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Songs: Ohia & Magnolia Electric Co.: Jason Molina Tribute at The Hideout (Chicago, IL) – FLAC/MP3/Full Set Streaming

January 13, 2014
By


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[Photos by acidjack]

An artist who is great does not go quietly. Long after he is gone, his echo will expand into new ears, carry forth his vision and provide inspiration and hope.

Jason Molina was special. I didn’t know him, but you’d have to be tone-deaf to the English language not to recognize the talent in every line he wrote. In the best tradition of song, his sung poetry managed to be both personal and universal. Molina’s words were often dark, but their beauty leavened their ache.

Molina made music under several names, but the two most permanent and best-known were Songs: Ohia, which lasted until a new roster became Magnolia Electric Co. in 2003. While none would dispute that Molina was the animating creative force behind both, he wasn’t alone. In tribute to Molina and his deep well of songs, the members of Magnolia Electric Co. performed a mini-tour this January that sent them to Durham and Asheville, NC, Indianapolis and, finally, Chicago. For the first three dates, Mike “Hiss Golden Messenger” Taylor handled the bulk of lead vocal duties. But this final show of the four-date tour, at The Hideout in Chicago, gave us something else entirely. What we got were more than two hours of Jason’s songs performed by two very serious rock and roll bands that were headless, in a sense, but heartless in none, joined by a cadre of special guests.

For the first set, the Songs: Ohia lineup shared vocal duties among themselves as well as country great Lawrence Peters for two numbers. On a searing rendition of “The Big Game Is Every Night”, Tim Midgett and Andy Cohen (formerly of Silkworm, now of Bottomless Pit) added guitars and vocals. Compared to the sprawling Magnolia Electric Co. set that was to come, the seven song Songs: Ohia set was brief, but it was no less memorable. People remember Molina’s words as nuanced and vulnerable, but that didn’t mean he couldn’t make music that was loud. What you realized as Songs: Ohia closed their set with “The Black Crow”, featuring guitar pyrotechnics that could shake a venue ten times the Hideout’s size, was that Molina’s brand of ragged modern blues could make an emotional impact at any volume.

Magnolia Electric Co. took the stage with the deep melancholy of “Whip-Poor-Will”, followed by Taylor handling vocals on the harder-rocking “Hammer Down”. From there, a host of guest vocalists and players cycled through, including Peters, Midyett and Cohen reprising their earlier roles, plus David Vandervelde and Joseph “Elephant Micah” O’Connell. It quickly became clear that the 80-minute format of the previous shows would be ignored as the band pulled out tune after tune, relying at some points on lyric sheets (“This song’s got a lot of fuckin’ words!” Peters said of “Shenandoah”) but never lacking the passion to honor the material. Perhaps the most Molina-esque vocal turn came from among one of his own bands, drummer Mark Rice, who gave a stunning take on “The Lioness”. That said, making a list of highlights would be impossible, as each new song offered a new take on yet another Molina classic.

The crowd’s largest response came to perhaps Molina’s best-known song (and inarguably one of his best), “Farewell Transmission”. In that song, Molina sings that the real truth about it is that no one gets it right, but we’re all supposed to try. Well, if Jason could have heard his former bandmates and friends on this night, I think he would agree that they got it right. And they proved another piece of truth from that great song, that he will be gone, but not forever. Because the real truth about it is, a great artist like Jason Molina doesn’t die, he just changes shape. In our hearts and minds, he is forever.

I recorded this set with the kind assistance (not to mention outstanding house mix) of The Hideout engineer Joey King, together with Schoeps MK4V microphones. While no recording can quite capture the emotion present in the room, this is certainly an outstanding representation of the sound. I hope you enjoy it. Also, the bulk of the Molina canon is in print or has been reissued in LP and other formats on Secretly Canadian (including the 10th anniversary reissue of the seminal Magnolia Electric Co. record). You owe it to yourself to buy them.

Thanks to Seth Dodson and Joey King of The Hideout, the members of Magnolia Electric Co. and Songs: Ohia, and Mike Taylor.  Please let me know if any of my information about personnel is incorrect or incomplete.

Stream Songs: Ohia playing “The Black Crow”

Stream Magnolia Electric Co. playing “Farewell Transmission”

Download the complete show (both sets): [MP3] | [FLAC]
If either link has stopped working, please use the links below.

Download individual set downloads from the Live Music Archive:
Songs: Ohia: [MP3] | [FLAC]
Magnolia Electric Co.: [MP3] | [FLAC]

Stream the complete Songs: Ohia set:

Stream the complete Magnolia Electric Co. set:

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Songs: Ohia
2014-01-11
The Hideout
Chicago, IL

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V>KC5>CMC6 + Soundboard (engineer: Joey King)>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 46:27]
01 Are We Getting Any Closer
02 Constant Change
03 Almost Was Good Enough
04 Just Be Simple *
05 [banter]
06 The Old Black Hen *
07 [banter2]
08 The Big Game Is Every Night $
09 [banter3 – Tribute to Jason]
10 The Black Crow

* with Lawrence Peters on vocals
$ with Tim Midgett and Andy Cohen on vocals/guitar

_____________________________________

Magnolia Electric Co.
2014-01-11
The Hideout
Chicago, IL

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V>KC5>CMC6 + Soundboard (engineer: Joey)>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:37:51]
01 Whip-Poor-Will
02 Hammer Down ^
03 The Dark Don’t Hide It *
04 Talk To Me Devil, Again *
05 [banter]
06 North Star
07 Bowery @
08 O! Grace
09 What Comes After the Blues ^
10 [banter2]
11 Lonesome Valley ^
12 Leave the City
13 Northstar Blues %
14 [banter3]
15 Shenandoah %
16 [banter4]
17 Memphis Moon !
18 [banter5]
19 The Lioness &
20 I’ve Been Riding With the Ghost ^
21 [banter6]
22 John Henry Split My Heart
23 Farewell Transmission %
24 [banter7]
25 Hold On Magnolia ^

*Tim Midgett and Andy Cohen of Bottomless Pit/Silkworm
! with David Vandervelde on vocals
& Mark Rice on vocals
% Lawrence Peters on vocals
^ Mike Taylor on vocals
@ Joe “Elephant Micah” O’Connell on vocals

If you enjoyed this recording, you ought to purchase the music by many of these fine musicians, including Songs: Ohia, Magnolia Electric Co., Hiss Golden Messenger, Lawrence Peters, Bottomless Pit, David Vandervelde, and Elephant Micah.

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Potty Mouth: January 6, 2014 Glasslands – FLAC/MP3/Streaming

January 10, 2014
By


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[Photos by acidjack]

Potty Mouth may not be as vulgar as their name implies, but they can write a mean fucking hook. Hailing from the indie rock mini-Mecca of Northampton, Mass., the band is touring behind Hell Bent, its first full-length album, brought to you by Old Flame Records. I had no idea what to expect from my first show of the year, given the sub-zero temperatures, but Potty Mouth’s buzz seems to have more than made up for the bad weather. This seven-song, twenty-five minute headlining set told you all you need to know about this band. They showed up, delivered one catchy salvo of feminist pop-punk after another, and called it a night. It was economical, it got it done, it reminded you why you braved the cold.

In particular, I found myself nodding along to “The Spins”, a song about that well-known consequence of too much booze, and equally captivated by the closer “The Better End”, which gives guitarist Phoebe Harris a turn at the vocal mic. Like fellow Northampton residents Speedy Ortiz, among others, Potty Mouth ought to remind those who ditched guitar rock with a purpose for watered-down laptop R&B exactly what they were missing.

I recorded this set with our installed Naiant X-R microphones in the venue, plus a soundboard feed provided by the outstanding head house engineer Josh Thiel. The sound quality is excellent. Enjoy! 

Stream “The Spins”

Download the complete show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Potty Mouth
2014-01-06
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-R (installed)+Soundboard (engineer: Josh Thiel)>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (reverb on SBD, mix down)>Izotope Ozone 5 (EQ, effects, image adjustment)>Audacity 2.0.3 (fades, tracking, amplify, light compression)>FLAC ( level 8 )

Tracks
01 [new song]
02 Rusted Shut
03 Sleep Talk
04 [unknown]
05 The Spins
06 [new song 2]
07 The Better End

If you enjoyed this recording, PLEASE SUPPORT Potty Mouth, visit their bandcamp page, and buy Hell Bent from Old Flame Records.

Caged Animals: December 11, 2013 Union Pool – FLAC/MP3/Streaming

January 5, 2014
By

NYCTaper-5639
[Video stills courtesy of Bleary Eyed Brooklyn]

We have followed Vincent Cacchione, the frontman and principal songwriter behind Caged Animals, for a few years now, beginning with his more straight-ahead rock n’ roll project, Soft Black. While Caged Animals is a different beast than that band we first saw back in the summer of 2010, what hasn’t changed are Cacchione’s songwriting instincts. The man can write hooks as well as anybody in Brooklyn, and his flair for that, coupled with his knack for inventive arrangements, makes any of his music something we want to see.

This show at Union Pool celebrated the release of the band’s second full-length LP, In the Land of Giants, a concept album that strikes an uplifting note compared to Cacchione’s Soft Black material. As he puts it on the leadoff track, “Too Much Dark”, there’s too much dark, and not enough light, but on this record, Cacchione helps lead us to it. The band played the album straight through in front of a tight-knit group of family, friends and longtime friends, and it showed in their relaxed, confident presence. My personal highlight was “Cindy + Me”, an uptempo number built around a sample from composer, pianist and technologist Raymond Scott. The song offered an emotional high point for a year rapidly drawing to a close and, it being a Cacchione joint, it was catchy as hell. The band will be in Europe and the UK this month and next — tour dates here. If you make it, you’ll be sure to leave with a smile on your face.

I recorded this set with a soundboard feed from Union Pool engineer Robert, plus Schoeps MK4V microphones providing ambiance. The sound quality is excellent. Enjoy!

Watch for video of this set on Bleary Eyed Brooklyn soon.

Stream “Cindy + Me”

Download the complete show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

NYCTaper-5644

Caged Animals
2013-12-11
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Robert) + Schoeps MK4V (PAS)>KCY>Z-PFA>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, edits to SBD)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Too Much Dark
03 [false start]
04 Stop Hurting Each Other
05 Cindy + Me
06 The Sound of Thunder
07 U + Yr Rocketship
08 The Mute + The Mindreader
09 Tiny Sounds
10 We’re Playing With Fire
11 A Psychic Lasso
12 In the Land of Giants
13 (You’re A Giant Now)
14 What You’re Looking For

If you enjoyed this recording, please support Caged Animals, visit their website, and buy In the Land of Giants directly from the band at their bandcamp page.

Daniel Bachman: December 12, 2013 Union Pool – FLAC/MP3/Streaming

December 31, 2013
By


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[Photos by acidjack]

Guitar prodigy and all-around nice guy Daniel Bachman closes out my posts for 2013, as he deserves to. This prolific young artist, who we first experienced at Hopscotch earlier this year, has been cranking out stunning solo guitar records at a breakneck pace, with the understated genius of Jesus, I’m A Sinner hitting shelves via Tompkins Square this year and another LP forthcoming on Asheville, NC imprint Bathetic Records in early-mid-2014. Based on some of his recent live sets, there seems to be yet more material at the ready for after that. This set previewed a bunch of the forthcoming record, and even gave Bachman a chance to do an extra-long set due to the disappearance of the night’s headliner. We were more than OK with that, as Daniel busted out some long songs to stretch it out, including “Copperhead” and his just-for-this-night mashup of “Blenheim” and “We Would Be Building”, which is streaming below. Daniel deserves your love and your ears, and we hope you dig it.

I recorded this set with a soundboard feed and Schoeps MK4V cardiod microphones. Other than some occasional HVAC noise in the audience mics, the sound quality is outstanding. Enjoy!

Stream “Blenheim/We Would Be Building”

Download the Complete Show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Daniel Bachman
2013-12-12
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK4V>KCY>Z-PFA>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, noise reduction)>Izotope Ozone 5 (effects)>Audacity 2.0.3 (tracking, fades, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 49:45]
01 Intro>Little Lady Blues
02 Orange Co. Serenade
03 And Now I Was Born To Die
04 Pig Iron
05 Sarah Anne
06 [banter]
07 Coming Home
08 [banter2]
09 Copperhead
10 [banter3]
11 Blenheim/We Would Be Building

If you enjoyed this recording, PLEASE SUPPORT Daniel Bachman, visit his website, and buy his records from Tompkins Square as well as looking into a pre-order of the forthcoming release from Bathetic.

Yo La Tengo: December 15, 2013 Bell House – FLAC/MP3/Streaming

December 21, 2013
By

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[photos by acidjack]

Yo La Tengo are such an embarrassment of riches, it is hard to know where to begin, or what to be said that hasn’t been said in our many reviews of them before. As we reached the penultimate night of the band’s four-night stand at Bell House, we had already seen four sets, two encores and over five hours of their music. But that much Yo La Tengo doesn’t get old. There’s always some new trick up their collective sleeve, or something old that they supercharge with added emotion, a new arrangement, or just a flat-out great performance.

For me, on this night, it was the electric-set closer “I Heard You Looking”. The electric set always closes out with one of their guitar freakout sprawlers, and this was the one I most wanted to hear. The version at last year’s Hanukkah show had been outstanding, to the point that I thought it might be impossible to top, but the level of intensity displayed by Ira, writhing as he wrung noise out of his guitar at the peak of the number, might have done it. The wordless song speaks volumes, from its wistful opening chords to the climax that expands in all directions. It never ceases to be a thing of beauty, but this version stood out even still.

We didn’t get any special guests on this snowy Sunday night, save all-purpose band associate Joe Puleo joining on “I Heard You Looking”, but for the encore, in addition to “Moby Octopad”, we got three covers that have only been brought out a few times on this tour. The three songs — the Who’s “Disguises”, the Only One’s “The Whole of the Law” and Sun Ra’s “Somebody’s In Love” — provided a neat survey of the band’s eclecticism. With one night left to close out 2013, we couldn’t wait to see what came next. Stay tuned.

I recorded this set with a soundboard feed provided by longtime engineer Mark Luecke, plus Schoeps MK4V cardiod microphones. The sound quality is excellent. Enjoy!

Stream “From Black to Blue” from the acoustic set:

Stream “I Heard You Looking” from the electric set:

Download the complete show [MP3] or [MP3] | [FLAC] (Note: One MP3 file set name has a typo, but is right files)
Please notify us if the MP3 links are not working. If you just can’t wait, you could always try downloading and converting the FLAC with xAct (Mac) or Free Studio Manager.

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Yo La Tengo
2013-12-15
The Bell House
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mark Luecke) + Schoeps MK4V (at SBD, PAS)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Mark)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (noise reduction on acoustic SBD, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, compression on acoustic set, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Setlist courtesy of Jesse Jarnow

Tracks
Set One (acoustic) [Total Time: 45:15]
01 Ohm
02 Two Trains
03 Shadows
04 From Black to Blue
05 How To Make A Baby Elephant Float
06 [banter1]
07 The Point of It
08 Cornelia and Jane
09 I’ll Be Around
10 Can’t Forget
11 Tom Courtenay (Georgia on vocals)

Set Two (electric) [Total Time: 1:47:06]
12 Cherry Chapstick
13 [false start]
14 Is That Enough?
15 Super Kiwi
16 Upside Down
17 Mr. Tough
18 Before We Run
19 Nothing to Hide
20 Sugarcube
21 Ohm
22 I Heard You Looking
23 [encore break]
24 Moby Octopad
25 Disguises [The Who]
26 [banter2]
27 The Whole of the Law [The Only Ones]
28 Somebody’s In Love [Sun Ra]
* with Joe Puleo on Ace Tone

If you download this recording from NYCTaper, PLEASE SUPPORT Yo La Tengo, visit their website, and purchase their latest album Fade and its related special releases from Matador Records [HERE].

Yo La Tengo: December 13, 2013 Bell House – FLAC/MP3/Streaming

December 17, 2013
By

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[Photos by acidjack]

During their expansive worldwide tour that consumed most of this year, Yo La Tengo tried an interesting concept: At every non-festival show, they would play the same song, “Ohm”, twice. The song would open the first, acoustic set, then pop up again somewhere in the middle of the noisier electric set that followed. It’s almost like they want to be sure we don’t miss the point. To paraphrase it, there is no point in resisting change.

Anyone who joined us for the band’s Hanukkah tradition at Maxwell’s last year, or in previous years, might well have nodded along to many of those lines from “Ohm” as they watched the band perched in front of the fanciful wooden forest on the much broader stage of the Bell House. Whether or not the band’s Hanukkah tradition survives, its spiritual home did not. The spirit at the Bell House on this first night contained both hope and regret. Even if that impossible-to-replicate intimacy of Maxwell’s was gone, even without the rotating cast of surprise opening acts and comedians and non-stop-wacky collaborations, we were still staring down four nights of sold-out shows by the ever-generous band, played to their hometown crowd. A band that, even as veterans go, came as road-tested as possible, arguably at the top of their powers.

Each of the four nights — each of which will be posted on this site in the coming days — followed the band’s tour-long acoustic/electric format, with only the Fade songs repeated (along with a few that cropped up as both acoustic and electric incarnations). Along with Ira’s hilarious banter during “Periodically Double or Triple”, the highlight of the acoustic portion was the cover of the Zombies’ “You Make Me Feel Good”, which made its only appearance of the tour. The electric set boasted the uncommonly played “Story of Jazz” and closed out on one of our favorite of the sprawling jam numbers, “Pass the Hatchet, I Think I’m Goodkind”. Anyone who didn’t expect YLT to pull something out of their hat for the encore by that point shouldn’t have given up hope so easily. Bruce Bennett of Brooklyn garage rockers The A-Bones parachuted in for an encore of three classic covers: The Seeds’ “Can’t Seem To Make You Mine”, The Flamin’ Groovies’ “Slow Death” (a 2013 debut) and Arthur Lee’s “Luci Baines”. The night closed on the quiet but hopeful coda of “Big Day Coming”, a song that echoed that message from “Ohm”. No need to lose time resisting the flow of change. These four nights of the holiday season were meant for celebration.

I recorded this set with a soundboard feed provided by the band’s longtime engineer Mark Luecke combined with Schoeps MK4V microphones. The sound quality is outstanding. Enjoy!

Nights 2, 3 and 4 will be posted in the coming days. Thanks, as always, to Yo La Tengo, Mark and their incredible crew, and to Jesse Jarnow for the setlist.

Stream “You Make Me Feel Good” [The Zombies] from the acoustic set:

Stream “Slow Death” [Flamin’ Groovies] from the electric set:

Download the complete show [MP3] or [MP3] | [FLAC]
Please notify us if the MP3 links are not working. If you just can’t wait, you could always try downloading and converting the FLAC with xAct (Mac) or Free Studio Manager.

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Yo La Tengo
2013-12-13
The Bell House
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mark Luecke) + Schoeps MK4V (at SBD, PAS)>KC5>CMC6>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (noise reduction on acoustic SBD, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Setlist courtesy of Jesse Jarnow

Set 1 (acoustic) [Time: 46:16]
01 Ohm
02 Two Trains
03 Periodically Double or Triple
04 Madeline
05 You Make Me Feel Good [The Zombies]
06 The Point of It
07 Cornelia and Jane
08 I’ll Be Around
09 Black Flowers

Set 2 (electric) [Time: 1:32:07]
10 Stupid Things
11 We’re An American Band
12 Stockholm Syndrome
13 Super Kiwi
14 If It’s True
15 Before We Run
16 The Story of Jazz
17 Tom Courtenay
18 Ohm
19 Pass the Hatchet, I Think I’m Goodkind
20 [encore break]
21 Can’t Seem To Make You Mine [The Seeds]*
22 Slow Death [Flamin’ Groovies]*
23 Luci Baines [Arthur Lee]*
24 [banter]
25 Big Day Coming

* With Bruce Bennett of The A-Bones on guitar and vocals.

If you download this recording from NYCTaper, PLEASE SUPPORT Yo La Tengo, visit their website, and purchase their latest album Fade and its related special releases from Matador Records [HERE].

These Animals: December 6, 2013 Mercury Lounge – FLAC/MP3/Streaming

December 17, 2013
By

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[Photos by acidjack]

The indie pop band These Animals came to Mercury Lounge a couple Friday nights ago and made the rather crowded bill (three-band early show, two-band late show) their own. The four-member crew met while studying music production at SUNY Purchase, and that shows in their melodic approach and knack for arrangements. As they have said in interviews, they aren’t afraid of writing pop songs, and that shows on unabashed feel good numbers like their latest single, “Hunting Horn”, which is streaming below. They’re a good kind of band to see after a long work week, filled with optimism and good nature that comes through between and during songs. Best of all, this set found us treated to an encore (!!!) that included some hilarious Tom Petty and U2 teases, before the band cranked out the night’s highlight, “Four to the Floor”, also streaming below. You can find out when the band’s upcoming shows will happen, and check out more of their music, here.

I recorded this set with Schoeps MK4V cardiod microphones and a soundboard feed from the house engineer, David. Aside from a couple mid-set songs where a few overly chatty audience members decided to congregate right under the microphones, the sound quality is outstanding. Enjoy!

Stream “Four to the Floor”

Stream “Hunting Horn”

Download the complete show [MP3] | [FLAC

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_6281

These Animals
2013-12-06
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: David) + Schoeps MK4V (PAS)>KCY>Z-PFA>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, edits to SBD)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 45:59]
01 Pages
02 Autumn
03 I’m Not From Here
04 Oak
05 Hunting Horn
06 Tenants
07 I Wrote the Book
08 [banter/Happy Birthday]
09 Thieves
10 Silence Sets the Tone
11 [encore jamming and banter]
12 Four to the Floor

If you enjoyed this recording, PLEASE SUPPORT These Animals, visit their website, and purchase records and merch from the band here.

65daysofstatic: November 24, 2013 Bowery Ballroom – FLAC/MP3/Streaming

December 12, 2013
By

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[bad photos by acidjack]

The Sheffield, UK band 65daysofstatic are among the leading lights of Great Britain’s post-rock movement. Almost thirteen years after their formation and ten after their debut EP, Stumble.Stop.Repeat, the band showed this crowd at Bowery Ballroom why they’ve endured. Even going back to their first album, The Fall of Math, 65daysofstatic were ahead of the times, adding glitchy electronic noises over the top of their cinematic compositions. The band strikes me as less guitar-driven than many of their peers generally; the cresting waves of guitar are still very much there, but they feel more of a component to the sound rather than the band’s reason for being. Consider, for example, “Prism”, the band’s latest single, from their 2013 album Wild Light, or the piano-driven “Taipei”. Most of this set was drawn from Wild Light, but we also got a taste of the band’s earlier material, such as a sweeping version of The Fall of Math’s “Install A Beak In the Heart that Clucks Time in Arabic”. Considering that the band chose a New York live set for their 2009 live record Escape From New York, I can’t say I was surprised by the outpouring of love from this crowd, who treated 65daysofstatic as enthusiastically as the headliner, Caspian (that recording here).

I recorded this set with Schoeps MK5 microphones and a flawless soundboard feed from the house engineer, Kenny. The sound quality is outstanding. Enjoy!

Stream “Prisms”

Download the complete show [MP3] | [FLAC

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_6312

65daysofstatic
2013-11-24
Bowery Ballroom
New York, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack
Tracking by IceMan

Schoeps MK5c (30cm PAS Bar)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Kenny)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown, adjust levels)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 53:32]
01 Retreat! Retreat!
02 Crash Tactics
03 Install a Beak in the Heart That Clucks Time in Arabic
04 Prisms
05 The Undertow
06 Debutante
07 Unmake the Wild Light
08 Taipei
09 Radio Protector

If you enjoyed this recording, PLEASE SUPPORT 65daysofstatic, visit their website, and buy their records from their online store.

Eagulls: October 16, 2013 Glasslands – FLAC/MP3/Streaming

December 9, 2013
By

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[Photos by acidjack]

The Leeds, UK punks Eagulls aren’t one of your pretty sort of “punk” bands. Having taken a rather bizarre and uncompromising posture from the get-go (they hate “beach bands” and those that incorporate “Afrobeat” among other easy targets), Eagulls bear the burden justifying the attitude in the live setting. Happily, this CMJ New Music Marathon showcase at Glasslands showed off the harder-edged side of the band in a way that suggests they can back the smack talk up. Frontman George Mitchell brings more heat on his own than most entire bands, yowling into the mic like he’s screaming his argument at a long-hated relative in the back of the room. Their short burst of a set wasn’t filled with a lot of conventionally pretty moments, but it made its point. The band has put out an EP on Canadian-based Deranged, a suitable space to share with such acts as Fucked Up and White Lung, but their U.S. full-length comes your way by longtime friends of the site Partisan Records, whose generous eclecticism makes their catalog as unpredictable as it is enjoyable. Look for that release on March 4 here in the U.S. Until then, put these guys on your calendar.

I recorded this set with our usual setup for the venue, with Naiant X-R microphones and a soundboard feed. The sound quality is excellent. Enjoy!

Stream “Possessed”

Download the complete show [MP3] | [FLAC

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Eagulls
2013-10-16
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-R (cardiod, DFC, ORTFish)+Soundboard>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Nerve Endings
02 Moulting
03 [unknown1]
04 Coffin
05 Tough Luck
06 [unknown2]
07 Possessed

If you enjoyed this recording, please support Eagulls, visit their website, and pre-order their self-titled debut LP from Partisan Records.

Caspian: November 24, 2013 Bowery Ballroom – FLAC/MP3/Streaming

November 26, 2013
By


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[Photos by acidjack]

If you had told me back in 1997, when bands like Mogwai first hit the scene in the U.S., that heavy instrumental post-rock would one day be a somewhat popular genre, I’m not sure I’d have believed you. Sure, some of the credit goes to TV and movie soundtracks, but mainly, this genre’s emergence is the results of relentless touring and high-quality output of its practitioners. Boston’s Caspian, part of what could be called the second wave of the scene, and masters of the style, are a great example. I first saw them deliver their relentless, dynamic show at the relatively tiny Studio at Webster Hall back in 2010. Now, an album and a couple EPs later, they can pack them in at Bowery Ballroom on a freezing Sunday night. For progressive music, progress.

Caspian practice the same soft-loud dynamic as many of their contemporaries, but what struck me about this show was how heavily this band emphasizes the loud part of that. The whole room shook with the sound of songs like the band’s classic “Moksha”, with its epic sweep, or “Ghosts of the Garden City” from the album Tertia. From the band’s latest EP, Hymn for the Greatest Generation, we got “Halls of the Summer”, a forward-looking track that shows the band is keeping up with current trends by incorporating subtle-yet-effective electronics.

This has been a hard year for the band, having lost bassist Chris Friedrich unexpectedly earlier in the year. The band’s attitude has been to celebrate Chris’ legacy by moving onward and forward with their music. This show, and the huge reception by the fans, shows that it’s working. We hope to see Caspian’s upward trajectory continue.

I recorded this set in the usual manner for the venue, with Schoeps MK5 cardiod microphones and a soundboard feed from the house engineer Kenny. The sound quality is outstanding. Enjoy!

Stream “Halls of the Summer”

Download the complete show [MP3] | [FLAC] (files and full streaming set are hosted on the Live Music Archive)

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_6357

Caspian
2013-11-24
Bowery Ballroom
New York, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack
Tracking by IceMan

Schoeps MK5c (30cm PAS Bar)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Kenny)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown, adjust levels)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:11:06]
01 Fire Made Flesh
02 Moksha
03 Quovis
04 Further Up>
05 Further In
06 Gone In Bloom and Bough
07 Halls of the Summer
08 Ghosts of the Garden City *
09 Sycamore

If you enjoyed this recording, please support Caspian, visit their website, and buy Hymn For the Greatest Generation and their other releases from their online store.

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