016 Bowery Ballroom

October 27, 2016
By

sloan-bowery
[photo by Jim Sharky]

Twenty years ago the end game in the script for success in the music industry was still a big record deal. But like most “sure things”, the big deal was often a big trap. For Sloan that meant signing with Geffen Records for their 1992 album Smeared, but by the time of the release of their second album their relationship with Geffen went sour. After 1994’s Twice Removed, Sloan left the label and rumors of their break-up began to circulate.

The reports of their death having been greatly exaggerated, Sloan recorded One Chord To Another in 1996 on a shoestring budget and with modest recording techniques. And not only were they not dead, One Chord ended up being Sloan’s best selling record and a Juno Prize winner. Twenty years later it was time to celebrate this pivotal point in the band’s long and illustrious career and in 2016 One Chord To Another got the box set treatment and a tour.

At Bowery Ballroom last week, the One Chord tour rolled into town and Sloan played a two-set show with the album played straight through as the first set, and an intentionally democratic selection of songs as the second set. The band specifically referenced trying to cover at least one song from every album for this show — and that they did. The two hours of music and full album play made this show an event, but what made the night even more special occurred with two fans in between sets. In 2011, a couple had their first date at the Sloan show at Bowery Ballroom and play our recording every year on their anniversary. Five years later, Bowery and Sloan was perfect time and place for Ben Lindbergh to propose — and she said yes!

I recorded this set in a slightly different manner from our usual way — the placement of Sloan’s touring soundboard moved our mounted room microphones a little to the left and our feed from the remote board came with some issues. It took me a while to sort everything out in editing this set, including trying to minimize the sonic issues that came with the amplifier that exploded at the end of the first set. But all in all, I feel like this is now a superb recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Sloan
2016-10-17
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:47:10]
Set One (One Chord To Another)
01 The Good in Everyone
02 Nothing Left to Make Me Want to Stay
03 Autobiography
04 Junior Panthers
05 G Turns to D
06 A Side Wins
07 Everything You’ve Done Wrong
08 Anyone Who’s Anyone
09 The Lines You Amend
10 Take the Bench
11 Can’t Face Up
12 400 Hundred Metres
Set Two
13 [Ben Lindbergh Proposal]
14 Deeper Than Beauty
15 Underwhelmed
16 C’mon C’mon
17 Money City Maniacs
18 So Far So Good
19 Unkind
20 Who Taught You to Live Like That
21 Sinking Ships
22 People of the Sky
23 Midnight Mass
24 I’m Not a Kid Anymore
25 I Can Feel It
26 Snowsuit Sound
27 The Rest of My Life
28 Losing California
29 [encore break]
30 The Marquee and the Moon
31 If It Feels Good Do It

SUPPORT Sloan: Website | Facebook | Buy One Chord To Another Box Set HERE

PUP: October 22, 2016 Bowery Ballroom

October 24, 2016
By

poooop-1
[photos by Amanda Fotes – follow her on Instagram]

PUP‘s latest album The Dream is Over (SideOneDummy) is on my short list of best albums of the year. The record captures the manic energy of this Toronto quartet with a collection of songs that exhibit the band’s ability to craft punk rock anthems of angst with a bit of excess and plenty of humor. Dream also brings out the deeper side of PUP with tracks such as “The Coast” and “Pine Point” that delve into that special brand of Canadian loneliness. The album has earned PUP a nomination for a Polaris prize, and universal praise worldwide.

The concept of the album’s production was to bottle up the energy of a live PUP show and put that on a record. This is a band that is in the midst of playing 100 total shows in 2016 where the PUP magic takes place virtually on a nightly basis. But since the last time I saw PUP live was almost three years ago at a modestly attended show at Cameo Gallery before either of their records were released, I wasn’t quite keyed into the true contemporary live PUP experience. That is, until this past Saturday night at Bowery Ballroom.

From the very outset of the show’s opening number “If This Tour Doesn’t Kill You, I Will”, this very sold-out crowd at Bowery was one massive syncopated group of heads and arms and legs. From our usual vantage point at the front of the balcony, we get a clear bird’s eye view of the floor, and this PUP crowd never stopped dancing, surfing and singing along to every song. We haven’t seen a crowd this animated in a long time or a band as motivated to drive that energy. PUP’s set drew upon both of their albums pretty equally, with nine of the sixteen songs performed coming from Dream and the other seven songs from their self-titled debut album. The crazy energy culminated in lead singer Stefan Babcock literally crowd-surfing the entire floor to the back bar where, while elevated, he downed a shot of whiskey and returned surfing the entire crowd back onto the stage. It was an accomplishment only made possible by the sheer will of the fans and their utter faith in this band.

PUP’s current US and Canadian tour dates continue into mid-December, before the band goes to England in early 2017, all dates [here].

I recorded this set with the Schoeps cards in our usual location and mixed with Kenny’s excellent feed. There are some drum level adjustments in the first two tracks, but afterwards the sound is completely dialed-in and is quite an excellent capture of the amazing energy at this show. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

PUP
2016-10-15
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Kenny] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 59:53]
01 If This Tour Doesn’t Kill You I Will
02 DVP
03 Dark Days
04 Lionheart
05 My Life Is Over and I Couldn’t Be Happier
06 Doubts
07 Back Against the Wall
08 Guilt Trip
09 Can’t Win
10 Familiar Patterns
11 [banter – ex-punks]
12 Mabu
13 Sleep in the Heat
14 The Coast
15 [banter – tour]
16 Reservoir
17 [banter – Stefan stage dive]
18 Old Wounds
19 [encore break]
20 Factories

SUPPORT PUP: Website | Bandcamp | Buy The Dream is Over from SideOneDummy Records

nestor-1

Teenage Fanclub: October 15, 2016 Bowery Ballroom

October 16, 2016
By

teenage-fanclub-bowery-psquared
[photos by PSquared Photography]

The legend goes that in 1991, SPIN Magazine selected Teenage Fanclub’s album Bandwagonesque as its record of the year ahead of such luminaries as REM’s Out of Time, Nirvana’s Nevermind and My Bloody Valentine’s Loveless. Over the years, that choice has been ridiculed in certain circles, but twenty-five years later the selection is rather prescient. My Bloody Valentine didn’t make another album after Loveless until twenty-two years later, REM never made another album that approached the quality of Out of Time, and of course Nirvana was over less than three years later. As careers go, Teenage Fanclub has been the most consistent of the four bands and produced the largest quality catalog in the years since SPIN took heat for them.

This year Teenage Fanclub released their eleventh album and first since 2010. Here (Merge Records) is a record of significant maturity and focus — the band is producing songs as strong as ever and the group harmonies are as sweet as ever. The band has now embarked on a US tour in support of the album and NYC enjoyed two shows this weekend, including Brooklyn last night and the Bowery Ballroom show we caught on Saturday night. Teenage Fanclub live was as compelling and impressive as the new album. This is a band that is both fully committed and comfortable and the show was just one peak after another. The setlist drew fairly democratically from the band’s full catalog and with just five songs from Here, was not overly weighted to push new material. And twenty-five years on, the only two tracks from Bandwagonesque played were given center stage, with a perfect version of the classic “The Concept” closing the main set.

Teenage Fanclub plays Boston tonight and the tour continues through six more October US dates before the band returns to Europe in November, all dates here.

I recorded this set in our usual manner in this venue, with the Schoeps mounted at the balcony rail mixed with a fine feed from the band’s touring FOH. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Set:

teenage-fanclub-44

Teenage Fanclub
2016-10-15
Bowery Ballroom
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:30:23]
01 Start Again
02 I Need Direction
03 Verisimilitude
04 I Don’t Want Control of You
05 [tuning music]
06 Sometimes I Don’t Need to Believe in Anything
07 Hold On
08 It’s All in My Mind
09 Thin Air
10 About You
11 The Darkest Part of the Night
12 Don’t Look Back
13 Can’t Feel My Soul
14 I Have Nothing More to Say
15 I’m In Love
16 Star Sign
17 [banter – thanks]
18 The Concept
19 [encore break]
20 Did I Say
21 Radio
22 Your Love Is the Place Where I Come From
23 Everything Flows

SUPPORT Teenage Fanclub: Website | Facebook | Purchase Here from Merge Records

teenage-fanclub-32

Bill Nace: September 9, 2016 Three Lobed / WXDU Day Show, King’s (Raleigh, NC)

October 14, 2016
By

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Bill Nace‘s reputation among noise aficionados is a well-deserved one, with him having collaborated with the likes of Okkyung Lee, Chris Corsano, Thurston Moore, Kim Gordon, and Paul Flaherty. If his work with Gordon in Body/Head is his best known, that still means Nace’s experimental guitar work still resonates with a relatively specific (but dedicated) portion of the music-loving population. Among a diverse bill, perhaps Nace’s appearance most drove home what sets Three Lobed Recordings apart even from its brethren among small labels.  On a day that spanned Watery Love’s scuzzy hardcore to Meg Baird and Mary Lattimore’s delicate folk, Nace’s set nonetheless stood out as a testament to music’s outer boundaries. The abstract, hypnotic and deeply felt composition that Nace wove on this afternoon was one of those things that leaves each listener open to interpret it how they wish; for me, a reward of this type of music is the way that it forces the listener to decide what it is, rather than interpret more direct expressions like lyrics. While sometimes a recording cannot fully capture what it meant to experience something live at the time, I submit that this is almost the reverse — on headphones, in a car or some other enclosed, personal space, this set is even better to engage with.

I recorded this set with Schoeps MK4V microphones onstage and Brad Womack’s house mix. The sound is excellent. Enjoy!

Download the complete show: [MP3/FLAC/ALAC]

Stream the complete show:

Bill Nace
2016-09-09
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Brad Womack) + Schoeps MK4V (stage lip, DFC, PAS)>KC5>CMC6>Zoom F8>3x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, downsample, dither)>FLAC ( level 8 )

Tracks
01 improvisation

PLEASE SUPPORT BILL NACE — Buy his other records here and get Body/Head material here.

Barbara Manning: July 3, 2016 Union Hall

October 12, 2016
By

barbara-manning-union-hall
[photo by neild]

neild reports:

Though I’d been a fan of her music for years before, my first time seeing Barbara Manning live was in 2001, when she put on a blistering performance with her then-band the Go-Luckys at the late, lamented Tonic. She was going to be playing again a couple of nights later at the (even more lamented) Maxwell’s, but I figured I’d skip it and catch her the next time around.

Bad planning: Manning more or less dropped off the touring map after that, disappearing into schoolwork and eventually a career as a high-school science teacher in Southern California. Though she continued to write and record music (available on Bandcamp as the outstanding album Chico Daze), her live appearances became few and far between: a one-off in Philadelphia one year, Boston the next, Oregon the year after. Though she showed up in 2012 at one of the final Yo La Tengo Hanukkah shows at Maxwell’s (performing a cover of “Christmas Is Lonely (When You’re A Jew)”) and in 2014 at a Chickfactor show in Brooklyn, until this summer Manning hadn’t played a headlining set in New York since that Tonic show way back when.

Fortunately, her latest jaunt took her on a two-stop tour of the east: a record store show in Philly, and a couple of nights before that, an appearance at Brooklyn’s Union Hall, with Hamish Kilgour opening. Manning was sans band this time, just her amazing voice and her guitar, but that was all she needed, transfixing the crowd with a set that ran from her earliest songs (“Breathe Lies”) to her most recent (“Tape You to a Star”), as well as with her relentlessly hilarious stage banter, including a story about performing with the krautrock band Faust that ended up leading to the audience mooing at her for much of the show (It’ll make sense once you hear it). By the final audience singalong on her trademark song “Scissors,” everyone within earshot was hoping that Barbara Manning appearances become less of a rarity in coming years.

This show was recorded with AT-853 cardioid mics suspended from the Union Hall ceiling, mixed with a multitrack soundboard recording provided via the kind help of Union Hall’s booking agent Shannon Manning and soundfolk Gary and Alex. And much thanks of course to Barbara Manning as well — you can thank her, and reward yourself, by picking up her music either at her Bandcamp site or wherever finer indie rock is sold.

Download the Complete Show [MP3] / [FLAC]

Stream “Life/Luck”:

Barbara Manning
2016-07-03
Union Hall
Brooklyn NY

Soundboard + Audience Matrix

AT-853 Cardioid + Soundboard > Sony PCM-M10 > WAV (24/48) + AT853 cardioid mics > SP-SPSB-1 battery box > Sony PCM-M10 > WAV (24/48) > Sound Studio (light dynamic compression and mixing) > FLAC (16/44.1) > Tag > FLAC

Recorded and mastered by neil d

Setlist:
01 Intro
02 Breathe Lies
03 B4 We Go Under
04 Buds Won’t Bud
05 I Insist
06 Coy Tongue
07 Dreaming
08 Haze is Free
09 Sympathy Wreath
10 Life Luck
11 Never Park
12 Bold Letters
13 Better By Bounds
14 Tape You to a Star
15 Deep Sea Diver
16 Someone Wants You Dead
17 Scissors

SUPPORT Barbara Manning: Facebook | Bandcamp | Discogs

YVETTE: September 29, 2016 Market Hotel

October 11, 2016
By

yvette_godmode_instagram
[photo by _.@belinda_, courtesy of the Godmode Instagram]

YVETTE owned the stage on this night at Market Hotel, preparing the crowd for HEALTH with their enveloping, dark, and percussive sound that seems like it won’t let you go. Since 2013’s Process we’ve seen YVETTE grow and evolve as a band, as they’ve continued to gestate new material before rapt live audiences. Between our Hopscotch encounter with them in 2014 to a Trans-Pecos show in 2015, they’ve continued to develop new and exciting ways to get under our skin, including a couple of new songs on this night that we hadn’t heard before (one so new it lacks a title). Likewise, the Market made sense for this band and the one it followed, with the room’s layout literally narrowing the focus to the lone duo up front, backlit and relentless. Noah Kardos-Fein and drummer Dale Eisinger have always maintained a certain economy to their shows, foregoing most chatter in favor of weaving their set into a continuous flow. It feels like time for a new record, which they’ve continued to work on, especially as Process predates Eisinger’s time in the band. We can’t wait to hear it.

I recorded this set with the mounted AT 4051 cardiods an a flawless soundboard feed from house engineer Jason. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Yvette
2016-09-29
Market Hotel
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Jason) + Audio Technica 4051>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades, normalize)>Izotope Ozone 5 (EQ, effects)>xAct 2.36 (tags, encode)>FLAC ( level 8 )

Tracks
01 Pure Pleasure
02 Sell It Off
03 B61
04 Radiation
05 Absolutes
06 Smoke In Your Eyes
07 (untitled)
08 Cuts Me In Half

If you Download this recording from NYCTaper PLEASE SUPPORT YVETTE, visit their website, and purchase Time Management and their other releases from Godmode Records[HERE].

Bear vs Shark: September 28, 2016 Market Hotel

October 6, 2016
By

bear-vs-shark-market-atemotionalplayer
[photo by @emotionalplayer]

Its not particularly uncommon for bands to be more popular in a reunion than they were originally. In the early part of last decade, the post-hardcore/math-rock/screamo band Bear vs Shark released two albums with Equal Vision Records that were pretty well received. But here we are more than ten years later and many current bands sound very much like Bear vs Shark. If they’re not directly cited as an influence, their sound can definitely be heard within the works of more recent artists.

All that being said, the best way to measure the influence of Bear vs Shark in 2016 is to measure the reaction to their reunion announcement. The tour included a date at Market Hotel that sold out within hours and other dates were similarly quick sell-outs. At Market last week, the entire front half of the packed-in crowd literally sang along with every word of every song — you can hear them on this recording. Indeed, lead singer Marc Paffi let the crowd finish verses multiple times throughout the night. And what a night it was. Bear vs Shark played every song that they’d re-learned for the reunion tour in a show that lasted almost ninety minutes and covered seventeen separate numbers. But the night was really all about the interaction between the generous and thankful band and the rabid fans, both of whom expended all of their energy by the end of a truly outstanding show.

The Bear vs Shark tour continues through the end of October with two West coast dates and two final dates in Chicago, tour info here.

I recorded this set with the installed AT mics and a mix from the board feed. The sound is quite excellent and very representative of the high energy in the venue that night. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Bear vs Shark
2016-09-28
Market Hotel
Brooklyn NY

Digital Master Recording
Soundboard + Upfront Audience

Soundboard + Audio Technica 4051 > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:19:10]
01 [intro]
02 Ma Jolie
03 Michigan
04 [banter – hi hat stand]
05 Campfire
06 The Employee Is Not Afraid
07 [banter – eleven years]
08 Entrance of the Elected
09 [banter – thanks]
10 Catamaran
11 [banter – shoe]
12 5,6 Kids
13 I Fucked Your Dad
14 California Hotseat
15 Bloodgiver
16 Don’t Tell the Horses the Stable’s on Fire
17 We Were Sad But Now We’re Rebuilding
18 [banter – Rob]
19 Out Loud Hey Hey
20 Song About Old Roller Coaster
21 Buses/No Buses
22 [banter – two more]
23 The Great Dinosaurs With Fifties Section
24 Broken Dog Leg

SUPPORT Bear vs Shark: Website | Facebook | Releases at Equal Vision Records

Luna: October 1, 2016 – Rough Trade

October 3, 2016
By

luna-rough-trade-1
[photo courtesy of Adria Farrero]

With their reunion currently in its third year, I think its safe to assume that Luna is back. The band has been doing these brief and intermittent tours since 2014, and the current one (four dates) completed with two nights at Rough Trade in Brooklyn. The first night was a standard mixed set and the second night included a complete performance of the Penthouse album.

The Saturday show began in earnest with 23 Minutes in Brussels, a lengthy song with a propelled instrumental segment that usually works as a show-stopping number. From the outset it was clear that this was going to be no ordinary night. There was classic numbers, obscure tracks, a song from Britta Philips‘ new solo album Luck or Magic, and ultimately two callbacks for encores. But what was most striking about this show was the band’s positive energy, tight arrangements and relative feeling of being at ease. They’re comfortable being Luna and that is a very good thing that bodes well for more tours and for our presence at local (and some distant) shows.

I recorded this set with the Schoeps cards mounted inside of the soundboard booth and mixed with Evan’s superb feed. The sound quality is pretty much ideal. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set:

Luna
2016-10-01
Rough Trade
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Evan Player] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:39:26]
01 23 Minutes in Brussels
02 Pup Tent
03 Malibu Love Nest
04 Tiger Lily
05 [banter – moved to LA]
06 This Time Around
07 Still At Home
08 Speedbumps
09 One Fine Summer Morning [Evie Sands]
10 Tracy I Love You
11 [banter – IHOP]
12 Bewitched
13 Kalamazoo
14 Lost In Space
15 Friendly Advice
16 [encore break]
17 Chinatown
18 Indian Summer
19 [second encore break]
20 Blue Thunder

SUPPORT Luna:  Website | Bandcamp | Long Players Box Set from Captured Tracks [HERE].

LVL UP: September 24, 2016 Market Hotel

September 27, 2016
By

lvl-up-market-house-of-nod
[photo courtesy of Rob from House Of Nod]

On Friday LVL UP released their new album Return To Love, their first for legendary record label Sub Pop. The album is a superb collection of songs from the band’s three songwriters that indicate a large mix of influences but ultimately seems utterly original. The day after the band released the album, LVL UP celebrated with a sold-out show at Market Hotel that was as joyous as it was well-deserved.

LVL UP are four friends who’ve played music together since college, put together a record label for their own releases and for the release of their friends, moved to NYC and played a lot of shows. And at Market, it was clear just how many friends they’ve made — between the advanced ticket sales, the packed crowd, and the idea that most of these fans seemed to know each other (the band’s parents were even there). LVL UP responded with a set that was both high on energy and also showed that the guys were moved by the outpouring of support. But this was a record release show after all and LVL UP did not disappoint. They played “side one” of the album straight through to start the show and then played a few older numbers. LVL UP then finished the set with “side two” of the album before being called back for a couple of encores.

LVL UP will tour across the US throughout the months of September and October and through to the middle of November, including a date opening for Bear Vs Shark at Bowery Ballroom on Thursday. All dates are here.

I recorded this set with the installed AT Mics mixed with Jason Kelly’s excellent feed. The sound is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

LVL UP
2016-09-24
Market Hotel
Brooklyn NY

Digital Master Recording
Soundboard + Upfront Audience

Soundboard [Engineer: Jason Kelly] + Audio Technica 4051 > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 59:12]
01 Hidden Driver
02 Blur
03 She Sustains Us
04 Spirit Was
05 Pain
06 Annie’s A Witch
07 Angel From Space
08 I Feel OK
09 [banter – thanks]
10 The Closing Door
11 Five Men on the Ridge
12 Cut from the Vine
13 I
14 Naked in the River with the Creator
15 [encore break]
16 I Feel Extra-Natural
17 Bro Chillers

SUPPORT LVL UP: Tumblr | Bandcamp | Purchase Return to Love from Sub Pop

The Dead C: September 20, 2016 First Unitarian Congregational Society

September 25, 2016
By

The Dead C
[Photo via]

Do The Dead C need any introduction? The band’s status among devotees of noise and Kiwi rock is near mythological. And their long absence from performing in the U.S. has confounded younger listeners who might have discovered the band in the mid-aughts when Ba Da Bing issued the compilation Vain, Erudite, and Stupid and then started reissuing long-out-of-print classics like DR503 and Eusa Kills. This year saw the release of Trouble, comprised of five twitching, droning, and pummeling tracks that thwart any attempt at dissection or categorization. Having long abandoned any semblance of traditional song structure in favor of visceral, blown-eardrum improvisation resembling the band’s most famed track “Driver UFO,” Trouble might yet be The Dead C’s rock opus. So to say the anticipation for their brief September tour (hitting only Brooklyn, Philadelphia, Louisville’s Cropped Out Festival, and Los Angeles) was high would be to massively understate it. Despite the absence of drummer Robbie Yeats, who unfortunately was unable to make the tour, this hour-plus set from Michael Morley and Bruce Russell is a tribute to the band’s endurance. Backed with crashing and ebbing prerecorded drum tracks from Yeats, the duo stretch the bounds of guitar-based music, resulting in a performance that is utterly and uniquely The Dead C.

Acidjack and I recorded this from a central location in the church, combined with a board feed from the engineer Gus. The sound is outstanding; the performance extraordinary. Enjoy!

Download the complete show: [FLAC] [MP3]

Stream the complete show:

The Dead C
2016-09-20
First Unitarian Congregational Society
Brooklyn, NY USA

Recorded by acidjack and Eric PH
Produced by acidjack

Soundboard (engineer: Gus) + Schoeps MK22 (FOB, DFC, PAS)>KCY>Aeta PSP3>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, fades, normalize)>Izotope Ozone 5 (EQ, effects)>xAct 2.36 (tags, encode)>FLAC ( level 8 )

Tracks
01 improvisation

Buy Trouble and other Dead C releases via Ba Da Bing/Grapefruit
• • Buy Harsh 70s Reality via Siltbreeze

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