Grace Potter & the Nocturnals: June 5, 2015 Mountain Jam (Hunter, NY) – FLAC/MP3/Streaming

June 5, 2015
By

mountain-jam-2
[photo by Jill Harrison]

Grace Potter & the Nocturnals rescued a soggy second day of Mountain Jam with a set of big-tent, unselfconscious seventies rock. Straight off the plane from a gig with The Rolling Stones, Potter hit the stage determined to lift the spirits of this crowd. We needed it — we’d had rain dumped on us for several hours. Comfortable with her sexuality and determined to ride the line between empowerment and objectification, Potter shook her ass, shod her boots, and eventually part of her top to get this crowd awake. But really, she could’ve succeeded anyway. Potter has the kind of huge, unapologetically rock voice that isn’t likely to be a hit with ironists but can command a stadium full of people. Her latest record, The Lion, the Beast, the Beat has continued to make waves live, as we saw at the Capitol Theatre back in 2013. Its title track was the show’s second-to-last closer, and it was a highlight, as was her cover of Neil Young’s “Cinnamon Girl” that featured the festival’s self-appointed resident shredder, Warren Haynes, on guitar.

Even more importantly, Potter has been airing new material. Along with new single “Alive Tonight,” Potter played a brand-new song for the first time, called “Empty Heart.” No matter how wet we once were, Potter managed to convince everyone to surround her, summoning the sense of community that had been missing as people ran for cover. It didn’t matter if “Paris (Ohh La La)” was ridiculously over the top as it closed the set — including its multi-member drum solo — by the time it came around, Grace Potter had earned it.

I recorded this set from a nice position toward the front of the soundboard cage with MBHO cardiod microphones. The sound quality is excellent. Enjoy!

This recording is hosted on the Live Music Archive.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

IMG_1924

Grace Potter & the Nocturnals
2015-06-05
Mountain Jam
East Stage
Hunter, NY USA

Exclusive download hosted by nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603>Roland R-26>16bit/44.1kHz WAV>Adobe Audition CS 5.5 (fades, amplify)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (track, amplify, balance)>FLAC ( level 8 )

Tracks [Total Time 1:27:06]
01 Never Go Back
02 Ah Mary
03 Hot Summer Night
04 Runaway
05 Alive Tonight
06 Empty Heart [new song debut]
07 Yes We Can [Pointer Sisters]
08 Low Road
09 God’s Gonna Cut You Down [Johnny Cash]
10 Delirious [?]
11 Turntable
12 Medicine
13 Cinnamon Girl [Neil Young]*
14 Nothing But the Water (I)
15 The Lion, the Beast, the Beat
16 Paris (Ohh La La)

* w/ Warren Haynes

If you enjoyed this recording, PLEASE SUPPORT Grace Potter & the Nocturnals, visit their website, and buy their  records, including The Lion The Beast the Beat from their online store [HERE]

Vulture Shit: April 28, 2015 Baby’s All Right – FLAC/MP3/Streaming

June 5, 2015
By

Vulture Shit
[Photo by Jamie Langley]

“We’re Vulture Shit. That’s the worst kind of shit.” —Randy Vandal, Vulture Shit

Vulture Shit are a non-traditional post-hardcore trio traveling under what I’m pretty convinced are assumed names: Randy Vandal (vocals), Mike D. (drums), and Mike B. (bass). If you were in a band called Vulture Shit, you’d disguise your true identity too. But these guys are no superheroes—according to their lyrics they are all too normal. Disgustingly, creepily normal. Feel free to connect with them on LinkedIn (surely the height of social networking banality), though your odds of landing that new gig will probably diminish due to the association. But enough about the players—what about the music? The lack of guitar is the obvious insight, but it’s not missed at all. Mike B.’s expert bass-playing is absolutely singular and I don’t think I’ve ever seen or heard anything like it. Combined with Mike D.’s powerhouse drumming, this is all Vulture Shit needs in terms of instrumentation. Randy Vandal vocalizes like a younger Matt Korvette (Pissed Jeans) or a way younger David Yow (you know). Laying down a whopping twelve songs in twenty-three minutes, this trio wowed a crowd—myself included—that had shown up early to catch Pile (their set here).

Baby’s FOH Harrison Fore recorded this set with a board feed and the Baby’s room mics. I mixed those two sources in post-production. Like the Pile set from the same night, the sound is exceptional even for Baby’s standards. Enjoy!

You can take my word—and this recording—for it, but seeing is believing: catch Vulture Shit next Friday June 12 on a stellar Northside Fest showcase at Aviv, along with NYCTaper favs Washer. Tickets are on sale.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Vulture Shit
2015-04-28
Baby’s All Right
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded by Harrison Fore
Produced by Eric PH

Soundboard (engineer: Harrison) + Audio Technica 4051 > 4x Mono WAV (24/48) > Adobe Audition CC (align, mixdown) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [22:56]
01. I Love the Way He Touches His Computer
02. I Love My Job
03. Curfew
04. Cable’s Out
05. Church Van Contraband
06. Walkie-Talkie Sleepover (My Fault My Friend Died)
07. The End
08. Dinnertime
09. You Crossed the Line
10. Rookie Cop
11. Area Dad
12. Hell on a T-Shirt

Support Vulture Shit: Bandcamp | Facebook

Pile: April 28, 2015 Baby’s All Right – FLAC/MP3/Streaming

June 5, 2015
By

Pile
[Photo by Jamie Langley]

Don’t be surprised when Pile’s latest long-player, You’re Better Than This, is all over 2015’s year-end lists. It’s the most immediately engaging record I’ve heard all year, and another winner from the folks at Exploding in Sound Records. Pile has been supporting the record with a never-ending tour, putting Rick Maguire high up on the list of hardest working musicians in the game. This Baby’s All Right show from April is their second stop in NYC this year, having previously played the grittier Palisades in February. Meanwhile, NYCTaper caught up with the band down in Austin for a short SXSW showcase set back in March (that recording here).

You’re Better Than This has put Pile on many people’s radars, but it was clear from the crowd that some people have been with Pile all along. Early adopters could be identified as the ones mouthing the words to even older songs like “Pets” from the 2010 self-released album, Magic Isn’t Real, as well as “The Browns” and “Grunt Like a Pig” from the 2012 EIS debut Dripping. Though I’m a bit newer to the band, I count myself lucky to have caught them at Baby’s—these guys won’t be playing 280-capacity rooms for long.

Baby’s FOH Harrison Fore recorded this set with a board feed and the Baby’s room mics. I mixed those two sources in post-production. The sound quality of this recording is above and beyond even Baby’s usual high standards for sound. Enjoy!

Pile will be back around playing The Bell House on July 3. Tickets are still available.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Pile
2015-04-28
Baby’s All Right
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded by Harrison Fore
Produced by Eric PH

Soundboard (engineer: Harrison) + Audio Technica 4051 > 4x Mono WAV (24/48) > Adobe Audition CC (align, mixdown) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [40:32]
01. The World is Your Motel
02. Mr. Fish
03. Baby Boy
04. The Browns
05. Special Snowflakes
06. Grunt Like a Pig
07. Pets
08. Appendicitis
09. #2 Hit Single

Support Pile: Bandcamp | Facebook | Tumblr

Thee Oh Sees: March 20, 2015 Hotel Vegas – Panache SXSW – Flac/MP3/Streaming

June 4, 2015
By

Thee Oh Sees Hotel Vegas
[still from this video]

Thee Oh Sees released their new album Mutilator Defeated At Last a couple of weeks ago in mid-May. The reviews have been unanimously positive for this record, and we personally feel that this is perhaps the most fully realized album that the band has released to date. The most insightful review of the album is by our friend Adam Schatz (from Landlady) who, by simply describing in minute detail the album’s first song “Web”, says more about this excellent release on one page than we could in a week. The article is in the Talkhouse and it was published yesterday.

One aspect of the album not discussed by Adam but something that we’ve experienced personally has been the development of the songs in a live setting over the last few cycles of NYC performances. All the way back at the Summer of 2014 at McCarren Park, the band played three new songs that were unknown to us until I asked John Dwyer directly at Death By Audio the following night for the song titles. The three songs, “Web”, “Withered Hand” and “Lupine Ossuary” (originally called “Lupine Dominus II”) were featured at each of those Summer shows in their earliest form. By the time the band came to Bowery Ballroom in November (perhaps our best sounding TOS recording to date), four new songs were added to the rotation, so that the setlist was comprised of half new songs that would ultimately see release on Mutilator.

At South By Southwest, Thee Oh Sees played a ton of shows, but the one we caught was the longest and maybe the wildest set they played all week. The showcase at Hotel Vegas featured all bands under the superb umbrella of Panache Booking, and TOS closed the night well after midnight with an hour-long set in the pouring rain that featured a crazy amount of stage jumpers, people hanging from the trees, and ultimately the finale with the legendary diminutive rapper Bushwick Bill. The set was again heavy on new material (five Mutilator tracks) which were all fully developed and flowed naturally with the older songs. Of the new songs, we’re partial to the early-Floyd flavor of “Sticky Hulks” and we are streaming that selection below.

Thee Oh Sees are currently finishing up the final dates of a long European tour, and there are some announced US shows for the Summer, but we are waiting patiently for the announcement of new NYC dates.

I recorded this show in the same manner at the Wand set from this night. I mounted the Sennheiser Cards underneath the soundboard tent to avoid the rain and mixed with a board feed. There was a lot of chatter under the tent and the board is a bit drum heavy but the mix of the two (70% board) creates a better balance and the result is an excellent recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Sticky Hulks”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Thee Oh Sees
2015-03-20
Hotel Vegas – Panache SXSW
Austin, TX USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040 Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 59:11]
01 I Come From the Mountain
02 Tunnel Time
03 Poor Queen
04 Toe Cutter – Thumb Buster
05 Withered Hand
06 Dead Energy
07 Sticky Hulks
08 The Dream
09 Turned Out Light
10 Tidal Wave
11 Encrypted Bounce
12 [thanks]
13 Lupine Ossuary
14 [Bushwick Bill intro]
15 Skitso (Medley)

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Thee Oh Sees, visit their website, and purchase Mutilator Defeated At Last from Castle Face Records [HERE].

ST 37: May 6, 2015 Knitting Factory and May 7, 2015 Mercury Lounge – FLAC/MP3/Streaming

June 2, 2015
By

IMG_1444

ST 37 have been at the game longer than some percentage of their audience had probably been alive. These two NYC sets gave us a much-appreciated amount of exposure to the Austin band, as neither of us had seen them before. Their style, which I might call “psychedelic hardcore”, lends itself to the live setting, where they get the chance to experiment and let their songs grow. We were fortunate enough to catch both sets at Knitting Factory and Mercury Lounge that featured completely different setlists. In both cases, we got a nice taste of the band’s range, from more straight-up hardcore numbers like “White Comanche” to meditative jam numbers like “KBDP (Karen Black’s Demerol Patch),” which sounds a bit like the drug referenced in the title. Between these two killer sets, the default winner almost has to be the Mercury set, where tourmate Kawabata Makoto of Acid Mothers Temple joined the band for “Just You.” Make sure to make a date with ST 37 the next time they’re out your way.

Both of these sets were recorded with Schoeps microphones (mine being MK41V supercardiods, nyctaper’s being CCM4 cardiods) and soundboard feeds. The sound quality of both is excellent. Enjoy!

You can grab the Knitting Factory and Mercury Lounge recordings of Acid Mothers Temple from us, too, by the way.

Download Complete Set (Knitting Factory): [MP3] | [FLAC]

Download Complete Set (Mercury Lounge): [MP3] / [FLAC]

Stream the complete set (Knitting Factory):

Stream the Complete Set (Mercury):

ST 37
2015-05-06
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mikey) + Schoeps MK41V (PAS)>KCY>Z-PFA>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, compression)>Izotope Ozone 5 (EQ, effects, imaging)>Audacity 2.0.3 (fades, track, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Down On Us
02 KBDP (Karen Black’s Demerol Patch)
03 The Pit Out Back
04 Magnetic Amphibian Hydrated Gills
05 Discorporate

————————–

ST 37
2015-05-07
Mercury Lounge
New York NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard [engineer: Val] + Schoeps CCM4u Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 31:11]
01 Baxty
02 If You Feel You’re Healed (Cow Head in the River)
03 The White Comanche
04 Heather Catherine Tallchief
05 Just You*
*with Kawabata Makoto guitar

If you enjoyed this recording, PLEASE SUPPORT ST 37, visit their website, and buy their records at their bandcamp page.

moe.: May 31, 2015 Cutting Room – Flac/MP3/Streaming

June 1, 2015
By

moe cutting room
[still from this video]

Its a nice little bit of synchronicity that today June 2 marks the 20th anniversary since the first time I saw moe. live. I attended that show at the late lamented Brownies on Avenue A after reading about the band in the print edition of the Village Voice. At that point, moe. was a new-ish band from Upstate that had just started to get some attention outside of their home region. By the end of the 1995, the band would never look back and clubs the size of Brownies were soon a thing of the past. But every once in a while, moe. returns to their roots and on Sunday night they played a semi-surprise show at the 200-capacity venue The Cutting Room on East 32nd Street.

The size of the venue meant that we were happy to run into a lot of old friends and that gave this show a nice intimate feel. The band seemed to recognize that and opened with several of their older numbers, including a monster “Timmy Tucker” — a song also played at Brownies two decades ago. The second set stepped into the present day, as the band proved that the potential that they showed all those years ago has become fully realized. This is a performing unit that has such an intuitive ability to read and react to each other so well that the transitions in the improv sections are stunningly tight. This set contained mostly instrumental passages built around the song “Kids”, which began and ended the set. In between we got a nice oldie in “Brent Black”, a powerful drum interlude, and two late-era instrumental numbers. We’ll see moe. again on a big stage at Mountain Jam this coming weekend, but for this one night it was fun to take a trip back to the old intimate venue shows.

I recorded this show from our little makeshift taper’s section in the middle of the floor about 20 feet from the stage. I utilized the Grace V3 in front of the Schoeps cards to add a little warmth and presence to what was essentially an “upfront” recording. Other than some fairly persistent crowd chatter (louder in the first set), the overall quality of this recording is quite outstanding. Enjoy!

This Recording is Available for Download in FLAC and MP3 at Archive.org [HERE].

Stream the Complete Show:

moe.
2015-05-31
Cutting Room
New York NY

Digital Master Recording
FOB Center Audience

Schoeps CCM4u Cardioids > Grade Design Lunatec V3 > Sound Devices 744t > 24bit 48kHz wavs > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac

Recorded and Produced by nyctaper

Setlist:
Set 1
[Total Time 1:15:02]
01 St. Augustine
02 It
03 Up On Cripple Creek
04 Timmy Tucker
05 Tailspin
06 Hi and Lo
07 Little Miss Cup Half Empty
Set 2
[Total Time 1:37:57]
08 Kids
09 Skrunk
10 Zed Naught Z
11 Brent Black
12 McBain
13 Kids (reprise)
14 [encore break]
15 Akimbo

If you download this recording, we expect that you will PLEASE SUPPORT moe., visit their website and purchase their official releases from the moe. store here.

SUPPORT NYCTaper




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