Posts Tagged ‘ Three Lobed Recordings ’

Tom Carter: September 6, 2013 Three Lobed / WXDU Day Show, King’s (Raleigh, NC) – FLAC/MP3/Streaming

October 3, 2013
By

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[Photos by acidjack]

About two or three minutes into “Beauty Draws the Seed”, one of three compositions Tom Carter played at this year’s Three Lobed Recordings / WXDU Day Show during Hopscotch Music Festival, it was clear that this would be a session that would be unforgettable. I have seen Tom play several times, but this afternoon show was special — a day that every artist invited showed up with their absolute best.

Carter’s layered, carefully rendered guitar compositions start to resemble living organisms, expanding and contracting. They exist beyond words, beyond simple emotions. This was a set of profound beauty, Carter’s first solo set in North Carolina. He made it one for the ages.

These songs will be available in 2014 on releases from Three Lobed Recordings as well as an Italian label so new it doesn’t have a name yet. We are not only thankful for what Carter has accomplished to date, but what lies in front of him.

I recorded this set with a soundboard feed customized for this recording and Schoeps MK4V microphones. The sound quality is outstanding. Enjoy!

Stream “Beauty Draws the Seed”


Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Tom Carter
2013-09-06
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Schoeps MK4V (onstage)>KC5>CMC6 + Soundboard (custom stereo mix)>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjustments)>Izotope Ozone 5 (tube effect, EQ)>Audacity 2.03 (tracking, fades, amplify, balance, downsample)>FLAC ( level 8 )

01 [intro]
02 Beauty Draws the Seed
03 August Is All
04 Numinous

If you enjoyed these recordings, PLEASE SUPPORT Tom Carter by buying his music from Wholly Other, keeping an eye out for the forthcoming Three Lobed release in 2014, visiting the “Buy Music” links at the Tom Carter page and visiting the Tom Carter page maintained by Kranky.

Desert Heat: September 6, 2013 Three Lobed Recordings/WXDU Day Show, King’s (Raleigh, NC) – FLAC/MP3/Streaming

September 26, 2013
By

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[Photo courtesy of Tim Bugbee at Tinnitus Photography]

You know it’s something very, very special when Steve Gunn and John Truscinski (who plays with Gunn in Gunn-Truscinski Duo and their new trio arrangement) team up with Irish guitar phenom Cian Nugent and Jason Meagher (of, among others, No Neck Blues Band and D. Charles Speer & the Helix) for the North American debut of their collaboration Desert Heat. Hopscotch Music Festival is always a special time, but what drew me back for a second year, and will again for a third, was the Three Lobed Recordings/WXDU day show, held again this year at King’s Barcade. Among several rare collaborations and one-time appearances, Desert Heat was one of the most hotly anticipated, and by the time these players took the stage, the medium-sized venue had a line out front. Give it one listen and you’ll hear why; Gunn and Nugent are among the most creative and exciting guitarists and songwriters of this era, and both were on fire for this special performance that showed off the A side from the new Cat Mask at Huggie Temple 12-inch, the band’s sole release, before delving into some unknown territory with a new long form jam currently titled “Desert Whythe”. To top it all off, the band tore through Velvet Underground’s “Oh! Sweet Nuthin'” with their own special wall-of-guitars twists, with Gunn handling the vocal duties. On a day filled with outstanding performances (many of which will be shared here over time or released by Three Lobed), this was undeniably one of the highest of the highlights.

I recorded this set with a soundboard feed that I customized for both this recording and the simulcast on Duke University’s radio station WXDU, plus Schoeps MK4V microphones right at the stage lip. The sound quality is outstanding; easily one of a handful of the best recordings I have ever shared on this site. Enjoy!

Stream and download MP3s of the full set: 

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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[Photo courtesy of Mark Johnson via the Three Lobed Facebook Page]

Desert Heat
2013-09-06
Three Lobed / WXDU Day Show
King’s
Raleigh, NC USA

Schoeps MK4V (onstage)>KC5>CMC6 + Soundboard (custom stereo mix)>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjustments)>Izotope Ozone 5 (tube effect, EQ)>Audacity 2.03 (tracking, fades, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Cat Mask at Huggie Temple
03 [tuning]
04 Desert Whythe
05 Oh! Sweet Nuthin!

Players: 

Steve Gunn – Guitar, Vocals
Cian Nugent – Guitar
Jason Meagher – Bass
John Truscinski – Drums

If you enjoyed this recording, PLEASE SUPPORT THESE ARTISTS by visiting their websites and purchasing the new very limited edition Cat Mask At Huggie Temple 12″ directly [HERE]. For U.S. orders, you can also try contacting your local record store or e-mailing Bull City Records in Durham, NC. You can also buy Gunn-Truscinski and Steve Gunn records from Three Lobed and Gunn’s latest from Paradise of Bachelors. Support WXDU by donating and listening to their station!

Chuck Johnson: May 26, 2013 Mercury Lounge – FLAC/MP3/Streaming

July 16, 2013
By


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[Photo by acidjack]

After getting a preview of what was to come last year at Hopscotch Music Festival, we expected Chuck Johnson‘s 2013 record Crows In the Basilica to be an important part of the conversation on best guitar records of the year. That was confirmed both by Basilica’s release on Three Lobed Recordings this spring, as well as by this performance at Mercury Lounge, where Chuck demonstrated that the subtle brilliance of his compositions can’t be contained by the studio.

Chuck and his contemporaries are almost always categorized by the label “American Primitive”, a sub genre of guitar playing shared with its progenitor John Fahey and many other worthy players, but the term “primitive” as understood by most is misleading. Rather than suggesting a simplicity or naïveté to the material, American Primitive is best understood as a recognition of the ability of these players to use highly complex guitar arrangements that link the instrument’s present with its more elemental, folk-derived origins. Before venturing out as a solo player, Johnson played in well-regarded North Carolina bands like Shark Quest and the string trio Idyll Swords, but it is here where Johnson’s skill on guitar is best appreciated. We hope you will enjoy this moving set of music from Johnson and be on the lookout for his future shows.

I recorded this set with Schoeps MK41 supercardiod microphones from our usual spot in the venue, plus a soundboard feed provided by Mercury team. Given that it is a recording of a single instrument, the recording heavily favors the soundboard feed, with a bit of audience mics mixed in to give a feel of the room. It is an excellent recording. Enjoy!

Stream “Crows In the Basilica”

Direct download of MP3 files [HERE] | Direct Download of  FLAC files [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Chuck Johnson
2013-05-25
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK41>KCY>Z-PFA>Sound Devices USBPre2 >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, adjust levels, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( 8 )

Tracks
01 Swallow the Sun>
02 Albion Source
03 Caldera Wires
04 Vastapol
05 On A Slow Passing In Ghost Town *
06 Crows In the Basilica
07 Mine Creek
08 The Stars Rose Behind Us

If you enjoyed this recording, please support Chuck Johnson, visit his website and purchase Crows In the Basilica from Three Lobed Recordings [HERE]

Hans Chew: February 15, 2013 Cameo Gallery – FLAC/MP3/Streaming

March 12, 2013
By

TweetFollow @acidjacknyc
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[Photos by P Squared Photography]

Hans Chew was kind enough to play a show for us for the second time in five months, taking the stage at Cameo Gallery as a bit of a sequel to his performance at Cake Shop during CMJ back in October.  As with that show, Hans delivered a barn burner of a set, this time in a venue with a loud, upgraded sound system that put extra oomph behind his boogie woogie blues-rock.  Along with new numbers like “Strange Love” and Junker’s Blues,” Chew delivered the finest version I’ve heard of one of his 2010 numbers, “Old Monteagle & Muscadine (Tennessee Part One)”, which leads off his Three Lobed Recordings debut Tennessee & Other Stories.  It is almost silly that an artist of Hans’ talent level was available to open a gig of this size — he has the style of sound, the chops and the showmanship to dominate far-larger stages.  We hope to see the Tennessee native’s next record in print some time this year, but until then, we hope this live set will tide you over. Enjoy!

I recorded this set with Schoeps MK5 microphones and an excellent soundboard feed by Cameo engineer Josh.  The sound is outstanding, easily surpassing the Cake Shop recording from last year.  Enjoy!

Stream “Old Monteagle & Muscadine (Tennessee Part One)”:

Download the Complete show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Hans Chew
2013-02-15
Cameo Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DFC, DINa)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Josh)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (set fades, compress SBD, mix down)>Izotope Ozone 5 (light EQ, “retro” exciter)>Audacity 3.0 (tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 41:35]
01 Chango>
02 Tom Hughes Town
03 Old Monteagle & Muscadine (Tennessee Part One)
04 Strange Love
05 The Heart Is Deceitful
06 Magnet Moon
07 [banter]
08 Junker’s Blues

If you enjoyed this recording, PLEASE SUPPORT Hans Chew, visit his website, and buy Tennessee and Other Stories from Three Lobed/Divide By Zero Records [HERE]

NYCTaper Presents: Endless Boogie Record Release Party w/ Arbouretum and Hans Chew at Cameo Gallery this FRIDAY, Feb 15

February 13, 2013
By

Facebook Invite / Tickets [HERE]

Endless Boogie
Endless Boogie
Whether you’re sick of Valentine’s Day shenanigans or not, you owe it to yourself to join your fellow music fans at Cameo Gallery this Friday, February 15, as NYCTaper presents a triple bill from three excellent live bands that we dig. NYC’s Endless Boogie are fixtures of the local rock scene, and deservedly so. We first saw them opening for Pavement during their reunion tour a few years ago and have followed them with interest since, as they have cranked out some positively deadly LPs like the double Full House Head on local No Quarter Records.  As their name implies, EB play big songs with fat, chooglin’ riffs that you might remember from the 70s, if you’ve been alive that long. If not, this is what you missed. The show will be the release party for their new No Quarter release, Long Island, the first track of which recently debuted on NPR. If you want more Boogie than that NPR taste, there is also a three-hour (remember that word, “endless” in the name) live set from WFMU online.  Or, you know, just  come to the show and find out what they’re about in the raw.

Arbouretum
arbouretum
[Arbouretum. Photo courtesy of the band’s Facebook page]

This show’s out of town guests, also introducing material from a new record, are NYCTaper veterans Arbouretum.  This will be their first NYC show since their latest Thrill Jockey release, Coming Out of the Fog.  If you managed to catch their set at Glasslands back in 2011 like we did, you know to expect some tightly performed, heavy-rocking Southern-influenced psych rock with a strong literary streak.  Coming Out of the Fog is their most focused work yet and these guys’ live show is not to be missed. See what we mean by streaming our 2011 recording below:

Hans Chew

You may have first met the piano boogie wizard Hans Chew when he played the NYCTaper CMJ Day Party back in October. If you didn’t, you missed a barnburner.  Hans kicked off that show with almost all-new tracks, and a few months later, he’s got even more new material to share.  Hans will start this night off at 8:30p.m. sharp, and he should more than wet your whistle for the next acts to come with his high-energy and endlessly entertaining style that takes its honky-tonk roots into the 20th century.  His Three Lobed/Divide by Zero LP Tennessee & Other Stories is not to be missed, and we expect a new release from him this spring if things go according to plan.

We hope to see you at Friday’s show.  Once again, tickets are HERE and the Facebook invite is HERE.

Gunn-Truscinski Trio: September 12, 2012 285 Kent (Issue Project Room Benefit for Tom Carter) – FLAC/MP3/Streaming

October 22, 2012
By


[Photos by acidjack]

LEARN HOW YOU CAN HELP TOM CARTER – BY BUYING MUSIC AND DONATING TO HIS MEDICAL EXPENSES – HERE

The guitarist Steve Gunn joined longtime collaborator John Truscinski (with whom he comprises the unit Gunn-Truscinski Duo), and bassist Justin Tripp (along with Laura Ortman on violin for most of the set) for a very special trio performance to benefit the guitarist Tom Carter. Carter, who has worked on many projects over the years but is best known for his work in Charalambides, contracted a serious form of pneumonia while on tour in Europe, and has incurred significant medical bills while being treated in intensive care and, more recently, at recovery centers in both Germany and the United States. This show at 285 Kent, sponsored by the Issue Project Room, was designed to raise funds for Carter’s ongoing recovery. The community of avant-garde guitarists and musicians is incredibly tight-knit and supportive, and this contribution in New York was one of many efforts to support Tom around the world.

This set consisted of both new material and work from Gunn’s two most recent LPs for Three Lobed Recordings, one highlight of which was “The Lurker”, Gunn’s side from the out-of-print Three Lobed 10th anniversary box set. For that song, Gunn & co. were joined by Marc Orleans, who most recently collaborated with Carter on the Northern Spy Records release Eleven Twenty Nine. The song, like much of Gunn’s work, showcases a range of styles and unique phrasing, and Orleans’ participation made it all the more memorable. Streaming below is a rollicking full-band version of the 2012 Gunn classic “Trailways Gramble”, which appeared on Three Lobed’s compilation of work of eight outstanding American underground guitarists, Eight Trails, One Path. While a lot of this night’s crowd may have been there for the headliner, Thurston Moore’s Chelsea Light Moving, it was perhaps this unique collaboration of guitar talents that was the most fitting tribute to Carter and the work he has done to this point in his life. We wish Carter a speedy recovery, and encourage you to donate by buying music, donating via PayPal, or attending other benefit shows, all of which can be done by clicking the link at the top of this post.

nyctaper and I recorded this set in our usual manner for this venue with Sennheiser MKH-8040 microphones and a soundboard feed. While 285 Kent can always be a bit of a challenge with quieter acts, we feel this is a recording of excellent quality. Enjoy!

The Chelsea Light Moving set was also recorded and will be posted this week.

Stream “Trailways Gramble”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Gunn-Truscinski Trio
2012-09-12
285 Kent
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by nyctaper and acidjack
Produced by acidjack

Soundboard + Sennheiser MKH-8040>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Izotope Ozone 5 (EQ and compression to individual files)>Audition CS 5.5 (mixdown)>

Tracks [Total Time 48:00]
01 [intro]
02 [unknown1]
03 [banter/tuning]
04 Old Strange
05 [tuning]
06 Banh Mi Ringtones
07 [banter/tuning]
08 The Lurker (w/ Marc Orleans)
09 [banter/tuning]
10 Trailways Gramble

Players
Steve Gunn (guitar)
John Truscinski (drums)
Justin Tripp (bass)
Laura Ortman (violin)

If you enjoyed this recording, PLEASE SUPPORT Steve Gunn, visit his website, and purchase his records from Three Lobed [HERE].  Please also support Tom Carter by visiting helptomcarter.org, buying his music, and donating to his medical expenses.

 

Wooden Wand: September 7, 2012 Three Lobed/WXDU Day Show and Berkeley Cafe (2 shows! Hopscotch Festival (Raleigh, NC) – FLAC/MP3/Streaming

September 25, 2012
By


[Photos by acidjack]

Back when he was in law school, my college buddy Cory Rayborn decided to put out a 10″ record for the band Bardo Pond, on a new imprint he called Three Lobed Recordings. Cory didn’t have any grand cred-building mission or even a firm direction in mind; he just wanted to give wider exposure to the outsider music he held dear. So after the Bardo Pond release came another, then another, then many others, until the tiny North Carolina label that my friend founded as a hobby suddenly found itself compiling a tenth anniversary vinyl-only box set – which sold out in a matter of days. And at this year’s Hopscotch Music Festival, Three Lobed and the Durham, NC-based WXDU (nominally Duke’s college radio station, but staffed almost completely by locals) brought together an incredible lineup of artists who have released records on Three Lobed, together with other artists who are friends and admirers.

James Jackson Toth, aka Wooden Wand, first joined the Three Lobed family on the label’s 14th release, with the Wooden Wand and the Vanishing Voice album l’un marquee contre la moissoneuse. Toth has a staggering catalog of releases to his name, including everything from homemade tapes and CD-Rs to the recent deluxe version of his current record Briarwood (which, if you Kickstarter funded enough money, included a USB drive filled with over 100 demos, live recordings, alternate mixes, and outtakes). While Briarwood and Toth’s other most recent material could be best described as country-driven rock, Toth’s work has taken many twists and turns, with deep dives into free jazz, noise and acid folk. Toth has a new album on the way by the name of Blood Oaths of the New Blues, which promises to continue in the extremely accessible (and well-produced) vein of Briarwood. Here at the WXDU/Three Lobed Day Show at Raleigh’s King’s Barcade, we had the pleasure of seeing Toth take the stage to perform a short-but-satisfying set that included several of the new Blood Oaths tunes.

After a heartfelt thank you to Rayborn and his accomplishments with Three Lobed, Toth dug right in with “Mother Midnight”, from his 2006 record Second Attention, a mid tempo rocker that showcases the deep soul in Toth’s voice. You’d never know, from listening, that he is originally from upstate New York. From there, the new material began with the brooding “Southern Colorado Song”, one of several of Toth’s new songs that demonstrates the further refinement to his songwriting even as it stays true to his essential aesthetic.  Perhaps the most moving song of the set was the new “Dungeon of Irons”, whose lyrics were culled by Toth from a compilation of the actual last words of death row prisoners. In Toth’s hands, these scattered musings become a profound statement about mortality and the essential unfairness that plagues both life and death. As this set wound down with the new song “Jhonn Balance” (in tribute to the lead singer of the experimental band Coil), Toth’s day was just beginning; Wooden Wand played Berkeley Cafe down the street later that night.

For this post we are offering both the Three Lobed/WXDU Day Show set that I recorded, as well as a partial recording of the Berkeley Cafe set that was recorded by a local taper Evan Lamb. While the Berkeley recording was done with less complicated equipment, Toth felt that this was the better of the two performances, and this recording adds an extra song not played at the earlier show.

Thanks to James Toth for allowing us to post these sets.

Stream “Dungeon of Irons” from the Three Lobed/WXDU Day Show:

Stream “Eagle Claw” from Berkeley Cafe:

Download the WXDU/Three Lobed set [MP3] | [FLAC]

Download the Berkeley Cafe set [MP3] | [FLAC]

If the FLACs link are no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Check out all of NYCTaper’s Hopscotch Festival recordings

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wooden Wand
2012-09-07
WXDU/Three Lobed Hopscotch Day Party
Kings Barcade
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK5 (omni, onstage)>KC5>CMC6>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition (mixdown)>Izotope Ozone 5 (EQ, effects)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Mother Midnight
03 Southern Colorado Song
04 Winter In Kentucky
05 [banter]
06 Dungeon of Irons
07 Days This Long
08 Jhonn Balance
______________________

Wooden Wand
2012-09-07
Hopscotch Music Festival
Berkeley Cafe
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded by Evan Lamb
Produced by Dan Schram and acidjack

AKG Perception 170>unknown recorder + soundboard>unknown recorder>unknown processing>WAV>Audacity (tracking, set fades, amplify)>FLAC ( level 8 )

Tracks [Total Time 22:53]
[set cuts in]
01 Days This Long
02 [banter]
03 Mother Midnight
04 [banter]
05 Winter In Kentucky
06 [banter]
07 Eagle Claw
08 Jhonn Balance

If you enjoyed these recordings, PLEASE SUPPORT Wooden Wand, visit his website, and buy Briarwood and the forthcoming Blood Oaths of the New Blues from Fire Records [HERE]

William Tyler: September 6 and 7, 2012 Hopscotch Festival (2 performances!) – FLAC / MP3 / Streaming

September 13, 2012
By


[Photo from the Three Lobed/WXDU show by Abby Nardo. All rights reserved.]

The Nashville-based guitarist William Tyler was everywhere during this year’s Hopscotch Music Festival. Much like improviser-in-residence Chris Corsano, festivalgoers might see Tyler pop onstage with any number of bands – and we saw his join several, including Megafaun and Hiss Golden Messenger, as well as his own Lambchop. But folks also know Tyler as a solo artist of some renown, especially after his 2010 full length, Behold the Spirit.  Tyler’s playing runs the gamut of influences, from American-style finger picking to Indian ragas, and any given show of his is likely to wow even the most seasoned veteran of the instrument.

I first saw Tyler last year at Glasslands,  and was excited to catch two additional sets at Hopscotch down in Raleigh, NC. The first, an intimate performance on a tiny upstairs stage of the Raleigh restaurant and bar Busy Bee, was a mostly-different setlist than the 2011 show we saw, and included the new song “Oahspe” from Tyler’s 2012 seven-inch release. Any chance to witness Tyler’s virtuosity on his instrument is a can’t-miss, so I was thrilled that my friend Cory Rayborn had managed to book Tyler as part of his Three Lobed Recordings/WXDU Day Show the following day at the Raleigh venue King’s Barcade. That shorter set reprised “Oahspe” plus “Crystal Palace, Sea of Glass”, “Tears and Saints” and “Impossible Truth”. Tyler was clearly among friends at the day show, which was full with like-minded musicians from various corners of the avant-Americana galaxy and beyond. I would not be surprised to find Tyler himself as a future “improviser in residence” given what we saw here.

I recorded the Busy Bee set with a very simple stereo recorder placed in front of Tyler onstage, and the Three Lobed/WXDU show with Schoeps MK5 microphones in the omnidirectional setting onstage, plus a soundboard feed provided by the outstanding engineers at King’s.  Both are excellent renditions of their respective performances. Enjoy!

Stream “Cult of the Peacock Angel” from Busy Bee:

Stream “Oahspe” from the Three Lobed/WXDU show:

Direct downloads:

Busy Bee MP3 files [HERE] | Busy Bee FLAC files [HERE]

Three Lobed/WXDU MP3 files [HERE] | Three Lobed/WXDU FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Check out all of NYCTaper’s Hopscotch Festival recordings

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.


[Photo from Busy Bee by PJ Sykes]

William Tyler
2012-09-06
Hopscotch Music Festival
The Hive at Busy Bee
Raleigh, NC USA

Recorded and produced by acidjack

Tascam DR-40 (internal mics, onstage, ORTF)>24bit/48kHz WAV>Audacity (set fades, tracking, DR compression, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Tears and Saints
02 Impossible Truth
03 [banter]
04 Oahspe
05 Missionary Ridge
06 [banter]
07 Cult of the Peacock Angel
08 A Portrait of Sarah

________________________

William Tyler
2012-09-07
Three Lobed/WXDU Day Show
King’s
Raleigh, NC USA

Recorded and produced by acidjack

Soundboard + Schoeps MK5 (omni, onstage, split)>KC5>CMC6>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition CS 5.5 (mixdown)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Oahspe
03 Tears and Saints
04 Impossible Truth
05 Crystal Palace, Sea of Glass

If you enjoyed this recording, PLEASE SUPPORT William Tyler, visit his website, and purchase Behold the Spirit from Amazon or your favorite retailer. Find more information about Three Lobed Recordings [HERE]

SUPPORT NYCTaper




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