Posts Tagged ‘ soundboard ’

Ought: May 8, 2016 Rough Trade NYC

June 2, 2016
By

ought
[photos by Jill Harrison]

Today, more than any other day. It’s effective as a song, even more effective as a mantra. The Montreal band Ought seem to be living by it well, unafraid to release precocious, ambitious music into the wild without precondition or posturing. Their new album, Sun Coming Down, starts off with a nearly eight-minute song, and that should tell you something about where this band’s collective head is at in terms of what their priorities are. Proudly off-kilter in some respects, but never veering from straight-up playing a good song, Ought are that band you wish your geek friend had managed to actually achieve — something smart, interesting, and also engaging. When singer-guitarist Tim Darcy makes his voice warble in that oh so strange way that he does on “The Combo” and elsewhere, it’s as if he’s making the joke you’re in on. People much older than him might look askance at acting a little silly, but he’s all-in. If you don’t like it, you’re welcome to leave, but there’s no reason for that, really.

This set at Rough Trade focused on Sun Coming Down, and if that album lacks a bit of the exuberance of the debut, it makes up for it with even more ambition. The band’s years on the road have further tightened up the sound of an act that was once a lark among roommates; like many of their hometown brethren, Ought sound like they give a fuck, and whether or not the word “punk” falls into your label for them says a lot about what you think that word means. Darcy’s sing-speak, likened at times to Mark E. Smith, is neither spontaneous nor lazy, calculated to deliver the maximum impact of what he has to say. This Sunday night crowd knew it, too, and the band delivered. By the time their first album’s title track rolled around as the first encore, even the people who had to go to work the next day knew they’d made the right decision. In the end, there’s only today, and you might as well make the most of it.

I recorded this set with Schoeps MK5 cardiod microphones in our optimal spot in the venue, together with a soundboard feed from veteran engineer Kevin Mazzrelli. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Ought
2016-05-08
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c (at SBD, DFC)>KCY>Z-PFA>Aeta PSP-3 + Soundboard (engineer: Kevin Mazzarelli)>Zoom F8 (2x24bit/49kHz WAV)>Adobe Audition CS 5.5

(align, mix down, light compression)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:08:57]
01 Sun’s Coming Down
02 The Combo
03 Passionate Turn
04 Men For Miles
05 Beautiful Blue Sky
06 The Weather Song
07 On the Line
08 Habit
09 Never Better
10 [encore break]
11 Today, More Than Any Other Day
12 Pill

Support Ought: bandcamp | Constellation Records | facebook

Ancient Ocean: March 29, 2016 Trans-Pecos & Bohannon/Dusenbury/Fox: March 30, 2016 Market Hotel

June 1, 2016
By

Ancient Ocean and Chuck Johnson

 

Today it’s a double dose of improvised and drone guitar collaborations from J.R. Bohannon/Ancient Ocean. I caught up with Bohannon last year playing under his Ancient Ocean moniker, and though that recording didn’t work out for technical issues, I was on a mission to catch another set. Finally, March presented us with two opportunities, two nights in a row. The first sees Ancient Ocean joined by Chuck Johnson on pedal steel at Trans-Pecos for long southern-tinged, drone-y guitar workout. Rumor has it this performance will lead to future collaborations between Bohannon and Johnson, so keep an eye out.

The second performance captured here finds Bohannon joined by Liturgy’s rhythm section—Tyler Dusenbury on bass and Greg Fox on drums. This one starts out with some droning guitar from Bohannon, but the trio quickly finds its groove and the rest of the set is a shifting neo-Krautrock jam that won over Faust’s packed Market Hotel crowd rather quickly. It’s not quite what you’ve come to expect from Bohannon, nor from two former members of Liturgy, but the trio stake out some interesting new territory in their first collaboration. I hope there’s more to come from these three!

Acidjack recorded the Trans-Pecos set with a pair of stage mics capturing the performance up close. I recorded the Market Hotel set with our built-in Audio Technica mics plus a board feed from Market FOH, Jason. As goes without saying, the sound here is excellent. Enjoy!

Download the Trans-Pecos set: [MP3/FLAC]

Download the Market Hotel set: [MP3/FLAC]

Stream:

Ancient Ocean (ft. Chuck Johnson on steel guitar)
2016-03-29
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>NBob Cables>PFA>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (amplify, balance, downsample, dither)>FLAC (level 8)

01. Live at Trans-Pecos [23:21]

Bohannon/Dusenbury/Fox
2016-03-30
Market Hotel
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Jason) + AT4051 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tagging) > FLAC (16/44.1, level 8)

01. Live at Market Hotel [21:47]

Support Music:
• Buy Ancient Ocean’s Blood Moon via Bandcamp
• • Visit Ancient Ocean at Facebook
• • • Connect with Greg Fox at his website
• • • • Visit Chuck Johnson at his website
• • • • • Buy Chuck Johson’s Velvet Arc via Trouble in Mind

 

Heron Oblivion: May 28, 2016 Union Pool

May 30, 2016
By

Heron Oblivion
[photo via Douglas Fraser]

Remember that time your favorite psych-sters got together, swapped instruments, and then gigged for a couple years before releasing 2016’s best record on Sup Pop? Yeah, me too: Finally making it to New York after a series of Bay Area performances and a West Coast tour, Heron Oblivion landed in Brooklyn Saturday, forcing bearded record nerds of the Tri-State Area to abandon their Discogs wantlist for a few hours and venture out to Union Pool. In case you haven’t been following, Heron Oblivion’s not-to-be-fucked-with supergroup credentials are as follows: Meg Baird (Espers, The Baird Sisters) on drums and vocals, Ethan Miller (Comets on Fire, Howlin Rain, Feral Ohms) on bass and backing vocals, Noel Von Harmonson (Comets on Fire) on guitar, and Charlie Saufley (Assemble Head in Sunburst Sound) also on guitar. If Heron Oblivion didn’t exist already you might not be able to dream up what would happen when you combine Baird’s pastoral psych with Miller’s fiery guitar freakouts, but the result is something that achieves a rare cosmic balance. Their Union Pool set covers six of the seven songs off their self-titled debut record, adding one newer untitled song that I hope signals some permanence to the group.

I recorded this set from our usual location in the venue, with a board feed from Union Pool FOH, Leah. As usual for this room, the sound is excellent. Enjoy!

Heron Oblivion is still on tour, and you can view all their dates here.

Download MP3 and FLAC via the Live Music Archive.

Heron Oblivion
2016-05-28
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Leah) + AKG C480B/CK63 (PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ, compression) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [50:04]
01. Beneath Fields
02. Oriar
03. Sudden Lament
04. untitled
05. Your Hollows
06. Faro
07. Rama

• Buy Heron Oblivion via Sub Pop
• • Connect with the band on Facebook
• • • Buy assorted Howlin Rain, Comets on Fire, and Feral Ohms music via Silver Current
• • • • Buy Meg Baird’s solo LP Don’t Weigh Down the Light via Drag City
• • • • • Buy Assemble Head in Sunburst Sound records via Tee Pee

Spacin’: April 30, 2016 Trans-Pecos

May 12, 2016
By

Spacin Pecos
[photo by rubinbooty]

Our readers may have noticed that we’ve been producing and promoting a lot of shows this year. In the past we dabbled with showcases and occasional nights, but with our involvement in Market Hotel and its sister venue Trans-Pecos, we will be presenting roughly one or two shows a month for the foreseeable future. This past month, our guests were the phenomenally underappreciated Philly psych/garage outfit Spacin’. The nice part of producing your own shows is the ability to select the bands — and we were extremely pleased that Spacin’ accepted our invitation. We’ve been fans of the band for quite some time, going all the way back to a magical night at 285 Kent in 2013, and then again at Hopscotch later that year. And Spacin’ was everything that we’d hoped at Pecos. The set was a mix of material old and new, including two songs from the band’s 2016 album Total Freedom, the live debut performance of brand new “I Don’t Know What to Do About It”, and a cover of the 90s punk band Dead Moon. But details and descriptions aside, the best evidence of the phenomenal performance of Spacin’ is to just listen to this recording — its crackling with energy and authenticity. We said back in 2013 that we were never going to miss another Spacin’ show in NYC. And in 2016 we had to make it happen ourselves, and will hopefully get that chance again.

I recorded this set with the Schoeps cards at the front of the stage picking up the live sound from the band’s amps and mixed that with a fine board feed provided by house FOH Chris. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Spacin’
2016-04-30
Trans Pecos
Queens NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Soundboard [engineer Chris] + Schoeps CCM4’s > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (mixing) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 52:51]
01 Half the Time
02 Human Condition
03 [tuning]
04 Over the Edge [Dead Moon]
05 Sunshine No Shoes
06 I Don’t Know What to Do About it
07 Ego-Go
08 Empty Mind
09 Total Freedom

SUPPORT Spacin’: Bandcamp | Website | Facebook | Twitter

Nathan Bowles: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

May 5, 2016
By

image1
[photo courtesy of Eric PH]

Nathan Bowles has made in appearance in all kinds of bands connected to Three Lobed Recordings in one way or another, from Pelt to the Black Twig Pickers to Hiss Golden Messenger to Steve Gunn‘s band to his own fine work. And that’s not even solely as a banjo player, either; Bowles is an accomplished drummer, as his work with Gunn in particular has shown. As essential as he has been to the greater Three Lobed family, it was of course an honor to have him for the label’s sixteenth birthday party.

Originally slated to be a bit of a reprise of his 2014 duo performance with Daniel Bachman here at King’s in Raleigh, NC, this set ended up being a special kind of Bowles solo show, as he tried out some new material slated to appear on his forthcoming album on Paradise of Bachelors. The thirteen-minute “I Miss My Dog,” which Bowles recently performed at Pickathon, is as powerful a statement as he has made musically, and furthers the notion that his command of this instrument is not about some kind of “revival” but rather a true evolution. You have only to listen to the short and sweet “Burnt Ends Rag” that came after it to understand what a talent Bowles is, and why we’ll be so fortunate to see him in so many different settings in the years to come.

I recorded this set in the same manner as the other recordings of the day, with a soundboard feed from engineer Justin Perrachon and a combination of onstage and audience mics. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the set (minus banter tracks):

Nathan Bowles
2016-03-26
Three Lobed Sweet Sixteen Spectacular
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

2x Soundboard channels (engineer: Justin Perrachon) + MBHO 603a/KA200N (FOB, DFC, PAS) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 >> Zoom F8>6x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Words Spoken Aloud
03 [tuning/banter]
04 I Miss My Dog
05 [banter2]
06 Burnt Ends Rag

If you enjoyed this recording, PLEASE SUPPORT Nathan Bowles, visit his website, and buy Nansemond from Paradise of Bachelors.

The Speer Duo: March 24, 2016 Union Pool

May 5, 2016
By

The Speer Duo

Dave Shuford, musician of many guises, has appeared on this site many times: as Rhyton’s frontman, as alter-ego D. Charles Speer with backing band The Helix, and now as The Speer Duo with his wife Margot Bianca. Not unexpectedly, The Speer Duo incorporates traditional Greek music and instrumentation, reinterpreted within the context of rock music and Shuford’s own improvisational style. For this set, playing on a superb mid-week bill at Union Pool with Sunburned Hand of the Man and Chuck Johnson, Shuford takes up the trichordo bouzouki and guitar while Bianca accompanies him on bass and keyboard. Most of the songs featured here are from Shuford’s extensive catalog under the D. Charles Speer moniker: “O Sinachis” and “Tsamiko Hijaz” were originally released on the solo Speer record, Arghiledes, while “The Janissaries” is from its predecessor, Some Forgotten Country. “Sit Right There” is an older number off the D. Charles Speer & The Helix record, After Hours. And “Aman Yiala Yiala” is off a rare lathe-cut that I challenge you to track down.

I recorded this set from our usual location in the venue, with a board feed from Union Pool FOH, Robert. As usual for this room, the sound is excellent. Enjoy!

Shuford has a new album with Rhyton up for preorder from Thrill Jockey. I assure you the music is as awesome as the cover.

Download: [MP3/FLAC]

Stream:

The Speer Duo
2016-03-24
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Robert) + AKG C480B/CK63 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [36:26]
01. O Sinachis
02. Aman Yiala Yiala
03. The Janissaries
04. Tsamiko Hijaz
05. Sailing to Piraeus > Drone box improv > Sit Right There

Preorder Rhyton’s Redshift via Thrill Jockey

Thermals: April 28, 2016 Market Hotel

May 4, 2016
By

The Thermals @ Market Hotel
[photos by Will Oliver from We All Want Someone blog]

“This is the best Brooklyn show we’ve ever had, for sure”. Hutch Harris made his love of this night clear before the band’s last song, the third of three encores “Pillar Of Salt”. In a way it wasn’t hard to predict that The Thermals at the Market Hotel would be a show for the ages — the two institutions have recently returned from a hiatus and are now better than ever. There are also historical parallels between the two — ToddP used to book earlier versions of the band in Portland in the last decade.

This was a show for the now, as The Thermals’ first new album in three years, We Disappear was released in the end of March and the band is on tour to support its release. But there was also an acknowledgment of history as the band is also celebrating the 10th anniversary of perhaps their most successful album, 2006’s The Body, the Blood, the Machine. As a result, the setlist was a curious alternating selection of songs from each album in sequence with a few other classics sprinkled in between. The show maintained a consistent energy level and the very sold-out crowd was with the band throughout — physically and support-wise. This was one of the most animated Market crowds thus far and the band acknowledged the crowd in tribute.

The Thermals tour continues across the US over the next 3 weeks, dates here.

I recorded this set with the installed Audio Technics cards mixed with an excellent board feed mixed by the band’s superb touring FOH. The results are raw but right. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Thermals
2016-04-28
Market Hotel
Brooklyn NY

Digital Master Recording
Soundboard + Upfront Audience

Soundboard + Audio Technica 4051 > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:17:17]
01 Into the Code
02 My Heart Went Cold
03 Here’s Your Future
04 I Might Need You to Kill
05 An Ear for Baby
06 [banter – blood splattered vinyl]
07 Hey You
08 If We Don’t Die Today
09 The Sunset
10 Born to Kill
11 [crowd]
12 The Great Dying
13 In Every Way
14 Test Pattern
15 St Rosa and the Swallows
16 Back to the Sea
17 Now We Can See
18 The Walls
19 Thinking of You
20 Always Never Be
21 Power Doesn’t Run on Nothing
22 I Hold the Sound
23 [encore break]
24 No Culture Icons
25 Returning to the Fold
26 A Pillar of Salt

Support The Thermals: Website | Purchase We Disappear | Tour Dates

The Thermals @ Market Hotel 3

Sunburned Hand of the Man: March 26, 2016 Three Lobed Sweet Sixteen Spectacular, King’s (Raleigh, NC)

May 3, 2016
By

sunburned-schwentker
[photo courtesy of David Schwentker]

This was our second North Carolina journey with Sunburned Hand of the Man, having witnessed the awesome spectacle that was their 2014 Three Lobed Recordings / WXDU day show at Hopscotch. Like the recent show in New York City that we caught at Union Pool, this night at the Three Lobed Recordings Sweet Sixteen Spectacular found the out/noise collective taking more of a song-based approach. Which isn’t to say, in any way, that this was somehow a “traditional” performance; like anything Sunburned and many things Three Lobed, this performance celebrated the experimental and the expeditionary, with those American flags in the backdrop an ironic comment on the freak flags that these artists so willfully fly. Once again, we got to witness a furious version of “The Jaybird,” but other than that and “Double Purity,” this was an entirely different performance than at Union Pool. It meant something for a band of Sunburned’s underground stature to be here alongside such a diverse array of Three Lobed veterans, from Nathan Bowles’ forward-looking Appalachian banjo performance to Steve Gunn’s solo guitar set to Mary Lattimore and Elysse Thebner’s ambient harp and keyboard set. Among all that great music, perhaps nobody more than Sunburned (and OK, Bardo Pond) stood for all the heads in the audience, the unique gathering of the like-minded that this label has brought together. Once again, it was a divine thing.

I recorded this set in the same manner as the other performances of the day, with 8 channels of combined soundboard feed from engineer Brad Womack, onstage microphones, and audience microphones. The sound quality is outstanding. Enjoy!

Download the complete show: [FLAC/ALAC/MP3]

Stream the complete show:

Sunburned Hand of the Man
2016-03-26
Three Lobed Sweet Sixteen Spectacular
King’s
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

4x Soundboard channels (engineer: Brad Womack) + Schoeps MK22 (onstage, ORTF, DFC)>KC5>CMC6>Aeta PSP3 + MBHO 603a/KA200N (FOB, DFC, PAS)>> Zoom F8>8x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 [intro]
02 Pail Thief
03 Double Purity
04 The Jaybird
05 Mistrial
06 Extraordinarily Heavy Heart

Support Sunburned Hand of the Man: Website | Buy Sunburned releases via Bandcamp

Thurston Moore Group: April 28, 2016 Rough Trade NYC

May 1, 2016
By

Thurston Moore Group

Thurston Moore’s post-2011 career has cycled through a few different styles and band names, from the solo-credited, introspective Demolished Thoughts to the punk-rock Chelsea Light Moving, then solo again with The Best Day for which the band toured as Thurston Moore Band, now the Thurston Moore Group. At least that’s how they were billed for last week’s stop off at Rough Trade NYC. But despite the fluidity of the band’s name, the lineup still includes Steve Shelley on drums, James Sedwards on guitar, and Debbie Googe on bass. Their followup to The Best Day is due out this year, making this Thurston’s longest-running post-Sonic Youth lineup. And it’s surely a good thing that this band has found their groove, as the material is also some of Thurston’s strongest.

Initially an intimate warmup for the band’s appearance at the Levitation Festival—scheduled for this past weekend but unfortunately canceled due to bad weather—this instead became a one-off gig that found the band relaxed enough to try out some material new and old. From The Best Day, they play  “Speak to the Wild” and “Germs Burn” (dedicated to Darby Crash). New songs from the forthcoming Rock and Roll Consciousness include a few we saw last year: “Cease Fire,” “Turn On,” “Aphrodite,” plus the newest, the twelve-minute highlight “Exalted.” Returning to the stage for four encores, the band digs back to Psychic Hearts for a few classics we haven’t heard in a while: “Psychic Hearts,” “Ono Soul,” “Staring Statues,” and “Pretty Bad.” “Ono Soul” gets stretched into a longer noise tribute, similar to the epic, sidelong Caught on Tape version recently released on Three Lobed’s Parallelogram set.

Late breaking news: the Thurston Moore Group will play an extra special set tonight (May 1st) at Baby’s All Right, with Lee Ranaldo opening. Tickets are only 15 bucks and are on sale now!

I recorded this set from our usual location in the venue with a board feed from Thurston’s FOH, Jack. The sound quality is absolutely outstanding. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Thurston Moore Group
2016-04-28
Rough Trade NYC
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Jack) + AKG C480B/CK61 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [1:29:46]
01. Speak to the Wild
02. Cease Fire
03. Turn On
04. Germs Burn
05. Aphrodite
06. Psychic Hearts
07. [encore break]
08. Exalted
09. [encore break]
10. Ono Soul
11. [encore break]
12. Staring Statues
13. [encore break]
14. Pretty Bad

Support Thurston Moore: Website | Buy The Best Day from Matador | Preorder the lastest Sonic Youth archival release, Spinhead Sessions, via Midheaven.

Chuck Johnson: March 24, 2016 Union Pool and March 29, 2016 Trans-Pecos

April 29, 2016
By

IMG_2240

We saw a lot of our friend Chuck Johnson lately, between his one-of-a-kind full band performance at the Three Lobed Sweet Sixteen Spectacular, to these two NYC shows, the latter of which we sponsored. Both of these performances — the first at Union Pool, the second at Trans-Pecos — showcased Chuck’s recent album on Trouble In Mind Records, Velvet Arc. It’s a more electric-focused project than some of his other recent work, but continues with their strong sense of narrative, and Chuck’s refreshing, ingenious phrasing. We were grateful that Chuck was able to make time for two New York performances — and that we were able to sponsor one of them. Chuck is back out west and off the tour trail for a bit, but we’ll be waiting for his return.

The Union Pool set was recorded by EricPH in our usual manner in the venue, with engineer Doug’s soundboard feed and AKG microphones. The Trans-Pecos show was recorded with Schoeps MK4V microphones at the stage lip only. The sound quality of both is excellent. Enjoy!

Download the Union Pool show: [MP3/FLAC]

Download the Trans-Pecos show: [MP3/FLAC/ALAC]

Stream the complete shows:

Chuck Johnson
2016-03-24
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Doug) + AKG C480B/CK63 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, compression, mixdown, normalize, fades) + Izotope Ozone 5 (EQ) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [37:43]
01. Florets
02. [tuning]
03. Sail Away Ladies
04. [tuning]
05. Anamet
06. Middle Water
07. [tuning]
08. Velvet Arc

________________________

Chuck Johnson
2016-03-29
Trans-Pecos
Queens, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (stage lip)>NBob Cables>PFA>Zoom F8>24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Florets [fades in]
02 [tuning]
03 Sailaway Ladies
04 [tuning2]
05 Anamet
06 Middle Water
07 Velvet Arc

Support Chuck Johnson: Website | bandcamp | Trouble In Mind Records 

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