Posts Tagged ‘ soundboard ’

Chris Brokaw: April 8, 2022 Tubby’s (Kingston, NY)

May 16, 2023
By

Yes, you’ve read that date right! Sometimes life gets in the way and recordings linger. But this one’s been on my mind for a while and even more so recently, with Come ending a short US tour tonight in DC. More tour dates are scheduled this year for Come, Lupa Citta, and Codeine (go see them at the Bowery Ballroom November 9th). Chris Brokaw does not rest!

Last year we got to see him playing solo at Tubby’s supporting his solo LP, Puritan, and a new one from The Martha’s Vineyard Ferries, his band with Elisha Wiesner and Bob Weston which had been dormant since 2013. One of the great things about seeing Brokaw solo is that you get to focus on his lyrics which feature vivid juxtapositions of imagery, like in “She’s a Fucking Angel (From Fucking Heaven)” and “Betty Ford James.” I hear rumors we may get another opportunity to see Brokaw locally this fall, so keep an eye out. Meanwhile, catch up with tour dates, releases (including this recent live tape and a long-lost Codeine album!), and more at his website.

I recorded this set with the mics clamped to the soundboard booth, combined with a board feed from FOH Will. I mixed those down and then Sohrab Habibion of SAVAK provided some additional mastering. The results are excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

nyctaper · Chris Brokaw – Live at Tubby’s 2022

Chris Brokaw
2022-04-08
Tubby’s
Kingston, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Will) + MBHO KA200N/603A > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC + Izotope Ozone 5 > Audacity 3.0.2 > FLAC

Tracks [48:07]

  1. Into the Woods
  2. The Heart of Human Trafficking
  3. Depending
  4. She’s a Fucking Angel (From Fucking Heaven)
  5. Trade Winds
  6. Periscope Kids
  7. Puritan
  8. I Belong to You
  9. Betty Ford James
  10. [Encore Break]
  11. Blues For the Moon

• Buy Puritan via Bandcamp
• • Check out other recent releases and tour dates at ChrisBrokaw.com

Chris Forsyth & The Solar Motel Band: April 23, 2023 Union Pool

May 13, 2023
By
Photo by Jesse Jarnow

It’s hard to remember the last time I saw Chris Forsyth and crew tear it up. Before the pandemic? Time blurs! I do know that this was my first in-person experience of the most recent Solar Motel Band lineup with Tom Malach (Garcia Peoples) on guitar, Doug McCombs (Tortoise, Brokeback, etc.) on bass, and of course Ryan Jewell, who somehow manages to be everywhere at once, on drums. This set is mostly songs off of Forsyth’s latest burner, Evolution Here We Come, including the Richard and Linda Thompson song “You’re Going to Need Somebody.” Forsyth is ever-reliable in his choice of covers, here capping off the night (and not to mention the triple-threat Garcia Peoples/Purling Hiss/Motel Band tour) with his take on Neil Young’s “Powderfinger.” But it’s the Evolution-closer “Robot Energy Machine” that really let’s the group stretch out, McCombs and Jewell providing the motorik backing rhythms for Forsyth and Malach to trade lines over. Maybe next tour Forsyth and co. will be doing a Neu! cover. You never know!

I recorded this from our usual spot at Union Pool. Thanks to all the folks there and sound engineer Jase Hottenroth for making this happen. Enjoy!

Stream and Download at the Live Music Archive

Chris Forsyth & The Solar Motel Band
2023-04-23
Union Pool
Brooklyn, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Jase Hottenroth) + MBHO KA200N/603A > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC + Izotope Ozone 5 > Audacity 3.0.2 > FLAC

Tracks [56:56]
01. Tomorrow Might As Well Be Today
02. Experimental & Professional
03. Heaven For a Few
04. Bad Moon Risen
05. [banter]
06. You're Going to Need Somebody [Richard & Linda Thompson]
07. Robot Energy Machine
08. Powderfinger [Neil Young]

Dominick & The Family Band: April 20, 2023 Tubby’s

May 3, 2023
By

If you forgot to wear your tie-dye shirt out to Tubby’s 4/20 show—no problem, they were dyeing ’em out back. Meanwhile, local Kingston jammers Dominick and the Family Band were inside playing “I Wanna Get High” and “Just Smoke” to a packed Thursday evening crowd. Those songs are off last year’s tape Body Wave Heat Whatever, but the band has a new album nearly in the can and treated us to the new ones “All I Do,” “Heather,” and “Backwards.” More than a few ears perked up as the band transitioned from “Lights Out” into “I Know You Rider,” ensuring that we’d all get a bit of Dead in our 4/20.

I recorded this from our usual spot at Tubby’s, the MBHO’s combined with a board feed from enginner Nick. The sound is excellent. Dig in!

Download and Stream at the Live Music Archive

Dominick & the Family Band
2023-04-20
Tubby's
Kingston, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard (engineer: Nick) + MBHO KA200N/603A (DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC + Izotope Ozone 5 > Audacity 3.0.2 > FLAC

Tracks [41:37]
01. I Wanna Get High
02. All I Do
03. Blue Morning Light
04. Just Smoke
05. Heather
06. Backwards
07. Lights Out > I Know You Rider

Elkhorn: March 28, 2023 Tubby’s (Kingston, NY)

April 12, 2023
By
Elkhorn at Tubby’s March 28, 2023

Readers of the excellent Raven Sings The Blues blog may have noticed a new mix of vibraphone-based music posted some weeks back. Rumor has it the initial draft of this collection, curated by Elkhorn’s Drew Gardner, clocked in at FIVE hours. This is not terribly surprising since Elkhorn does not rush to reach a point in their own music. They take the care and time to explore the corners and possibilities. They do this, as Jesse mentions at the beginning of this recording, by playing music with their hearts.  

Their new album, On The Whole Universe In All Directions, sees Drew swapping his signature Tele for a vibraphone. While no one will mistake a vibraphone for a Telecaster, at its core, this still sounds exactly like Elkhorn. Deeply meditative, with both Jesse and Drew’s musical personalities front and center propping each other up. 

Sadly, this night at Tubby’s did not feature any vibraphone but it did have Ian McColm on drums. This was my first opportunity to see Ian perform and I cannot think of a more perfect rhythmic companion for Elkhorn. His ability to play in, around and outside the guitar duo was remarkable. This trio is astounding. 

I recorded this from my usual spot by the soundboard with MBHO’s and board feed from Tubby’s FOH engineer Sam. Enjoy! 

Download and stream from the live music archive!

Elkhorn
2023-03-28
Tubby’s Kingston, NY

Source: MBHO440 + SDB > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity FLAC (lvl8) > Mp3Tag

Thanks to Tubby’s FOH engineer Sam for the board patch
Thanks to Andy from Raven Sings the Blues for putting the show together

  1. “What can be said about Andy French?”
  2. Distances
  3. Wilderness Conversion
  4. Song of the Son
  5. Train
  6. Pastoral

Check out Andy’s excellent website!
https://www.ravensingstheblues.com

Support this excellent artist!
https://elkhorn.bandcamp.com

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

The Royal Arctic Institute: February 17, 2023 Tubby’s (Kingston, NY)

March 1, 2023
By
TheRoyalArcticInstitute2023-02-17Tubbys

The Royal Artic Institute is a perfect band name for a mid-February show in (slightly) upstate New York. Outside it was wet and cold but inside the drinks were flowing, the spirits were high, and the music was outstanding. Another perfect night at Tubby’s.

The NYC based band has over 50 years of combined touring and recording experience including stints with certified legends like Arthur Lee and Roky Erickson. The musical experience is palpable; they float though compositions shifting feel and sound and carrying the listener through the journey. This is a fun one for headphones and a dark room.

The Royal Arctic Institute plays “cinematic instrumental post-jazz” or, as they put it on their band camp page, “post-everything.” Pidgeon holing their sound defeats the point. These are expansive, imaginative soundscapes made for dreaming. I hope you enjoy it as much as I do.

I recorded this from my usual spot by the soundboard with my MBHO’s and board feed from Tubby’s FOH engineer Sam. The sound and performance are excellent. Enjoy!

Download and stream from the live music archive!

The Royal Arctic Institute
2023-02-17
Tubby’s
Kingston, NY

Source: MBHO440 + SDB > SD MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity FLAC (lvl8) > Mp3Tag

Thanks to Tubby’s FOH engineer Sam for the board patch

  1. Different In Sodium Light
  2. Tomorrowmorrow Land
  3. First of the Eight
  4. New South Wales
  5. Shore Leave on Pharagonesia
  6. 13 Christmases At Sea
  7. Passover Buckets
  8. Fishing By Lantern
  9. K-Style Circuit

Support this excellent artist!
https://theroyalarcticinstitute.bandcamp.com

Support the venues bringing you interesting music!
https://www.tubbyskingston.com/music-calendar

Mikaela Davis: February 1, 2023 Tubby’s (Kingston, NY)

February 10, 2023
By
Mikaela Davis 2023-02-01 Tubby’s

The final night of Mikaela Davis’s residency took place during one of Tubby’s semi regular Dead nights. These events started simply; just a dude with a couple decks playing some Dead tapes. They have since evolved into not to be missed parties complete with all the things you would expect at this type of event. There were tapes. There was a “lot” scene. There was spinning. There was Drums > Space. 

The first set of originals was comprised of mostly older songs not often played including “Do You Wanna Be Mine” from 2018’s “Delivery”. The set also features a brand-new tune, “Left Hand Path,” about a D&D Vampirate. Let’s get weird. 

The Dead set opened strong with a super upbeat version of the Garcia classic “Cats Under the Stars” and jumped straight into “Shakedown Street” which had the spinners spinning. On more than one occasion I felt a dreadlock swing against my arm in wild, envelope filter induced ecstasy. The meat of this set was the transition out of “Crazy Fingers” into “Drums” that contained the most exciting and free playing of the evening. 

Mikaela and the band have decided to bring this tour on the road for a, mostly, East Coast run beginning in March, and I highly suggest you hit a show. This was some of the best Dead adjacent music I’ve heard post Jerry. This is much more than another Dead cover band. They have brought authenticity, innovation, and fresh air to a vital part of the American songbook. 

I recorded this from my usual spot by the soundboard with MBHO’s and board feed from Tubby’s FOH engineer Sam. Enjoy! 

Download and stream from the Live Music Archive!

Mikaela Davis
2023-02-01
Tubby’s
Kingston, NY

Source: MBHO440 + SDB > MixPre 3 > SD (24/48) > Adobe Audition/Izotope 9 > Audacity Flac (lvl8) > Mp3Tag

Thanks to Tubby’s FOH engineer Sam for the patch.

This was night 3 of her 3 show residency at Tubby’s. Each night was a set of originals and a set of Dead music. Tonights Dead set featured songs from 1973-1989

Set 1:

  1. Little Bird
  2. Get Gone
  3. Do You Wanna Be Mine
  4. Left Hand Path
  5. Don’t Stop Now
  6. All I Do Is Disappear
  7. Southern Star

Set2:

  1. Cats Under The Stars
  2. Shakedown Street
  3. Althea
  4. Crazy Fingers>
  5. Drums>
  6. Space>
  7. Scarlet Begonias>
  8. Fire On The Mountain
  9. Touch Of Grey

Please Support this excellent artist:
https://mikaeladavis.bandcamp.com

Please support the venues bringing you interesting music:
https://www.tubbyskingston.com/music-calendar

Fiery Furnaces: November 13, 2021 Brooklyn Steel

October 3, 2022
By
Photo Courtesy of Edwina Hay

Our live experiences with the Fiery Furnaces date back to the earliest days of this website. It would be fair to say that this band was in part responsible for the growth of the site circa 2007-2008, as we recorded them all around the area, from multiple times at Maxwell’s, Mercury, Bowery, and Music Hall, to singular shows at Sound Fix Records on Bedford (RIP), Socrates Sculpture Park in Queens, LPR, Southpaw (RIP), East River Park Bandshell (RIP), and Hiro Ballroom (RIP). We recorded them so often that we ended up getting credited as an “engineer” for the Fiery Furnaces live album Remember, which used some of our recordings. The attraction was natural for we live music fans — the band never played any of their shows or songs the same way twice, they consistently invited superb musicians to join them on tours, and the music was always challenging and cerebral. We couldn’t get enough of them.

But in 2011, the band’s core siblings Eleanor and Matt Friedberger decided to take a hiatus. I expected a few years of time away, a solo album or two and then a return. I didn’t expect the break to take a decade, but in 2020 the reunion was finally announced and well, you know what happened then.

Last November at Brooklyn Steel, the wait was over. Fiery Furnaces were back for a “hometown” show at long last. To be honest, I didn’t really know what entirely to expect. The two stalwarts of the band from last decade (Jason Loewenstein and Bob D’Amico) were not joining in the reunion, and of the new band members, we only were familiar with the most excellent Emily Lee (Shearwater, and others). But what I did expect was a new take on classic material, and likely the new single from 2020 (“Down At The So And So And Somewhere”). And in that respect, this show was entirely what I had hoped to see. The setlist contained a healthy dose from all of the band’s releases, of course segued with unexpected twists and turns — but always anchored by Eleanor’s meticulously delivered tongue-twisters and turns of phrase. Matt’s keyboard rack was liberally employed throughout and jibed perfectly with Emily electric piano — check out the interplay in a tasty “Benton Harbor Blues”, and the rocking “Ex-Guru”. The entire ninety-minute set worked like that, with no lulls, plenty of highlights, and no dip in energy throughout. It was great to have Fiery Furnaces back, even if for just one night. We hope it isn’t another decade before they return.

I recorded this set with the Neumann hypers set up at the Soundboard and mixed with a board feed. We are extremely happy with the results, and are pleased to offer this high quality download. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

nyctaper · Fiery Furnaces – Live at Brooklyn Steel Nov 13 2021

Fiery Furnaces
2021-11-13
Brooklyn Steel
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Neumann KM-150s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:22:52]
01 Leaky Tunnel
02 Single Again
03 Two Fat Feet
04 I’m Going Away
05 Benton Harbor Blues
06 [checklist]
07 My Dog Was Lost but Now He’s Found
08 The Garfield El
09 Chief Inspector Blancheflower
10 I’m in No Mood
11 Don’t Dance Her Down
12 The Vietnamese Telephone Ministry
13 Down At The So And So And Somewhere
14 Duplexes of the Dead
15 Automatic Husband
16 Ex-Guru
17 Quay Cur
18 Tropical Ice-Land
19 [encore break]
20 Here Comes the Summer
21 My Egyptian Grammar
22 Chris Michaels

SUPPORT Fiery Furnaces: Bandcamp / Thrill Jockey page / Third Man Records page

Joan Shelley: September 23, 2022 The Colony (Woodstock, NY)

September 28, 2022
By

Back in April 2020 when we didn’t know when or if we were going to see live music again, Joan Shelley released Live at the Bomhard, the hometown tour finale recorded live in 2019 with the Best Hands Band and a special appearance by Bonnie ‘Prince’ Billy. It was both a comfort to all of us stuck at home and a reminder of what we were missing out on.

I have to admit I was only mildly familiar with Joan Shelley before that Bandcamp Friday release, but felt compelled that day to support as many musicians as I could to make sure music would still be there when we returned to normalcy. The added draw of hearing new, live music meant Live at the Bomhard would be in constant rotation ever since. These songs all became familiar in their live and studio arrangements as I added her records to my collection.

This past June, Shelley released her latest album, The Spur, a collection of songs that sound like they are grappling with comfort and safety—songs like “Home,” “Forever Blues,” and “Fawn.” And here I’ve finally gotten to see Joan Shelley live in person. Live music did return after all, though it must be added not without its difficulties.

Whether you’ve heard these songs on Live at the Bomhard, or the studio versions on The Spur, Shelley’s set at The Colony in Woodstock added new textures and arrangements with her current touring band of Nathan Salsburg, Jim Elkington, and Nick Macri, all who played on The Spur and other Joan Shelley albums. Between songs Shelley and her band are affable and engaging with their story telling and the added context for these songs. On a cold night in Woodstock at the beginning of Fall, it sure felt warm inside.

Download FLAC and MP3

nyctaper · Joan Shelley – Live at The Colony 2022
Joan Shelley
2022-09-23
The Colony
Woodstock, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard + MBHO KA500/603A (DIN) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC + Izotope Ozone 5 > Audacity 3.0.2 > FLAC

Tracks [1:10:45]
01. Stay All Night
02. Forever Blues
03. [Fawn intro]
04. Fawn
05. If the Storms Never Come
06. [Fall in the mountains]
07. Home
08. [Favorite room in the world]
09. The Fading
10. [Storms]
11. Like the Thunder
12. Wild Indifference
13. [The Spur intro]
14. The Spur
15. Completely
16. Stay on My Shore
17. [The last show of all time]
18. Why Not Live Here
19. Coming Down For You
20. [The merch table]
21. When the Light is Dying
22. Not Over by Half

The band:
Joan Shelley
Nathan Salsburg
James Elkington
Nick Macri

Dominick & the Family Band: August 20, 2022 Deep in the Valley

August 30, 2022
By

Welcome to our coverage of the 2022 Deep in the Valley festival and special deep valley thanks to Raven Sings the Blues and From the Ground Brewery for hosting!

Really I can’t think of a music festival I’ve been to that was as inviting and relaxed as Deep in the Valley. The very first band of the day, local Kingston quartet Dominick and the Family Band, perfectly inaugurated the day’s good vibes and laid back atmosphere with their hazy country-rock. Festival goers newly arriving paused setting up their chairs to take in the sounds as they played songs off last year’s aptly-titled tape, Body Wave Heat Whatever, plus the new songs “Heather” and “Backwards.” But they saved the best for last, blasting off with a heady, ten-minute version of “Lights Out.” If you didn’t know any better you’d think these guys were headlining the festival. I highly recommend heading over to Bandcamp to grab their tape (as well as bandleader Dominick Anfiteatro’s solo stuff). I’m sure there will be opportunities to catch these locals again in the Hudson Valley. I’ll be there for sure!

Download and Stream at the Live Music Archive

Dominick and the Family Band
2022-08-20
Deep in the Valley
From the Ground Brewery
Red Hook, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard + MBHO KA200N/603A (DIN, stage lip) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC + Izotope Ozone 5 > Audacity 3.0.2 > FLAC

Tracks [34:06]
01. I Wanna Get High
02. Blue Morning Light
03. Just Smoke
04. Their Aim
05. Heather
06. Backwards
07. Lights Out

Jeffrey Alexander and the Heavy Lidders: August 20, 2022 Deep in the Valley

August 23, 2022
By

Welcome to our coverage of the 2022 Deep in the Valley festival and special deep valley thanks to Raven Sings the Blues and From the Ground Brewery for hosting!

They didn’t kick off the festival but kicking off our coverage of Deep in the Valley is this astounding set from Jeffrey Alexander and the Heavy Lidders. We’re big fans of course of his other band, Dire Wolves, but this is the first time we’ve gotten to see him with the Heavy Lidders. The group includes Elkhorn-ers Drew Gardner on guitar and Jesse Shepherd on bass, Scott Verrastro of Kohoutek on drums, and a guest appearance from Ashley Paul on saxophone. Opening with the loose, Tolkien-referencing “Bombadil Bop” couldn’t have been more appropriate for the pastoral setting as folks got up out of their chairs to boogie, while others sought umbrellas as the midday heat came out in full force. The band slides further into the literary references with “Beowulf’s Trip” from the ‘Lidders recent self-titled LP featuring the same lineup that we saw at Deep in the Valley. (Heads take note: that record also boasts appearances from Marissa Nadler on the Dead’s “Black Peter,” Rosali Middleman, PG Six, and Ryan Jewell. Wow!) After playing her own solo set, Ashley Paul joined in on saxophone for “Hidden Treasure.” She and Jeffrey Alexander collaborated remotely last year and released a super limited 7″—nice to see them jamming in person. Finally the band choogles into their deepest grooves of the day with Willie Dixon’s classic “Spoonful,” which they also put out on Elixer of Life. Their set was truly a physical manifestation of the good vibes and collaborative atmosphere at Deep in the Valley and I hope you enjoy this as much as we all did—get into it below!

Stream and download at the Live Music Archive

Jeffrey Alexander and the Heavy Lidders
2022-08-20
Deep in the Valley
From the Ground Brewery
Red Hook, NY

Recorded and produced by Eric PH for nyctaper.com

Soundboard + MBHO KA200N/603A (DIN, stage lip) > Naiant PFA >> Sound Devices MixPre-6 > WAV (24/48) > Adobe Audition CC + Izotope Ozone 5 > Audacity 3.0.2 > FLAC

Tracks [49:29]
01. Bombadil Bop
02. Beowulf's Trip
03. Hidden Treasure
04. Spoonful [Willie Dixon]

Jeffrey Alexander - guitar, vocal
Drew Gardner - guitar
Jesse Sheppard - bass
Scott Verrastro - drums
with - Ashley Paul - saxophone on 3

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