nyctaper Recordings

concert discussion and free flac downloads

Baked: January 2, 2015 Palisades – FLAC/MP3/Streaming

January 7, 2015
By

Baked
[photo by Rocketman]

You would be only half right in assuming that a band called Baked trades in hazy jams suited more to the night’s comedown than its revving up. That’s not to say they don’t do hazy jams—nine-minute set-closer “Tolex” is proof enough of that. But they also deliver some rocking indiepop that takes unexpected turns.

Baked is a Brooklyn-based quintet composed of R.J. Gordon (vocals/guitar), Davey Jones (guitar), Jeremy Aquilino (bass/vocals), Yoni David (drums), and Isabella Mingione (keys/vocals). Their debut LP, Debt, is out on Exploding in Sound Records and they’re right at home among that label’s amazingly consistent roster. I caught Baked last Friday at Palisades, headlining a stacked bill that also included Brooklyn’s Washer (that set posted here) and Connecticut’s Furnsss. For this set, Baked pull mostly from last year’s Debt, adding “8er” from their self-released, self-titled cassette, and a couple newer tracks (“I Win” and “AA”). Highlights include “Hungry Ghosts,” the aforementioned longform jam of “Tolex,” and the upfront keyboards and reverbed vocals on the rocking “Smoke Gets in Your Eyes.”

I recorded this set with the AKG cardioids at the soundboard, plus a feed from Palisades FOH Ariel. The sound is slightly rough around the edges, but authentic to the night’s experience. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Baked
2015-01-02
Palisades
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Ariel) + AKG C480B/CK61 > Roland R-26 > 2xWAV(24/48) > Audacity 2.0.5 (mixdown, fades, EQ, amplify, downsample, dither, tracking, tagging) > FLAC (level 8)

Tracks [43:28]
01. Mick Jagger
02. Wet Blanket
03. Don’t Trip
04. Codec
05. Hungry Ghosts
06. 8er
07. Smoke Gets in Your Eyes
09. AA
10. Cramsey
11. Tolex

If you enjoyed this recording, PLEASE SUPPORT Baked. Like them on Facebook and buy Debt from their Bandcamp page.

Ultimate Painting: October 25, 2014 Rough Trade – FLAC/MP3/Streaming

January 6, 2015
By

IMG_8069
[photos by acidjack]

The UK band Ultimate Painting made a stealth infiltration of several year-end lists for 2014, despite a general lack of hype here in the U.S. We had an opportunity to catch them during CMJ at the showcase at Rough Trade for Chicago stalwart Trouble In Mind Records, and what we saw made us hope many more stateside appearances are in the future.

Led by their eponymous track, “Ultimate Painting”, the show began with one of the band’s best songs and went on to prove the quality of their songwriting and playing throughout. It shouldn’t be a complete surprise that the band members know what they’re doing; James Hoare was in the band Veronica Falls, and Jack Cooper hails from Mazes. The band’s most common name checks are Television and the Velvet Underground, which might be true, if either of those bands can simply be shorthand for well-written, ear-bending guitar rock in the best and most timeless sense. For those who oozed over fellow British breakouts Temples, Ultimate Painting may satisfy similar cravings, minus the sense of trying quite as hard.

The band’s record didn’t reach us until October, right around the time of this show, so you could be forgiven for losing it amidst the holiday season glut. Now’s the time to earn your penance and check it out. We’ll have this one on repeat well into 2015.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Ultimate Painting
2014-10-25
Trouble In Mind CMJ Showcase
Rough Trade NYC
Brooklyn, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Cam) + Schoeps MK41 (DFC, PAS, at SBD)>KCY>Z-PFA>Sound Devices USBPre2>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (exciter effects)>Audacity 2.0.3 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Ultimate Painting
02 Rolling In the Deep End
03 Riverside
04 Three Piers
05 Central Park Blues
06 Jane
07 Winter In Your Heart
08 Ten Street

If you enjoyed this recording, PLEASE SUPPORT Ultimate Painting, visit their website, and buy their debut album from Trouble In Mind Records.

Washer: January 2, 2015 Palisades – Flac/MP3/Streaming

January 5, 2015
By

Washer
[photo by Rocketman]

Washer is the Brooklyn-based duo of Mike Quigley (guitar, bass, vocals) and Kieran McShane (drums). This past Friday night at Palisades, these econo-jammers tore through an impressive ten song set in a staggering twenty-five minutes. Their longest songs of the night barely pass the three-minute mark while their shortest, “Safe Place,” clocks in at under a minute. But what’s consistent throughout is how refreshing the songs sound, lacking any hint of pretension, artifice, or embellishment. Nothing wasted, these songs plow right into you, sink their hooks in, and don’t outstay their welcome. Only three songs from their Palisades set have so far been released: “Rinse & Spit” and “Rot” are hot off their recent split single with Big Ups, out on Exploding in Sound Records, and “Bass 1” is off last year’s self-released cassette EP, Bighead. The rest of the songs remain to be released and show loads of promise. Personal highlights include the indie-rocker “Clid,” distorted punker “Porky,” and the chilled-out “This Land.”

I recorded this set with the AKG cardioids at the soundboard, plus a feed from Palisades FOH Ariel. The sound is slightly rough around the edges, but authentic to the night’s experience. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Washer
2015-01-02
Palisades
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Ariel) + AKG C480B/CK61 > Roland R-26 > 2xWAV(24/48) > Audacity 2.0.5 (mixdown, fades, EQ, amplify, downsample, dither, tracking, tagging) > FLAC (level 8)

Tracks [25:23]
01. Rinse & Spit
02. Rot
03. Clid
04. Bass 1
05. Eyelids
06. Porky
07. This Land
08. Figure Me Out
09. Safe Place
10. Joe

If you enjoyed this recording, PLEASE SUPPORT Washer. Like them on Facebook and buy their split 7″ and the Bighead EP at their Bandcamp page.

Sunflower Bean: December 20, 2014 Baby’s All Right – Flac/MP3/Streaming

December 30, 2014
By

Sunflower Bean nyctaper
[photo by nyctaper]

Sometimes youth is not wasted on the youth. Sunflower Bean is a band consisting of three people barely scratching the age of 20, but their grasp of neo-psych rock influences and their tightness as a unit belies their age. This is a band that looks, acts, and performs as if they were a veteran unit in their thirties. Perhaps this is because Sunflower Bean is also relentless in playing live — according to Oh My Rockness, they are statistically the hardest working band in NYC in 2014 having played the highest number of live gigs. We caught one of those gigs back in November when they opened for Dream Syndicate and really knocked it out of the park in a pretty sizeable venue and a notable gig. Fortunately, it wasn’t too long before they showed up on this excellent bill at Baby’s All Right, opening for Fat White Family and PC Worship (both coming soon). I decided it was a good idea to check them out from up close at the stage lip and see if my first instincts were correct — and yes, they were. Julia Cumming and Nick Kliven share the vocals and each delivers a different but effective edge to the material. Kliven’s tasty multi-pedaled guitar work is supplemented with Cumming’s powerful bass and anchored by Jacob Farber’s meticulous percussion. Sunflower Bean is just a damned good band and there’s really no telling how far they can go. They will release their debut EP Show Me Your Seven Secrets in January and the EP release show will be at Baby’s All Right on January 31st. In the mean time, Sunflower Bean will play two shows this week — also both at Baby’s, as a headliner tonight December 30 and as part of the New Year’s Festivities on December 31. While our being out of town prevents our attendance this week, we’ll certainly be there on January 31st to catch this excellent band again.

This set was recorded by House FOH Devin, who provided a superb live mix of the multitrack. There are also cardioid microphones installed on the lighting rig about 15 feet in front of the stage. In post-production, I mixed the two sources and the results are quite excellent. Enjoy!

Stream “Tarot Card”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Sunflower Bean
2014-12-20
Babys All Right
Brooklyn, NY USA

Digital Soundboard + Audience
Multitrack Recording

Multitrack Soundboard (engineered and recorded by Devin Foley) > Devin mix Wav files + Room mic wav files > Soundforge (level adjustments, setfades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Produced by nyctaper

Setlist:
[Total Time 31:20]
01 [new song]
02 Tame Impala
03 I’m A Ghost
04 Call The Doctor
05 Wall Watcher
06 Rock and Roll Heathen
07 Tarot Card

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Sunflower Bean, visit their bandcamp page, visit their Facebook page, purchase their debut EP when it released on their bandcamp page [HERE].

Medeski Scofield Martin & Wood: December 11, 2014 Terminal 5 – FLAC/MP3/Streaming

December 28, 2014
By


IMG_8171

It had been a whopping fifteen years since I last saw Medeski, Martin & Wood (at the Ritz in Raleigh, NC, during the Combustication days, if anyone’s counting), so I was grateful to get another bite at that apple on one of my final shows of the year. The addition of the guitarist John Scofield, the band’s longtime collaborator, made this show at Terminal 5 a special treat.

MMW always straddled the line between being a serious jazz unit and serving up the more funky, R&B and blues-driven music that endeared them to the jam band scene, which has always orbited around the band even though they’re not really a perfect fit for it. With Scofield in the lineup, the band becomes a bit more of a “rock” band, and that made Scofield an especially worthy addition in this cavernous room.

To that end, the first set of the performance worked better for me, kicking off with a few minutes of improv before delving into “Sham Time”, the leadoff track from the foursome’s 2014 album Juice, followed by perhaps the moment of the show, “Juicy Lucy”, featuring Martin’s mother Jean and Jerry Paris dancing together onstage. From there we got an older MSMW tune, “Chank”, followed by two more from Juice. 

The second set fell into the trap that I think befalls too many otherwise-talented bands followed by the “jam band” faithful — the curse of the Rock Canon. I find it unfortunate when a musician of any stripe can’t bring themselves to churn out something more inventive than covers of the best-loved songs of the sixties and seventies, but it’s especially unfortunate coming from what is ostensibly a jazz outfit. Each of “The Times They Are A-Changin'”, “Sunshine of Your Love” and The Doors’ heinous “Light My Fire” can be found on Juice, and none did much credit to these musicians on that album or in the room on this night. While the quartet found some new solo-worthy material to mine in each song, the fact remains that these three well-worn hits are better suited to a jukebox, rather than half of a live set by a band that’s still making quality new material.

That quibble aside, I’m excited to have seen MSMW for the first time, and to have (finally) caught MMW again after so long of a break.

I recorded this set with Schoeps MK41 supercardiod microphones right at the soundboard, into the Aerco custom preamp for extra warmth and realism. The sound quality is excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Medeski Scofield Martin & Wood
2014-12-11
Terminal 5
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acid jack

Schoeps MK41 (at SBD, DFC, PAS)>KC5>CMC6>Aerco MP-2>Sony PCM-D50>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter, imaging)>Adobe Audition CS 5.5 (light dynamics)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Thanks to aaronji for the setlist/tracking assistance

Tracks
Set One [Time 52:06]
01 [improv]
02 Sham Time
03 Juicy Lucy
04 Chank
05 North London
06 Helium
07 [banter]

Set Two [Time: 1:02:14]
08 Louis the Shoplifter
09 Little Walter Rides Again
10 Sunshine of Your Love
11 I Know You
12 Light My Fire
13 [banter2/encore break]
14 The Times They Are A-Changin’

If you enjoyed this recording, PLEASE SUPPORT MMW, visit their website, and buy Juice from the band.

Beach Fossils: December 17, 2014 Glasslands – Flac/MP3/Streaming

December 26, 2014
By

Beach Fossils Brianna
[photo by Brianna Duzich]

Its comforting to say goodbye to things we love by coming full circle to our earliest experiences. My final show at Glasslands was a wild night from Beach Fossils — a band who’ve played much larger gigs in recent years but who returned to their roots in the final week of the venue. We first saw Beach Fossils at Glasslands as an opener of a four-band bill way back in January of 2010. It was one of their first full band shows ever. Their first career single was “Daydream” and it wasn’t released until February of 2010. That song was performed at the gig five years ago, and that track closed this 2014 set (and its streaming below). In the last five years, the band has released two excellent albums, reached the Billboard Indie charts, sold out Bowery Ballroom and reached several other milestones. Indeed, Dustin Payseur and his wife (and former Captured Tracks General Manager) Katie Garcia recently started their own label Bayonet Records. On Wednesday, it was clear that although this is a band looking forward, this was a night for looking back. Dustin made multiple references to the venue and the band’s history at Glasslands and Beach Fossils played a lengthy set of material from their entire career, not just the newest album Clash The Truth. This was yet another sellout among Glasslands’ final gigs and the crowd was energetic and very animated — bopping along with each song throughout the entire set. Personally, this was a very appropriate send-off to a venue that we’ve attended for nearly eight years — a fun band on a fun night visiting a memorable past. Goodbye forever Glasslands.

I recorded this set with the installed Naiant Cardioids mixed with an excellent board feed provided by house FOH Chris Madden. There is an intermittent hissing noise, which is the smoke machine onstage audible in both the room mics and the soundboard feed. Otherwise, its a superb recording. Enjoy!

Stream “Daydream”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Beach Fossils
2014-12-17
Glasslands Gallery
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer Chris Madden] + Naiant X-R Cardioid > Sound Devices 744t > 2x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist
[Total Time 1:20:12]
01 [introduction]
02 Generational Synthetic
03 Shallow
04 [banter – Grasslands]
05 Vacation
06 Careless
07 What A Pleasure
08 Birthday
09 [banter – shots]
10 Sleep Apnea
11 [banter – see you]
12 Youth
13 [banter – holiday party]
14 Clash The Truth
15 Permutation [new song]
16 [banter – memories]
17 Calyer
18 [banter – math]
19 Taking Off
20 [banter – Devo tease]
21 Crashed Out
22 [Nirvana tease]
23 Daydream
24 [encore break]
25 [instrumental]
26 Twelve Roses

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Beach Fossils, visit their website, visit their Facebook page, purchase Clash The Truth from Captured Tracks [HERE] and purchase future releases from Bayonet Records [HERE].

Angel Olsen: December 9, 2014 Bowery Ballroom – FLAC/MP3/Full Set Streaming

December 23, 2014
By


IMG_8140
[photo by acidjack]

Angel Olsen ended up on a lot of year-end lists this year for several reasons, but the instrument you’ll notice most is her voice. Olsen has one of those aching, slightly sharp tones to her throat that doesn’t let your attention slip, refuses to fade into background music. This show at Bowery Ballroom was the second of a two-night stand for Olsen at the venue, and her final show of the year. In keeping with that, she let loose, drinking tequila onstage and playing both some cool covers (Waylon Jennings’ “Rainy Day Woman”) and some of her oldest songs (“Tiniest Lights”). She played that latter song, and several others, to a room rapt and whisper-quiet, alone on her guitar. The rock-ier songs, especially those from the lauded Burn Your Fire for No Witness, may have carried the day with the crowd, but it was these quiet numbers that gave the clearer window into who Olsen is and just how affecting her work can be. It wouldn’t be wrong to call Olsen one of the breakout acts of 2014, and she more than deserves the title. I hope she has a wonderful 2015.

I recorded this set with Schoeps MK5 cardiod microphones from our usual location in the venue. The sound quality is excellent. Enjoy!

Download the complete set: [MP3] | [FLAC]

Stream the complete set: 

Angel Olsen
2014-12-09
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5c (PAS, slightly LOC)>KC5>CMC6>Sound Devices USBPre2>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (compression, adjust levels)>Izotope Ozone 5 (stereo image, exciter)>Audacity 2.0.5 (fades, tracking, amplify, balance, downsample, dither)>FLAC (level 8)

Tracks [Total Time 1:22:50]
01 Hi-Five
02 Free
03 Drunk and With Dreams
04 Stars
05 Lights Out
06 [banter1]
07 Acrobat
08 High & Wild
09 Tiniest Seed
10 When You Walk In the Room [The Searchers]
11 Sweet Dreams
12 [banter2]
13 Forgiven/Forgotten
14 [banter3]
15 Windows
16 Tiniest Lights
17 [banter4]
18 White Fire
19 [encore break]
20 Rainy Day Woman [Waylon Jennings]
21 May As Well

If you enjoyed this recording, PLEASE SUPPORT Angel Olsen, visit her website, and buy Burn Your Fire For No Witness there.

Soulside: December 17 and 18, 2014 Saint Vitus – FLAC/MP3/Streaming

December 22, 2014
By

soulside[video still via (((unartig)))]

It came with nearly no warning that Soulside announced their first shows in twenty-five years. The reunion was initially prompted by the release of the highly anticipated DC hardcore documentary, Salad Days: A Decade of Punk in Washington, DC (1980–90). Announced first as a single date at legendary DC club The Black Cat to coincide with a screening of the film, the reunion quickly expanded to include two nights at Brooklyn’s Saint Vitus and an additional night at The Black Cat. The four shows sold out almost immediately with a bare minimum of hype and promotion.

Of the 1980s DC hardcore scene, Soulside are hardly the most well-known. Fugazi is, of course, the most visible of all those bands. Soulside often get pegged as followers of Fugazi, but in fact they were active years before Fugazi and the relationship between the two bands is less of one band following another and more of a cross-pollination within a community. After disbanding in 1989, lead singer Bobby Sullivan would take a break from music, later forming the bands Rain Like the Sound of Trains and Sevens. The rest of Soulside—Scott McCloud (guitar), Johnny Temple (bass), and Alexis Fleisig (drums)—would go on to form seminal noise rock band Girls Against Boys.

Twenty-five years to the day since the band’s final gig, Soulside took the stage at Brooklyn’s Saint Vitus. Over two nights, from the rumbling opening bass riff of “God City” to the lean punk of “Under the Glare,”  the band draws from their entire body of work. Many of us relative newcomers too young to have experienced Soulside during their initial run encountered the band via the CD collection, Soon Come Happy, which gathers the better known Dischord albums Trigger and Hot Bodi-Gram. Each of those albums is well represented here. From Trigger, which was recently reissued by Dischord and expanded to include the Bass • 103 single, we get some of Soulside’s signature tracks: “Baby,” “Trigger,” and “Name in Mind.” They play almost all of their final record, Hot Bodi-Gram, the highlights of which are “God City,” “Pembroke,” and the duo of “New Slow Fucky” and “New Fast Fucky.”

For longtime devotees—or simply those old enough and hip enough to have been there—“Under the Glare,” and “Lookin’ Around” date back to 1984 when the band was called Lunchmeat. And from the band’s first album Less Deep Inside Keeps, originally released in 1987 as a joint venture between Dischord and Sammich (another essential DC Hardcore label), they play “Pearl to Stone,” “Fresh Air,” “Other Side,” and a cover of Wire’s “Ex-Lion Tamer.”

Soulside is a band I never thought I’d see play live. And looking around at Saint Vitus each night, it was clear I wasn’t the only one. Most of the crowd didn’t look old enough to have seen the band during their initial run. But whether people were drawn to the band like I was, through Girls Against Boys, or whether people discovered them through the punk rock education that is the Dischord catalog, it was clear the songs still resonate. It was an absolute pleasure to get to see these guys perform together and I’m extraordinarily proud to have taped these sets.

I recorded these shows with a pair of AKG C480/CK61 cardioids set up in front of the soundboard, combined with a feed from Saint Vitus FOH, Nick. The sound in the room for both nights was excellent and these recordings reflect that. Enjoy!

Download the complete December 17th show: [MP3] | [FLAC]

Download the complete December 18th show: [MP3] | [FLAC]

Stream the complete December 17th show:

Stream the complete December 18th show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Soulside
2014-12-17
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Nick) + AKG C480B/CK61 > Roland R-26 > 2xWAV(24/48) > Audacity 2.0.5 (mixdown, fades, EQ, amplify, downsample, dither, tracking, tagging) > FLAC (level 8)

Tracks [1:05:15]
01. God City
02. What Do You Know About That?
03. Punch the Geek
04. Baby
05. Trigger
06. Name in Mind
07. New Slow Fucky
08. New Fast Fucky
09. Bass
10. Under the Glare
11. X-Lion Tamer [Wire]
12. Lookin’ Around
13. Clifton Wall
14. [Encore Break]
15. War
16. Pembroke
17. A Love Supreme
18. Pearl to Stone


Soulside
2014-12-18
Saint Vitus
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

Soundboard (engineer: Nick) + AKG C480B/CK61 > Roland R-26 > 2xWAV(24/48) > Audacity 2.0.5 (mixdown, fades, EQ, amplify, downsample, dither, tracking, tagging) > FLAC (level 8)

Tracks [1:04:26]
01. War
02. Pembroke
03. Trigger
04. Baby
05. Punch the Geek
06. Bass
07. New Slow Fucky
08. New Fast Fucky
09. Fresh Air
10. I Find the Other Side
11. Bad Show
12. Clifton Wall
13. A Love Supreme
14. [Encore Break]
15. God City
16. Pearl to Stone
17. What Do You Know About That?
18. Under the Glare

If you enjoyed these recordings, PLEASE SUPPORT Soulside—like them on Facebook and buy the Trigger reissue from Dischord.

Frightwig: September 8, 2014 Knitting Factory – Flac/MP3/Streaming

December 18, 2014
By

Frightwig Knit
[photo by nyctaper]

Frightwig was founded in the early 80s San Francisco punk scene — a time and place that welcomed female-fronted bands (Romeo Void, The Contractions, The Nuns, The Units) but which had not yet fully opened the gates to the likes of L7 and Bikini Kill. Frightwig combined a wicked sense of humor with some sharp politics to produce a handful of albums before calling it quits in 1994. Twenty years on, Mia and Deanna reformed the band in 2012 in part to express some contemporary politics in today’s bizarre conservative political climate (“War on Women”). While retaining their sense of fun and humor, Frightwig still pokes jabs at appropriate targets and their new songs are as pointed as their entire catalog. At Knitting Factory in September, the band played an extremely entertaining hour-long set that was part of a mini-tour of the East Coast — their first in two decades — which culminated at the Washington DC We Are Woman Constitution Day Rally. Frightwig currently have no pending gigs, but we expect to hear more from them in 2015.

I recorded this set in the same manner as the Jane Lee Hooker set and the sound quality is outstanding. Enjoy!

Stream “My Crotch Does Not Say Go”:

Download the Complete Show [MP3] or [MP3] / [FLAC] or [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

Frightwig
2014-09-08
Knitting Factory
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [Engineers Keith Milgaten and Ben Fitterman] + Schoeps CCM4u Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 56:23]
01 [intro]
02 Hear What I Say
03 War On Women
04 [tech – keyboard]
05 My Crotch Does Not Say Go
06 Crawford
07 What Is Love
08 [banter – fashion week]
09 Ride Your Bike
10 Aging Sux
11 Crazy World
12 [banter – go-go dance]
13 Redistribution of Wealth
14 A Man’s Got to Do What a Man’s Got to Do
15 [banter]
16 Punk Rock Jail Bait
17 I’ll Talk To You And Smile
18 PRJB Reprise
19 [outro]

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Frightwig, visit their website, and purchase their official releases from the Store at their site [HERE].

King Gizzard and The Lizard Wizard: October 31, 2014 338 Moffat – Flac/MP3/Streaming

December 17, 2014
By

42900016
[Photo by Bad Looks Entertainment]

When I saw this wild 12 second clip of a King Gizzard show this week in Australia I was reminded of two things — the crazy show we saw on Halloween and the fact that I had not posted it yet. When I talked about the Gizz in a two-show post a few weeks ago, I noted the amazing energy of their shows coming both from the stage and from the crowd. This clip encapsulates it all, and while its a home show we expect the next time that King Gizzard comes to the US (Spring?) the crowds will be equally as crazed. The band’s new album I’m In Your Mind Fuzz is one of the best of year and as their reputation grows, so too will the crowd size and excitement. The crowd for this Halloween show was, we’ll concede, fueled by excessive amounts of stimulants — to the point where a front-row audience member literally fell over onto the stage, knocking down my mics, Stu’s monitor and guitar pedals. It was a temporary glitch in what was an extremely entertaining and simply fun night and not one I will soon forget.

I recorded this set in the same manner as the Tonstartssbandht set from this show and the sound quality is quite excellent. Enjoy!

Stream “I’m In Your Mind Fuzz”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request, and feel free to repost the Soundcloud links.

King Gizzard and the Lizard Wizard
2014-10-31
338 Moffat
Brooklyn NY

Digital Master Recording
Soundboard + Upfront Audience

Soundboard [engineer Roland] + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 43:58]
01 Head On Pill
02 [banter – who are you guys]
03 Black Tooth
04 [fans falls into the band incident]
05 Danger Money
06 [banter – NYC on Halloween]
07 I’m In Your Mind
08 I’m Not In Your Mind
09 Cellophane
10 I’m In Your Mind Fuzz
11 [banter – Michelle]
12 Hot Wax

If you download this recording from NYCTaper PLEASE SUPPORT King Gizzard and the Lizard Wizard, visit their website, and purchase I’m In Your Mind Fuzz from the Heavenly Records website [HERE] or in the US currently from iTunes. The album has just been released by Castle Face Records in the US, buy it [HERE].

SUPPORT NYCTaper




DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.