Cate Le Bon: January 16, 2014 Mercury Lounge – FLAC/MP3/Streaming

January 21, 2014
By

IMG_5895_THIS
[Photos courtesy of Bleary Eyed Brooklyn]

Cate Le Bon‘s 2013 album Mug Museum (and her 2012 effort Cyrk) reminded me of many of the things that I loved about indie rock in the first place: simple, slightly hazy production; direct, memorable hooks; lyrics that meant something; and an unforced vibe that didn’t sound it was trying too hard. The Achilles heel of that last quality has tended to be that it comes off live as boredom or slacking. With Cate Le Bon, I’m pleased to report that’s not the case.

Together with Kevin Morby (that recording coming soon), Le Bon easily sold out the Mercury Lounge for this night. So much so, in fact, that there must have been some regret about not going with a bigger venue. When you can get a line down the street pre-doors for a Thursday night early show in January, you’ve probably got enough buzz to play to more than 200 people. That said, it’s hard to replicate the feeling of seeing a great act in a club that’s both that intimate and that good sounding, and whatever this crowd lacked in sheer numbers it more than made up for in enthusiasm.

Resplendent in a shimmering aquamarine dress with sheer side vents, Le Bon played us most of Mug Museum along with select tracks from Cyrk, the Cyrk II companion EP and her debut album, Me Oh My. Le Bon earns comparisons to Nico from time to time, and there are flashes of her singing style at play, but the Welsh singer’s range is broader, and she seems a bit more approachable to spend an evening with. Live, Cate’s songs gained a heady dose of immediacy compared to their recorded counterparts. While “Sisters” doubled as the energetic peak at this show and on the record, “Duke” felt transformed into a heavier, less distant number when played live in that small room. Le Bon’s vocals were strong throughout the night, as was her band, who followed her whims on this night rather than the pre-planned setlist. These sixty-one minutes of pleasure were a sell-out well earned, and we expect Le Bon and the band will keep that streak up as the head west.

I recorded this set with a soundboard feed arranged by the band’s traveling engineer (if you have his name, please pass it along so I can credit accordingly) and the head Mercury engineer Kevin Mazzarelli, along with Schoeps MK41 microphones. The sound quality is outstanding. Enjoy!

Le Bon will be on tour in the U.S. until the end of this month before hitting the UK and then Europe in February and early March. You can find the dates here.

Stream “Sisters”

Download the complete show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_5889-2

Cate Le Bon
2014-01-16
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (PAS)>KCY>Z-PFA + Soundboard (engineers: Kevin Mazzarelli and [ ])>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (effects, light EQ)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time: 61 minutes]
01 No God
02 Are You With Me Now?
03 I Can’t Help You
04 Duke
05 Eyes So Bright
06 Mirror Me
07 Sisters
08 Falcon Eyed
09 What Is Worse
10 The Man I Wanted
11 Wild
12 [encore break]
13 Solitude
14 Fold the Cloth

If you enjoyed this recording, PLEASE SUPPORT Cate Le Bon, visit her website, and buy her records in her online store.

Lee Ranaldo and The Dust: January 11, 2014 Bell House – Flac/MP3/Streaming

January 16, 2014
By

Lee at Bell House
[photo by Kevin Bannon]

The last time we checked in with Lee Ranaldo, he played the penultimate show in the history of Maxwell’s. At that point, Lee had a series of new songs that would eventually appear on his second post-Sonic Youth album Last Night on Earth which was ultimately released in October. Like its predecessor 2102’s Between the Times and the Tides, Last Night is a mature, honest and straightforward rock album. For the new album and the tours of 2013, Lee has credited his band “The Dust” which currently consists of downtown guitar wiz Alan Licht, bassist Tim Lüntzel and Sonic Youth drummer Steve Shelley. At the Bell House on Saturday night, Lee and the band played a lengthy set to a energetic crowd. All nine tracks of the new album were performed in the set along with selected older tracks and three interesting covers. It was the last night of the tour and Lee referenced the difficulties of a broken amp and a series of broken strings. But the band persevered and produced 100 minutes of outstanding music that was both tight and also offered a chance for the band to stretch out and jam. Lee Ranaldo and The Dust will appear again in NYC at the Union Pool on February 13.

I recorded this set with the Sennheiser cards mounted in the raised VIP area and mixed with an excellent board engineered by Lee’s tour FOH Jay Eigenmann. The sound quality is superb. Enjoy!

Stream “Lecce Leaving”:

Stream “Everybody’s Been Burned” (Byrds cover):

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Lee Ranaldo and The Dust
2014-01-11
Bell House
Brooklyn, NY USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard (engineer Jay) + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:37:49]
01 KeyHole
02 Last Night On Earth
03 Lecce Leaving
04 By the Window
05 Ambulancer
06 Home Chds
07 [The Rising Tide intro]
08 The Rising Tide
09 Off The Wall
10 Angles
11 Late Descent
12 Everybody’s Been Burned [Byrds]
13 [banter – thanks]
14 Xtina as I Knew Her
15 [encore break]
16 Fragile [Wire]
17 Mannequin [Wire]
18 Blackt Out

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Lee Ranaldo, visit his page at the Sonic Youth website, and purchase Last Night On Earth directly from the Matador Records website [HERE].

Songs: Ohia & Magnolia Electric Co.: Jason Molina Tribute at The Hideout (Chicago, IL) – FLAC/MP3/Full Set Streaming

January 13, 2014
By


IMG_6499
[Photos by acidjack]

An artist who is great does not go quietly. Long after he is gone, his echo will expand into new ears, carry forth his vision and provide inspiration and hope.

Jason Molina was special. I didn’t know him, but you’d have to be tone-deaf to the English language not to recognize the talent in every line he wrote. In the best tradition of song, his sung poetry managed to be both personal and universal. Molina’s words were often dark, but their beauty leavened their ache.

Molina made music under several names, but the two most permanent and best-known were Songs: Ohia, which lasted until a new roster became Magnolia Electric Co. in 2003. While none would dispute that Molina was the animating creative force behind both, he wasn’t alone. In tribute to Molina and his deep well of songs, the members of Magnolia Electric Co. performed a mini-tour this January that sent them to Durham and Asheville, NC, Indianapolis and, finally, Chicago. For the first three dates, Mike “Hiss Golden Messenger” Taylor handled the bulk of lead vocal duties. But this final show of the four-date tour, at The Hideout in Chicago, gave us something else entirely. What we got were more than two hours of Jason’s songs performed by two very serious rock and roll bands that were headless, in a sense, but heartless in none, joined by a cadre of special guests.

For the first set, the Songs: Ohia lineup shared vocal duties among themselves as well as country great Lawrence Peters for two numbers. On a searing rendition of “The Big Game Is Every Night”, Tim Midgett and Andy Cohen (formerly of Silkworm, now of Bottomless Pit) added guitars and vocals. Compared to the sprawling Magnolia Electric Co. set that was to come, the seven song Songs: Ohia set was brief, but it was no less memorable. People remember Molina’s words as nuanced and vulnerable, but that didn’t mean he couldn’t make music that was loud. What you realized as Songs: Ohia closed their set with “The Black Crow”, featuring guitar pyrotechnics that could shake a venue ten times the Hideout’s size, was that Molina’s brand of ragged modern blues could make an emotional impact at any volume.

Magnolia Electric Co. took the stage with the deep melancholy of “Whip-Poor-Will”, followed by Taylor handling vocals on the harder-rocking “Hammer Down”. From there, a host of guest vocalists and players cycled through, including Peters, Midyett and Cohen reprising their earlier roles, plus David Vandervelde and Joseph “Elephant Micah” O’Connell. It quickly became clear that the 80-minute format of the previous shows would be ignored as the band pulled out tune after tune, relying at some points on lyric sheets (“This song’s got a lot of fuckin’ words!” Peters said of “Shenandoah”) but never lacking the passion to honor the material. Perhaps the most Molina-esque vocal turn came from among one of his own bands, drummer Mark Rice, who gave a stunning take on “The Lioness”. That said, making a list of highlights would be impossible, as each new song offered a new take on yet another Molina classic.

The crowd’s largest response came to perhaps Molina’s best-known song (and inarguably one of his best), “Farewell Transmission”. In that song, Molina sings that the real truth about it is that no one gets it right, but we’re all supposed to try. Well, if Jason could have heard his former bandmates and friends on this night, I think he would agree that they got it right. And they proved another piece of truth from that great song, that he will be gone, but not forever. Because the real truth about it is, a great artist like Jason Molina doesn’t die, he just changes shape. In our hearts and minds, he is forever.

I recorded this set with the kind assistance (not to mention outstanding house mix) of The Hideout engineer Joey King, together with Schoeps MK4V microphones. While no recording can quite capture the emotion present in the room, this is certainly an outstanding representation of the sound. I hope you enjoy it. Also, the bulk of the Molina canon is in print or has been reissued in LP and other formats on Secretly Canadian (including the 10th anniversary reissue of the seminal Magnolia Electric Co. record). You owe it to yourself to buy them.

Thanks to Seth Dodson and Joey King of The Hideout, the members of Magnolia Electric Co. and Songs: Ohia, and Mike Taylor.  Please let me know if any of my information about personnel is incorrect or incomplete.

Stream Songs: Ohia playing “The Black Crow”

Stream Magnolia Electric Co. playing “Farewell Transmission”

Download the complete show (both sets): [MP3] | [FLAC]
If either link has stopped working, please use the links below.

Download individual set downloads from the Live Music Archive:
Songs: Ohia: [MP3] | [FLAC]
Magnolia Electric Co.: [MP3] | [FLAC]

Stream the complete Songs: Ohia set:

Stream the complete Magnolia Electric Co. set:

IMG_6492

Songs: Ohia
2014-01-11
The Hideout
Chicago, IL

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V>KC5>CMC6 + Soundboard (engineer: Joey King)>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 46:27]
01 Are We Getting Any Closer
02 Constant Change
03 Almost Was Good Enough
04 Just Be Simple *
05 [banter]
06 The Old Black Hen *
07 [banter2]
08 The Big Game Is Every Night $
09 [banter3 – Tribute to Jason]
10 The Black Crow

* with Lawrence Peters on vocals
$ with Tim Midgett and Andy Cohen on vocals/guitar

_____________________________________

Magnolia Electric Co.
2014-01-11
The Hideout
Chicago, IL

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V>KC5>CMC6 + Soundboard (engineer: Joey)>>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 1:37:51]
01 Whip-Poor-Will
02 Hammer Down ^
03 The Dark Don’t Hide It *
04 Talk To Me Devil, Again *
05 [banter]
06 North Star
07 Bowery @
08 O! Grace
09 What Comes After the Blues ^
10 [banter2]
11 Lonesome Valley ^
12 Leave the City
13 Northstar Blues %
14 [banter3]
15 Shenandoah %
16 [banter4]
17 Memphis Moon !
18 [banter5]
19 The Lioness &
20 I’ve Been Riding With the Ghost ^
21 [banter6]
22 John Henry Split My Heart
23 Farewell Transmission %
24 [banter7]
25 Hold On Magnolia ^

*Tim Midgett and Andy Cohen of Bottomless Pit/Silkworm
! with David Vandervelde on vocals
& Mark Rice on vocals
% Lawrence Peters on vocals
^ Mike Taylor on vocals
@ Joe “Elephant Micah” O’Connell on vocals

If you enjoyed this recording, you ought to purchase the music by many of these fine musicians, including Songs: Ohia, Magnolia Electric Co., Hiss Golden Messenger, Lawrence Peters, Bottomless Pit, David Vandervelde, and Elephant Micah.

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Dva: January 9, 2014 Trans Pecos – Flac/MP3/Streaming

January 13, 2014
By

dva2
[photo by Adam]

My first show of 2014 was a very memorable one. The Czech band Dva have been around for a while and have been to NYC before, in fact they have a live album recorded for WMFU last year. But none of their albums have ever been distributed in the US — that is until Northern Spy Records will release Nipomo on February 25, 2014. And I had not seen them live until this past Thursday at Trans Pecos, at an outstanding show curated by Northern Spy. “Dva” is Czech for “duo”, and that is the basic formula for this band — but that’s just the start. Bára Kratochvílová plays a litany of instruments, including sax, a variety of percussion instruments and banjo. She also provides most of the vocals and the vocal sampling. Jan Kratochvíl is seated on stage with his acoustic guitar, a sampler, a mixer and his ability to perfectly beatbox. The sound of the band can best be described as “acoustic electronica” but the performance was so much more than that. In other words, Dva have to be seen to be completely understood. We will get that chance again in March, as the band has announced that they will return to the US for a tour which will include stops at SXSW and NYC.

I recorded this set with the Sennheiser cards on a stand at the front of the stage and mixed with a soundboard feed provided by the venue’s excellent FOH Max. The sound is pro quality. Enjoy!

Stream “Mulatu”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Dva
2014-01-09
Trans Pecos
Queens NY

Digital Master Recording
Soundboard + On-Stage Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:02:42]
01 Nunovo Tango
02 Hap Hej
03 Huhu
04 Mechan Tuman
05 Nanuk
06 Nipomo
07 Tatanc
08 Fin
09 Mulatu
10 Tropikal Animal

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Dva, visit their website, and pre-order Nipomo from Northern Spy Records [HERE].

Potty Mouth: January 6, 2014 Glasslands – FLAC/MP3/Streaming

January 10, 2014
By


IMG_6470
[Photos by acidjack]

Potty Mouth may not be as vulgar as their name implies, but they can write a mean fucking hook. Hailing from the indie rock mini-Mecca of Northampton, Mass., the band is touring behind Hell Bent, its first full-length album, brought to you by Old Flame Records. I had no idea what to expect from my first show of the year, given the sub-zero temperatures, but Potty Mouth’s buzz seems to have more than made up for the bad weather. This seven-song, twenty-five minute headlining set told you all you need to know about this band. They showed up, delivered one catchy salvo of feminist pop-punk after another, and called it a night. It was economical, it got it done, it reminded you why you braved the cold.

In particular, I found myself nodding along to “The Spins”, a song about that well-known consequence of too much booze, and equally captivated by the closer “The Better End”, which gives guitarist Phoebe Harris a turn at the vocal mic. Like fellow Northampton residents Speedy Ortiz, among others, Potty Mouth ought to remind those who ditched guitar rock with a purpose for watered-down laptop R&B exactly what they were missing.

I recorded this set with our installed Naiant X-R microphones in the venue, plus a soundboard feed provided by the outstanding head house engineer Josh Thiel. The sound quality is excellent. Enjoy! 

Stream “The Spins”

Download the complete show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_6477

Potty Mouth
2014-01-06
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-R (installed)+Soundboard (engineer: Josh Thiel)>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (reverb on SBD, mix down)>Izotope Ozone 5 (EQ, effects, image adjustment)>Audacity 2.0.3 (fades, tracking, amplify, light compression)>FLAC ( level 8 )

Tracks
01 [new song]
02 Rusted Shut
03 Sleep Talk
04 [unknown]
05 The Spins
06 [new song 2]
07 The Better End

If you enjoyed this recording, PLEASE SUPPORT Potty Mouth, visit their bandcamp page, and buy Hell Bent from Old Flame Records.

Caged Animals: December 11, 2013 Union Pool – FLAC/MP3/Streaming

January 5, 2014
By

NYCTaper-5639
[Video stills courtesy of Bleary Eyed Brooklyn]

We have followed Vincent Cacchione, the frontman and principal songwriter behind Caged Animals, for a few years now, beginning with his more straight-ahead rock n’ roll project, Soft Black. While Caged Animals is a different beast than that band we first saw back in the summer of 2010, what hasn’t changed are Cacchione’s songwriting instincts. The man can write hooks as well as anybody in Brooklyn, and his flair for that, coupled with his knack for inventive arrangements, makes any of his music something we want to see.

This show at Union Pool celebrated the release of the band’s second full-length LP, In the Land of Giants, a concept album that strikes an uplifting note compared to Cacchione’s Soft Black material. As he puts it on the leadoff track, “Too Much Dark”, there’s too much dark, and not enough light, but on this record, Cacchione helps lead us to it. The band played the album straight through in front of a tight-knit group of family, friends and longtime friends, and it showed in their relaxed, confident presence. My personal highlight was “Cindy + Me”, an uptempo number built around a sample from composer, pianist and technologist Raymond Scott. The song offered an emotional high point for a year rapidly drawing to a close and, it being a Cacchione joint, it was catchy as hell. The band will be in Europe and the UK this month and next — tour dates here. If you make it, you’ll be sure to leave with a smile on your face.

I recorded this set with a soundboard feed from Union Pool engineer Robert, plus Schoeps MK4V microphones providing ambiance. The sound quality is excellent. Enjoy!

Watch for video of this set on Bleary Eyed Brooklyn soon.

Stream “Cindy + Me”

Download the complete show [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

NYCTaper-5644

Caged Animals
2013-12-11
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Robert) + Schoeps MK4V (PAS)>KCY>Z-PFA>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, edits to SBD)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Too Much Dark
03 [false start]
04 Stop Hurting Each Other
05 Cindy + Me
06 The Sound of Thunder
07 U + Yr Rocketship
08 The Mute + The Mindreader
09 Tiny Sounds
10 We’re Playing With Fire
11 A Psychic Lasso
12 In the Land of Giants
13 (You’re A Giant Now)
14 What You’re Looking For

If you enjoyed this recording, please support Caged Animals, visit their website, and buy In the Land of Giants directly from the band at their bandcamp page.

SUPPORT NYCTaper




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