Posts Tagged ‘ soundboard ’

Beech Creeps: June 10, 2016 Union Pool (Monofonus Press Northside Showcase)

June 23, 2016
By

Beech Creeps
[Photos by Rocketman]

Here we have it—another bone-crushing, mind-rattling set from Brooklyn’s notorious Beech Creeps. I had thought these guys put on a monstrous set last time I saw them at Union Pool, but that was nothing. The addition of Brian Chase (Yeah Yeah Yeahs) on drums has turned a great band into a formidable one. Their new 7″ out on Monofonus Press absolutely crushes, and we got to hear both sides of that disc at the Monofonus Press Northside Showcase a couple weeks back. A-side “Creeps Can’t Swim” and b-side “Deep in the Dive” both pack a mean punch, and the band even breaks out a new song, “Suntan Man” (the title itself sounds pretty damn skeevy). If you have the opportunity to catch these guys live, I have to pretty much insist that you do so. No further dates currently, but if you’re in Brooklyn, you’ll have ample opportunity.

I recorded this set from our usual location in the venue, combined with a board feed from Union Pool FOH Robert. The sound is outstanding. Enjoy!

Download: [MP3/FLAC]

Stream:

Beech Creeps

Beech Creeps
2016-06-10
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Robert) + AKG C480B/CK63 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [37:47]
01. Son of Sud
02. Teenage Boogie
03. Times B Short
04. Creeps Can’t Swim
05. Arm of the T Rex
06. Deep in the Dive
07. Suntan Man

• Buy Beech Creeps and the “Creeps Can’t Swim” 7″ from Monofonus Press
• • Connect with the band on FacebookBandcamp, and Twitter

 

Running: June 10, 2016 Union Pool (Monofonus Press Northside Showcase)

June 21, 2016
By

Running
[Photo By Rocketman]

Despite their nonstop touring schedule, we’ve until now somehow managed to have missed Chicago’s Running. But all was corrected at Monofonus Press’s Northside party which brought the band out with like-minded noise enthusiasts, Spray Paint and Beech Creeps. Sounding something like PC Worship on speed, the band roars through seven tracks off of their two records on Castle Face, 2013’s Vaguely Ethnic and Wake Up Applauding, which came out this past January. The band played a few more shows throughout the Northside weekend, and I wouldn’t be at all surprised to see them on some best-of lists. Don’t worry if you missed out, that’s why we’re here—and I’m sure you’ll get another shot at catching Running back in NYC soon.

I recorded this set from our usual location in Union Pool with a board feed from FOH Robert. The sound is excellent. Enjoy!

Download: [MP3/FLAC]

Stream:

Running
2016-06-10
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Robert) + AKG C480B/CK63 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [26:51]
01. Reclaimed Would
02. No Wave Jose
03. OoOo Oo0o 0oOo0oO
04. Thanks for the Input
05. Ghost Bag
06. Employment Vows
07. We Never Close

Buy Vaguely Ethnic and Wake Up Applauding via Castle Face
• • Check their website for future tour dates and releases

Dungen: June 17, 2016 The Bowery Ballroom

June 19, 2016
By

tinnitus photography: Dungen &emdash; Dungen in concert
[photo by Tim Bugbee/Tinnitus Photography]

Everyone’s favorite Swedish psych band, Dungen, made it to town recently for a couple shows opening for Tame Impala in Prospect Park, plus a headlining set at the Bowery Ballroom. It had been a while since I’d seen the band live—that was ATP Festival (R.I.P.) 2010—and their Bowery gig found them at the top of their game. Besides drawing from your favorite Dungen records, including Ta Det Lugnt, 4, Skit I Allt, and last year’s Allas Sak (many of which have recently been reissued by Mexican Summer by the way), the band broke out a new song “Häxan,” which has been the talk of their recent tours. The band promised that they’ve approved the test pressing of their followup to Allas Sak and I know at least a few fans are frothing at the mouth for a studio version of this one. The band wraps up their U.S. tour tonight in Philadelphia, but hopefully with a new album on the way we won’t have to wait very long for their next tour.

I recorded this set from our usual location at The Bowery Ballroom with a board feed from FOH Kenny. The sound, as usual, is excellent. Enjoy!

Download: [MP3/FLAC]

Stream:

Dungen
2016-06-17
The Bowery Ballroom
New York, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Kenny) + AKG C480B/CK61 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [1:18:13]
01. Intro
02. Fredag
03. Marken Låg Stilla
04. En Gång Om Året
05. Åkt Dit
06. En Dag På Sjön
07. Frank’s Kaktus
08. Blandband
09. Det Tar Did
10. Bandhagen
11. C Visar Vägen
12. Så Blev Det Bestämt
13. Panda
14. Häxan
15. Ta Det Lugnt
16. [encore break]
17. Sova
18. Dü Är För Fin För Mig

Buy Dungen records via Mexican Summer
• • Check out their website

• • • Connect with the band on Facebook

Ultimate Painting: May 7, 2016 Music Hall of Williamsburg

June 16, 2016
By

FullSizeRender

Just look at their crowds on their recent tour opening for Woods, and you can tell Ultimate Painting are on the way up. The young band is already two albums in, with new material still coming, and they’ve mastered a capable and engaging live show to go with it. For their slot at Music Hall of Williamsburg last month, the band decided to roll out a few new tunes to go with regulars from their self-titled debut and last year’s Green Lanes, including the the band’s eponymous tune and their widely-beloved “Rolling In the Deep End.” The band’s low-key, 60s psych-influenced approach has found an audience not just because of nostalgia, but because of the band’s ability to craft good songs that mine that territory, the sort of numbers that you remember after hearing them only once. True to the spirit of the Velvet Underground — one of several flattering comparisons the band has enjoyed — they don’t let even their shorter performances end without some music exploration, and “Ten Street” has become that for them, with guitarist James Hoare (ex-Veronica Falls) in particular enjoying the chance to stretch his wings. Expect to see Ultimate Painting around for quite a while.

I recorded this set with Kevin Mazzarelli’s flawless soundboard feed plus Schoeps MK41V supercardiod microphones. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show: 

Ultimate Painting
2016-05-07
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kevin Mazzarelli) + Schoeps MK41V (at SBD, DFC, PAS)>KC5>CMC6>Aeta PSP3>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5
(align, mix down, light compression, fades)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)
>FLAC ( level 8 )

Tracks
01 Ultimate Painting
02 Rolling In the Deep End
03 [unknown]
04 [unknown2]
05 Break the Chain
06 Central Park Blues
07 Sweet Chris
08 Ten Street

If you enjoyed this recording, PLEASE SUPPORT Ultimate Painting, visit their website, and buy their albums from Trouble In Mind Records.

Spacin’: May 28, 2016 Union Pool

June 15, 2016
By

Spacin'

As you can tell, we’re big fans of Philadelphia’s Spacin’, the minimalist garage-psych mind-meld of Jason and Eva Killinger. Back in April, we booked the band at Trans-Pecos, where they dug out some tunes from their latest record, Total Freedom, which came out on Richie Records earlier this year. A few weeks later, Spacin’ was back in town to open the Philly-centric Heron Oblivion/Chris Forsyth show at Union Pool to complete that stellar bill. Opening up with their take on MC5’s “American Ruse,” the band follows with “Over Uneasy” and “Titchy” off Total Freedom, and then “Empty Mind,” the leadoff track from Deep Thuds. The band have some upcoming tour dates in the Southeast in July—check here for all dates.

I recorded this set from our usual location in the venue, with a board feed from FOH Leah. The sound is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Spacin’
2016-05-28
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Leah) + AKG C480B/CK63 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [33:00]
01. American Ruse [MC5]
02. Over Uneasy
03. Titchy
04. Empty Mind

Buy Total Freedom via Richie Records
• • Connect with the band on Bandcamp, at their Website, and on Facebook and Twitter

Spray Paint: June 10, 2016 Union Pool (Monofonus Press Northside Showcase)

June 13, 2016
By

Spray Paint
[Photos By Rocketman]

You knew it had to be Northside Festival because the G was barely running… But that didn’t stop us from trekking up to Williamsburg for the excellent and right-up-our-alley Monofonus Press showcase with Spray Paint, Beech Creeps, Running, Matchess, and the Kid Millions/Jim Sauter duo. You know we’re fans, so I’ll spare you my fawning, but also know that Spray Paint have a new record out on Goner Records, Feel the Clamps, which came out June 3, and it’s awesome as usual. The band showed up prepared with a lot of killer new material from that album we hadn’t heard yet like “Styrofoam Garbage,” “Brat Beater,” and “Burn Barrel, ” alongside some (slightly) older gems like “Polar Beer,” “Middle Relief,” and “Rest Versus Rust.” This show wrapped up the band’s tour, but be sure to keep an eye out for some West Coast 2016 dates to be announced soon.

I recorded this set from our usual location in Union Pool with a board feed from FOH Robert. The sound is excellent. Enjoy!

Download: [MP3/FLAC]

Stream:

Spray Paint
2016-06-10
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Robert) + AKG C480B/CK63 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [28:59]
01. Polar Beer
02. Cussin’
03. Styrofoam Garbage
04. Middle Relief
05. Bad Times
06. Signal Master
07. Brat Beater
08. ATXHC (Dangly Earring)
09. Rest Versus Rust
10. Feel the Clamps
11. Burn Barrel

Buy Feel the Clamps on limited clear vinyl via Goner
• • Buy Dopers and other Spray Paint records from Monofonus
• • • Connect with the band at their Website, on Facebook, and on Bandcamp

Chris Forsyth & The Solar Motel Band: May 28, 2016 Union Pool

June 7, 2016
By

Chris Forsyth & The Solar Motel Band

Chris Forsyth and his Solar Motel gang just finished up a tour with the Pacific Northwest’s monsters of psych, Heron Oblivion, and the NYC area was blessed with two stops, first at Jersey City’s WFMU Monty Hall and the second at Union Pool. Naturally, we were there at Union Pool to capture their performances (including openers and fellow Philadelphians Spacin’ which we’ll have up soon). Forsyth’s set gives us a lot to chew on: an extended, exploratory rendition of “The First Ten Minutes of Cocksucker Blues” and some of his finest vocals yet on “The Rarity of Experience, Parts 1-2.” In the group’s tradition of bringing covers out on the road—we’ve previously caught a couple renditions of “The Calvary Cross” and most recently the Dead’s “Cold Rain and Snow”—this tour saw a relentless version of The Dream Syndicate’s “The Days of Wine and Roses.” Rounding things out is the ponderous “Harmonious Dance,” ending things on the quiet side before Heron Oblivion stormed the stage. Forsyth & Co. will be back in town for another superb bill with Oneida at the Knitting Factory. Buy your tickets early and often; we’ll see you there.

I recorded this set from our usual location in the venue, with a board feed from FOH Leah. The sound is excellent. Enjoy!

Downloads are available at the Live Music Archive

Chris Forsyth & The Solar Motel Band
2016-05-28
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Leah) + AKG C480B/CK63 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [45:32]
01. The First Ten Minutes of Cocksucker Blues
02. The Rarity of Experience, Parts 1-2
03. The Days of Wine and Roses [The Dream Syndicate]
04. Harmonious Dance

Support Chris Forsyth & The Solar Motel Band: Website | Facebook | Buy The Rarity of Experience from No Quarter

Journalism: May 21, 2016 Trans-Pecos

June 7, 2016
By

FullSizeRender (1)

You can’t always be sure that a band that sounds good in the studio — and Journalism sounds great on their debut, Faces — will measure up live. We’re extra-excited to report that Journalism are one of those bands, and then some, and we were grateful to host them at Trans-Pecos on a recent Saturday night. Lead singer/guitarist Kegan Zema is a savvy live performer, one who works to look and act the part, and the crack band of Mike Greene (guitar), Owen Keiter (bass) and Brendan Mehan (drums) has a well-oiled and well-practiced sound. Sound-wise, I hear a little bit of Television and Ride in them, as well as some later younger bands like DIIV and Cloud Nothings. This show led off with a new song, “Passenger,” before taking us through most of Faces. The band saved their best song (so far) for last, the propulsive, engaging “Faces I,” a rather dark take on the business of rock n’ roll itself, especially coming from a young band. In this day and age I wouldn’t disagree with Zema’s cynicism, but for his sake and ours, I hope Journalism keep on finding this ride to be worth it.

I recorded this set with Schoeps MK22 microphones at the stage lip, plus Schoeps MK41V supercardiod mics on the room and a stereo soundboard feed. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Stream Faces (then buy it!):
Journalism
2016-05-21
Trans-Pecos
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK22>NBob Cables>PFA> + Soundboard + Schoeps MK41V (at SBD, ROC, PAS)>KCY>Z-PFA>Zoom F8>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust levels)>Izotope Ozone 5 (EQ, compression, tube effect)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Passenger
02 Watching & Waiting
03 Faces II
04 Time Being
05 Night of Knife
06 Denim Jesus
07 Faces I

SUPPORT Journalism: Facebook | bandcamp

Ought: May 8, 2016 Rough Trade NYC

June 2, 2016
By

ought
[photos by Jill Harrison]

Today, more than any other day. It’s effective as a song, even more effective as a mantra. The Montreal band Ought seem to be living by it well, unafraid to release precocious, ambitious music into the wild without precondition or posturing. Their new album, Sun Coming Down, starts off with a nearly eight-minute song, and that should tell you something about where this band’s collective head is at in terms of what their priorities are. Proudly off-kilter in some respects, but never veering from straight-up playing a good song, Ought are that band you wish your geek friend had managed to actually achieve — something smart, interesting, and also engaging. When singer-guitarist Tim Darcy makes his voice warble in that oh so strange way that he does on “The Combo” and elsewhere, it’s as if he’s making the joke you’re in on. People much older than him might look askance at acting a little silly, but he’s all-in. If you don’t like it, you’re welcome to leave, but there’s no reason for that, really.

This set at Rough Trade focused on Sun Coming Down, and if that album lacks a bit of the exuberance of the debut, it makes up for it with even more ambition. The band’s years on the road have further tightened up the sound of an act that was once a lark among roommates; like many of their hometown brethren, Ought sound like they give a fuck, and whether or not the word “punk” falls into your label for them says a lot about what you think that word means. Darcy’s sing-speak, likened at times to Mark E. Smith, is neither spontaneous nor lazy, calculated to deliver the maximum impact of what he has to say. This Sunday night crowd knew it, too, and the band delivered. By the time their first album’s title track rolled around as the first encore, even the people who had to go to work the next day knew they’d made the right decision. In the end, there’s only today, and you might as well make the most of it.

I recorded this set with Schoeps MK5 cardiod microphones in our optimal spot in the venue, together with a soundboard feed from veteran engineer Kevin Mazzrelli. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Ought
2016-05-08
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c (at SBD, DFC)>KCY>Z-PFA>Aeta PSP-3 + Soundboard (engineer: Kevin Mazzarelli)>Zoom F8 (2x24bit/49kHz WAV)>Adobe Audition CS 5.5

(align, mix down, light compression)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:08:57]
01 Sun’s Coming Down
02 The Combo
03 Passionate Turn
04 Men For Miles
05 Beautiful Blue Sky
06 The Weather Song
07 On the Line
08 Habit
09 Never Better
10 [encore break]
11 Today, More Than Any Other Day
12 Pill

Support Ought: bandcamp | Constellation Records | facebook

Ancient Ocean: March 29, 2016 Trans-Pecos & Bohannon/Dusenbury/Fox: March 30, 2016 Market Hotel

June 1, 2016
By

Ancient Ocean and Chuck Johnson

 

Today it’s a double dose of improvised and drone guitar collaborations from J.R. Bohannon/Ancient Ocean. I caught up with Bohannon last year playing under his Ancient Ocean moniker, and though that recording didn’t work out for technical issues, I was on a mission to catch another set. Finally, March presented us with two opportunities, two nights in a row. The first sees Ancient Ocean joined by Chuck Johnson on pedal steel at Trans-Pecos for long southern-tinged, drone-y guitar workout. Rumor has it this performance will lead to future collaborations between Bohannon and Johnson, so keep an eye out.

The second performance captured here finds Bohannon joined by Liturgy’s rhythm section—Tyler Dusenbury on bass and Greg Fox on drums. This one starts out with some droning guitar from Bohannon, but the trio quickly finds its groove and the rest of the set is a shifting neo-Krautrock jam that won over Faust’s packed Market Hotel crowd rather quickly. It’s not quite what you’ve come to expect from Bohannon, nor from two former members of Liturgy, but the trio stake out some interesting new territory in their first collaboration. I hope there’s more to come from these three!

Acidjack recorded the Trans-Pecos set with a pair of stage mics capturing the performance up close. I recorded the Market Hotel set with our built-in Audio Technica mics plus a board feed from Market FOH, Jason. As goes without saying, the sound here is excellent. Enjoy!

Download the Trans-Pecos set: [MP3/FLAC]

Download the Market Hotel set: [MP3/FLAC]

Stream:

Ancient Ocean (ft. Chuck Johnson on steel guitar)
2016-03-29
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>NBob Cables>PFA>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (amplify, balance, downsample, dither)>FLAC (level 8)

01. Live at Trans-Pecos [23:21]


Bohannon/Dusenbury/Fox
2016-03-30
Market Hotel
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Jason) + AT4051 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tagging) > FLAC (16/44.1, level 8)

01. Live at Market Hotel [21:47]

Support Music:
Buy Ancient Ocean’s Blood Moon via Bandcamp

• • Visit Ancient Ocean at Facebook
• • • Connect with Greg Fox at his website
• • • • Visit Chuck Johnson at his website
• • • • • Buy Chuck Johson’s Velvet Arc via Trouble in Mind

 

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