Blog Archives

Soulive: March 12, 2013 Brooklyn Bowl (Bowlive IV, Night 4) – FLAC/MP3/Streaming

March 13, 2013
By

 
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[Photos by Jill Harrison at For the Love of Brooklyn]

The look of pure joy on the face of Booker T. Jones on this night said everything that needs to be said about why a person becomes a musician.  As he sat at the organ, settling into the upbeat groove of “Hip Hug-Her” from the Booker T & the M.G.’s album of the same name, Jones beamed. And the Brooklyn Bowl crowd — most if not all of us much younger than his 68 years — smiled back.  Jones’ music has, in a sense, already outlived him, winning the hearts of generations who never saw his original band play, who only know the original Stax Records from the Internet and (if they’re lucky), the used LP bin.  That smile on Booker T’s face, as he played that organ in the exact way that only he can, was the smile of a man who knows he is immortal.

With their Bowlive series, now in its fourth year, Soulive have easily established themselves as the premier soul-jazz act in America right now, commanding large crowds over these seven nights in Brooklyn as well as top-shelf special guests. On this Tuesday night it was the inestimable Booker T, David Hidalgo of Los Lobos, and band semi-regulars the Shady Horns; appearances at some of the other shows included Warren Haynes, Derek Trucks, Lee Fields, Luther & Cody Dickinson (of North Mississippi Allstars), Nigel Hall, and more.  This set, just shy of two hours, was a bit shorter than some of the multi-set extravaganzas of the previous nights, but it made for a tight, nicely-sequenced run of tunes that never flagged and offered up one big number after another.  In addition to Booker T classics like “Hang ‘Em High” and “Born Under A Bad Sign”, the band dug into newer pop fare like Gnarls Barkley’s “Crazy” (also covered by Booker T on his 2011 solo effort The Road From Memphisand Lauryn Hill’s “Everything Is Everything”.  This show didn’t have the string of Beatles covers that the Bowlive we saw last year did, but tonight we did get “Something In the Way She Moves”.

Of course, no show featuring Booker T could be complete without his first classic, “Green Onions”, which closed out the main set.  Not content to leave things there, Soulive came back out one last time for a fitting finale of “Tuesday Night Squad”, which segued into a classic blues number (which I could use your help identifying).  With three nights to go, Soulive showed no sign of slowing down.  Bowlive may well be their own bid for immortality.

I recorded this set with a Schoeps MK5 cardiod microphone and a Schoeps MK8 figure-8 microphone in mid-side configuration onstage to capture the ideal width and upfront sound of the stage, plus a pair of Oktava MK-012 mics pointed at the left stack to give the recording a little flavor of the balance of the PA mix.  The results are outstanding, arguably better than last year’s Soulive recording.  Enjoy!

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below.

Download: MP3s are [HERE], 16-bit FLACs are [HERE] and 24-bit FLACs are [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from the original source, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Soulive
2013-03-12
Bowlive IV, Night 4
Brooklyn Bowl
Brooklyn, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Thanks to Eric McRoberts for the loaner of the Oktava mics

Schoeps MK5c+MK8 (M-S, onstage, slightly ROC)>KC5>PFA>Aerco MP-2 + Oktava MK-012 (left stack, A-B)>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Izotope Ozone 5 (EQ Oktava source)>Voxengo MSED (decode M-S)>Adobe Audition CS 5.5 (align, smooth peaks, mix down)>Izotope Ozone 5 (light EQ and tube exciter)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time: 1:53:01]
01 [intro]
02 Outrage
03 Dig
04 [banter1-intro Shady Horns]
05 Hat Trick *
06 [banter2-intro Binky Griptite]
07 For Granted * &
08 [banter3]
09 Flurries *
10 [banter4-intro Booker T]
11 Hip Hug Her * %
12 Hang ‘Em High * %
13 Born Under A Bad Sign * % #
14 [banter5]
15 Crazy [Gnarls Barkley] * %
16 Time Is Tight * % #
17 Something In the Way She Moves [Beatles] * %
18 Everything Is Everything [Lauryn Hill] * %
19 [banter6]
20 Green Onions * % #
21 [encore break]
22 Tuesday Night Squad
23 [unknown blues standard] # * %

* w/ the Shady Horns (Eric Bloom, Ryan Zoidis, James Casey)
& w/ Binky Griptite, Freddie, Mike Buckley
# w/ David Hidalgo
% w/ Booker T Jones

If you enjoyed this recording, PLEASE SUPPORT these fine artists by visit Soulive’s website and Booker T’s website and buying their records. Soulive’s albums can be found at Royal Family Records [HERE] and Booker T’s latest music (plus greatest hits) is available [HERE]

Hans Chew: February 15, 2013 Cameo Gallery – FLAC/MP3/Streaming

March 12, 2013
By

TweetFollow @acidjacknyc
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[Photos by P Squared Photography]

Hans Chew was kind enough to play a show for us for the second time in five months, taking the stage at Cameo Gallery as a bit of a sequel to his performance at Cake Shop during CMJ back in October.  As with that show, Hans delivered a barn burner of a set, this time in a venue with a loud, upgraded sound system that put extra oomph behind his boogie woogie blues-rock.  Along with new numbers like “Strange Love” and Junker’s Blues,” Chew delivered the finest version I’ve heard of one of his 2010 numbers, “Old Monteagle & Muscadine (Tennessee Part One)”, which leads off his Three Lobed Recordings debut Tennessee & Other Stories.  It is almost silly that an artist of Hans’ talent level was available to open a gig of this size — he has the style of sound, the chops and the showmanship to dominate far-larger stages.  We hope to see the Tennessee native’s next record in print some time this year, but until then, we hope this live set will tide you over. Enjoy!

I recorded this set with Schoeps MK5 microphones and an excellent soundboard feed by Cameo engineer Josh.  The sound is outstanding, easily surpassing the Cake Shop recording from last year.  Enjoy!

Stream “Old Monteagle & Muscadine (Tennessee Part One)”:

Download the Complete show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Hans Chew
2013-02-15
Cameo Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DFC, DINa)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Josh)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (set fades, compress SBD, mix down)>Izotope Ozone 5 (light EQ, “retro” exciter)>Audacity 3.0 (tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 41:35]
01 Chango>
02 Tom Hughes Town
03 Old Monteagle & Muscadine (Tennessee Part One)
04 Strange Love
05 The Heart Is Deceitful
06 Magnet Moon
07 [banter]
08 Junker’s Blues

If you enjoyed this recording, PLEASE SUPPORT Hans Chew, visit his website, and buy Tennessee and Other Stories from Three Lobed/Divide By Zero Records [HERE]

The Night Marchers: March 2, 2013 Glasslands – FLAC/MP3/Streaming

March 8, 2013
By

nightmarchers2013-03-02-2
[Photos by hi and lo]

The Night Marchers slam-packed Glasslands last Saturday for a set of straight-ahead raw punk from veterans of the scene.  The band, anchored by guitarist John Reis, who previously led several bands including Rocket From the Crypt, Drive Like Jehu, and Hot Snakes, finds Reis reunited with fellow Hot Snakes personnel Gar Wood and Jason Kourkonis along with bassist Tommy Kitsos. The result is closer to RFTC’s fun-loving rockabilly-tinged raveups than Hot Snakes’ darker fare — Reis is a consummate showman who shows a knack for big rock gestures and isn’t afraid to have fun with his audience, and The Night Marcher’s songs, even on heavier subject matter, come across more as party-ready than angry.  The San Diego band doesn’t get out to the East Coast all that often, having waited five years to follow up 2008’s See You In Magic with this year’s Allez Allez.  As a result, this crowd came ready for a special occasion, and they got one, with a blistering full hour set that spanned both of their records.  Glasslands has a special energy on nights like these, when there isn’t an inch of the place to move and — even in the middle of winter — you begin to think the walls will start sweating.  For their part, The Night Marchers gave us something worth waiting for, with several of the Allez Allez numbers standing out, including “2 Guitars Sing”, “Fisting the Fan Base”, and “(Wasting Away In) Javalinaville”.  Reis even paused the show to sing happy birthday to a fan. Whoever that guy was, this was a birthday he won’t forget.

hi and lo recorded this set with an excellent soundboard feed by the band’s FOH Nikhil “Mckeel” Ranade as well as our house-installed Naiant X-R mics.  The sound is excellent. Enjoy!

Direct download of the complete show: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

nightmarchers2013-03-02-1

Night Marchers
2013-03-02
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by hi and lo
Produced by hi and lo and acidjack

Soundboard (engineer: Nikhil “Mckeel” Ranade) + Naiant X-R (cardiod, DFC)>Tascam DR-680>2x24bit/48kHz WAV>Wavelab>Audacity 3.0 (tracking, fades, amplify, balance, upward compression, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Closed For Inventory
03 All Hits
04 Jump In the Fire
05 [banter1]
06 Scene Report
07 Loud Dumb and Mean
08 Thar She Blows
09 [banter2]
10 Happy Birthday
11 Pain
12 2 Guitars Sing
13 [banter3]
14 Tropical Depression
15 I Wanna Deadbeat You>
16 (Wasting Away In) Javalinaville
17 Fisting the Fan Base
18 [encore break]
19 Branded
20 In Dead Sleep (I Snore ZZZZ)

If you enjoyed this recording, PLEASE SUPPORT Night Marchers, like them on Facebook, and purchase their official releases from Amazon [HERE] or at your favorite retailer. 

Hilly Eye: February 8, 2013 Music Hall of Williamsburg – FLAC/MP3/Streaming

March 7, 2013
By


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[Photos by acidjack]

Hilly Eye is the duo of singer/guitarist Amy Klein (formerly of Titus Andronicus) and drummer Catherine Tung. The pair formed back in 2009, but just released their debut record, Reasons to Live, on Don Giovanni Records this year, and they joined their labelmates in the middle of a February blizzard to play their new material at the label showcase at Music Hall of Williamsburg. Hilly Eye is the type of act that almost translates better live than on record; the raw immediacy of their raw, slightly shambolic songwriting is naturally appealing on the stage.  Like fellow Don Giovanni labelmates Shellshag (that recording here), Tung and Klein don’t lack for firepower to make their point, even without additional players. The duo deliver songs like “Double Dutch” that tend to be noisy, but not merely for the sake of being so, and are sweetened with a dash of pop sensibility. We’ll call Hilly Eye another win for the Don Giovanni family.

nyctaper and I recorded this set from an optimal spot in the venue using my MBHO cardiod microphones and a perfectly balanced soundboard feed from the house engineer, Jim. The sound quality is excellent. Enjoy!

Thanks to Don Giovanni Records for their support and having us at the show.

Direct download of the complete show: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

hillyeye2013-02-08-2

Hilly Eye
2013-02-08
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603 + Soundboard (Engineer: Jim)>>Roland R-26 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjust levels)>Izotope Ozone 5 (EQ, retro effect)>Audacity (set fades, tracking, amplify, upward compression, balance, downsample)>FLAC ( level 8 )

Tracks
01 Jacob’s Ladder
02 Jersey City
03 Amnesia
04 January
05 Almanac
06 Double Dutch
07 Benediction

If you enjoyed this set, PLEASE SUPPORT Hilly Eye, like them on Facebook, and purchase Reasons to Live from Don Giovanni Records [HERE]

Waxahatchee: February 8, 2013 Music Hall of Williamsburg – FLAC/MP3/Streaming

March 6, 2013
By

waxahatchee2013-02-08-1
[Photos by acidjack]

Waxahatchee, the one-woman project of Katie Crutchfield, hit the scene in low-key fashion in 2012 with a record of lo-fi bedroom gems entitled American Weekend that quietly made it onto several critics’ best-of lists.  The record’s raw production couldn’t mask the obvious talent Crutchfield has for writing accessible, confessional songs punctuated by her unique voice and phrasing.  “Catfish”, on both that record and streaming above, is one of many examples of that, an earworm that also has something to say. American Weekend represented a transitional period for Crutchfield, who had just left she and her sister Allison’s band P.S. EliotShe recorded the record in her parents’ bedroom in Birmingham, Alabama (her hometown).

Its newly-released follow-up, Cerulean Salt, was still recorded at home — this time in Crutchfield’s Philadelphia basement — but it is a well-produced, good-sounding record that flatters Crutchfield’s voice and her talents much more effectively than American Weekend could have hoped to.  Deservedly, Stereogum just named it their Album of the Week.

This set at Music Hall of Williamsburg as part of the Don Giovanni Records showcase was originally supposed to feature a band, but the night’s blizzard made that impossible. Instead, we got a nine-song solo set that proved that Crutchfield’s songs can stand on their own, even live in a fairly large room. The set previewed four songs from Cerulean Salt – “Hollow Bedroom”, “Blue Pt. II”, “Swan Dive” and “You’re Damaged”, and as such, in cooperation Don Giovanni, we are releasing this set to coincide with the release of Cerulean Salt, which hit stores this Tuesday.  It is an excellent record, and one that we think will introduce Waxahatchee to a much broader audience.

I recorded this set with an excellent soundboard feed from the house engineer, Jim plus MBHO KA200N cardiod microphones.  Due to a particularly noisy audience and a quiet set, this recording is mostly the soundboard feed.  Some DI noise and hiss were present, which were mostly eliminated with software editing.  The final product I think will be a favorite. Enjoy!


Direct download of the complete show: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Waxahatchee
2013-02-08
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded by acidjack and nyctaper
Produced by acidjack

Soundboard (engineer: Jim) + MBHO KA200N>MBP603>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (noise reduction on SBD, align, amplify, mix down)>Izotope Ozone 5 (tape effect on SBD)>Audacity 3.0 (set fades, tracking, parallel compression, amplify, balance)>FLAC ( level 8 )

Tracks [Please note: Some track titles will need to fixed in the actual file set, as the set was tagged and tracked before the new record came out.]
01 Hollow Bedroom
02 Catfish
03 Grass Stain
04 Blue Pt. 2
05 Michel
06 Swan Dive
07 Noccalula
08 I Think I Love You
09 You’re Damaged

If you enjoyed this recording, PLEASE SUPPORT Waxahatchee, like them on Facebook, and purchase Cerulean Salt from Don Giovanni Records [HERE]

The Wood Brothers: March 1, 2013 Bowery Ballroom – FLAC/MP3/Streaming

March 5, 2013
By

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[Photos by acidjack]

The surge in interest of late in traditional American roots music has generated new heat for a number of acts, some more worthy and authentic than others.  The Wood Brothers fall solidly into the former camp, being the project of brothers Oliver and Chris  Wood, who pursued separate music interests (Chris with the legendary NYC jazz unit Medeski, Martin & Wood, Oliver as a guitarist for bluesman Tinsley Ellis and later with the band King Johnson) before coming together to perform the music they grew up with.  After playing to an audience of 900 the night before in Boston, the Brothers hit the cozier Bowery Ballroom here in New York on a Friday night for a very, very sold out show so packed that folks were three- or four-deep on the balcony.  This nearly two-hour show, played as a single set, showed what makes The Wood Brothers so special – stylistic range, a flair for entertainment, skill at their instruments, and a sound that respects its source material.  Indeed, the Brothers’ vision for this band hasn’t been to slavishly clone one genre, but to create a sound that shows their deep knowledge across American music of the last two centuries.  Thus, songs like “Atlas” have a gospel-country feel, while songs like “Spirit” and “Twisted” marry that country twang with electric blues.  Then there are the rockers – especially popular on a Friday night – like “Honey Spoon”.  The Brothers also paused mid-set for a quiet pair of songs performed in the old bluegrass tradition, with the performers surrounding a single onstage microphone.  Even with the amount of money Bowery was making at the bar that night, the crowd paused the revelry long enough to respect a lovely rendition of “Muse” and another new song I did not know.

Fittingly, the band was touring to support their 2012 live record, available now as a two-volume LP package entitled Vol. 1: Sky High and Vol. 2: Nail and Tooth.  We saw many of those songs played here, along with several numbers that should be on their way for the band’s next LP (if you can identify some of the titles I didn’t know, please assist).  This set arguably peaked with three songs that are on the live record, when they followed their classic “Luckiest Man” with an extended jam on “One More Day”, and went into “Glad”.  After that, just before the encore, we got a duo of “sweet” songs in “Chocolate On My Tongue” and “Shoo Fly Pie”.  The set easily could have ended there, but the Brothers went ahead and treated us to a double encore anyway, in the form of a cover of the country classic “Fox On the Run” and the defiant closer, a cover of Allen Touissant’s “Get Out of My Life Woman”.  The band left the stage and headed down to the Bowery Ballroom bar to chat with fans and sign newly-bought copies of their records. The Wood Brothers are that type of band.

Download the complete show on the Live Music Archive: [MP3] | [FLAC]

The Wood Brothers
2013-03-01
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (DINa, balcony, ROC)>KCY>Z-PFA>Roland R-26>24bit/48kHz WAV>Adobe Audition CS 5.5 (pan R channel slightly)>Izotope Ozone 5 (EQ)>Audacity (set fades, tracking, additional EQ, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time: 1:49:56]
01 [intro]
02 Sing
03 Keep Me Around
04 Atlas
05 [banter1]
06 Mary Anna
07 Smoke Ring Halo
08 [banter2]
09 Spirit
10 Twisted
11 [banter3]
12 Postcards From Hell
13 [unknown1]
14 Honey Spoon
15 [banter4]
16 Muse
17 [banter5]
18 [unknown2]
19 Little Liza Jane
20 [banter6]
21 Luckiest Man
22 One More Day>jam>One More Day
23 Glad
24 [banter7]
25 Chocolate On My Tongue
26 Shoo Fly Pie
27 [encore break 1]
28 Fox On the Run [Allen Touissant]
29 [encore break 2]
30 Get Out of My Life Woman

If you enjoyed this recording, PLEASE SUPPORT The Wood Brothers, visit their website, and buy their records and merchandise from their official store [HERE]

Chelsea Light Moving: March 2, 2013 Maxwell’s – FLAC/MP3/Streaming

March 3, 2013
By

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[Photos courtesy of P Squared Photography]

Just before ripping into “Burroughs”, their first song, Thurston Moore opened this show by his new band Chelsea Light Moving with a quote from Mike Watt: “When you’re not playing, you’re paying.”

I had to remind myself at several points during this show that the exuberant, youthful guitarist and vocalist on the cozy Maxwell’s stage in his band’s own t-shirt was a 54-year-old member of rock royalty who I had seen perform in front of crowds hundreds of times this size. Sonic Youth may be on hiatus or it may be gone, but Thurston will keep playing – and keep playing well – for as long as he’s breathing. Chelsea Light Moving, as a band, isn’t Sonic Youth, but it isn’t just a dim facsimile of it, either. With Samara Lubelski (a well-known solo artist and member of Thurston’s solo band) on bass, John Moloney (Sunburned Hand of the Man) on drums and Keith Wood (Hush Arbors, Wooden Wand) on guitar, Chelsea Light Moving has an accomplished cast and its own personality. In some ways, CLM feels more like SST-era Sonic Youth – younger, hungrier, rawer. It seems fun to be in this band, in a way that’s almost impossible in a more established one.

Compared to an early performance back in September at 285 Kent (recording here), this time CLM felt more like a real band with real songs than a Moore & Friends jam session, with songs like “Alighted” more fully realized than their rough-sketch forms. There was also new material to be had, including the mid-tempo rocker “Sunday Stage”, which seemed like an homage to Wood’s other band, Hush Arbors. “Empires of Time” was dedicated to another rock n’ roll survivor, Roky Erickson, while “Staring Statues”, the set closer, gave us some Psychic Hearts-era Moore greatness. The entire show might have been worth the price of admission for the encore break alone, as Moore told stories, promised a fan he really would make some Feelies recordings he had said he would make fifteen years ago, and generally held court. He was calm, engaging, relaxed. Free of expectations. Chelsea Light Moving stands as a great band in its own right, and as a second act, it’s more than a worthy one.

We recorded this set from our usual spot in the venue with a flawless soundboard feed by longtime Maxwell’s engineer Carson Kopp and the band’s touring engineer Bentley.  I used a pair of Schoeps MK5 microphones for my source while nyctaper tried out his new set of Neumann TLM-102 large-diaphragm cardiod microphones.  We are offering both sources for your enjoyment, and both are outstanding. Enjoy!

Stream “Staring Statues” from Source 1 (Schoeps):

Stream “Empires of Time” from Source 2 (Neumann):

Download Source 1 (Schoeps): [MP3] | [FLAC]

Download Source 2 (Neumann): [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

clm2013-03-02-5

Chelsea Light Moving
2013-03-02
Maxwell’s
Hoboken, NJ USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineers: Bentley & Carson Kopp)+Schoeps MK5 (PAS)>KC5>CMC6>Sound Devices USBPre2>>Edirol R-44 [OCM]>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tape effect exciter)>Audacity 3.0 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Burroughs
03 Sleeping Where I Fall
04 Alighted
05 Lip
06 [banter1]
07 Frank O’Hara Hit
08 [banter2]
09 Groovy + Linda
10 No Go
11 Sunday Stage
12 [banter3]
13 Empires of Time
14 [encore break]
15 Staring Statues

If you enjoyed this recording, please support Chelsea Light Moving, visit their website, and buy their debut LP from Matador Records [HERE]

Kung Fu: February 21, 2013 Highline Ballroom – FLAC/MP3/Streaming

March 1, 2013
By


kungfu2013-02-21-2

New Haven-based funkmeisters Kung Fu co-headlined a mammoth show last week at the Highline Ballroom with up-and-coming jam band heroes Dopapod, with a set that proved the classic can be made new again. With both feet planted firmly in 70s funk-jazz fusion, Kung Fu’s high-energy, virtuosic set made us wonder how this music ever went out of style in the first place. Though still new on the scene as a band (their debut CD came out in 2011, the same year the band formed), the members of Kung Fu have a well-pedigreed history in jam circles with acts like The Breakfast, RAQ, Deep Banana Blackout and Jazz is Dead. As such, Kung Fu has already scored some high-profile opening act and festival gigs, including an appearance at this year’s Mountain Jam.  Their modernized version of jazz funk has an eye toward today’s dance-friendly audiences; indeed, the glowstick twirlers seemed to dig this set without pining for Dopapod’s upcoming EDM flourishes. Kung Fu should have staying power in the scene for a long time.

I recorded this set with Schoeps microphones in a mid-side configuration from the center of the balcony. After a good bit of editing – much more than usual – I am finally happy with the sound of this, but still note that the crowd on the balcony can heard at points, along with the general level of audience noise in the room. With that caveat, enjoy!

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below.

To download, MP3s are [HERE], FLACs are [HERE] and FLACs via BitTorrent (faster) are [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from the original source, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

kungfu2013-02-21-1

Kung Fu
2013-02-21
Highline Ballroom
New York, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41+MK8 (balcony, DFC, M-S)>2x24bit/48kHz WAV>Izotope Ozone 5 (EQ side)>Voxengo MSED (decode)>Adobe Audition CS 5.5 (adjust levels)>Izotope Ozone 5 (EQ, exciter for “tube”)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Thanks to Dave Pecoraro for the setlist

Tracks [Total Time 1:55:14]
01 The Hammer
02 Steppin’ In It
03 Chakrabarty Overdrive
04 Bopcorn
05 God Made Me Funky
06 Barometric Weather
07 Standing On the Verge of Getting It On
08 Do The Right Thing
09 S’All Good
10 Gung Ho
11 Hollywood Kisses
12 Bringin’ Up the Rear

Personnel:
Todd Stoops – keyboards
Rob Somerville – saxaphone
Tim Palmieri – guitar
Adrian Tramontano – drums
Chris DeAngelis – bass

If you enjoyed this recording, PLEASE SUPPORT Kung Fu, visit their website, and purchase their debut record from Amazon or your favorite retailer.

Grace Potter & the Nocturnals: February 23, 2013 Capitol Theatre (Port Chester, NY) – FLAC/MP3/Streaming

February 25, 2013
By


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[photos by acidjack]

The Grateful Dead graced the stage of the Capitol Theatre on the 23rd of February exactly forty two years before this Grace Potter & the Nocturnals show. They may not be the Dead, but Grace Potter & the Nocturnals have clearly been sprinkled with some of that early 70s pixie dust. The band, formed in 2002, has come into their own over the last few years as their reputation as a live juggernaut spreads, but they could as easily be from ’71.  How they got their reputation isn’t hard to figure out; listen to Potter start belting the opening lines of “The Lion the Beast the Beat” from their 2012 record of the same name, and then pick your jaw up off the floor. If Grace Slick, Janis Joplin, Ann and Nancy Wilson, and Chrissie Hynde each took a turn at the mic, they might not be better than Potter. This woman has rare, powerful, lead singer pipes, the kind that are too often misspent winning reality singing competitions these days, rather than actually rocking.

GPN do plenty of rocking, mostly of the big-riff, huge chorus, blues-inflected variety. For a band that cut its chops for years in small venues as an “indie” band, everything about the Nocturnals’ sound circa-2013 is as big as Potter’s Hammond B-3.  While other time-machine acts have risen more quickly (e.g., Alabama Shakes, the Lumineers), GPN has the most polish, and arguably the most staying power.  Potter’s ability to put on a big rock show, while sounding and looking every inch the Big Time Rock Star, is the key ingredient, sure, but her crack band similarly looks and plays the part.

On this Saturday night, Potter and the Nocturnals positively owned the stage and the room for a full two hour-plus performance, including a particularly on-fire rendition of “Medicine” to close out the main set. We saw the band tear through old and new songs from their catalog, as well as choice covers of “Paint It Black” and “House of the Rising Sun”.  But perhaps the most memorable moment of the night came at the end, when GPN gave a direct tribute to their forebears in the form of their first-ever Dead cover, a faithful version of “Casey Jones”.  The howls of this crowd could probably be heard through the streets of Port Chester by the time Grace thanked us and walked off. Who says there aren’t any rock heroes anymore?

I recorded this set with Schoeps microphones in a Mid-Side configuration to allow optimal stereo separation without unnecessary “room boom”.  This was a noisy Saturday night crowd, which is painfully evident at points on the recording.  Otherwise, the sound quality is excellent. Thanks also to the excellent staff of the Capitol. We wish you all continued success.  Enjoy!

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below.

To download, MP3s are [HERE], FLACs are [HERE] and FLACs via BitTorrent (faster) are [HERE]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from the original source, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Grace Potter & the Nocturnals
2013-02-23
Capitol Theatre
Port Chester, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c+MK8 (M-S, DFC, BOB)>KC5>CMC6>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition CS5.5 (decode, adjust levels)>Izotope Ozone 5 (light EQ and exciter)>Audacity 3.0 (tracking, fades, amplify, downsample)>FLAC ( level 8 )

Tracks [Total Time: 2:16:18]
01 The Lion, the Beast, the Beat
02 Some Kind of Ride
03 One Short Night
04 Never Go Back
05 Keepsake
06 Goodbye Kiss
07 Low Road
08 Apologies
09 Oasis
10 [banter1]
11 House of the Rising Sun [The Animals]
12 Watching You
13 [banter2]
14 Stop The Bus>
15 Paint It Black [Rolling Stones]
16 Nothing but the Water (I)
17 Nothing but the Water (II)
18 Paris (Ooh La La)
19 Medicine
20 [encore break]
21 Stars
22 The Divide
23 Big White Gate
24 Casey Jones [Grateful Dead]

If you enjoyed this recording, PLEASE SUPPORT Grace Potter & the Nocturnals, visit their website, and buy their  records, including The Lion The Beast the Beat from their online store [HERE]

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Arbouretum: February 15, 2013 Cameo Gallery – FLAC/MP3/Streaming

February 21, 2013
By

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[Photos courtesy of P Squared Photography]

One of the first things you notice at an Arbouretum show is how clearly you can hear frontman and lyricist Dave Heumann’s vocals. He enunciates, he articulates each word carefully, in a way that suggests he wants you to actually hear what he’s singing. And if you don’t pay attention to that, you’re missing out. This is, after all, a band that wrote an entire album (The Gathering) inspired by Karl Jung’s The Red Book.  You could be forgiven, though, since along with those literary-inspired vocals, you’ll get a deep, Southern rock-inflected groove punctuated by Heumann’s own searing guitar solos. This show, which we helped to present, at Cameo Gallery proved a worthy sequel to their set at Glasslands back in 2011 when we last saw them. This set introduced us to new material from their excellent Thrill Jockey release, Coming Out of the Fog, plus some choice back catalog including one of my favorites, “St. Anthony’s Fire” from their split EP with Hush Arbors. Also not to be missed among the older material was the mighty set closer, “The Gathering”, while “World Split Open” was a highlight of the new material, which is some of the band’s most concise in years.  Helped by an outstanding mix from Josh of the Cameo Gallery, the band put out a flawless set before the packed house that surpassed the 2011 show in intensity, though not quite in length. The band is spending the rest of this month and March in the UK and Europe, so for our readers across the pond, now is your chance.

I recorded this set with Schoeps MK5 microphones and a soundboard feed from house engineer Josh. The sound quality is outstanding. Enjoy!


Direct download of the complete show: [MP3] | [FLAC]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Arbouretum
2013-02-15
Cameo Gallery
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DFC, DINa)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Josh)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (set fades, mix down)>Izotope Ozone 5 (light EQ, exciter)>Audacity 3.0 (tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 46:03]
01 All At Once, the Turning Weather
02 World Split Open
03 [banter]
04 The Promise
05 Oceans Don’t Sing
06 [banter2]
07 St. Anthony’s Fire
08 The Gathering Song

If you enjoyed this recording, PLEASE SUPPORT Arbouretum, visit their website, and buy Coming Out of the Fog and their other releases directly from Thrill Jockey [HERE]

SUPPORT NYCTaper




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