Woods: July 27, 2013 Bowery Ballroom – FLAC/MP3/Streaming

July 29, 2013
By

woods2013-07-27-1
[Photos by acidjack]

As Woods played in front of a fantasia of psychedelic swirls provided by Drippy Eye Projections, I thought back to another of many memorable Woods shows I’ve been to, where they played Abrons Arts Center with the Joshua Light Show, which these projections most resembled. Or there was the time they played St. Cecilia’s Church during the 2011 Northside Festival. Or the first couple times I saw them, in both cases opening for bands they are much bigger than now and whose careers they have outlasted, and thought, wow, these guys are really different. And they’re great. 

Like all bands with staying power, Woods have continued to evolve without abandoning the core elements of their sound — Jeremy Earl’s nasal, high pitched voice, the ramshackle folk, the not-quite-retro psychedelia. What has evolved into a very different beast is the band’s now-huge guitar sound, which barely resembles their earlier records and has turned them into a sonic juggernaut live. When the one minute, fifty four second song “I Was Gone” becomes a fourteen-minute behemoth of a jam now, the reaction isn’t being surprised or impressed that they’re trying it — it’s paying attention to what will be good about this version of the song. A Woods set, which rarely runs far past an hour, has become like a controlled dose of Grateful Dead. Every minute is worth watching, and the “jam songs” are ones you feel compelled to debate the best one of, date by date.

This set at Bowery Ballroom, which closed out their latest U.S. tour after a well-received Pitchfork Festival appearance the previous weekend, recalled several elements of the November show at Music Hall that we attended, but with a couple of exciting new offerings. Not only did the band play the new song “Shining”, which we assume will appear on their next record or in recorded format at some point, but they were also joined by Alex Bleeker of opening act Alex Bleeker and the Freaks for a special rendition of Creedence Clearwater Revival’s ever-popular “Have You Ever Seen the Rain”. Woods will be spending August in Europe and September on the West Coast. If you’re in either of those places, don’t miss seeing them. Tour dates can be found [HERE].

I recorded this set with Schoeps MK5 cardiod microphones and a soundboard feed from longtime Bowery engineer Kenny. The sound quality is outstanding. Enjoy!

Stream and download this recording on our bandcamp page:

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

woods2013-07-27-2

Woods
2013-07-27
Bowery Ballroom
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (DIN, DFC)>KCY>Z-PFA>Sound Devices USBPre2 + Soundboard (engineer: Kenny)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, effects)>Audacity 2.03 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time 1:06:17]
01 Pushing Onlys
02 Suffering Season
03 Cali In A Cup
04 Shining
05 Bend Beyond
06 [jam]
07 Size Meets the Sound
08 Is It Honest?
09 [banter/tuning 1]
10 Be All Be Easy
11 Find Them Empty
12 I Was Gone
13 [encore break]
14 Rain On
15 [banter2]
16 Have You Ever Seen the Rain? [Creedence Clearwater Revival]

If you download this recording from nyctaper, we expect that you will PLEASE SUPPORT Woods, visit the Woodist page and purchase their official releases including their latest album Bend Beyond from Woodist Records [HERE]. 

Julia Weldon: July 19, 2013 Knitting Factory – Flac/MP3/Streaming

July 27, 2013
By

Julia-Weldon2
[photos by PSquared Photography]

The physical copies of Julia Weldon’s new CD Light is a Ghost arrived in her manager/brother’s office on the afternoon of her CD release show last Friday. This serendipitous bit of fortune carried over into the celebratory feeling of her show at the Knitting Factory that night and also allowed us to snag a copy for multiple plays over the weekend. The CD is really everything we could have hoped for from this tremendous artist. The material is well-paced and highlights her many talents — strong voice, deep sense of melody, insightful lyrics and a keen sense of humor. Whether its this CD or her next, Julia Weldon is an artist destined for big things, and we are fortunate to be able to hitch onto her ride early on. The show at the Knit was also a family affair. Besides her brother (and manager), both of Julia’s parents (thanks on the CD) were there for support. In her bio, Julia notes that she came out at 12, and while we’re not privy (nor should we be) to the details of her parent’s reaction, its safe these days to assume that they are completely supportive. This is perhaps why her music is almost “post-gay”, that is to say that her songs don’t focus or even really touch on the struggle with phobias and acceptance. The lyrics treat her sexuality unselfconsciously and as a matter-of-fact — and that’s both empowering and refreshing. At the Knit, Julia and her band worked through the complete album, with a bonus song as encore. We are streaming “Icarus”, which was perhaps the most fully realized performance on a night when each number shined throughout.

Julia Weldon is touring for a half dozen dates in the South and Midwest before returning to NYC in September.

I recorded this set with the Sennheiser cards mixed with an excellent board feed from house soundman Rob, and the sound is excellent. Enjoy!

Stream “Icarus”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Julia-Weldon17

Julia Weldon
2013-07-19
Knitting Factory
Brooklyn NY

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser 8040 Cardioids > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, mixdown, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced by nyctaper
2013-07-24

Setlist:
[Total Time 1:03:18]
01 Meadow
02 Went to My Woman
03 [banter – Zack Bruce]
04 Icarus
05 Careful in the Dark
06 [banter – thanks]
07 You Never Know
08 All I Gave Her
09 Marian
10 [band introductions]
11 Round Again
12 [banter – parents]
13 Soon
14 Miles
15 Same Games
16 [encore break]
17 All the Birds
18 [banter – CDs]
19 One of These Days

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Julia Weldon, visit her website, and purchase her music from the links at her website [HERE], including Light is a Ghost, due for online release on August 20.
Julia-Weldon9

Porcelain Raft: June 28, 2013 Glasslands – FLAC/MP3/Full Set Streaming

July 26, 2013
By

porcelainraft2013-06-28
[Photo by acidjack]

Porcelain Raft, aka Mauro Remiddi, has produced a wide range of music in his life, all of which has been distilled to its essence in his current electronic compositions. This short set, billed as a full run-through of his Soundcloud-only EP Silent Speech, veered from that work’s original format into its own grand, live-sequenced creation. With the still-new house soundsystem at Glasslands providing ample reinforcement, this short but sweet set whetter our appetites for Porcelain Raft’s forthcoming Secretly Canadian LP Permanent Signal, which you can preorder via the link below.

I recorded this set with our installed rig in the venue, with Naiant microphones and a soundboard feed from house engineer Josh Thiel. The sound quality is excellent. Enjoy!

Stream and download the MP3s of the full set below:

Download the FLAC files [HERE]

Porcelain Raft
2013-06-28
Glasslands
Brooklyn, NY USA

Exclusive download hosted at nyctaper
Recorded and produced by acidjack

Soundboard (engineer: Josh Thiel) + Naiant X-R>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Izotope Ozone 5 (effects, EQ)>Audacity 2.03 (fades, tracking, amplify, balance, compression, additional EQ)>FLAC ( level 8 )

Tracks
01 Silent Speech Session Track 1
02 Silent Speech Session Track 2

If you enjoyed this recording, PLEASE SUPPORT Porcelain Raft, visit his website, and pre-order Permanent Signal directly from Secretly Canadian and buy other tracks of his from his Bandcamp page.

…And You Will Know Us By the Trail of Dead: July 23, 2013 Maxwell’s – FLAC/MP3/Streaming

July 25, 2013
By

aywkubttod2013-07-23-4
[Photos by acidjack]

Part of the joy of seeing bands in a small venue is the unpredictability. Small venues, even the best ones, are always fighting hard to hold it together, and it’s often a losing battle. Gear breaks down, beverage lines go stale, some asshole from some opening band breaks your backline, the A/C goes out, the health inspector is on your case, someone’s stealing from the till, someone else called in sick, the toilet’s clogged — owning a small music venue isn’t an endeavor for the faint of heart, or someone who doesn’t want to work. But at the same time, small venues are also where bands take risks. At Madison Square Garden or something, with an enormous light system, you won’t be varying the setlist or stage diving or interacting with a crowd where the nearest people are six feet from the stage. And you don’t have the safety net of a video screen or some other gimmick to make people care. You make them care with your own sweat.

For longer than many of the people in this crowd for …And You Will Know It By the Trail of Dead‘s show had even been going to concerts, the crew at Maxwell’s worked tirelessly to make that club a place that musicians wanted to play, that real fans wanted to hang out in, and that represented the best of their home in Hoboken. And they succeeded, more than most could ever claim to, in all of that.

But you wouldn’t have blamed Trail of Dead if they’d thrown hissy fits and run offstage after the first issue with the circuit breaker shut off the entire PA. Or when a monitor malfunctioned. Or when the PA blew again. They’re a veteran band. They don’t need this shit. But if you want to be the kind of band that plays at Maxwell’s — that stays close to its audience, that remembers where it came from — then you learn to deal. And that’s exactly what the Austin band did. When “Another Morning Stoner” got cut off, they didn’t just move on to the next song. They played a shortened, stripped-down version. They also played one of the most memorable performances of theirs I’ve seen. Try to deny the power of “Will You Smile Again”, the first thing played after the gear got working again, or the searing “A Perfect Teenhood”, or the “Caterwaul” where guitarist/singer Jason Reece took the mic to the back of the room to sing, at one point doing so from inside the sound booth. (The above photo is taken from that area).

In taking a show that had its challenges — that in less cool hands could’ve been a shambolic mess — and turning into a night none of us would forget, they paid the most fitting tribute to the venue of all.

I recorded this set with a soundboard feed combined with Schoeps MK5 microphones. While the overall sound quality is excellent, I’d like to emphasize again that the equipment issues are nobody’s “fault” — not the band’s, not the Maxwell’s staff’s. Sometimes, these things happen. Enjoy!

Stream “Caterwaul”

This NYCTaper recording is being hosted on the Live Music Archive.  You can stream the entire show by clicking the song titles below or download it via the links provided.

Direct download of the entire show: [MP3] | [FLAC]

Stream the full set:

aywkubttod2013-07-23-1

…And You Will Know Us By the Trail of Dead
2013-07-23
Maxwell’s
Hoboken, NJ USA

Hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineers: Mitch (house) and Matt (band)) + Schoeps MK5 (PAS)>KCY>Z-PFA>>Roland R-26>2x24bit/48kHz WAV>Audacity 2.03 (patch bad section of SBD)>Adobe Audition CS 5.5 (align, mix down)>Izotope Ozone 5 (EQ, tape exciter)>Audacity 2.03 (fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks [Total Time: 1:22:41]
01 [intro]
02 It Was There That I Saw You
03 How Near How Far
04 Catatonic
05 Up To Infinity [gear issues]>
06 Flower Card Games [gear issues]
07 Another Morning Stoner [false start]
08 [banter/gear issues 1]
09 Another Morning Stoner [short version]
10 Spiral Jetty>
11 Weight of the Sun
12 Homage
13 [banter2]
14 Will You Smile Again
15 [banter3]
16 Aged Dolls>
17 A Perfect Teenhood
18 Caterwaul
19 [banter4]
20 Totally Natural
21 [encore “break”]
22 Relative Ways

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Trail of Dead, visit their website, and purchase Lost Songs at your favorite retailer, including here.

aywkubttod2013-07-23-2

Jon Langford: July 9, 2013 Maxwell’s – Flac/MP3/Streaming

July 23, 2013
By

langford
[iphone photo by neild]

Longtime NYCTaper correspondent neild made his last trip to Maxwells:
“The very first time I went to a show at Maxwell’s in Hoboken was to see the Mekons, for a show in July 1991 when the Leeds-bred country-art-punk combo was touring in support of Curse of the Mekons, the album that got them kicked off A&M for being “commercially unsatisfactory.” This was at a time when the Mekons played in the New York area every few months (usually at Tramps or the Marquee), and I don’t remember much in particular about the show, except that Jon Langford and Sally Timms, then recently split as a couple, bickered both terribly and hilariously, and that the show ended with Jon and several other Mekons thrashing atop each other, and their guitars, on the floor. And that the whole thing was wonderful and anarchic and both so rock and roll and so anti-rock and roll in a way that only the Mekons have quite ever been able to pull off.

Almost 22 years later to the day, I made what will be my final visit to Maxwell’s to see Langford and his usual New York cohort (bassist Tony Maimone and drummer Steve Goulding, with only longtime violinist Jean Cook absent) play their farewell gig at the club, which as everyone reading this no doubt knows by now will close forever at the end of July. I was on vacation on the West Coast when I got an email about the show, which was due to take place just one day after I was to arrive back east on a red eye; of course, I immediately ordered tickets, because one more chance to see Jonboy at the greatest rock club in the world was something I couldn’t pass up, jet lag or no.

It didn’t disappoint. After taking the stage solo to play “Luxury” from his recent album Old Devils while waiting for Maimone and Goulding to make their way through the Maxwell’s crowd to the stage, Langford launched into full-band renditions of several songs from his 1998 solo debut Skull Orchard, a still-unparalleled masterpiece focused on his hometown of Newport, Wales (“Tubby Brothers” is about a real-life undertaking firm of that name); the rest of the set highlighted both Waco Brothers classics like “Walking on Hell’s Roof” and other solo material, including his recent, haunting Bloodshot single “Drone Operator.” After a break for drinks, the band returned to do a string of Mekons songs, more Jon solo material, and a set of covers before closing things out with the ur-Mekons track “Where Were You?”

It all amounted to both a eulogy for and a celebration of Maxwell’s, which was only fitting for an artist who’s spent the last several years selling paintings based on faded publicity photos of dead country music stars. For a fuller review, including a nice sampling of the jokes that peppered the evening (only some of which were about Sally Timms farting), see Will You Miss Me’s report on the evening.

This recording was made from two sources: a pair of cap-mounted Core Sound Binaural mics about ten feet from the stage, plus a soundboard feed. (Huge thanks for Maxwell’s soundman Mitch for his both his help in this area and his terrific mix for the night – NYC-area clubs, this man is a free agent come August 1, so get your dialing fingers working!) Despite some minor mishaps with a balky cable and some errant breezes from the Maxwell’s a/c system – one of the few things that’s changed there in the last 22 years – I was able to finesse it all in mixing into a recording I think you’ll all be happy with. Especially if you’re a fan of fart jokes.”

This recording is available for Download in FLAC and MP3 at Archive.org [HERE].

Stream the Entire Show:

Jon Langford
2013-07-09
Maxwell’s
Hoboken, NJ

Recorded and mastered by neil d

CoreSound Binaurals + soundboard > MM-EBM-1 battery box (with bass roll-off) > Line In > iRiver H320 (Rockboxed) > AIFF > Sound Studio > FLAC > XAct (for SBE and tags) > FLAC

Tracks:
First set:
01 Luxury
02 [banter – Billy Bragg]
03 Tubby Brothers
04 Youghal
05 Butter Song
06 Trapdoor
07 Death of Country Music
08 [banter – did the Waco Brothers ever play here]
09 Walking on Hell’s Roof
10 Drone Operator
11 [banter – some of my friends’ fathers]
12 Pill Sailor
13 [banter – I went to the doctor]
14 X-Ray Style (Joe Strummer)
15 [banter – the Three Johns broke up in this room]
16 Death of the European
17 Deep Sea Diver

Second set:
18 Memphis, Egypt
19 Lonely and Wet
20 [banter – Rico’s accordion is dead]
21 Slightly South of the Border
22 Dickie, Chalkie and Nobby
23 [banter – smells and tastes]
24 Millionaire
25 [banter – ooh, doggie]
26 Are You an Entertainer
27 Good Year for the Roses (George Jones)
28 Before I Grow Too Old (Fats Domino)
29 Sentimental Marching Song
30 [banter – a funny joke in Chicago]
31 Old Flames Can’t Hold a Candle to You (Dolly Parton)
32 It’s Not Enough
33 [banter – guitar solo]
34 Big River (Johnny Cash)
35 Nashville Radio
36 Big Spender (Shirley Bassey)
37 Wild and Blue (John Anderson)
38 Wreck on the Highway (Dorsey Dixon)
39 Where Were You

If you download this recording, we expect that you will PLEASE SUPPORT Jon Langford, visit his website, and purchase his official releases from the Bloodshot Records Website [HERE].

Gary Clark Jr.: June 8, 2013 Mountain Jam IX – Flac/MP3/Streaming

July 22, 2013
By

Gary Clark Jr Perrucci
[photo courtesy of Dino Perrucci Photography]

It must get tiresome for black guitarists to be tagged as the “next Hendrix” with predictable regularity. Gary Clark Jr. is just the latest to receive this impossible and ridiculous comparison, including from the New York Times of all places. At best, the Hendrix comparison trotted out for every black rock guitarist is simply lazy, and at worst its subtlely racist. I suspect that a performer with the intelligence and grace exhibited by Gary Clark Jr. must sigh at the silliness of the tag, but also find it somewhat humorous at this point. We caught his excellent set on Saturday of Mountain Jam last month and the tongue in cheek acknowledgment of the comparison was a terrific run through Hendrix’s “Third Stone from the Sun” both as the intro and outro of Clark’s own “If You Love Me Like You Say”. In the seventy-five minute set, Gary Clark Jr. exhibited both the guitar chops and strong vocals that have earned him an enormous amount of authentic praise lately, too. He was selected to play at Eric Clapton’s 2013 Crossroads Festival, he performed with the Rolling Stones this Summer, and he even played at the White House for a Command Performace. When he next returns to the NYC area, it will be for a headline gig at the cavernous Terminal 5.

I recorded this set in the same manner as the Govt Mule set from later in the day, and the sound is equally good. Enjoy!

Stream “Catfish Blues”:

Download the Complete show [MP3] / [FLAC]

Gary Clark Jr
2013-06-08
Mountain Jam
Hunter Mountain NY

Digital Master Audience Recording

Neumann TLM-102s > Edirol R-44 (Oade Concert Mod) > 24bit 48kHz wav file > Soundforge (level adjustments, EQ, set fades) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and tagging via Foobar)

Recorded and Produced
by nyctaper 2013-07-21

Setlist:
[Total Time 1:16:50]
01 When My Train Pulls In
02 Don’t Owe You A Thing
03 Please Come Home
04 Travis County
05 Third Stone From The Sun
06 If You Love Me Like You Say
07 Third Stone Reprise
08 If Trouble Was Money
09 Things Are Changin
10 Catfish Blues
11 Blak and Blu
12 Bright Lights Big City

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Gary Clark Jr., visit his website, and purchase his official releases from the Store at the Warner site [HERE].

SUPPORT NYCTaper




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