nyctaper Recordings

concert discussion and free flac downloads

Larkin Grimm: February 26, 2014 Trans Pecos – FLAC/MP3/Streaming

April 1, 2014

[Photos by acidjack]

The nice thing about raw talent is that it never really goes away. Larkin Grimm has a powerful and soulful voice that is so striking in its beauty. It is the keystone of her remarkable career. But Larkin last played shows regularly around the release of her last album in early 2012 — we recorded the CD release show. In the last two years, she’s been home raising her son and living a family life. But with a batch of new songs, it was time for Larkin Grimm to return to live performance and we were so happy that one of her first shows back was our NYCTaper event at Trans Pecos a few weeks ago. From the very first note of her set it was clear that she was happy to be back, and we were happy to see her. The voice was as strong as ever and it was perhaps the most relaxed and satisfying set we have ever seen Larkin play. She assembled an outstanding band and worked through a forty minute set with a couple of new songs, some old favorites and one traditional number. Larkin Grimm will next play at the Martin Bisi CD release show at Glasslands on April 15.

acidjack recorded this set with Schoeps MK5 cardiod microphones in the wide-angle ORTF pattern at the stage lip, combined with a soundboard feed. The sound quality is outstanding. Enjoy!

Stream “Paradise and So Many Colors”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Larkin Grimm
2014-02-26
Trans Pecos
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (stage lip, ORTF)>KC5>PFA + Soundboard>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [band intro]
02 Trouble In Your Heart [new song]
03 Hello Pool of Tears
04 When I’m Alone With You [new song]
05 Paradise and So Many Colors
06 My Justine
07 Without a Body Or a Numb and Useless Mind
08 I Ain’t Got No Money (?)
09 The Road Is Paved With Leaves

If you enjoyed this performance, PLEASE SUPPORT Larkin Grimm, visit her website, and purchase Soul Retrieval from the links at her website [HERE].

Thou: March 23, 2014 Saint Vitus – Flac/MP3/Streaming

March 31, 2014

By nyctaper

[screen shot from UnartigNYC video]

Throughout their career Thou has been very prolific band, but their new album Heathen is actually the band’s first full length in four years and the first music they’ve released in over a year. The album is a powerful work that combines the band’s traditional doom metal with elements of shoegaze and post-rock to create a masterful work where the music truly compliments Thou’s lyrical vision. The tour reached NYC last week and we caught the Sunday night show at Saint Vitus. The band’s set consisted of five of the seven full songs from Heathen and despite some humorous in between song requests, it seemed as if the sold-out crowd was with them the whole way. Thou are currently on tour across the country throughout April but will return to NYC in July for several local shows.

I recorded this set with the Sennheisers mounted in front of the soundboard and mixed with a board feed. The sound quality is superb. Enjoy!

Stream “Into The Marshlands”:

Download the Complete Show [MP3] / [FLAC]

Thou
2014-03-23
Saint Vitus
Brooklyn, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer: Nick Cageao] + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 47:08]
01 Ode to Physical Pain
02 Feral Faun
03 [banter – white metal bands]
04 At the Foot of Mount Driskill
05 In Defiance of the Sages
06 Into the Marshlands

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Thou, visit their website, and purchase Heathen from Gilead Media [HERE].

Doug Keith: March 19, 2014 Bowery Ballroom – Flac/MP3/Streaming

March 26, 2014

By nyctaper

[photos by PSquared Photography]

My first introduction to Doug Keith was as the talented multi-instrumentalist who has backed Sharon Van Etten in her rise from local favorite to international star. With the release of his new album Pony, Doug has stepped out from the shadows into the limelight without missing a beat. As he has been a loyal bandmate, as frontman Doug has reaped the benefit of good karma to gather some of the best musicians around to help with the album and the tour. Dinosaur Jr.’s guitar maven J. Mascis guests on the album’s “Pure Gold in the 70s” (live version streaming below), and the tour group is a band of all-stars featuring Zeke Hutchins from SVE Band on drums, and brothers Phil and Brad Cook from Megafaun (and a bunch of other projects) on guitars, keyboards and bass. At Bowery Ballroom last Wednesday, Doug’s set opening for The War On Drugs was a very satisfying forty-minute set that featured six of the nine tracks from Pony and one neat cover. With Sharon due to tour the world beginning in June, its likely that the solo Doug Keith will be on the shelf for a while. But we’ll have this special set to keep us until his return.

I recorded this set in the same manner as the War On Drugs set and except for a little bit of crowd chatter, the sound quality is equally superb. Enjoy!

Stream “Pure Gold in the 70s”:

Download the Complete Show [MP3] / [FLAC]

Doug Keith
2014-03-19
Bowery Ballroom
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 35:04]
01 Harvest Home
02 You Can’t Stand to be Alone
03 [banter – Zeke]
04 The Apostles
05 Pure Gold in the 70s
06 [banter – Brad]
07 Black Metal Black
08 Wasn’t Born to Follow [Carole King/Byrds]
09 [banter – records]
10 I Will Burn For You

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Doug Keith, visit his website, and purchase Pony from his Bandcamp Page [HERE].

Outer Minds: March 13, 2014 DC Against the World SXSW Party, New Movement Theater (Austin, TX) – FLAC/MP3/Streaming

March 26, 2014

By acidjack

Follow @acidjacknyc

[photos by acidjack]

I wasn’t familiar with the Chicago psych-rockers Outer Minds before they hit the unofficial DC Against The World SXSW day show put on at the New Movement Theater improv club, but as with several bands at this outstanding showcase, I’m glad I am now. Outer Minds bring a distinctly classic flavor to their sound, abetted mainly by the dark organ melodies of Mary McKane. Vocalist/percussionist Gina Lira joins with McKane to provide a strong female counterpoint vocal harmony-wise to Zach Medearis, who brings serious Nuggets-era guitar stomp to go with his vocal attack. While the band excels at creating a general atmosphere, that doesn’t mean they can’t write a powerful pop song, too. “Shadows of the Moon”, streaming below, could’ve been as winning a number on the FM dial of old as it is now. We expect more great things from this band in the future!

I recorded this set in the same manner as the other recordings from this show, with Schoeps MK4V microphones and a stereo soundboard feed. The quality is limited only by that of the rented PA. Enjoy!

Stream “Shadows of the Moon”

Download the complete show: [MP3] | [FLAC]

Outer Minds
2014-03-13
DC Against the World SXSW Day Party
New Movement Theater
Austin, TX USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V (FOB/DFC/PAS)>KC5>PFA + Soundboard (engineer: Mike)>>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, edit SBD)>Izotope Ozone 5 (EQ, effects, imaging, compression)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Until You’re Dead
02 She Calls My Name
03 Plight of the Sun
04 Stone
05 Seeds of the Earth
06 Shadows of the Moon
07 We Are the Sun

If you enjoyed this recording, PLEASE SUPPORT Outer Minds, like them on Facebook, and buy their records on their bandcamp page. Support the sponsors of this event – CHIRP (the Chicago Independent Radio Project), Fredericksburg All Ages, Rogness Brewing Company and Bitch Beer

The War on Drugs: March 20, 2014 Bowery Ballroom – FLAC/MP3/Streaming

March 24, 2014

By acidjack

Follow @acidjacknyc

[Photos from the 3/19 show courtesy of P Squared Photography]

My thoughts on The War on Drugs don’t differ much from those expressed in nyctaper’s review of the previous night, but I do think some things bear repeating. Nine times out of ten — more like 95 times out of 100 — worthy bands who toil in the trenches don’t make it. One thing doesn’t go right or another. Maybe there’s a lack of commitment on someone’s part. Or a lack of confidence. Or, in most cases, a lack of pure dumb luck.

We’ve posted a lot of recordings of this band over the past few years not because we thought one day they’d be able to way-sell-out three nights in a row here in New York, which they just did, but because we believed they were worthy. As a fan, your biggest hope always ought to be that the band you’re rooting for makes it. For Adam Granduciel, who toiled for over a year creating his magnum opus Lost In the Dream, it didn’t yet seem to have sunk in that his band had. He showed a bit of nervousness before kicking off the opening number, “In Reverse”, but after that, this show unfolded like the victory party it was meant to be. Compared to night one at the Bowery Ballroom, the band was looser and more poised, playing one song after another as easily as “Suffering” transitioned straight into “An Ocean In Between the Waves”. Just as heavily-produced album tracks like “Under the Pressure” shone as rendered live, so too did re-arranged versions of the band’s classics like a slowed-down “Brothers”. With the bevy of personnel at his command, including a saxophonist, the band’s more complex numbers took on a Destroyer-like caste at times (we’ve recorded WoD opening for them). Granduciel makes that work, too, being the kind of musician who can add complexity without letting it turn to overindulgence.

Normally when you can hear a crowd screaming at the stage between songs it’s mindless heckling; if you listen closely to this recording, what’s being hurled at Granduciel are compliments on the album. This was that kind of show, right through Granduciel acknowledging the fakeness of encores, asking for the lights to go up some so he could read the lyrics to John Lennon’s “Mind Games” (streaming below) a bit more clearly. The War on Drugs may be critical darlings now, but this is isn’t overnight success. This is it being done the old fashioned way. The kind that lasts.

I recorded this set from my usual spot in the venue with Schoeps MK5 cardiod microphones and a stereo soundboard feed provided by house engineer Kenny. The sound quality is outstanding, marred only slightly by light static during two songs. Enjoy!

Stream “Mind Games” [John Lennon]

Stream “Under the Pressure”

This recording is now hosted on the Live Music Archive. Download the complete show via these links: [MP3] | [FLAC]

Stream the complete show:

The War On Drugs
2014-03-20
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (DINa, balcony, LOC)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Kenny)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, adjust levels, mix down, compression, fades)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 1:39:24]
01 In Reverse
02 Baby Missiles
03 [banter]
04 Under the Pressure
05 Suffering>
06 An Ocean In Between the Waves
07 Eyes to the Wind
08 Red Eyes
09 Come To the City
10 Brothers [Slow Version]
11 Burning
12 [banter2]
13 Lost In the Dream
14 [banter3]
15 Mind Games [John Lennon]
16 Coming Through
17 [banter4]
18 Arms Like Boulders

If you enjoyed this recording, PLEASE SUPPORT The War on Drugs, visit their website, and buy Lost In the Dream from Secretly Canadian.

The War On Drugs: March 19, 2014 Bowery Ballroom – Flac/MP3/Streaming

March 23, 2014

By nyctaper

[photos by PSquared Photography]

The War On Drugs new album Lost In The Dream is a record that can only be adequately described in grand sweeping terms. This release is not simply in the “best of 2014” discussion, it will be considered one the best of this decade. There have been some lofty review ratings posted for Lost this week, and much effusive praise, but as we have chronicled the growth of this band and Adam Graduciel over the last five years, the album is a natural progression for a group whose two prior records were each superb. But Lost In the Dream changes the equation and ups the ante for The War On Drugs. The ten songs on this album are each microcosms of the work as a whole — the struggles and doubts of a man in his mid-30s grappling with passage of youth and the inevitable approach of middle age — each set to haunting and evocative melodies that echo in the ear even after moving on to the next track. The stories of Adam’s obsessions with the minutiae of the production of this albums have all been told. The man truly suffers for his art. But ultimately the musicianship finds itself equal to the songcraft. Lost is the first War On Drugs album where the songs are given a chance to breath and step outside themselves to reach remarkable crescendos. The lazy term would be that the songs “jam”, but these aren’t improvisations instead rather meticulously crafted passages. For instance, “Eyes To The Wind” hits its peak with a screaming guitar solo that segues to sax and then piano and back to guitar seamlessly and almost without the listener recognizing the lead change.

For the band’s current tour, Adam has assembled the core band but has added two ringers, multi-instrumentalists John Natchez and Anthony LeMarca. We attended the Bowery Ballroom shows on Wednesday and Thursday and if the album truly deserves the superlatives so in fact does the live show. On Wednesday, The War On Drugs worked through the entire Lost In The Dream (minus one instrumental track) and selected classic material in a 100-minute set that was stunning in its ability to not only capture the magic of Lost but expand upon its instrumental passages. We have never seen Adam more confident and in charge and on stage the band’s mood appeared both celebratory and all-business. There was even a champagne bottle poured into cups on stage on Wednesday. But if there is any sadness in this band’s triumph, its that this is almost certainly the last time The War On Drugs will play a room the size of Bowery Ballroom. Given how quickly and thoroughly the three NYC shows sold out, the band could have played five local shows without an empty seat. As the tour continues West and then ultimately moves to Europe, we expect that The War On Drugs will return to NYC in the Fall.

I recorded this set in our usual manner in this venue – Sennheiser cards mounted in the balcony and mixed with an excellent board feed, this time mixed by the band’s FOH C. Laszlo Koltay to perfection. The sound quality is superb. Enjoy!

Stream “Eyes To The Wind”:

Stream “Suffering”:

Download the Complete Show [MP3] / [FLAC]

The War On Drugs
2014-03-19
Bowery Ballroom
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer C. Laszlo Koltay] + Sennheiser MKH-8040s > Edirol R-44 (Oade Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:39:47]
01 In Reverse
02 Baby Missiles
03 Under The Pressure
04 Suffering
05 [banter – Sore Eros]
06 Eyes To The Wind
07 [banter – dad]
08 An Ocean in Between the Waves
09 Disappearing
10 Red Eyes
11 [band introductions]
12 Brothers
13 Burning
14 Lost In The Dream
15 Comin Through
16 I Was There
17 Come To The City
18 Black Water Falls

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The War On Drugs, visit their website, and purchase Lost In The Dream from Secretly Canadian Records [HERE]. Seriously, if you don’t already own this album, do yourself a favor and buy it.

Low Fat Getting High: February 21, 2014 Shea Stadium – FLAC/MP3/Streaming

March 21, 2014

By acidjack

Follow @acidjacknyc

[Photos courtesy of Walter Wlodarczyk]

The website for Brooklyn band Low Fat Getting High describes their sound as “post-noise-grunge-core-shredding”. After this show at Shea Stadium — where they packed twelve songs into a set less than a half-hour long — I’d say that’s about right. There’s a definite 90s influence going on — at points, they feel in like what Local H might have sounded like with more balls — but LFGH dispenses with much of that decade’s sad-sack navel-gazing in favor of jams that deliver the party like a gut punch. This set roiled from the first notes of their single, “Better Better Worse” through what practically qualifies as a “jam” number for this band, the four-and-a-half minute “My Hate”. But where some bands in this territory are content with turning it up and getting stoopid, LFGH has some real craft behind their work. Snag their EP, Bad Yoga, or better yet, head over to Muchmore’s on March 29, and see for yourself.

Like our other set’s from this night, this was recorded in full digital multitrack combined with a pair of my audience mics. The Shea team was gracious enough to let us use their digital multitrack files, which made for a recording of outstanding, almost album quality. We’d encourage you to check out their site for their own version of this show (coming soon) and those of hundreds of other bands.

Stream “Better Better Worse”

Download the complete show: [MP3] | [FLAC]

Low Fat Getting High
2014-02-21
Shea Stadium
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com courtesy of liveatsheastadiumbk.com
Recorded by R.J. Gordon and acidjack
Produced by acidjack

Soundboard multitrack + Naiant X-X>Edirol R-44 [OCM]>>Adobe Audition CS5.5 (mixdown and effects)>Izotope Ozone 5 (effects, compression, limiting)>Audacity 2.0.3 (tracking, fades, additional EQ, dither, downsample)>FLAC ( level 8 )

Tracks
01 Instrumental #1
02 Better Better Worse
03 Childhood Friends
04 The Claw
05 Bath Salts
06 Don’t Blame Me
07 Hate Them All
08 Instrumental #2
09 Emasculator
10 Police Cop
11 Don’t Believe You Anymore
12 [banter]
13 My Hate

If you enjoyed this recording, PLEASE SUPPORT Low Fat Getting High, visit their website, and buy their records on bandcamp.

Cross Record: March 15, 2014 Post-SXSW Private Show (Dripping Springs, TX) – FLAC/MP3/Streaming

March 20, 2014

By acidjack

Follow @acidjacknyc

[Photos by acidjack]

There was no shortage of hate for SXSW this year, and there are some good and less-good reasons why. Let’s just say that when a member of one band attending this mostly-musicians-only post-SXSW get-together at a remote ranch in Dripping Springs, Texas described this show as a “cleansing experience”, nobody argued. The worst aspects of the festival are opposed not only to what music is about, but what musicians are about. Musicians, for the most part, are a gentle, generous sort of people. The whole point of their endeavor is to give.

Cross Record were the hosts of this particular event, and their humble attitude is reflected in the way you hear vocalist/guitarist Emily Cross talk about how much time she has left, when it’s her band’s event. Luckily her husband Dan Duszynski, her main co-conspirator, was there (along with Peter Frederiksen on guitar) to remind her there was no time limit. The band played in a living room looking out on the Texas hill country, an area I was previously aware of only through a themed barbecue restaurant (you can take the New Yorker out of New York, but….). Then again, the Cross Record gang aren’t exactly rural sorts themselves. Cross and Duszynski moved to the Austin area from Chicago, where they built up a loyal following for their brand of “drone-folk”. Whatever you want to call it, their songs unfold slowly, carried on the slow boat of Cross’ voice and dual guitars, with minimal percussion. Among bands of recent vintage, the closest comparison I can think of is Philadelphia’s excellent Family Band; among better-known acts, I’d offer up another wife-husband unit, Low. To my mind, both of those are high compliments.

Cross Record are recent signees to Ba Da Bing Records, who are releasing the remaining physical copies of their latest album Be Good and, with any luck, giving them the push they need to break to a wider audience. Be Good is a special record, with Cross’ deeply personal songs embedded in hypnotic atmospherics that don’t overwhelm her voice, one of those you can’t believe is coming out of a woman that small or young. This show was stripped back further still, with the band offering up three of their own songs, including two from their previous album, Magnetic Current, along with two lovely covers — Merle Haggard’s “I Can’t Hold Myself In Line” and Townes Van Zandt’s “Don’t You Take It Too Bad”. After almost a full week of intensity in Austin, standing in crowds half-paying attention to too many bands who had lost the plot, it was cleansing indeed to see Cross there, guitar on her shoulders, singing her heart out, backed by a kick drum and a couple more guitars. It was a righteous thing. It did right by South By Southwest.

I recorded this set with my Schoeps MK4V microphones right in front of the band and their simple PA setup. It’s a perfect reflection of what it sounded like to be sitting there. Enjoy!

Stream “Holy Well”

Stream “I Can’t Hold Myself In Line” [Merle Haggard]

Download the complete show: [MP3] | [FLAC]

Cross Record
2014-03-15
Private Ranch
Dripping Springs, TX USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V>KC5>PFA>Edirol R-44 [OCM]>24bit/48kHz WAV>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, parallel compression, dither)>FLAC ( level 8 )

Tracks
01 Slow
02 Holy Well
03 [banter1]
04 I Can’t Hold Myself In Line [Merle Haggard]
05 [banter2]
06 I Want Your Mind In Your Body
07 Don’t You Take It Too Bad [Townes Van Zandt]

If you enjoyed this recording, PLEASE SUPPORT Cross Record, like them on Facebook, buy Be Good from Ba Da Bing Records and buy their other records from their bandcamp page.

The Coup: March 13, 2014 SXSW, New Movement Theater (Austin, TX) – FLAC/MP3/Streaming

March 19, 2014

By acidjack

Follow @acidjacknyc

[Photos by acidjack]

NYCTaper isn’t known for live hip-hop, and I believe this is a first for us. Having now had the experience of seeing The Coup, I hope it’s not a last. The leftist, legendarily excellent Oakland crew blew my mind in this performance at the unofficial DC Against The World SXSW day show put on at the New Movement Theater improv club by CHIRP (the Chicago Independent Radio Project) and Fredericksburg All Ages together with sponsors Rogness Brewing Company and Bitch Beer. As a live act, it’s almost not fair to call The Coup “hip-hop”, as their sound is at least as firmly rooted in funk and vintage soul. Sure, frontman Boots Riley spits out rhymes like a machine, but behind him is a crack band of incredibly talented players whose virtuosity goes well beyond what lifted samples can do. Not to mention Silk-E, the band’s singer, who’d be a force on her own anywhere in the soul/R&B genre.

Boots asked us if it was our first Coup show, and a majority of hands went up. Too bad for us, because they are one of the best live bands I’ve ever seen. It didn’t matter that it was the middle of the day on a Thursday in a poorly-lit comedy club, or that they had another show to crank out just a couple hours later. From the first seconds of “Everythang” The Coup were bouncing, hands and bodies in the air, and so were we. Boots kept whipping the crowd into a frenzy with songs from all over the band’s catalog, including “The Guillotine” and “You Are Not A Riot” from their latest, Sorry To Bother You, as well as nuggets from their earliest work, including the previously-mentioned “Everythang” and “Five Million Ways to Kill A CEO” from their breakout 2001 record, Party Music. If the point of playing SXSW (if there’s any at this point) is to introduce yourself to an unfamiliar audience, to broaden your fan base by proving your worth the old-fashioned way, then this Coup set was a resounding success. Then again, it would’ve been by any measure. This is a group of master showmen, and they’re gonna bring it no matter what the circumstances.

I recorded this set with Schoeps MK4V microphones hung from a pipe up close and dead center in the venue, combined with a soundboard feed from the engineer of the day, Mike. Keep in mind that the New Movement Theater is designed for improv comedy and not music, and realize that this is the sound of a massive band using less than all of their equipment (not enough DIs were available) on a rented PA through a minimal board. While the sound quality is an accurate reflection of the room and the heroic efforts of all involved, there are a few technical glitches (feedback, etc.) here and there. The fault for those lies in the circumstances and limitations of the day, and not any deficiency on the part of the band, the organizers or the production crew. I believe this is a compelling set, and if it gets you off the fence about seeing The Coup, it has done its job. Enjoy!

Stream “Five Million Ways To Kill A CEO”

Stream “The Guillotine”

Download the complete show: [MP3] | [FLAC]

Permanent Links (please, don’t use unless the above are not working) [MP3] | [FLAC]

The Coup
2014—03-13
DC Against the World SXSW Day Party
New Movement Theater
Austin, TX USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Tracks [Total Time 45:57]
01 Everythang
02 Get Your Hands Up
03 The Magic Clap
04 [banter]
05 Five Million Ways To Kill A CEO
06 The Gods of Science
07 [unknown]
08 [banter2]
09 The Guillotine
10 You Are Not A Riot
11 [banter3]
12 Fat Cats, Bigga Fish

If you enjoyed this recording, PLEASE SUPPORT The Coup, visit their website, and buy Sorry To Bother You from ANTI Records.

BOYTOY: February 24, 2014 Shea Stadium – FLAC/MP3/Streaming

March 17, 2014

By acidjack

Follow @acidjacknyc

[Photos courtesy of Walter Wlodarczyk]

The Brooklyn band BOYTOY only has some scattered bandcamp tracks to their name, but don’t expect their anonymity to last. Leading off a four-band bill anywhere isn’t easy, but BOYTOY grabbed our attention immediately at Shea Stadium on this Friday night, with a wide-ranging brand of rock n’ roll delivered with a poise that belies their limited output. Their style ranged from the bratty pop-punk of “Bad Brain” to the more dense, shoegazey stylings we saw at the end of the set with “Blazed”, which recalled early Lush. Vocalist Saara Untracht-Oakner shows consistency even as the song styles change, and bandmates Glenn Van Dyke (guitar) and Matthew Gregory aka Matty Beans (drums) are right there with her, churning out one song after another that demands repeat listens. We enjoyed it so much that we are offering the entire set for stream, as well as the traditional FLAC and MP3 downloads, below. An EP is expected in late spring; keep an eye out on the band’s bandcamp page for more info.

As with the sets posted from Big Ups and Slothrust, this set was recorded in full digital multitrack provided by the Shea Stadium team, combined with a pair of my Naiant audience mics. We’d encourage you to check out Shea’s site for their own version of this show (coming soon) as well those of hundreds of other bands.

Stream the entire set:

Download the complete show: [MP3] | [FLAC]

BOYTOY
2014-02-21
Shea Stadium
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com courtesy of liveatsheastadiumbk.com
Recorded by R.J. Gordon and acidjack
Produced by acidjack

Tracks
01 Road Dog
02 Bad Brain
03 Helluva Party
04 TV Dreams
05 Shallow Town
06 Visits
07 Postal
08 Runner
09 Blazed

If you enjoyed this recording, PLEASE SUPPORT BOYTOY, like them on Facebook, and buy their music at their bandcamp page.

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nyctaper Recordings

Larkin Grimm: February 26, 2014 Trans Pecos – FLAC/MP3/Streaming

Thou: March 23, 2014 Saint Vitus – Flac/MP3/Streaming

Doug Keith: March 19, 2014 Bowery Ballroom – Flac/MP3/Streaming

Outer Minds: March 13, 2014 DC Against the World SXSW Party, New Movement Theater (Austin, TX) – FLAC/MP3/Streaming

The War on Drugs: March 20, 2014 Bowery Ballroom – FLAC/MP3/Streaming

The War On Drugs: March 19, 2014 Bowery Ballroom – Flac/MP3/Streaming

Low Fat Getting High: February 21, 2014 Shea Stadium – FLAC/MP3/Streaming

Cross Record: March 15, 2014 Post-SXSW Private Show (Dripping Springs, TX) – FLAC/MP3/Streaming

The Coup: March 13, 2014 SXSW, New Movement Theater (Austin, TX) – FLAC/MP3/Streaming

BOYTOY: February 24, 2014 Shea Stadium – FLAC/MP3/Streaming

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