Posts Tagged ‘ union pool ’

Nap Eyes: March 9, 2016 Union Pool

March 22, 2016
By

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Nap Eyes, of Halifax, Nova Scotia, occupy a bit of a time warp. Listen to Thought Rock Fish Scale, their fantastic new record on Paradise of Bachelors, without knowing what you’re hearing and you might believe you were hearing mid-70s Californians raised on Lou Reed, combining laid-back rhythms with a conversational, wry delivery. Frontman Nigel Chapman has the effect of sounding like someone you’ve heard a thousand times, but haven’t quite heard before. Beneath the winsome surface, Nap Eyes have a lot going on, including Chapman’s lyrics, which swing from the confessional to the bizarre. Not that it matters much in the live setting, where we caught the band’s sold-out show at Union Pool last week. The band showed off tunes from both Thought Rock and their recently-reissued debut, Whine of the Mystic, as well as one brand-new song that shows the same level of promise as the two recent offerings. Combined with the guys’ good-natured banter (even a parent was in attendance), the show gave you the sense that the positive press surrounding this band is well-earned, a sign of their low-key appeal and their ability to casually surprise.

I recorded this set with Schoeps MK5 cardiod microphones from our usual spot in the balcony, combined with a soundboard feed from Union Pool engineer Robert. There are two flaws: the level of the vocals fluctuates a bit halfway through, and the house music isn’t totally faded out for about half of the first song. With those two caveats, the sound quality overall is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

Nap Eyes
2016-03-09
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (A-B, DFC, at SBD) + Soundboard (engineer: Robert)>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, adjust balance of SBD, adjust levels)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Mixer
02 Roll It
03 Dark Creedence
04 [new song 1]
05 Stargazer
06 Tribal Thoughts
07 Click Clack
08 No Fear of Hellfire

Support Nap Eyes: visit their bandcamp page, and buy their records from Paradise of Bachelors.

SAVAK: January 22, 2016 Union Pool

February 17, 2016
By

SAVAK

It was sad news last year when Obits announced their dissolution. Fortunately we were there for their second-to-last NYC performance, at Brooklyn Night Bazaar back in November 2014. It goes without saying that Obits will be missed. However, Obits alums Sohrab Habibion (also ex-Edsel) and Greg Simpson weren’t quiet for very long. Only a month after that announcement, Habibion and Simpson debuted their new band, SAVAK, having recruited a veritable who’s-who of nineties and aughts indie rock: Michael Jaworski (The Cops, Virgin Islands); James Canty (The Make-Up, Nation of Ulysses); and Matt Schulz (Enon, Holy Fuck); plus Greg Vegas (Hat City Intuitive, Monsterland) guesting on saxophone. SAVAK recently completed the recording of Best of Luck in Future Endeavors, which will be released on Comedy Minus One in late May. I conned my way into a sneak preview of the mastered album—why else tape shows if not for the graft?—and I assure you, this one’s a keeper.

In anticipation of the upcoming record, we made it out for a snowy evening with SAVAK at Union Pool where we were treated to a performance of much of the Best of Luck in Future Endeavors, plus a cover of MDC’s “I Remember.” If I were to make comparisons I’d feel pretty confident making the obvious one to Sohrab Habibion’s classic nineties band Edsel. Additionally, SAVAK channels I.R.S.-era R.E.M., especially on the standout track “Reaction.” The rest of the set will have you shaking in your desk chair in no time, so let this tide you over until the album release.

SAVAK’s next scheduled show is at the Bell House on May 11, with Kid Congo Powers & The Pink Monkeybirds. Tickets are on sale.

I recorded this set from our usual location at Union Pool, the room mics combined with a board feed from FOH Robert. I mixed those down and then Sohrab provided some additional mastering. The results are excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

SAVAK
2016-01-22
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH
Mastered by Sohrab Habibion

Soundboard (engineer: Robert) + AKG C480B/CK61 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, compression, mixdown, normalize, fades) > Izotope Ozone 5 (EQ) > Mastering > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [37:27]
01. Split Decision
02. Alive in Shadows
03. They Are Bones
04. Reaction
05. This Currency Exchanged
06. Elapsed Remaining
07. Drop the Pieces
08. Sick of War
09. Early Western Traders
10. Call It a Night
11. I Remember [MDC]

Support SAVAK: Website | Facebook | Comedy Minus One

Alan Licht: January 6, 2016 Union Pool

January 13, 2016
By

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For my first recording of 2016, I got to witness the album debut of a New York music veteran, among a room of like-minded souls. We saw Alan Licht live debut many of the tracks that would make up his latest release, Currents, back in August, but he arrived at Union Pool this time with copies of the finished product in hand, and the ideas on it more tightly wound. Relative to some of his peers, Licht’s songs feel like they ride less on fingerpicking prowess (though that’s considerable) than on the strength of his melodies, which give the thrilling jolt of a good rock song even without the lyrics or band that typically accompanies such things. Like the previous show, this one began with the immediate appeal of “Riding On the S’s” followed by “First Lover, Haleema” from Currents, as well as serving up at least one track that didn’t make the record simply because it wouldn’t squeeze onto a side of vinyl. January shows are always a joy for the true music fan, as the cold weather tends to draw only those who really care, and that was evident in the pin-drop quiet room during these engaging, minimalist tunes. From the delicate “Uncertainty” to the melancholy and final “Seventh Song,” Licht showed off the strength of this latest cycle of creativity. Make a date for his next NYC visit, or wherever you might be able to see him.

I recorded this set with a soundboard feed by Kevin Mazzarelli and Schoeps MK4V microphones. The sound quality is excellent, far superior to the previous recording. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show (minus banter tracks):

Alan Licht
2016-01-06
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kevin Mazzarelli) + Schoeps MK4V>KC5>CMC6>>Zoom F8>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression, limiter)>Izotope Ozone 5 (EQ, exciter)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 44:17]
01 [intro]
02 Riding on the S’s
03 First Love, Haleema
04 [untitled]
05 [banter]
06 Uncertainty
07 [untitled 2]
08 Currents
09 Raw Deal
10 Seventh Song

If you enjoyed this recording, PLEASE SUPPORT Alan Licht by visiting VDSQ Records and buying Currents there.

The Loom: November 1, 2015 Union Pool

November 12, 2015
By

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It’s never an easy feat, as a band, to shift stylistically without losing your soul. There are examples, of course — Radiohead’s hard-left from mainstream Britpop to IDM weirdos stands out as a major one — but it’s a huge challenge to court a new fan base while keeping the one you have. NYCTaper and The Loom go back to 2008, when it’d be fair to say they were a mellow-hued folk band. When I caught them in a backyard in 2010, it seemed well within reason that they’d be playing acoustic, with a homemade washtub bass and Lis Rubard’s horns wafting over John Fanning and Sarah Renfro’s dual vocals. In 2012, at Glasslands, it was clear that things were changing — their tastes in who they shared the stage with, for one — but you’d still have recognized that band you heard about from 2008.

Fast forward to Union Pool at the end of 2015, with a new bassist and drummer and two albums’ worth of material awaiting release.  This band opened for Moon Duo recently, and you can see the shift in emphasis in everything from Fanning’s cranked vocal reverb to the darker, psychedelic guitar tone. The two new players, John Mosloskie on bass and Mike Rasimas on drums, change that dynamic as well, providing a more emphatic and punchy backbeat to go with the overall heavier sound. Rubard’s horns haven’t been jettisoned, thankfully, but in the new context they add a ghostly mourn under the swirl of guitars, bass, drums and Rubard’s keyboards, rather than taking center stage. This set showed off amped-up versions of new songs we’d heard before (“Fire Makes,” “Like Lamp Glow,” “The Reading Room”) as well as brand-new compositions such as “I Am Not Young,” perhaps the definitive statement on the band’s new direction. Even on the Sunday after Halloween, or as one might call it, “the worst possible night for a show ever other than Christmas Eve,” The Loom proved their mettle by drawing a crowd of the faithful who seemed fully committed to the new direction. If anyone was put off by the unabashed rocking-ness of “Your Wilderness Years,” for example, they didn’t show it — and I might’ve seen a few air guitars going in that audience, too. At this point, this is a veteran band, and it’s a reward to see them stretch their wings, especially after a period of introspection by Fanning as lead songwriter. The result, along with a more muscular sound, has been two fully recorded and produced albums that are awaiting a label home. Even if you were aware of the band, this is The Loom you haven’t heard before — and it’s time to get reacquainted.

I recorded this set with an excellent soundboard feed by Kyle Lawrence, coupled with Schoeps MK41V supercardiod microphones. The sound quality is excellent. Enjoy!

Download the complete show: [MP3/FLAC]

Stream the complete show:

The Loom
2015-11-01
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kyle Lawrence) + Schoeps MK41V (at SBD, PAS)>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compress SBD)>Izotope Ozone 5 (EQ, effects, image)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Fire Makes
02 I Am Not Young
03 Kindling
04 Like Lamp Glow
05 Here In the Deadlights
06 Your Wilderness Years
07 The Reading Room
08 Morning Song, Mountain Song

If you enjoyed this set, please like The Loom on facebook and check out their website, and buy their records directly from their bandcamp page.

Spray Paint: October 16, 2015 Union Pool (R.I.P. SVT CMJ Party)

October 22, 2015
By

Spray Paint

It’s been a mere six-ish months since we last caught Spray Paint. And in that time, the band has released not one but two new albums: Punters on a Barge and most recently, Dopers. Each album finds the band exploring new sounds and textures, but don’t think that they’ve abandoned their minimalist sound—these new tunes are still unequivocally Spray Paint. Dopers especially is darker than any material they’ve released previously, working up unsettling themes and making music you might use to soundtrack a Troma film. If you’ve heard Spray Paint before, these albums are more of what you love. And if you haven’t: meet your new favorite band.

In contrast to April’s show, which featured many of the bands earliest songs like “Spock Fingers,” “Squaw,” and “Pink Pus,” this one leans more heavily on the newer material. “Polar Beer” is one of the (many) highlights off Punters on a Barge so I was very pleased to hear that one live. “Thrash Master,” “Signal Master,” and “Bad Times” are off Dopers and my appreciation for them has only increased as I’ve absorbed the record. At their current pace I’m sure they’ll have some new music out soon—in the meantime, I’ve got some heavy listening to do.

Spray Paint wrap up their short tour with a record release show tonight (Oct. 22) at Hotel Vegas in Austin. Be sure and catch that if you find yourself out that way.

I recorded this set from our usual location in Union Pool with a board feed from FOH Robert. The sound is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Spray Paint
2015-10-16
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Robert) + AKG C480B/CK63 > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, mixdown, normalize, fades) > Audacity 2.0.5 (downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [32:07]
01. Bring Dumpster Back
02. Ian’s Theme
03. Polar Beer
04. Middle Relief
05. Thrash Master
06. Canadian Trash
07. Signal Master
08. Bad Times
09. Ultimate Umpire
10. Rest Versus Rust
11. Cussin’

Support Spray Paint: Website | Facebook | Bandcamp | Buy Dopers and other Spray Paint records from Monofonus

Law$uits: September 1, 2015 Union Pool – FLAC/MP3/Streaming

September 9, 2015
By

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The Brooklyn band Law$uits (not to be confused with nyctaper alumni and Philadelphia indie faves The Lawsuits) stormed Union Pool on top of a noisy four-act bill, and gave us a high-octane dose of exactly what we’d been waiting for. Theirs is a to-the-gut, dissonant style of punk rock that recalls the foundational acts of the 80s and 90s like the Jesus Lizard and Big Black. If the music seethes, propelled by prominent bass in the mix to drive the groove under lead guitarist James Browning’s skillful work, it also sneers with an intelligence that this kind of music isn’t always accused of. If you want to just stand there and bang your head, fine, but if you pay more attention, you might notice these are smart tunes, too, the kind that don’t need to cover up bad playing with schtick or shock. The band has one record out, 2014’s Future Failure, and judging by this setlist, there’s more on the way, as several of these tunes aren’t on that album. We’ll be looking forward to hearing more from them, hopefully soon.

I recorded this set with Schoeps MK41V supercardiod microphones and a soundboard feed from Union Pool engineer Chris Madden. The sound quality is excellent. Enjoy!

Download the complete set: [MP3/FLAC]

Stream the complete set:

Law$uits
2015-09-01
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (PAS)>KCY>Z-PFA + Soundboard (engineer: Chris Madden) + >>Roland R-26>24bit/44.1kHz WAV>Adobe Audition CS 5.5 (fades, compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.4 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Uniform
02 Needle Nose
03 Playing Dumb
04 Living Situation
05 Supermarket Sweep
06 Old Men
07 Iconoclast

If you enjoyed this recording, PLEASE SUPPORT Law$uits and check out their bandcamp page.

Joan Shelley: February 12, 2015 Union Pool – FLAC/MP3/Streaming

September 4, 2015
By

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Joan Shelley released her excellent new album, Over and Even, today on No Quarter Records. For many, this will be their first time hearing these new songs, unless you checked in with NPR last week. However, the crowd on this chilly night at Union Pool back in February had almost everyone beat by several months, as Shelley decided to use this performance to show off a majority of the new album.

The Kentucky-based singer-songwriter first came to wider attention with her previous effort, Electric Ursa, but it was evident from the get-go that the new songs represent a further refinement of her craft and acknowledgment, but not a caving to, pop sensibility. The extra-approachable riff of the album’s title track sets the tone for the rest of the material, making it no surprise that Stereogum made it an “Album of the Week.” In doing so, they pointed out that Over and Even is more about the setting of a mood than any specific turn of phrase or even specific song, and that’s not a negative. The new work, even in its fledgling form on this night, shows incredible consistency, with each number feeling a bit like an old song you’re being introduced to for the first time. It’s a pastoral, flawlessly crafted album that holds your attention as it takes its time to unfold.

Shelley was joined for this show not only by regular collaborator Nathan Salsburg — a force on the guitar in his own right — as well as Glen Dentinger on bass. Site favorite Nathan Bowles also made an appearance, and he’s always a welcome presence on any stage. None of that can distract from the main event, of course, which is Shelley’s voice and her presence, both of which manage to be delicate but resolute. What Shelley’s live show drives home is just how spare and right her album’s production is, as there is clearly little she needs to embellish what’s already there. As good as the new songs are, Electric Ursa got its due during the show as well, with the title track of that album closing out the night, and one of its most approachable songs, “Something Small,” providing a welcome dose of recognition mid-set. As requested by Joan’s label, we’ve held back this recording until the release of Over and Even, and are thrilled to be able to share this performance on its release day.

I recorded this set with a soundboard feed from Union Pool engineer Rob, together with Schoeps MK41 microphones. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

Joan Shelley
2015-02-12
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Rob) + Schoeps MK41 (PAS)>KCY>Z-PFA>Sound Devices USBPre2 >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, compression, mix down)>Izotope Ozone 5 (effects, exciter)>Audacity 2.0.5 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 47:00]
01 Brighter Than the Blues
02 Wine and Honey
03 River Low
04 [banter1]
05 Over and Even *
06 Something Small
07 [banter2]
08 Stay on My Shore
09 Easy Now
10 [banter3]
11 Not Over By Half
12 Electric Ursa

Band
Joan Shelley – vocals
Nathan Salsburg – guitar
Glen Dentinger – bass
* Nathan Bowles – guitar

If you enjoyed this recording, PLEASE SUPPORT Joan Shelley, visit her website, and buy Over and Even from No Quarter Records.

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Alan Licht: August 2, 2015 Union Pool – FLAC/MP3/Streaming

August 20, 2015
By

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There are any number of ways that a fan of the New York underground scene might have run across the guitarist Alan Licht. Along with an extensive discography of his own, Licht has also played a key role in several bands, including the Blue Humans, Love Child, and Run On. Most recently, Licht has appeared as a member of Lee Ranaldo and the Dust. Now, he’s readying a new solo album, which he was kind enough to share a majority of with this group of fans at Union Pool. Compared to some of Licht’s more drone and minimalist work, these compositions, like leadoff track “Riding On the S’s” and “Raw Deal” in particular, show the influence of the recent work with Ranaldo. They have an urgent, narrative feel to them, to the point that you almost feel compelled to throw your own lyrics into them at points. This was the songs’ first exposure to a public audience, and it seems likely that they’ll see some further evolution before the final versions are laid down on the record (one of them, after all, still lacks a title). But even in these raw, new forms, Licht showed a clear vision for and command of them, leading me to believe that new record is going to be a must-have.

I recorded this set with a soundboard feed from engineer Kevin Mazzarelli, combined with Schoeps MK41V microphones. The sound quality is excellent. Enjoy!

Thanks to Jeff Conklin for arranging the show and permission to record Alan’s set.

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Alan Licht
2015-08-02
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Kevin Mazzarelli) + Schoeps MK41V (PAS)>KCY>Z-PFA>>Edirol R-44>24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, noise reduction on SBD)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Riding on the S’s
02 First Love, Haleema
03 Raw Deal
04 Currents
05 Every Little Yacht
06 Untitled
07 (Them’s the) Breaks

If you enjoyed this recording, you can buy all of Alan Licht’s records through the links available on Discogs. 

Chuck Johnson: August 2, 2015 Union Pool – FLAC/MP3/Streaming

August 13, 2015
By

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Chuck Johnson has soared in recent years, with three landmark solo guitar LPs this decade alone. The latest, Blood Moon Boulder, continues the corvid-based theme of 2013’s Crows In the Basilica, and has been hailed in some quarters as his finest achievement yet. It’s hard to argue with that analysis watching Chuck perform on a recent Sunday night at Union Pool to a dedicated crew of serious music fans, who huddled around Chuck as he played both lap acoustic and stand-up electric pieces. As is sometimes pointed out, Johnson is a latecomer to solo guitar, having spent much of his 90s career in bands in Chapel Hill, NC (including Shark Quest, Idyll Swords, and Spatula). You wouldn’t know it from the calculated virtuosity of his three records, evident in his mastery of the slide guitar on “Corvid Tactics.” Crows are a clever, calculating bird, able to adapt and learn over time. Their ability for forethought sets them apart — something that might also be said of Johnson, whose pieces have a habit of leading to unexpected places, shifting gears in ways non-obvious but utterly rewarding. As a special treat, Johnson played an untitled new number mid-set, before playing a favorite melody of “A Slender Thread” into “Dissevered” to close things out. Do yourself a favor and check out Blood Moon Boulder as well as Chuck’s previous releases — the live recording is no more than a taste of how good he can sound.

I recorded this set with a soundboard feed from Kevin Mazzarelli, together with Schoeps MK41V microphones to provide a bit of ambiance. Some noise reduction was used to eliminate DI buzz, and there are a few short bursts of cell phone interference. Overall, however, the sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Chuck Johnson
2015-08-02
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41V (PAS)>KCY>Z-PFA>>Edirol R-44>24bit/48kHz WAV>Adobe Audition CS 5.5 (fades, noise reduction on SBD)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Corvid Tactics
02 On A Slow Passing In Ghost Town
03 Silver Teeth in the Sun
04 [untitled]
05 [banter]
06 A Slender Thread>Dissevered

If you enjoyed this recording, PLEASE SUPPORT Chuck Johnson, visit his website, and buy Blood Moon Boulder from Scissor Tail Records here and his other records here. 

Ignatz: May 24, 2015 Union Pool – FLAC/MP3/Streaming

July 7, 2015
By

Ignatz

Ignatz—named after Krazy Kat’s comic strip nemesis—is the solo folk guitar project of Belgium’s Bram Devens. Acoustic guitars and vocals are cloaked in distortion by an array of effects pedals, recalling the lo-fi sounds of AM radio. More than once during Ignatz’s set, I recalled the quieter moments in the Hush Arbors catalog—both share an affection for distorted acoustic guitars and the higher registers of the voice. Half of his Union Pool set is comprised of newer, as-yet-untitled songs, while “Drinking Tea and Bloody Maries,” “Japan is Romantic,” and “I Need a Good Night’s Sleep” are off Ignatz’s first record with De Stervende Honden (The Dying Dogs), Teenage Boys, released last year on Ultra Eczema. While the album features the full band, here Ignatz is accompanied only by his guitar and the result is an outstanding, delicate reimagining of American folk through through the lens of a Belgian guitarist.

I recorded this set with the AKGs clamped to the balcony and a board feed from Union Pool FOH, Kevin. There’s a little bit of ambient noise from the bar here, but the guitar and vocals are loud and clear. Enjoy!

Thanks to Jeff for organizing the event and inviting us down to record it. Avant Ghetto will presenting another show full of guitar worship at Union Pool on August 2 with PG Six, Chuck Johnson, Alan Licht, and Anthony Pasquarosa.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Ignatz
2015-05-24
Union Pool
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Kevin) + AKG C480B/CK63 (FOB, LOC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (align, balance, compression, mixdown) > Izotope Ozone 5 (EQ) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [35:41]
01. Untitled
02. Drinking Tea and Bloody Maries
03. Untitled
04. Untitled
05. Japan is Romantic
06. I Need a Good Night’s Sleep

Support Ignatz: Website | MySpace | Buy Ignatz & De Stervende Honden – Teenage Boys from Ultra Eczema

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