Tigue: March 11, 2015 Secret Project Robot – FLAC/MP3/Streaming

March 31, 2015
By

Tigue

Tigue is the Brooklyn-based percussion trio composed of Ohio transplants Matt Evans, Amy Garapic, and Carson Moody. While the whole trio has participated in Kid Millions’ Man Forever project, each member also has some impressive extracurricular affiliations that include—among many others—Evans and Moody with Ensemble Signal, and Garapic with So Percussion and David Byrne. Tigue have recently completed their first LP, Peaks, which was funded via a successful Kickstarter campaign. That record is still forthcoming, but with Kid Millions producing and guest spots from Ira Kaplan and James McNew of Yo La Tengo, the impending release of Peaks is highly anticipated.

Opening for the duo of Kid Millions and Chris Brokaw at Secret Project Robot, Tigue gave us a preview of what to expect to hear on Peaks. For those new to Tigue, like I was, the songs are perhaps surprisingly pop-oriented—certainly not the classical or esoteric sounds that hearing the phrase “percussion ensemble” might conjure. Instead, it’s something like percussive drone-pop, highly accessible and engaging. Their set is performed entirely as a single piece with subtle divisions between the songs, best understood as part of a highly evolved whole rather than by its individual elements. And surely, you could say the same thing about the performers who are clearly highly tuned to each other’s frequencies. I can only expect and hope that once I hear the album proper, I’ll be let in on the full scope of Tigue’s craft. After the dramatic transition between “I Don’t Think You’re Listening” and closer “Ripped,” you’ll no doubt hear the yelp of a passionate audience member finally unable to contain his enthusiasm. In response to that guy: I couldn’t agree more.

I recorded this set with the AKGs set up approximately in the center of the room and pointed at the stacks. The sound and performance are both excellent. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Tigue
2015-03-11
Secret Project Robot
Brooklyn, NY

Exclusive download hosted at nyctaper.com
Recorded and produced by Eric PH

AKG C480B/CK61 (DFC, PAS) > Roland R-26 > 2xWAV (24/48) > Adobe Audition CC (balance) > Izotope Ozone 5 (EQ, tape exciter) > Audacity 2.0.5 (amplify, fades, downsample, dither, tracking, tagging) > FLAC (16/44.1, level 8)

Tracks [14:42]
01. It’s Not Hard to Dress Well
02. I Don’t Think You’re Listening
03. Ripped

If you enjoyed this recording, please support Tigue. Visit their website and Bandcamp, and like them on Facebook.

Pile: March 19, 2015 Longbranch Inn – Impose SXSW – Flac/MP3/Streaming

March 30, 2015
By

Pile Live
[screenshot from video by Niko Matses]

Thursday was my first day of SXSW this year and it was a very long day. I awoke at the crack of dawn in NYC and flew to Austin arriving around 1pm local time. The afternoon was filled with errands, a few beers, some local cuisine and then it was time to get to the Impose Magazine “Imposition” show at the Longbranch Inn on East 11th. The roster for this night was filled with fake names — bands that due to silly contractual games couldn’t be named until after playing the “official” shows on the west side of town. It was not long after we arrived that the actual bill for the night was announced and it was as we expected from these Impose shows, a fine list of current up and comers. The anchor for the night was Boston’s Pile, a band that’s not exactly new but who are finally getting the attention they deserve. By the time the band took the stage it was after 1:30 am and I was pushing 24 straight hours awake — but these guys gave me a much needed jolt of energy.

Pile began in 2009 began as Rick Maguire’s solo project before he recruited a band to tour. The band’s shows have become legendary in the Boston DIY scene, as Pile has become what’s been described as “your favorite band’s favorite band”. The band’s new album You’re Better Than This (Exploding In Sound Records) was released earlier this month. The album has its ferocious and gentle sides, a loud-soft-loud dynamic that exhibits influences that include post-punk, noise rock, and even anti-folk. I hear everything from the Minutemen through Built To Spill and of course their hometown predecessors Mission of Burma. For this short SXSW set, this live version of Pile was less about the “soft” and more about the straight ahead punk which was fine with us. The set began with three straight songs from You’re Better, and we’re streaming “The World is Your Motel” which absolutely raged. Pile is now on an extensive tour (dates here), which comes to NYC for an April 28 show at Baby’s All Right. This is a much recommended show from our viewpoint.

I recorded this set with the Sennheiser cards mounted on a stand directly in front of the soundboard and mixed with a board feed. The sound quality is quite excellent. Enjoy!

Download the Complete Show [MP3] / [FLAC]

Stream “The World is Your Motel”:

Pile
2015-03-19
Long Branch Inn – Impose SXSW
Austin, TX USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040 Cardioids > Sound Devices 744t > 2 x 24bit 48kHz wav files > Soundforge (post production) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 23:17]
01 Tin Foil Hat
02 Hot Breath
03 The World is Your Motel
04 [banter – last call]
05 Number 2 Hit Single
06 [banter – good time]
07 The Browns
08 Rock and Roll Forever with the Customer in Mind

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Pile, visit their Facebook page, and purchase You’re Better Than This from the band’s Bandcamp page [HERE].

NYCTaper Upcoming Schedule – Spring/Summer 2015

March 28, 2015
By

taper-larger

A nice flurry of announced shows made me realize we hadn’t updated our schedule in a while, so here’s the latest. We keep it keeping on.

Caveat: Below is the updated schedule. We expect to attend and record these events. However, circumstances will prevent some of these from being done, and others will be added in the meantime. Feel free to make suggestions or point out shows we missed or invite us to your shows!

Schedule:

Sannhet / Kayo Dot:
March 27, 2015 Saint Vitus Brooklyn

Wand:
March 29, 2015 Mercury Lounge NYC

Lower Dens:
March 31, 2015 Baby’s All Right Brooklyn (permission pending)

Porches:
April 2, 2015 Baby’s All Right Brooklyn (permission pending)

Steve Gunn:
April 1, 2015 Baby’s All Right Brooklyn

Crown Larks:
April 3, 2015 Shea Stadium Brooklyn

Pampers / Spraypaint:
April 4, 2015 Union Pool Brooklyn

Makthaverskan:
April 6, 2015 Saint Vitus Brooklyn

Hypnocraft Presents Hum Concert Series:
April 6, 13, 20, 27 Manhattan Inn Brooklyn

Spires:
April 8, 2015 Mercury Lounge NYC (permission pending)

Waxahatchee:
April 9, 2015 Music Hall of Williamsburg Brooklyn

Sir Richard Bishop:
April 10, 2015 Union Pool Brooklyn (permission pending)

Tyvek:
April 11, 2015 Silent Barn Brooklyn

the Mountain Goats:
April 11 and 12, 2015 City Winery NYC

Liturgy:
April 15, 2015 Saint Vitus Brooklyn

Alex G:
April 15, 2015 Baby’s All Right Brooklyn (permission pending)

Trans Am:
April 16, 2015 Baby’s All Right Brooklyn

Hiss Golden Messenger:
April 17, 2015 Haw River Ballroom – Saxapahaw, North Carolina

Blitzen Trapper:
April 17, 2015 City Winery NYC

Howlin’ Rain / Chris Forsyth:
April 18, 2015 Baby’s All Right Brooklyn

Merge / Bull City Records Record Store Day Show:
April 18, 2015 Bull City Records Durham, NC

Beep! (and others, Northern Spy Presents):
April 19, 2015 Trans Pecos Queens

Hurray For The Riff Raff:
April 24, 2015 Bowery Ballroom NYC

Heartworn Subways (Tall Firs, Ranaldo, Licht and others):
April 25, 2015 Trans Pecos Queens

Six Organs of Admittance / Elisa Ambrogio:
April 30, 2015 Baby’s All Right Brooklyn

Mikal Cronin / William Tyler:
May 5 2015 Bowery Ballroom NYC

Acid Mothers Temple:
May 7, 2015 Mercury Lounge NYC

Joe Russo’s Almost Dead:
May 9, 2015 Capitol Theatre Port Chester NY

Mac McCaughan:
May 16, 2015 Baby’s All Right Brooklyn

Courtney Barnett:
May 19 or 20 or 21, 2015 Bowery Ballroom NYC (permission pending)

Follakzoid:
May 23, 2015 Rough Trade NYC

FIDLAR / METZ:
May 26, 2015 Bowery Ballroom NYC

Mountain Jam:
June 4-7, 2015 Hunter Mountain NY

Graham Parker & The Rumour:
June 13, 2015 Highline Ballroom NYC (permission pending)

Woods:
June 16, 2015 Rough Trade Brooklyn

King Gizzard and the Lizard Wizard:
June 19, 2015 Bowery Ballroom NYC

Ty Segall:
June 24, 2015 Baby’s All Right Brooklyn

Ty Segall / William Tyler:
June 26, 2015 Mercury Lounge NYC

Sloan:
June 29, 2015 Rough Trade Brooklyn (permission pending)

Mudhoney:
July 6, 2015 Bowery Ballroom NYC (permission pending)

Mudhoney:
July 12, 2015 Bell House Brooklyn (permission pending)

Moon Duo: March 10, 2015 Rough Trade NYC – FLAC/MP3/Streaming Full Set

March 27, 2015
By

IMG_0848

Ripley Johnson and Sanae Yamada have been making music as Moon Duo for a while now, churning out consistent albums on Sacred Bones (and earlier, Woodsist) that have delighted both Wooden Shjips fans and those who were drawn to the more organ-driven sound led by Yamada. With Shadow of the Sun, and this latest tour, the band has swung a bit more to the rock side of the things, bringing on drummer John Jeffrey, who appeared on the Live in Ravenna album as well. If Shadow represents yet another refinement rather than a quantum leap, the addition of the live drumming is noticeable, and even more so in the actual concert space — compare this set, for example, with the set I recorded in 2010.

Fans of the Ravenna live set would agree that this set at Rough Trade NYC built on some of the good things you can see there, with the live drums adding viscosity and punch to the band’s hypnotic flow. The set consisted of just under half-Shadow of the Sun material. “Wilding” made for as good a kickoff for the live set as it did for the album, while “Thieves” gave Ripley an opportunity for a hardcore guitar freakout. The trio were barely visible most of the time, shrouded by an electric light show that matched the pace and vibe of the setlist. The seventy minutes ended on a high note, with an extended “Set It On Fire” that, by the time it ended, made you feel almost as if you’d woken from a dream. This band can do that to you.

I recorded this set with Schoeps MK4V microphones mounted inside the soundboard cage, together with engineer Nick Cameron. The sound quality is outstanding. Enjoy!

Download the complete show: [MP3] | [FLAC]

Stream the complete show:

Moon Duo
2015-03-10
Rough Trade NYC
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard [Engineer: Nick] + Schoeps MK4V (inside SBD cage, PAS)>KCY>Z-PFA>Aerco MP-2>> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down, limiter, fades)>Izotope Ozone 5 (EQ, exciter)>Audacity 2.0.5 (track, amplify, balance, downsample, dither>FLAC ( level 8 )

Tracks [Total Time 1:10:00]
01 Wilding
02 I Been Gone
03 Circles
04 Free the Skull
05 Night Beat
06 Thieves
07 In the Sun
08 Motorcycle, I Love You
09 Goners
10 Animal
11 Set It On Fire

If you enjoyed this recording, PLEASE SUPPORT Moon Duo, visit their website, and buy their records from Sacred Bones Records.

IMG_0850

Tom Carter / Barry Weisblat Duo: February 24, 2015 FLAC/MP3/Streaming

March 24, 2015
By

IMG_0681

The guitarist Tom Carter has made a couple of appearances on this site, being one of this city’s most exciting innovators on the instrument. While Carter was already known for his eclectic tastes, both as a solo act and with Charalambides, this combination of Carter and the multi-instrumentalist Barry Weisblat took things further into the out realm. The two appeared at last month’s installment of the “Music From NY Underground: On the Way Out” event held monthly at Freddy’s Bar in Park Slope, and produced an improvisational composition worthy of that title. Weisblat arrived armed with a host of obscure devices able to create a host of tones and textures, to which Carter overlaid his signature guitar sound. The end result was a thought-provoking, almost cinematic drone sequence that was revelatory to see created, but will reward patient repeat listening even more. We are excited to have been able to witness and capture this unique musical interaction, and hope you feel the same.

I recorded this set with Schoeps MK5 microphones in the ORTF configuration near the performers, together with a feed from the small PA system mixer. The sound quality is outstanding. Enjoy!

For those interested, the next installment of this series happens tonight (March 24, 2015) at Freddy’s. Check it out.

Download the complete set: [MP3] | [FLAC]

Stream the complete set:

Tom Carter/Barry Weisblat Duo
2015-02-24
Freddy’s
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DFC, ORTF)>KC5>CMC6 + Soundboard>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, fades)>Izotope Ozone 5 (light effects and EQ)>Audacity 2.0.5 (amplify, dither)>FLAC ( level 8 )

Tracks [Total Time 33:28]
01 improvisation

If you enjoyed this recording, please support Tom Carter by buying his music from Wholly Other, the “Buy Music” links at the Help Tom Carter page and visiting the Tom Carter page maintained by Kranky, and please support Barry Weisblat by visiting the Q-02 page for him and checking out his work on the Free Music Archive.

 

Ryley Walker: March 15, 2015 Baby’s All Right

March 22, 2015
By

ryley-walker
[photos by Jill Harrison]

There are many good singers, many more good writers of songs. More than enough to fill entire festivals with them year-round, to stuff streaming sites with more than anyone can listen to. But among that vast number, there are a tiny few in whom you can sense that something else, that spark, that undergirding realness, that makes their performance more than just-singing or just-playing-guitar. To see Ryley Walker perform is to experience a man singing to somewhere else, sending sound out to and for souls long since gone. That voice, that sound of his, the ecstatic yelps, those long, punch-drunk runs, threatening to split apart but never quite doing it, is singular. It may resonate with you, or it may not, but if it doesn’t, the thing missing in the equation is what you’re putting into it, not him.

This show at Baby’s All Right, our fourth time seeing Ryley in the last twelve months, finds him at an interesting point. Primrose Green, his tour-de-force second record, releases at month end, and has already found itself hailed in all the right places, turning Walker into a critical darling seemingly overnight. He’ll be at this summer’s Pitchfork Festival, at Wilco’s Solid Sound Festival, at Levitation in Vancouver, and any number of other places in the U.S. and Europe where of-the-moment acts can be seen. It’s hard to know what the effect of the crowds might be on this man, this music that requires him to give so much of himself emotionally every night. There are too many tales about how this part of the music world has split women and men in half.

But our best evidence about Ryley’s part of this story is this night at Baby’s All Right, in a jammed show room on a Sunday night. The 38 minutes of this set consist of just four songs, played this time with a band consisting of Ryley’s Chicago-based musician colleagues on second guitar, upright bass, and keys (over half of the band that we first saw perform in Raleigh back in September). The foursome appeared, as far as I know, only in Chicago and at this New York date — D.C. two nights before was a threesome (minus upright bass), as was Philadelphia just before the Brooklyn show — but their playing reminds you how well they know this material. The band weaved around Ryley’s lead as they reinterpreted Primrose Green songs that most of these fans probably haven’t heard original versions of yet on record. These weren’t idle-minded jams, either, but successful experiments, one after the other, from the new “Funny Thing She Said”, to tour staple “Summer Dress”, to “Primrose Green” to Ryley’s go-to cover song of late, Van Morrison’s “Fair Play” from Veedon Fleece. Shaved, hair clipped, wearing a collar and sweater that even had Ryley laughing at himself, Walker played with all the intensity he’s mustered every time we’ve seen him, but there was a new assuredness there, too, an ability to pull back just when he needed to. These thirty-eight minutes were like all of his sets I have seen: a thing of beauty, something memorable, something unique.

If you go to see one new artist this year because you read about them on this site, I hope Ryley Walker is the one. Nobody, not even him, knows where his story is headed. But this set proved once again where he deserves to be.

Baby’s All Right engineer Harrison Fore recorded and mixed this set live; I mixed this and the house-installed audience mics and mastered the recording in post. The sound quality is outstanding, equal to the quality of the performer you’re listening to. Enjoy.

Download the complete show from the Live Music Archive: [FLAC] | [MP3]

Ryley Walker
2015-03-15
Baby’s All Right
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and live mixed by Harrison Fore
Produced by acidjack

Soundboard (engineer: Harrison Fore) + Audio Technica 4051>digital multitrack>SD card>Adobe Audition CS 5.5 (mix down individual tracks, compression, fades)>Izotope Ozone 5 (EQ, imaging, exciter)>Audacity 2.0.5 (tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 38:06]
01 Funny Thing She Said
02 Summer Dress
03 [banter]
04 Primrose Green
05 [banter2]
06 Fair Play [Van Morrison]

If you enjoyed this recording, PLEASE SUPPORT Ryley Walker, like him on Facebook, and buy Primrose Green from Dead Oceans.

ryley-walker-2

SUPPORT NYCTaper




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