Cass McCombs: December 12, 2013 Bowery Ballroom – Flac/MP3/Streaming

December 18, 2013
By

CassBoweryWeAllWant
[photo by Will Oliver at We All Want Someone To Shout For]

Cass McCombs new album Big Wheel and Others is a real departure from his recent work. In 2011, he released both Wit’s End and Humor Risk and both albums owed much to the influence of the more sleepy Laurel Canyon music school. The shows in support of those albums were compellingly mellow and in particular the Bowery show in 2011 was one of the best shows we saw all that year. But Big Wheel is anything but sleepy — its pretty much a straight rock album and an ambitious double album at that. The tour in support of the album has been a lengthy cross-country trip that arrived at Bowery Ballroom on Thursday night. Cass’s band is a quartet of individual renowned in their own right, with the drums manned by Joe Russo, whose name has popped up often on this site in 2013. Dan Iead from the late great powerpop band The Broken West played both lead guitar and pedal steal, with versatile Portlander Jon Shaw (Battle Hymns and Gardens, Ez Weiss Quartet) (correction, thanks to comment: “Wolf!, Shpongle, Nicole Atkins, The Broken West, The Complete Last Waltz, etc”) on bass. The strength of the band was obvious from the start, as the album opener led off the set with a burst of energy. We’re streaming that track below. The balance of the set was a nice mix of material young and old — there were just six of the nineteen Big Wheel songs along with a democratic selection from each of Cass’s prior records. The Cass McCombs US tour is over, but he’ll be in Europe for six weeks in January and February.

I recorded this set with the Sennheiser Cards mounted at our usual spot in the center balcony. The room mix was quite superb with kudos to Cass’s tour FOH Chris Preston. We mixed in a very conservative amount of board feed to supplement the room mics and the sound quality is quite excellent. Enjoy!

Stream “Big Wheel”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Cass McCombs
2013-12-12
Bowery Ballroom
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:35:01]
01 Big Wheel
02 There Can Be Only One
03 Love Thine Enemy
04 Crick in My Neck
05 Morning Star
06 Angel Blood
07 Aeon of Aquarius Blues
08 Dreams Come True Girl
09 Lionkiller
10 The Burning of the Temple 2012
11 You Saved My Life
12 What Isn’t Nature
13 The Same Thing
14 County Line
15 That’s That
16 [band intro/encore break]
17 Sacred Heart

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Cass McCombs, visit his website, and purchase Big Wheel And Others from the Domino Records website [HERE].

Yo La Tengo: December 13, 2013 Bell House – FLAC/MP3/Streaming

December 17, 2013
By

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[Photos by acidjack]

During their expansive worldwide tour that consumed most of this year, Yo La Tengo tried an interesting concept: At every non-festival show, they would play the same song, “Ohm”, twice. The song would open the first, acoustic set, then pop up again somewhere in the middle of the noisier electric set that followed. It’s almost like they want to be sure we don’t miss the point. To paraphrase it, there is no point in resisting change.

Anyone who joined us for the band’s Hanukkah tradition at Maxwell’s last year, or in previous years, might well have nodded along to many of those lines from “Ohm” as they watched the band perched in front of the fanciful wooden forest on the much broader stage of the Bell House. Whether or not the band’s Hanukkah tradition survives, its spiritual home did not. The spirit at the Bell House on this first night contained both hope and regret. Even if that impossible-to-replicate intimacy of Maxwell’s was gone, even without the rotating cast of surprise opening acts and comedians and non-stop-wacky collaborations, we were still staring down four nights of sold-out shows by the ever-generous band, played to their hometown crowd. A band that, even as veterans go, came as road-tested as possible, arguably at the top of their powers.

Each of the four nights — each of which will be posted on this site in the coming days — followed the band’s tour-long acoustic/electric format, with only the Fade songs repeated (along with a few that cropped up as both acoustic and electric incarnations). Along with Ira’s hilarious banter during “Periodically Double or Triple”, the highlight of the acoustic portion was the cover of the Zombies’ “You Make Me Feel Good”, which made its only appearance of the tour. The electric set boasted the uncommonly played “Story of Jazz” and closed out on one of our favorite of the sprawling jam numbers, “Pass the Hatchet, I Think I’m Goodkind”. Anyone who didn’t expect YLT to pull something out of their hat for the encore by that point shouldn’t have given up hope so easily. Bruce Bennett of Brooklyn garage rockers The A-Bones parachuted in for an encore of three classic covers: The Seeds’ “Can’t Seem To Make You Mine”, The Flamin’ Groovies’ “Slow Death” (a 2013 debut) and Arthur Lee’s “Luci Baines”. The night closed on the quiet but hopeful coda of “Big Day Coming”, a song that echoed that message from “Ohm”. No need to lose time resisting the flow of change. These four nights of the holiday season were meant for celebration.

I recorded this set with a soundboard feed provided by the band’s longtime engineer Mark Luecke combined with Schoeps MK4V microphones. The sound quality is outstanding. Enjoy!

Nights 2, 3 and 4 will be posted in the coming days. Thanks, as always, to Yo La Tengo, Mark and their incredible crew, and to Jesse Jarnow for the setlist.

Stream “You Make Me Feel Good” [The Zombies] from the acoustic set:

Stream “Slow Death” [Flamin’ Groovies] from the electric set:

Download the complete show [MP3] or [MP3] | [FLAC]
Please notify us if the MP3 links are not working. If you just can’t wait, you could always try downloading and converting the FLAC with xAct (Mac) or Free Studio Manager.

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

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Yo La Tengo
2013-12-13
The Bell House
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Mark Luecke) + Schoeps MK4V (at SBD, PAS)>KC5>CMC6>Sound Devices USBPre2>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (noise reduction on acoustic SBD, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Setlist courtesy of Jesse Jarnow

Set 1 (acoustic) [Time: 46:16]
01 Ohm
02 Two Trains
03 Periodically Double or Triple
04 Madeline
05 You Make Me Feel Good [The Zombies]
06 The Point of It
07 Cornelia and Jane
08 I’ll Be Around
09 Black Flowers

Set 2 (electric) [Time: 1:32:07]
10 Stupid Things
11 We’re An American Band
12 Stockholm Syndrome
13 Super Kiwi
14 If It’s True
15 Before We Run
16 The Story of Jazz
17 Tom Courtenay
18 Ohm
19 Pass the Hatchet, I Think I’m Goodkind
20 [encore break]
21 Can’t Seem To Make You Mine [The Seeds]*
22 Slow Death [Flamin’ Groovies]*
23 Luci Baines [Arthur Lee]*
24 [banter]
25 Big Day Coming

* With Bruce Bennett of The A-Bones on guitar and vocals.

If you download this recording from NYCTaper, PLEASE SUPPORT Yo La Tengo, visit their website, and purchase their latest album Fade and its related special releases from Matador Records [HERE].

These Animals: December 6, 2013 Mercury Lounge – FLAC/MP3/Streaming

December 17, 2013
By

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[Photos by acidjack]

The indie pop band These Animals came to Mercury Lounge a couple Friday nights ago and made the rather crowded bill (three-band early show, two-band late show) their own. The four-member crew met while studying music production at SUNY Purchase, and that shows in their melodic approach and knack for arrangements. As they have said in interviews, they aren’t afraid of writing pop songs, and that shows on unabashed feel good numbers like their latest single, “Hunting Horn”, which is streaming below. They’re a good kind of band to see after a long work week, filled with optimism and good nature that comes through between and during songs. Best of all, this set found us treated to an encore (!!!) that included some hilarious Tom Petty and U2 teases, before the band cranked out the night’s highlight, “Four to the Floor”, also streaming below. You can find out when the band’s upcoming shows will happen, and check out more of their music, here.

I recorded this set with Schoeps MK4V cardiod microphones and a soundboard feed from the house engineer, David. Aside from a couple mid-set songs where a few overly chatty audience members decided to congregate right under the microphones, the sound quality is outstanding. Enjoy!

Stream “Four to the Floor”

Stream “Hunting Horn”

Download the complete show [MP3] | [FLAC

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_6281

These Animals
2013-12-06
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: David) + Schoeps MK4V (PAS)>KCY>Z-PFA>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, edits to SBD)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.5 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 45:59]
01 Pages
02 Autumn
03 I’m Not From Here
04 Oak
05 Hunting Horn
06 Tenants
07 I Wrote the Book
08 [banter/Happy Birthday]
09 Thieves
10 Silence Sets the Tone
11 [encore jamming and banter]
12 Four to the Floor

If you enjoyed this recording, PLEASE SUPPORT These Animals, visit their website, and purchase records and merch from the band here.

65daysofstatic: November 24, 2013 Bowery Ballroom – FLAC/MP3/Streaming

December 12, 2013
By

IMG_6315
[bad photos by acidjack]

The Sheffield, UK band 65daysofstatic are among the leading lights of Great Britain’s post-rock movement. Almost thirteen years after their formation and ten after their debut EP, Stumble.Stop.Repeat, the band showed this crowd at Bowery Ballroom why they’ve endured. Even going back to their first album, The Fall of Math, 65daysofstatic were ahead of the times, adding glitchy electronic noises over the top of their cinematic compositions. The band strikes me as less guitar-driven than many of their peers generally; the cresting waves of guitar are still very much there, but they feel more of a component to the sound rather than the band’s reason for being. Consider, for example, “Prism”, the band’s latest single, from their 2013 album Wild Light, or the piano-driven “Taipei”. Most of this set was drawn from Wild Light, but we also got a taste of the band’s earlier material, such as a sweeping version of The Fall of Math’s “Install A Beak In the Heart that Clucks Time in Arabic”. Considering that the band chose a New York live set for their 2009 live record Escape From New York, I can’t say I was surprised by the outpouring of love from this crowd, who treated 65daysofstatic as enthusiastically as the headliner, Caspian (that recording here).

I recorded this set with Schoeps MK5 microphones and a flawless soundboard feed from the house engineer, Kenny. The sound quality is outstanding. Enjoy!

Stream “Prisms”

Download the complete show [MP3] | [FLAC

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_6312

65daysofstatic
2013-11-24
Bowery Ballroom
New York, NY USA

Hosted at nyctaper.com
Recorded and produced by acidjack
Tracking by IceMan

Schoeps MK5c (30cm PAS Bar)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Kenny)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mixdown, adjust levels)>Izotope Ozone 5 (EQ, effects)>Audacity 2.0.3 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks [Total Time 53:32]
01 Retreat! Retreat!
02 Crash Tactics
03 Install a Beak in the Heart That Clucks Time in Arabic
04 Prisms
05 The Undertow
06 Debutante
07 Unmake the Wild Light
08 Taipei
09 Radio Protector

If you enjoyed this recording, PLEASE SUPPORT 65daysofstatic, visit their website, and buy their records from their online store.

The Numbers Band (15.60.75): December 6, 2013 Bowery Electric – Flac/MP3/Streaming

December 11, 2013
By

DSC_0211
[photos by P Squared Photography]

The Numbers Band (aka 15.60.75) is the fount from which much of the great Ohio-based music of the last four decades emanates. If that’s too big a statement, then let’s look at the facts. The Numbers Band debut album Jimmy Bell’s Still in Town was once described by Pere Ubu’s David Thomas as “one of the great moments of our culture”, and another time as “the only good album ever recorded by anyone”. The band’s members have included Gerald Casale (Devo), Chris Butler (The Waitresses, Tin Huey), and Terry Hynde (Chrissy Hynde’s brother). The band’s leader Robert Kidney has played with Anton Fier in the Golden Palominos, and along with his brother Jack with Ubu’s David Thomas. In 2012 Robert was awarded the Cleveland Arts Prize Lifetime Achievement Award. Locally in Ohio the band is a legend, but outside the midwest The Numbers Band is woefully under-appreciated and has never quite eclipsed cult status. On Friday night, the band returned to NYC for their first show here in many years to promote the re-issue of Jimmy Bell’s by the excellent Brooklyn-based but Ohio-centric record label Exit Stencil. It was very satisfying that Bowery Electric was packed to the rafters and the band both acknowledged and played off the energy of the crowd. Robert in particular, even given his age and recent health woes, seemed to be in great spirits and in prime form. The set began as the album does, with “Animal Speaks” and this version was on fire — we’re streaming it below. The energy never let up as the band worked through many Jimmy Bell’s tracks and a few deep cuts before they played essentially two encores. In the end it was really an honor to capture this set and gratifying to see a legendary band capable of an epic set and still around to receive the crowd adoration they deserve.

I recorded this set with the Sennheiser Cards mounted about 15 feet from the stage and mixed with a fine board feed. There was some crowd yapping at the back bar that can be heard during quieter moments, and a tad bit of peak static in the vocal mics at high volumes, but those are fairly minor flaws to an otherwise superb recording. Enjoy!

Stream “Animal Speaks”:

Download the Complete Show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

DSC_0143

Numbers Band (15.60.75)
2013-11-06
Bowery Electric
New York, NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper

Setlist:
[Total Time 1:36:22]
01 Animal Speaks
02 Nobody’s John
03 Red Stick
04 The New Matchbox Blues
05 Sucker Punch
06 I Wish You Would [Billy Boy Arnold]
07 Battery B
08 [Tony Maimone intro]
09 Jimmy Bell
10 Eye Game
11 Back To Disaster
12 Rosalee
13 Thunderhead
14 Keep A Knockin

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT The Numbers Band, visit their website, and purchase the reissue of Jimmy Bell’s Still In Town from Exit Stencil Records [HERE].

Eagulls: October 16, 2013 Glasslands – FLAC/MP3/Streaming

December 9, 2013
By

IMG_6044
[Photos by acidjack]

The Leeds, UK punks Eagulls aren’t one of your pretty sort of “punk” bands. Having taken a rather bizarre and uncompromising posture from the get-go (they hate “beach bands” and those that incorporate “Afrobeat” among other easy targets), Eagulls bear the burden justifying the attitude in the live setting. Happily, this CMJ New Music Marathon showcase at Glasslands showed off the harder-edged side of the band in a way that suggests they can back the smack talk up. Frontman George Mitchell brings more heat on his own than most entire bands, yowling into the mic like he’s screaming his argument at a long-hated relative in the back of the room. Their short burst of a set wasn’t filled with a lot of conventionally pretty moments, but it made its point. The band has put out an EP on Canadian-based Deranged, a suitable space to share with such acts as Fucked Up and White Lung, but their U.S. full-length comes your way by longtime friends of the site Partisan Records, whose generous eclecticism makes their catalog as unpredictable as it is enjoyable. Look for that release on March 4 here in the U.S. Until then, put these guys on your calendar.

I recorded this set with our usual setup for the venue, with Naiant X-R microphones and a soundboard feed. The sound quality is excellent. Enjoy!

Stream “Possessed”

Download the complete show [MP3] | [FLAC

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

IMG_6034

Eagulls
2013-10-16
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Naiant X-R (cardiod, DFC, ORTFish)+Soundboard>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, amplify, balance, downsample, dither)>FLAC ( level 8 )

Tracks
01 Nerve Endings
02 Moulting
03 [unknown1]
04 Coffin
05 Tough Luck
06 [unknown2]
07 Possessed

If you enjoyed this recording, please support Eagulls, visit their website, and pre-order their self-titled debut LP from Partisan Records.

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