Villages: September 6, 2013 Hopscotch Music Festival, Kennedy Theater (Raleigh, NC) – FLAC/MP3/Streaming

September 24, 2013
By

IMG_5776
[Photo by acidjack]

One of the best things about festivals like Hopscotch Music Festival is being exposed not just to artists you know you want to see, but ones you didn’t know you wanted to see. I wasn’t aware of Asheville, NC based Ross Gentry, who records as Villages, before he took the stage at Kennedy Theater on the second night. But as soon as Gentry began creating his custom-made soundscape, I was grateful to be in the right place to hear the work of this brilliant emerging artist in the world of ambient and drone music. After a frantic day of day shows and main stage recording, sitting in the cool, dark Kennedy Theater for this Villages set felt like a reset button on the whole day. During this piece, you can hear the wash of running water, keyboards, guitars, found sounds and more combine to create an organic whole that is as soothing as it is thought-provoking.

At times it’s difficult with this kind of music to actually understand what the artist is doing, so I asked Ross to explain. Here is how this set was constructed:

All of the sounds I use are created using organic instruments and field recordings. My sets basically consists of a series of tape loops, which were present on stage, as well as electric guitar which was running through a series of effects pedals. The laptop itself it basically a means of triggering field recordings and various atmospheres, and recording and looping my guitar and tapes to further process and expand the sounds. It’s a very open and evolving process. It certainly leaves a lot of room to really feel out a space and develop pieces naturally.

The result on this night was a piece I felt was a beautiful meditation on the human experience, an oasis of calm in the midst of a frantic (but fun) festival. Gentry’s work was some of the most moving and powerful that I experienced at the entire festival and I hope more fans have a chance to experience his work. Please check out Villages’ extensive discography on his bandcamp page, where you can buy his releases on vinyl and cassette as well.

This recording was made with Schoeps MK41 microphones from an ideal spot in the venue. The recording captures the feel of the room very well and makes for a particularly good listen on headphones. Enjoy!

Stream and download the full set:

(To download the MP3, click the “Download” link in the upper right corner of the stream)

Download as FLAC

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Villages
2013-09-06
Hopscotch Music Festival
Kennedy Theatre
Raleigh, NC USA

Schoeps MK41 (DINa)>KCY>Z-PFA>Sound Devices USBPre2>Sony PCM-D50>24bit/48kHz WAV>Adobe Audition CS 5.5 (trim)>Izotope Ozone 5 (effects, EQ)>Audacity 2.03 (tracking, amplify, balance)>FLAC ( level 8 )

Tracks
01 improvisation

If you enjoyed this recording, PLEASE SUPPORT Villages by liking him on Facebook, visiting his bandcamp page and purchasing his releases there.

Speedy Ortiz: September 6, 2013 Hopscotch Music Festival, Kennedy Theater (Raleigh, NC) – FLAC/MP3/Streaming

September 24, 2013
By

speedy
[Screen capture courtesy of Dan Schram]

Speedy Ortiz is the aptly-named recording project of Sadie Dupuis, formerly vocalist/guitarist of the Brooklyn band (and NYCTaper Northside showcase vets) Quilty. This year’s very-well-received full-length debut on Carpark Records, Major Arcana, shows the full potential of Dupuis’ sound when joined to a band, who first recorded with her on 2012’s Sports EP. If Quilty echoed the heavy-tinged sound of Veruca Salt almost to a tee at points, Speedy Ortiz draws from a broader palette of influences, including Tuscadero, Slant 6 and Archers of Loaf to name a few. But not only can Dupuis write a hell of a catchy song, but she stands out both for having a singing voice that she can throttle up from sweet to scream at a moment’s notice. While her contemporaries’ lyrics often tend to word salad to fill space between riffs, Dupuis’ confessional style gives you something to think about — which led Pitchfork to make a favorable comparison to Liz Phair in their review of Major Arcana.

This Hopscotch Music Festival set by the band was one of the more hotly-anticipated of the festival for me, having missed several of the Northampton, MA band’s local shows. To the surprise of no one, the band’s live show brought out the harder element of their sound, while more surprisingly still giving Dupuis’ vocals plenty of room to shine in the mix. The band didn’t spend much time on chitchat during a short-but-sweet set that covered many of Major Arcana‘s best tracks plus some more obscure releases like the 7″ release “Taylor Swift” and two tracks from Sports, including one of my favorites, “Silver Spring”. Dupuis has always had a knack for songwriting, and with this unit cohering around that skill, I’d expect Speedy Ortiz to see a lot more positive press in their future.

I recorded this set with Schoeps MK41 microphones from an ideal location in the venue. The sound is excellent. Enjoy!

New York fans can catch the band at the newly-refurbished Silent Barn on October 19th.

Stream “No Below”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Speedy Ortiz
2013-09-06
Hopscotch Music Festival
Kennedy Theater
Raleigh, NC USA

Schoeps MK41 (DINa)>KCY>Z-PFA>Sound Devices USBPre2>Sony PCM-D50>24bit/48kHz WAV>Adobe Audition CS 5.5 (trim)>Izotope Ozone 5 (effects, EQ)>Audacity 2.03 (tracking, amplify, balance)>FLAC ( level 8 )

Tracks
01 Taylor Swift
02 Tiger Tank
03 Hitch
04 Fun
05 Casper
06 Cash Cab
07 No Below
08 Silver Springs
09 Plough
10 Gary
11 Indoor Soccer

If you enjoyed this recording, PLEASE SUPPORT Speedy Ortiz, visit their bandcamp page, and buy Major Arcana from Carpark Records.

NYCTaper CMJ Day Party – October 17 at Cake Shop

September 22, 2013
By

NYCTaperCMJ(1)

For the sixth year in a row with the fine folks at Cake Shop, we’ll be presenting a Thursday Day party during CMJ week. And much like our past efforts, this year’s roster of bands is a great one. Our previous shows have featured up and coming performers who have gone on to significant success such as Savoir Adore, Sharon Van Etten, White Fence, Diamond Rings, Widowspeak, Heliotropes, Mount Moriah, Hurray For The Riff Raff, She Keeps Bees, and many others.

Here are the details:

NYCTaper CMJ Day Party
(Unofficial Show)
Thursday October 17, 2013
Cake Shop 152 Ludlow Street, NYC 10002

Doors at 12 Noon

Music (preliminary schedule)
12:45 Slow Down Molasses (Saskatoon Canada)
01:30 J Fernandez (Chicago)
02:15 The Moondoggies (Seattle WA)
03:00 Bent Shapes (Boston)
03:45 Julia Weldon (New York)
04:30 “Special Guest”
05:15 The Echo Friendly (Greenpoint)
06:00 Caged Animals (Brooklyn)

Spacin’: September 6, 2013 King’s and September 7, 2013 Paradise of Bachelors Day Show (Hopscotch Music Festival, Raleigh, NC) – FLAC/MP3/Streaming

September 20, 2013
By

IMG_5850
[Photos by acidjack]

We first caught up with the Philadelphia-based garage rockers Spacin’ at 285 Kent back in April. As that review noted, this band is part of a proud and growing Philadelphia music tradition that continues to grow stronger as Brooklyn gets taken over by laptops. This is authentic, hard-rocking spaced-out rock for any era, but music that’s badly needed in this one. At this year’s Hopscotch Music Festival, fans in the know got to experience Spacin’ doing two somewhat-different sets in the span of two days.

First the band brought it hard at a rock-dominated bill at Raleigh’s Kings Barcade on Friday night. Then, for those hoping to nurse their hangovers in a positive way, they joined the more eclectic Paradise of Bachelors day show bill, following on the heels of Lonnie Holley. Band founder Jason Killinger had an especially busy Saturday, as he would join his other band, Birds of Maya, to close out the PoB day show. Of the two, it was this raunchier, rawer set that stood out for me — even in a WPA-era amphitheater backdropped by a rose garden, Spacin’ turned out an elemental, hard-hitting rock show that I won’t soon forget. Their first full-length, Deep Thuds, is a must-have for fans of riffed-out rock, as well as aficionados of great album art. Tracks from each show are streaming below, and both shows can be downloaded as well.

I recorded the King’s set with a rig installed there with the assistance of a couple of North Carolina friends, consisting of my Audio Technica 3031 microphones and a mono board feed. The Paradise of Bachelors Day Show rig consisted of Schoeps MK4V microphones in front of the stage, plus a stereo soundboard feed. Both recordings are outstanding. While there is a bit of distortion on vocals on the PoB show due to the heavily-taxed soundboard, it only adds to the experience. Enjoy!

Thanks to Paradise of Bachelors for having us out to the show!

Stream “Gary In the Universe” from the Paradise of Bachelors show

Stream “Ego-Go” from King’s

Download the Paradise of Bachelors show: [MP3] | [FLAC]

Download the King’s show: [MP3] | [FLAC]

IMG_5853

Spacin’
2013-09-07
Paradise of Bachelors Day Show
Louise “Scottie” Stephenson Amphitheatre
Raleigh, NC USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK4V>KC5>CMC6 + Soundboard>Edirol R-44 [Oade Concert Mod]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, adjustments)>Izotope Ozone 5 (tube effect, EQ)>Audacity 2.03 (tracking, fades, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro – Chris Smith]
02 Sunshine No Shoes
03 Gary In the Universe
04 Total Freedom
05 Ego-Go
06 Human Condition
_____________________________
Spacin’
2013-09-06
Hopscotch Music Festival
King’s
Raleigh, NC USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Audio Technica 3031 (FOB, DFC, ceiling mount)+Soundboard (mono)>Roland R-26>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down)>Izotope Ozone 5 (tape effect, stereo imaging, EQ)>Audacity 2.03 (fades, amplify, parallel compression)>FLAC ( level 8 )

Tracks
01 American Ruse
02 Empty Mind
03 [banter]
04 Ego-Go
05 Sunshine No Shoes

If you enjoyed this recording, PLEASE SUPPORT Spacin’, check them out on Facebook, and buy their album Deep Thuds from Midheaven Mailorder.

Pop. 1280: August 16, 2013 Mercury Lounge – FLAC/MP3/Streaming

September 19, 2013
By

IMG_5797

I’d heard nothing but good things about Pop. 1280 since my NC buddy David Schwentker posted their Hopscotch Festival recording here from last year. It’s not just about the dark, synth-driven sound or the vocals that sound like the voice of the apocalypse. It’s about how they convert the sound of their excellent records, including this year’s Imps of Perversion on Sacred Bones, into a live show that, even in the late slot at Mercury Lounge, will wake you the hell up. The band tore through a short set of material that focused almost exclusively on Imps of Perversion, with one track from 2011’s The Horror making an appearance. Compared to the Hopscotch set, Pop. 1280’s sound has become even more refined and able to dominate a crowd, and we look forward to a longer engagement in the future.

I recorded this set in our usual manner for Mercury Lounge, with Schoeps MK41 microphones and an excellent soundboard feed from head engineer Kevin Mazzarelli. The sound is outstanding. Enjoy!

Stream “Human Probe”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Pop. 1280
2013-08-16
Mercury Lounge
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KCY>Z-PFA + Soundboard >> Roland R-26>2x24bit/48kHz WAV>Adobe Audition CSS 5.5 (align, mix down, fades)>Izotope Ozone 5 (effects, eq)>Audacity 2.03 (tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Human Probe II
02 The Control Freak
03 Nailhouse
04 [tuning]
05 New Electronix
06 Human Probe>
07 Do the Anglerfish

If you enjoyed this recording, PLEASE SUPPORT Pop. 1280, visit their Tumblr, and buy their records from Sacred Bones.

Daniel Bachman: September 6, 2013 Hopscotch Music Festival, Long View Center (Raleigh, NC) – FLAC/MP3/Streaming

September 18, 2013
By

DBachmann
[Photos courtesy of Eric Dawson]

Introducing the 23-year-old guitar prodigy Daniel Bachman at their day show event (where he played with Pelt), my friends at Paradise of Bachelors paid Bachman a high compliment indeed when they referred to him as the logical heir of the late, great Jack Rose. To compare anyone, even today’s best living guitarists, to Rose might well border on sacrilege for those who follow these types of musicians closely. At least, it would if Bachman didn’t live up to the hype. For those who saw him play a solo set of his signature steel string fingerstyle guitar at Raleigh’s Long View Center  during the Hopscotch Music Festival on this Friday night — recorded by our buddy David Schwentker — it became clear that he does.

The Chapel Hill based guitarist, originally of Fredricksburg, Virginia, has four solo albums under his belt already, including his two 2012 releases Seven Pines and Oh Be Joyful, plus two more records he recorded as Sacred Harp that were released back in 2010. He’s been playing this music, which he calls “psychedelic Appalachia”, since he was a teenager. What you hear on this recording is the product of years of Bachman honing his craft, as well as absorbing the lessons learned from sharing stages with the greats, including Rose. This set wandered all over Bachman’s catalog, including previewing two new tracks from his forthcoming third album on Tompkins Square, Jesus I’m A Sinner. Both of those songs — “Sarah Anne” and “Blenheim” — show the continuing promise of this fine young musician. Two of these songs — “Pig Iron” and the untitled number — are being recorded now, with release planned for 2014. Yes, you heard it right — Bachman has a new record that’s not even out yet, and he’s already on to the next project.

This set was recorded by David Schwentker with a direct soundboard feed from the Longview house board. The sound quality is outstanding. Enjoy!

Stream “Pig Iron”

Download the complete show: [MP3] | [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

dbachman2

Daniel Bachman
2013-09-06
Hopscotch Music Festival
Long View Center
Raleigh, NC USA

Recorded and produced by David Schwentker

Soundboard feed>Olympus LS-10>24bit/48kHz WAV>Audacity (mix down, tracking, amplify)>Trader’s Little Helper>FLAC ( level 8 )

Tracks
01 [guitar warmup]
02 intro
03 Pig Iron
04 Coming Home
05 Sarah Anne
06 [Untitled Lap Guitar]
07 Copperhead
08 Blenheim
09 White Oak
10 We Would Be Building

If you enjoyed this recording, PLEASE SUPPORT Daniel Bachman, visit his facebook page, and buy his records from Tompkins Square or pre-order Jesus I’m A Sinner from Amazon.

SUPPORT NYCTaper




DISCLAIMER and LEGAL NOTICE

nyctaper.com is a live music blog that offers a new paradigm of music distribution on the web. The recordings are offered for free on this site as are the music posts, reviews and links to artist sites. All recordings are posted with artist permission or artists with an existing pro-taping policy.

All recordings and original content posted on this site are @nyctaper.com as live recordings pursuant to 17 U.S.C. Section 106, et. seq. Redistribution of nyctaper recordings without consent of nyctaper.com is strictly prohibited.

nyctaper.com hereby waives all copyright claims to any and all recordings posted on this site to THE PERFORMERS ONLY. If any artist posted on this site requests that recordings be removed, those recordings will be removed forthwith.