Hiss Golden Messenger: June 2, 2015 Music Hall of Williamsburg – FLAC/MP3/Streaming

June 8, 2015
By

hiss-golden-messenger-17
[photos courtesy of P Squared Photography]

Maybe an opening set by Hiss Golden Messenger at Music Hall of Williamsburg doesn’t merit quite the word count I gave April’s homecoming show at Haw River Ballroom in Saxapahaw, NC. But it was the biggest New York stage on which I’ve seen this band, and that makes it another milestone for M.C. Taylor and his fellow travelers. Fresh off a European tour, the band spent this first of two nights in New York opening for the Tallest Man on Earth, but judging the room capacity at the start of this set, HGM was the night’s draw for many of us. This was almost the exact same band we saw back at Haw River — Taylor, bassist Brad Cook, his brother Phil on keys, and Matt McCaughan on drums — minus William Tyler.

Clearly, this team is road-tested and hitting their stride, seeming to have found an even deeper, jammier groove than when we saw them in North Carolina. This sound gels well with the Lateness of Dancers record, so it makes sense that its songs — “Southern Grammar” and “I’m A Raven (Shake Children)” feel like centerpieces on this run. We were also thrilled to hear the new song “Say It Like You Mean It” for the second time. It’s possibly the most “rock” song the band has done to date, and should be a live staple for the foreseeable future. But even at that, it ended up being a Poor Moon song that stole this particular show, as the journeyman sax player Michael Lewis joined the band for the definitive live version of “Blue Country Mystic,” with Lewis adding a new layer to a song whose current live arrangement already feels transformed from its album version. While you’d always prefer to see a band you love as a headliner, I suspect this and some even higher-profile opening slots are going to earn HGM a lot of new fans, and they seem poised and ready to do it.

HGM will remain on the road June and July, touring with My Morning Jacket, hitting festivals, and returning to the general vicinity of NYC on July 25 for a show at Woodstock’s Bearsville Theater. See all the dates here.

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Hiss Golden Messenger
2015-06-02
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard [engineer: Nic Cameron] + Schoeps MK41V (at SBD, DFC, PAS)>KC5>CMC6>>Roland R-26>2x16bit/44.1kHz WAV>Adobe Audition CS 5.5 (align, mix down, fades, light compression)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (track, amplify, balance)>FLAC ( level 8 )

Tracks [Total Time 40:19]
01 Call Him Daylight
02 Saturday’s Song
03 [banter1]
04 Say It Like You Mean It [working title]
05 I’ve Got A Name For the Newborn Child
06 [banter2]
07 Blue Country Mystic*
08 I’m A Raven (Shake Children)
09 [banter3]
10 Southern Grammar

* w/ Michael Lewis on saxophone

If you enjoyed this recording, PLEASE SHOW YOUR SUPPORT by buying Hiss Golden Messenger’s records from Paradise of Bachelors and Merge Records, as well as HGM’s online store.

hiss-golden-messenger-13

Joe Russo’s Almost Dead: June 5, 2015 Mountain Jam – Flac/MP3/Streaming

June 6, 2015
By

JRAD Mt Jam (2)
[photo by Erin]

At this point, it is apparent that Joe Russo’s Almost Dead has achieved its mission of providing a fresh approach to the task of covering Grateful Dead songs. And at a Festival that has thrived on ability to provide a reliable recreation of the classic rock genre, JRAD were an easy stand-in for the greatest improvisational rock band of its era. The Grateful Dead made a one stab at the massive task of performing the band’s ultimate rock opus “Terrapin Station” in its entirety, but the performance failed to capture the majesty of the suite that owns the entire second site of the Terrapin Station album. “Terrapin” is perhaps the Grateful Dead’s crowning achievement in musical composition, but the complexity of the last half of the suite was not a task that the band had the fortitude to undertake at a live show and so it was only the first two sections that were performed consistently since its 1977 debut.

JRAD opened their set at Mountain Jam in the pouring rain with a jam that seamlessly merged with “Lady With A Fan”, the opening section of the Terrapin suite. When the band concluded the first section of the main theme and proceeded to the “Terrapin Transit” portion, it was a moment to smile. JRAD consistently takes this music to places where the original band never trod, and this was just another example — and the fun had just begun. Lead by the stunning keyboard work of Marco Benevento, JRAD took each section of the suite and transformed them into complete songs of their own. It was a breathtaking thirty-two minutes and this is a recording I’ve already sampled thoroughly four times and undoubtedly will experience many more times. The balance of this set consisted of meaty and committed versions of three more songs but the take away from this short JRAD experience was undoubtedly the complete Terrapin suite.

I recorded this set with the Neumann large diaphragm cardioids in a very advantageous location up the hill in front of the soundboard area. Considering the elements at the time of this performance, overall this is an outstanding recording. Enjoy!

Our soundboard/audience matrix recording of JRAD at the Capitol Theatre is still available here.

Download or Stream the Complete Concert at Archive.org [HERE].

Stream the Complete Show:

Joe Russo Almost Dead
2015-06-05
Mountain Jam
Hunter NY

Digital Master Recording
FOB Audience

Neumann TLM 102s > Grace Designs Lunatec V3 > Sound Devices 744t > 24bit 48kHz wav > Soundforge (post-production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper

Setlist:
[Total Time 1:12:59]
01 Terrapin Station
02 The Wheel
03 Greatest Story Ever Told
04 Cumberland Blues

If you download this recording from NYCTaper, we expect that you’ll please support these artists, visit the JRAD website, visit the JRAD Facebook page, and visit their individual websites and purchase their official merchandise. Benevento-Russo Duo [HERE], Marco Benevento [HERE], Tom Hamilton [HERE], Scott Metzger [HERE], and Dave Dreiwitz [HERE].

Grace Potter & the Nocturnals: June 5, 2015 Mountain Jam (Hunter, NY) – FLAC/MP3/Streaming

June 5, 2015
By

mountain-jam-2
[photo by Jill Harrison]

Grace Potter & the Nocturnals rescued a soggy second day of Mountain Jam with a set of big-tent, unselfconscious seventies rock. Straight off the plane from a gig with The Rolling Stones, Potter hit the stage determined to lift the spirits of this crowd. We needed it — we’d had rain dumped on us for several hours. Comfortable with her sexuality and determined to ride the line between empowerment and objectification, Potter shook her ass, shod her boots, and eventually part of her top to get this crowd awake. But really, she could’ve succeeded anyway. Potter has the kind of huge, unapologetically rock voice that isn’t likely to be a hit with ironists but can command a stadium full of people. Her latest record, The Lion, the Beast, the Beat has continued to make waves live, as we saw at the Capitol Theatre back in 2013. Its title track was the show’s second-to-last closer, and it was a highlight, as was her cover of Neil Young’s “Cinnamon Girl” that featured the festival’s self-appointed resident shredder, Warren Haynes, on guitar.

Even more importantly, Potter has been airing new material. Along with new single “Alive Tonight,” Potter played a brand-new song for the first time, called “Empty Heart.” No matter how wet we once were, Potter managed to convince everyone to surround her, summoning the sense of community that had been missing as people ran for cover. It didn’t matter if “Paris (Ohh La La)” was ridiculously over the top as it closed the set — including its multi-member drum solo — by the time it came around, Grace Potter had earned it.

I recorded this set from a nice position toward the front of the soundboard cage with MBHO cardiod microphones. The sound quality is excellent. Enjoy!

This recording is hosted on the Live Music Archive.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

IMG_1924

Grace Potter & the Nocturnals
2015-06-05
Mountain Jam
East Stage
Hunter, NY USA

Exclusive download hosted by nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603>Roland R-26>16bit/44.1kHz WAV>Adobe Audition CS 5.5 (fades, amplify)>Izotope Ozone 5 (effects, EQ)>Audacity 2.0.3 (track, amplify, balance)>FLAC ( level 8 )

Tracks [Total Time 1:27:06]
01 Never Go Back
02 Ah Mary
03 Hot Summer Night
04 Runaway
05 Alive Tonight
06 Empty Heart [new song debut]
07 Yes We Can [Pointer Sisters]
08 Low Road
09 God’s Gonna Cut You Down [Johnny Cash]
10 Delirious [?]
11 Turntable
12 Medicine
13 Cinnamon Girl [Neil Young]*
14 Nothing But the Water (I)
15 The Lion, the Beast, the Beat
16 Paris (Ohh La La)

* w/ Warren Haynes

If you enjoyed this recording, PLEASE SUPPORT Grace Potter & the Nocturnals, visit their website, and buy their  records, including The Lion The Beast the Beat from their online store [HERE]

Vulture Shit: April 28, 2015 Baby’s All Right – FLAC/MP3/Streaming

June 5, 2015
By

Vulture Shit
[Photo by Jamie Langley]

“We’re Vulture Shit. That’s the worst kind of shit.” —Randy Vandal, Vulture Shit

Vulture Shit are a non-traditional post-hardcore trio traveling under what I’m pretty convinced are assumed names: Randy Vandal (vocals), Mike D. (drums), and Mike B. (bass). If you were in a band called Vulture Shit, you’d disguise your true identity too. But these guys are no superheroes—according to their lyrics they are all too normal. Disgustingly, creepily normal. Feel free to connect with them on LinkedIn (surely the height of social networking banality), though your odds of landing that new gig will probably diminish due to the association. But enough about the players—what about the music? The lack of guitar is the obvious insight, but it’s not missed at all. Mike B.’s expert bass-playing is absolutely singular and I don’t think I’ve ever seen or heard anything like it. Combined with Mike D.’s powerhouse drumming, this is all Vulture Shit needs in terms of instrumentation. Randy Vandal vocalizes like a younger Matt Korvette (Pissed Jeans) or a way younger David Yow (you know). Laying down a whopping twelve songs in twenty-three minutes, this trio wowed a crowd—myself included—that had shown up early to catch Pile (their set here).

Baby’s FOH Harrison Fore recorded this set with a board feed and the Baby’s room mics. I mixed those two sources in post-production. Like the Pile set from the same night, the sound is exceptional even for Baby’s standards. Enjoy!

You can take my word—and this recording—for it, but seeing is believing: catch Vulture Shit next Friday June 12 on a stellar Northside Fest showcase at Aviv, along with NYCTaper favs Washer. Tickets are on sale.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Vulture Shit
2015-04-28
Baby’s All Right
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded by Harrison Fore
Produced by Eric PH

Soundboard (engineer: Harrison) + Audio Technica 4051 > 4x Mono WAV (24/48) > Adobe Audition CC (align, mixdown) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [22:56]
01. I Love the Way He Touches His Computer
02. I Love My Job
03. Curfew
04. Cable’s Out
05. Church Van Contraband
06. Walkie-Talkie Sleepover (My Fault My Friend Died)
07. The End
08. Dinnertime
09. You Crossed the Line
10. Rookie Cop
11. Area Dad
12. Hell on a T-Shirt

Support Vulture Shit: Bandcamp | Facebook

Pile: April 28, 2015 Baby’s All Right – FLAC/MP3/Streaming

June 5, 2015
By

Pile
[Photo by Jamie Langley]

Don’t be surprised when Pile’s latest long-player, You’re Better Than This, is all over 2015’s year-end lists. It’s the most immediately engaging record I’ve heard all year, and another winner from the folks at Exploding in Sound Records. Pile has been supporting the record with a never-ending tour, putting Rick Maguire high up on the list of hardest working musicians in the game. This Baby’s All Right show from April is their second stop in NYC this year, having previously played the grittier Palisades in February. Meanwhile, NYCTaper caught up with the band down in Austin for a short SXSW showcase set back in March (that recording here).

You’re Better Than This has put Pile on many people’s radars, but it was clear from the crowd that some people have been with Pile all along. Early adopters could be identified as the ones mouthing the words to even older songs like “Pets” from the 2010 self-released album, Magic Isn’t Real, as well as “The Browns” and “Grunt Like a Pig” from the 2012 EIS debut Dripping. Though I’m a bit newer to the band, I count myself lucky to have caught them at Baby’s—these guys won’t be playing 280-capacity rooms for long.

Baby’s FOH Harrison Fore recorded this set with a board feed and the Baby’s room mics. I mixed those two sources in post-production. The sound quality of this recording is above and beyond even Baby’s usual high standards for sound. Enjoy!

Pile will be back around playing The Bell House on July 3. Tickets are still available.

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Pile
2015-04-28
Baby’s All Right
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded by Harrison Fore
Produced by Eric PH

Soundboard (engineer: Harrison) + Audio Technica 4051 > 4x Mono WAV (24/48) > Adobe Audition CC (align, mixdown) > Izotope Ozone 5 (EQ, exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [40:32]
01. The World is Your Motel
02. Mr. Fish
03. Baby Boy
04. The Browns
05. Special Snowflakes
06. Grunt Like a Pig
07. Pets
08. Appendicitis
09. #2 Hit Single

Support Pile: Bandcamp | Facebook | Tumblr

Thee Oh Sees: March 20, 2015 Hotel Vegas – Panache SXSW – Flac/MP3/Streaming

June 4, 2015
By

Thee Oh Sees Hotel Vegas
[still from this video]

Thee Oh Sees released their new album Mutilator Defeated At Last a couple of weeks ago in mid-May. The reviews have been unanimously positive for this record, and we personally feel that this is perhaps the most fully realized album that the band has released to date. The most insightful review of the album is by our friend Adam Schatz (from Landlady) who, by simply describing in minute detail the album’s first song “Web”, says more about this excellent release on one page than we could in a week. The article is in the Talkhouse and it was published yesterday.

One aspect of the album not discussed by Adam but something that we’ve experienced personally has been the development of the songs in a live setting over the last few cycles of NYC performances. All the way back at the Summer of 2014 at McCarren Park, the band played three new songs that were unknown to us until I asked John Dwyer directly at Death By Audio the following night for the song titles. The three songs, “Web”, “Withered Hand” and “Lupine Ossuary” (originally called “Lupine Dominus II”) were featured at each of those Summer shows in their earliest form. By the time the band came to Bowery Ballroom in November (perhaps our best sounding TOS recording to date), four new songs were added to the rotation, so that the setlist was comprised of half new songs that would ultimately see release on Mutilator.

At South By Southwest, Thee Oh Sees played a ton of shows, but the one we caught was the longest and maybe the wildest set they played all week. The showcase at Hotel Vegas featured all bands under the superb umbrella of Panache Booking, and TOS closed the night well after midnight with an hour-long set in the pouring rain that featured a crazy amount of stage jumpers, people hanging from the trees, and ultimately the finale with the legendary diminutive rapper Bushwick Bill. The set was again heavy on new material (five Mutilator tracks) which were all fully developed and flowed naturally with the older songs. Of the new songs, we’re partial to the early-Floyd flavor of “Sticky Hulks” and we are streaming that selection below.

Thee Oh Sees are currently finishing up the final dates of a long European tour, and there are some announced US shows for the Summer, but we are waiting patiently for the announcement of new NYC dates.

I recorded this show in the same manner at the Wand set from this night. I mounted the Sennheiser Cards underneath the soundboard tent to avoid the rain and mixed with a board feed. There was a lot of chatter under the tent and the board is a bit drum heavy but the mix of the two (70% board) creates a better balance and the result is an excellent recording. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “Sticky Hulks”:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Thee Oh Sees
2015-03-20
Hotel Vegas – Panache SXSW
Austin, TX USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040 Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 59:11]
01 I Come From the Mountain
02 Tunnel Time
03 Poor Queen
04 Toe Cutter – Thumb Buster
05 Withered Hand
06 Dead Energy
07 Sticky Hulks
08 The Dream
09 Turned Out Light
10 Tidal Wave
11 Encrypted Bounce
12 [thanks]
13 Lupine Ossuary
14 [Bushwick Bill intro]
15 Skitso (Medley)

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Thee Oh Sees, visit their website, and purchase Mutilator Defeated At Last from Castle Face Records [HERE].

SUPPORT NYCTaper




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