Blog Archives

Matthew Shipp and Bobby Kapp: September 17, 2016 Trans Pecos

September 22, 2016
By

matthew-shipp-and-bobby-kapp-at-trans-pecos
[photos by nyctaper]

If there is a valid criticism of this site’s work, its our paucity of recordings of NYC’s vibrant modern and avant jazz community. We have been steadfast (particularly since EricPH joined the crew) in our documentation of the local noise scene, which has on occasion crossed the line into jazz (Zs at Bowery) but when it comes to the legendary performers playing in our midst, we’ve been remiss. But what we experienced and captured on Saturday at Trans-Pecos should go a long way towards rectifying the slight.

Matthew Shipp has been a fixture in the NYC jazz scene for more than three decades. His solo work has been lauded since he became a regular in the downtown new jazz clubs in the early 90s for his unique expressive freeform style. He’s also been a collaborative performer most notably as a longtime member of the David S. Ware group. My first experience seeing Shipp live was at the old Knitting Factory on Leonard Street in the late 90s at a show where he teamed with frequent partner bassist (and current Trans-Pecos curator) William Parker.

Bobby Kapp too has a long and storied history in NYC jazz that dates even further back, as Kapp first came onto the scene in the 1960s, most notably as the drummer for the great and recently-departed Gato Barbieri’s on his first album, the 1967 classic In Search of the Mystery. Kapp’s lengthy musical journey now finds him in San Miguel De Allende, the artistic center of Mexico City. In between, Bobby Kapp has appeared on countless albums, played on several continents, and indeed has been recognized by the US State Department officially as the “Ambassador of Jazz”.

Matthew Shipp and Bobby Kapp first collaborated for Kapp’s 2014 EP Themes 4 Transmutation in a quartet. But earlier this year, the two met as a duo for an improvisation session that became Cactus, an album ultimately released on Northern Spy Records on September 16. The following day, this Trans-Pecos performance operated as the official CD release event. But instead of attempting to recreate the Cactus session, the duo instead performed a nearly fifty-minute new improvisational session that the artists have entitled “Live at Trans Pecos”. The piece offers a unique opportunity to experience the live creation of once-only music by two jazz legends. The ability of Shipp to construct melodies and then meticulously descontruct them is matched by Kapp’s profound touch on the drums — the on-the-dime movement from subtle taps on the cymbals to crashing snares perfectly in sync with Shipp’s journey. I’ve now listened to this piece four times and I’m still flabbergasted at the ability of these two artists to work so well in tandem and produce such breathtakingly moving music.

I recorded this set with the Neumann LD’s mounted in front of the stage to capture the drums in stereo and mixed with two separate feeds of the piano mics. The sound quality is superb. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set:

Matthew Shipp and Bobby Kapp
2016-09-17
Trans Pecos
Queens NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 47:36]
01 Live at Trans Pecos

Support Matthew Shipp: Website | Purchase Cactus from Northern Spy
Support Bobby Kapp: Website | Purchase Cactus from Northern Spy

bobby-kapp-at-trans-pecos

PS Eliot: September 15, 2016 Market Hotel

September 19, 2016
By

P.S. Eliot at Market Hotel
[photo courtesy of Amanda Hatfield – originally posted at brooklynvegan]

On Saturday December 9, 2011, PS Eliot played its “final” show at Death By Audio in Brooklyn in front of less than 100 people. A lot has changed in the subsequent five years not the least of which is the enormous success enjoyed by the two sisters who anchored the original band. Katie Crutchfield’s Waxahatchee has released three well-received albums and is currently signed to Merge Records, and Allison Crutchfield’s band Swearin’ has also released two excellent albums and Allison recently signed as a solo artist also with Merge. Although the band played a brief one-off reunion at Silent Barn in 2013, this year became the right time to look back and do the full-on reunion. Earlier this year Don Giovanni Records released 2007-2011, a thorough compilation of the band’s original discography, which also includes bonus home demos and a complete oral history of the band in zine format that was assembled by the writer Liz Pelly.

The release of the complete discography has also fortunately been accompanied by a band reunion and a mini-tour. The Crutchfield sisters joined again with bassist Katherine Simonetti and guitarist Will Granger to play a six-date tour that included stops in San Francisco and Chicago and completed with a headlining spot at Don Giovanni’s New Alternative Music Festival this past Friday and two final dates at Philadelphia’s MOCA last night and tonight.

The fourth date of the tour was at our own Market Hotel on Thursday when the band played in front of more than 500 people. From the very outset PS Eliot and crowd were fully engaged in the experience. Throughout the night, the Crutchfield sisters were out and about at the Market and there were a lot of excited greetings and hugs for old friends. When the set began it was clear that the quartet were fully in sync and for the hour-long set they passed around a bottle of pink champagne while they worked through a large assortment of classic PS Eliot material. The band was tight, energetic and seemed to be having a great time. If playing PS Eliot material is this much fun for the group, I would venture a prediction that this is not the last we will see of them. And that would be great news.

I recorded this set with the installed AT mics mixed with House FOH Jason Kelly’s superb feed. The sound quality is outstanding. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

PS Eliot
2016-09-15
Market Hotel
Brooklyn NY

Digital Master Recording
Soundboard + Upfront Audience

Soundboard [Engineer: Jason Kelly] + Audio Technica 4051 > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 59:24]
01 Broken Record
02 We’d Never Agree
03 [banter – thanks]
04 Hail Mary
05 Asphalt
06 Pink Sheets
07 [banter – the zine]
08 Cry Uncle
09 Bear Named Otis
10 Shitty and Tragic
11 Crosseyed
12 [banter – NYC]
13 Sadie
14 Like How You Are
15 Tonight [Spica]
16 Sore Subject
17 Watch On Mute
18 Troubled Medium
19 [encore break]
20 Untitled
21 Tennessee

Support PS Eliot: Bandcamp | Purchase 2007-2011 from Don Giovanni Records

The Body / Full of Hell: September 9, 2016 Market Hotel

September 12, 2016
By

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[screenshots courtesy of Frank from Pit Full of Shit]

Earlier this year, two of metal’s premiere bands collaborated on an album with exceptional results. The release of One Day You Will Ache Like I Ache (Neurot Recordings) was met with universally positive reviews and fortunately a tour would soon follow. The Body and Full of Hell are from different regions and offer different takes on the genre, with The Body’s New England (Providence based) sludge complimenting the mid-Atlantic (Maryland based) grindcore from Full of Hell. The tour reached Market Hotel on Friday night and the results were as you might expect — a stage filled with bodies and a sound churning with sturm und drang. The set was culled partially from the album, but also included a couple of individual band numbers and one very cool cover of Devo’s “Gates of Steel”. Both bands have an excellent history of collaboration — including two superb albums of The Body with Thou, and Full of Hell’s recent work with Merzbow. But this melding of the minds reached full peak at Market Hotel with an intensity not often witnessed at the many shows we see. But sadly, as the bands return to their separate careers, we are not likely to see a repeat of Friday’s show soon again. Indeed, the final show of this collaborative tour took place Saturday in Providence.

I recorded this set with the installed AT mics in the venue mixed with an outstanding feed provided by house FOH Jason Kelly. The sound quality is quite excellent. Enjoy!

Download the Complete Set [MP3] / [FLAC]

Stream the Complete Set:

The Body / Full of Hell
2016-09-09
Market Hotel
Brooklyn NY

Digital Master Recording
Soundboard + Upfront Audience

Soundboard [Engineer: Jason Kelly] + Audio Technica 4051 > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 32:03]
01 One Day You Will Ache Like I Ache
02 Bottled Urn
03 World of Hope and No Pain
04 Himmel und Holle
05 Empty Hearth – Thrum in the Deep
06 The Little Death
07 Gates of Steel [Devo]
08 [encore break]
09 Cestoda

Support The Body: Facebook | Bandcamp | Buy One Day You Will Ache Like I Ache

Support Full Of Hell: Website | Merch | Buy One Day You Will Ache Like I Ache

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NYCTaper Upcoming Schedule: Fall/Winter 2016-17

September 8, 2016
By

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Fall dates are filling up quickly, so here are the latest.

Caveat: Below is the updated schedule. We expect to attend and record these events. However, circumstances will prevent some of these from being done, and others will be added in the meantime. Feel free to make suggestions or point out shows we missed or invite us to your shows!

Schedule:

Hopscotch Festival:
September 8 and 9, Various Venues, North Carolina

Girls Against Boys / Big Ups:
September 13, 2016 Baby’s All Right BK

Nick Millevoi:
September 15, 2016 Trans-Pecos Queens

PS Eliot:
September 15, 2016 Market Hotel BK

The Dead C:
September 20, 2016 First Unitarian Congregational Society BK

Pylon Reenactment Society:
September 23, 2016 Shea Stadium BK

Bear Vs. Shark:
September 28, 2016 Market Hotel BK

Blitzen Trapper:
September 29, 2016 City Winery NYC (Early Show)

Kikagaku Moyo:
September 30, 2016 Sunnyvale BK

Handsome Family:
September 30, 2016 Mercury Lounge NYC

Luna:
October 1 and 2, 2016 Rough Trade BK

Pity Sex:
October 3, 2016 Market Hotel BK (permission pending)

Wooden Wand:
October 5, 2016 Park Church Co-Op BK

Titus Andronicus:
October 6, 2016 Cannons Blackthorn, Rockville Centre NY (Brull Benefit)

Titus Andronicus:
October 7 and 8, 2016 Market Hotel BK

Merchandise:
October 9, 2016 Market Hotel BK (permission pending)

SALES:
October 12, 2016 Market Hotel BK (permission pending)

Teenage Fanclub:
October 15, 2016 Bowery Ballroom NYC (permission pending)

Sloan:
October 17, 2016 Bowery Ballroom NYC

The Bongos:
October 21, 2016 Mexicali Live, Teaneck NJ (permission pending)

PUP:
October 22, 2016 Bowery Ballroom NYC

Pujol:
October 27, 2016 Alphaville BK

Cass McCombs:
October 28, 2016 Music Hall of Williamsburg BK

Trash Talk:
November 1, 2016 Market Hotel BK (permission pending)

Silver Apples:
November 2, 2016 Market Hotel BK

Ryley Walker:
November 3, 2016 Market Hotel BK

AJJ:
November 6, 2016 Warsaw BK

The Long Ryders:
November 10, 2016 Bowery Ballroom NYC

Rhys Chatham / Oneida Collaborative Set:
November 12, 2016 Market Hotel BK (permission pending)

Hiss Golden Messenger:
November 15, 2016 Music Hall of Williamsburg BK

True Widow / Mary Lattimore:
November 15, 2016 Market Hotel BK (permission pending)

Jeff Rosenstock:
November 18, 2016 Market Hotel BK

Bardo Pond:
November 18, 2016 Union Pool BK

Pile / Guerilla Toss:
November 20, 2016 Market Hotel BK

Daniel Bachman:
November 22, 2016 Trans-Pecos Queens

Pierce Turner:
November 25, 2016 Unitarian Church, Dublin Ireland

Kevin Devine:
December 8, 2016 Irving Plaza NYC

Earthless:
December 13, 2016 Bowery Ballroom NYC

Palehound: August 13, 2016 Trans-Pecos

August 18, 2016
By

IMG_1969
[photo by nyctaper]

It was a sunny afternoon on one of the hottest days of the year, but inside the cool confines of Trans-Pecos last Saturday’s show hosted by PopGun was a winner. Palehound was the headliner and it is true that we had not seen the band since our CMJ show in 2014. In the interim, Ellen Kempner compiled a new band — which is essentially now a power trio of Jesse Weiss on drums and Dave Khoshtinat on bass. With a superb rhythm section behind her and on the tails of last year’s well received album Dry Food, Ellen’s stature has been all upwards since our last meeting. At Pecos to a large crowd relieved to be indoors and cool, Palehound played a well-paced set that featured three new songs but relied primarily on Dry Food material. Sure, we got a couple of “oldies” including the fave “Pet Carrot” but this is a band that is clearly looking forward where the future is rosy as hell.

Palehound will be playing the Wild Honey Pie’s Welcome Campers event next weekend. Details here. The band will return to more active dates in the Fall.

I recorded this set with the Schoeps cards mounted in front of the stage and mixed with a board feed. The sound is quite representative of the room that excellent day. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Palehound
2016-08-13
Trans-Pecos
Queens NY

Digital Master Recording
Soundboard + On Stage Audience Matrix

Soundboard [engineer Chris] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wavs > Soundforge (mixing) > CDWave 1.95 (tracking) > TLH > flac (320 MP3/tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 54:43]
01 [new song – Don’t Come Near Me]
02 Psycho Speak
03 Healthier Folk
04 Molly
05 Easy
06 [banter – bad week]
07 Dry Food
08 Drooler
09 Cinnamon
10 Seekonk
11 Cushioned Caging
12 [banter – Wyoming]
13 Pet Carrot
14 [banter – sleep-away camp]
15 [new song – At Night I’m Alright]
16 [new song – Stuck With the Weight]
17 Dixie

Support Palehound: Facebook | Bandcamp | Exploding In Sound Records | Twitter

nyctaper and acidjack were on the Sunday Ramble Podcast (Listen!)

August 11, 2016
By

This was our third trip to the Sunday Ramble with David and Paul and it was just as fun as the two previous broadcasts. The guys played some of our favorite recordings (the Mountain Goats, Ryley Walker, Luna, Wussy, Steve Gunn, Disappears, Decemberists and Wilco) and let us talk about the site and so many other things. Take a listen! And remember to follow Sunday Ramble on Mixcloud for future broadcasts.

So So Glos: July 16, 2016 Out In The Streets Fest

July 31, 2016
By

42_So-So-Glos
[photos by Dean Keim]

There may not be another band whose influence and work ethic has done more to establish the music of Brooklyn over the last ten years than So So Glos. The band was the original tenant of the Market Hotel, and later established Shea Stadium — two venues still open today that support and incubate local music. As an active touring band, So So Glos have performed across the globe with a large variety of bands and recorded and released five full length albums.

Kamikaze (Votiv Records) is the latest So So Glos release and it may be their most fully realized album. The album appears three years after the breakthrough of Blowout, but continues in the same vein of offering intelligent and aggressive punk which is both faithful to the genre and to the borough that produced the band. So So Glos headlined the first night of Out In The Streets Fest and were afforded the opportunity to play a full set. A healthy crowd remained throughout the day in the good and bad weather and by the time the Glos took the stage and the band commandeered everyone inside, the tent filled up and their energetic set was a great send-off to a terrific day. The band performed much of the last two albums in a set that began with a burst of energy and never let up.

I recorded this set in the same manner as the Guerilla Toss set from the same day of the Festival and the sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

So So Glos
2016-07-16
Out in the Streets Fest
Onderdonk House
Queens NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Cliff Ribeiro] + Neumann TLM-102s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:00:23]
01 Dancing Industry
02 Diss Town
03 ADD Life
04 Going Out Swingin
05 Devil’s Doing Handstands
06 Magazine
07 Black and Blue
08 Lost Weekend
09 Cadaver
10 Fool on the Street
11 [banter – thanks]
12 We Got The Days
13 [encore break]
14 Mold Baby
15 Wrecking Ball
16 Replay [Lost Boy]
17 Son of an American

Support So So Glos: Website | Facebook | Buy Kamikaze | Votiv Records Page

Guerilla Toss: July 16, 2016 Out In The Streets Festival

July 23, 2016
By

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[photos by Dean Keim]

Guerilla Toss has been my white whale for the last year or so. There have been multiple missed connections when for one reason or another I was not able to record a local set, the most frustrating of which was when a massive snow storm resulted in the cancellation of their January show at Market Hotel. But I persisted and when the excellent Out In The Streets Fest announced that Guerilla Toss would be slated to play on a Saturday afternoon with an otherwise packed bill, we were there.

The music of Guerilla Toss is an amalgamation of styles, the most resonant for me being the influence of Remain In Light-era Talking Heads. But what strikes most about the band live is that the musicians are phenomenally skilled at their craft — something quite apparent even before I learned that the band formed at the New England Conservatory of Music. While kinetic vocalist Kassie Carlson is the center of the focus on stage, the rhythm section of tribal drummer Peter Negroponte and Greg Albert’s meaty bass guitar are crucial to the sound and drive the live presentation. The music’s color is provided by the impressive varied keyboard work of Sam Lisabeth and the atmospheric guitar of Arian Shafiee. At Out In The Streets Fest on the border of Queens and Brooklyn on the grounds of the historic Onderdonk House, Guerilla Toss performed a nice cross section of their already extensive discography, two apparent new songs (“Can I Get the Real Stuff” and “Betty”), and a fairly obscure Tom Waits cover in a too-short thirty minute set that was both long on energy and compelling for all of the right reasons. I suspect that Guerilla Toss will be regulars on NYCTaper moving forward and we’re excited to track their progress — fate willing.

Guerilla Toss next play in NYC at the Summer’s End Festival at Aviv on September 3.

[edit] Just caught this: Guerilla Toss now have been added to the Oneida show at Secret Project Robot on July 30.

I recorded this set with the outdoor-friendly Neumann large diaphragm mics mixed with an excellent board feed provided by FOH Cliff. The sound quality is superb. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Guerilla Toss
2016-07-16
Out in the Streets Fest
Onderdonk House
Queens NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineer: Cliff Ribeiro] + Neumann TLM-102s > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded by nyctaper and acidjack
Produced by nyctaper

Setlist:
[Total Time 31:39]
01 Polly’s Crystal
02 Can I Get the Real Stuff
03 Club Kids
04 367 Equalizer
05 Earth Died Screaming [Tom Waits]
06 Diamond Girls
07 TV Spell
08 Betty Dreams of Green Men

Support Guerilla Toss: Bandcamp | Facebook | DFA Records Page

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Downtown Boys: June 24, 2016 Market Hotel

July 18, 2016
By

downtown-boys20
[photo by Chona Kasinger – originally posted at Bandcamp Daily]

Its been a very discouraging year for forward-looking people. Tonight begins the tacky celebration of the nomination of a vulgar racist xenophobe of a major political party for President of the United States. Its as if for the next three days, forty percent of the country will be giving a massive middle finger to people of color, and anyone with a conscience and a sense of justice feels helpless.

The question then becomes what can we do. If you’re a group of young multicultural people from Providence Rhode Island, you form a punk band with a message — that hatred and xenophobia are things of the past and we, a “bi bilingual political dance sax punk party” are here, and we are the future. Downtown Boys are certainly a breath of fresh air in this toxic world. The band’s themes of inclusion and acceptance within the realm of punk (with a sax!) isn’t particularly a new idea, but add in bi-lingual lyrics and LGBT elements, and the idea of the perfectly integrated musical act becomes closer to realization. That the band executes their message with energy and commitment makes their music all the more compelling.

The Downtown Boys show at Market Hotel was one of those nights that won’t soon be forgotten. The band’s increased popularity brought out a truly diverse crowd, and given the Market’s goal of providing a community of musical performances of diverse styles and backgrounds, the band represented an inspiring coupling of ideals. In 2015 Downtown Boys signed with the most excellent Don Giovanni Records and released Full Communism to universally positive reviews. Its an encouraging development for the band that their call for human rights is reaching a larger and more accepting audience. At the Market, the set saw the performance of most of Full Communism, a few older tracks, and what I believe are six new songs that hopefully portends a 2016/2017 new album from Downtown Boys.

Downtown Boys return to NYC for a show at Studio at Webster Hall on September 16.

I recorded this set with the installed AT mics mixed with an excellent board feed. The sound is live and raucous and in the moment and totally excellent. Enjoy!

Download Complete Show [MP3] / [FLAC]

Stream the Complete Show:

Downtown Boys
2016-06-24
Market Hotel
Brooklyn NY

Digital Master Recording
Soundboard + Upfront Audience

Soundboard [Engineer: Jason Kelly] + Audio Technica 4051 > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 52:08]
01 Future Police
02 Haz Algo
03 Wave of History
04 Tonta
05 One Hundred Percent Inheritance Tax
06 Santa
07 Maldito
08 [Poder intro]
09 Poder Elegir [Los Prisioneros]
10 Callate
11 It Can’t Wait
12 Slumlord Sal
13 [banter – power]
14 Clara
15 Lola
16 Dancing In The Dark [Springsteen]
17 Cost of Living
18 [banter – thanks]
19 Break A Few Eggs
20 Monstro

Support Downtown Boys: Bandcamp | Facebook | Don Giovanni Records Page

Ryley Walker: May 13, 2016 “A Day at the Market” (Market Hotel)

July 15, 2016
By

ryley-walker-6
[photos by PSquared Photography]

“A Day at the Market” is really a simple concept for an intimate performance in a quintessential setting. Some of our favorite performers will play the Market Hotel during the daylight with unamplified acoustic guitars in front of a select audience. The first installment of what we anticipate will be a long-running series featured the inimitable Ryley Walker.

This show took place on a Friday afternoon, and as you can tell from the rumbling train and siren audible early in this recording, the Market Hotel’s unique location was very much a part of the proceedings. And that’s how it was intended. One of the charms of this unique venue is the placement of the huge window behind the stage that makes the audience feel as if the performer is playing virtually on the J/M Myrtle-Broadway subway platform. And the intimate nature of the event made it easy to understand why we selected Ryley Walker for the debut of A Day at the Market — his immense talents and likeability are quite intense when it feels like its just you and him in the room.

Ryley played all new songs at this event, offering us a preview of his new album Golden Sings That Have Been Sung, which will be released on August 19 on Dead Oceans Records. Of the nine songs on the album, six were performed (along with one unreleased track). Ryley was accompanied only by stand-up bass player Anton Hatwich, so that these are pared-down versions of the new album and this recording is a fine accompaniment to the official release.

More great news to report — Ryley Walker will return (with full band) to the Market Hotel for a proper night time show on November 3 and tickets are now available [HERE].

I recorded this set with four strategically placed microphones. I utilized the installed audio technica cards mounted in the center of the room combined with two schoeps cards on a stand in the front of the stage. While obviously the wholly acoustic setting allowed for the ambient sounds to be heard, overall this recording is exactly how it should be — full spectrum clear sound of a special event in a special setting. Enjoy!

ryley-walker-9

At some point, when we can figure out how to properly edit it, we will have a complete upfront video from this show.

Sorry no downloads of this one.

Stream the Complete Show:

Ryley Walker
2016-05-13
Market Hotel
Brooklyn NY

Digital Master Recording
Four Channel Audience Matrix

Schoeps CCM4u Cardioids + Audio Technica 4051 > Roland R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 46:11]
01 The Halfwit In Me
02 Shaking Like The Others
03 The Great And Undecided
04 Grand Old Trout – Age Old Tale
05 The Roundabout
06 Sullen Mind
07 Funny Thing She Said

SUPPORT Ryley Walker: Website | Facebook | PreOrder Golden Sings

ryley-walker-12

Support nyctaper

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nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.