Matthew E. White: September 6, 2012 Hopscotch Festival, Fletcher Opera Theater (Raleigh, NC) – FLAC/MP3/Streaming (plus bonus Mercury Lounge track!)

September 28, 2012
By


[Photo by Agatha Donkar. Visit her website]

Matthew E. White has been one of the true musical sensations of 2012 so far. The Richmond, VA native has not only garnered praise from all quarters for his debut album Big Inner, a gumbo of 70s soul, rock, jazz, blues and roots influences (oh, and Randy Newman), but his live shows have already achieved cult status. Big Inner, released this year on the Hometapes imprint, is a lush, everything-but-the-kitchen-sink production that pairs White with a choir, strings, keyboards, baritone sax, and more, and White has proven equally willing to go for the big arrangements in the live setting, convenience and good sense be damned.

It is appropriate, then, that as one of the top artists to emerge from the southeastern U.S. this year, White garnered a prime slot at what I would argue has already risen to be the king of southeastern music festivals, the Hopscotch Music Festival. For this very special performance in Raleigh’s Fletcher Opera Theater, White showed up with a 30-person ensemble including many of the very musical ingredients that make Big Inner so special. From the mellow Otis Redding-style groove of “One of These Days” to the psychedelic jams on “Hot Toddies”, this over one hour show (longer than Big Inner‘s 40 minutes by a solid amount) was as varied and remarkable as Big Inner itself. Before wrapping up, White took special time to thank festival co-founder Grayson Currin, who booked this mammoth ensemble long before White became the toast of the blogosphere. As with so many things about this festival, this night with Matthew E. White was something Hopscotch got right.

This recording, by NC taper Larry Tucker, is a matrix mix of a soundboard feed and American-made Peluso microphones. While it suffers from some of the same room acoustics issues as the Lambchop recording, it is quite good. As a bonus, Hometapes and White’s management have also permitted us to release our recording of “Brazos” that nyctaper recorded at Mercury Lounge.

Thanks to Matthew E. White, Hopscotch Festival, Dan Schram, Larry Tucker, and Shore Fire Media.

Stream “Hot Toddies”

Stream and download “Brazos” from the Mercury Lounge show (click the “Download” button in the window below to download):

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Check out all of NYCTaper’s Hopscotch Festival recordings

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.


[Photo copyright 2012 by Abby Nardo]

Matthew E. White
2012-09-06
Hopscotch Festival
Lincoln Theater
Raleigh, NC USA

Recorded by Larry Tucker
Produced by Dan Schram

Soundboard>unknown deck + Peluso CEMC6-CK21>Fostex FR-2LE>>mixdown>>Izotope Ozone 5 (EQ)>Audacity 3.0 (tracking, fades, amplify, balance)>FLAC ( level 8 )

Tracks
01 Will You Love Me
02 One of These Days
03 Steady Pace
04 Hot Toddies
05 [unknown1]
06 [banter]
07 Big Love
08 [unknown2]
09 Gone Away
10 [band intros]
11 Brazos
12 [encore break]
13 [unknown3]

____________________
Matthew E. White
2012-08-20
Mercury Lounge
New York, NY  USA

Soundboard + Sennheiser MKH-8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files >
Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 > (tracking) > TLH >
flac (320 MP3 and Tagging via Foobar)

Tracks
[rest of set omitted at artist request]
08 Brazos

If you enjoyed this recording, PLEASE SUPPORT Matthew E White, visit his website, and purchase Big Inner from Hometapes [HERE]

Patterson Hood and the Downtown Rumblers: September 17, 2012 Bowery Ballroom – FLAC/MP3/Streaming Songs

September 27, 2012
By


[Photos by acidjack]

Back in July acidjack and I had the opportunity to catch Patterson Hood and the Downtown Rumblers at the Bell House on what was the first leg of a tour to support the new album, ‘Heat Lightning Rumbles in the Distance‘.  To put it succinctly, they floored us and it was unanimously decided that we were looking forward to their return to the NYC area.  I won’t even begin to match the superlative review that acidjack wrote for that show as he hit the nail squarely on the head with it and perfectly articulated Patterson’s strengths as a great songwriter and how good the experience was.  I will tell you that this same top-notch group of musicians definitely sounded a shade tighter and a little more comfortable with more gigs under their collective belt.  And with the addition of multi-instrumentalists Claire and Page Campbell from opening band Hope For Agoldensummer joining the fellas on stage, they fleshed out new layers and depth from these cuts.  As a storyteller, Hood’s tales and songs sounded just as detailed and intimate as they had two months previous.  With most of the new disc represented this night, he also pulled out some of his older material as well as dusting off a handful of Drive-By Truckers favorites.  And once again, by the time the band parted from the stage, this appreciative audience felt like we had spent the evening with a good buddy.

Flying microphones from our usual spot in the balcony, we were also granted a board feed from Bowery Ballroom’s house engineer par excellence, Kenny, and he had the sound beautifully dialed in.  The result is a great recording of this concert.  We hope you like what you hear as much as we did.  Enjoy!

Special thanks to Patterson Hood and the Downtown Rumblers for making this recording possible, and to Kieran, Kenny and the staff at Bowery Ballroom for their courtesy and cooperation.

Stream “Pride of the Yankees”:

Stream “Better Off Without”:


Download the FLAC/MP3 files and stream this entire show on the Live Music Archive [HERE]

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Patterson Hood and the Downtown Rumblers
Monday, September 17, 2012
Bowery Ballroom
New York, NY, USA

Source: SBD + Milab VM-44 Links (cardioid) > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )
Bowery Ballroom house engineer: Kenny
Recorded by: acidjack and Johnny Fried Chicken Boy
Produced by: Johnny Fried Chicken Boy

SETLIST:
[Total time: 1:54:39]
01. 12:01
02. [banter]
03. Leaving Time
04. Little Bonnie
05. Pride of the Yankees
06. Daddy Needs a Drink
07. [banter]
08. Better Than The Truth
09. [banter]
10. Disappear
11. September Gurls  [Big Star]
12. After The Damage
13. Uncle Disney
14. (untold pretties)
15. [banter]
16. Pay No Attention to Alice  [Tom T. Hall]
17. Betty Ford
18. Heat Lightning Rumbles in the Distance
19. Come Back Little Star
20. Fifteen Days (Leaving Time Again)
21. [encore break / banter]
22. The Righteous Path
23. Better Off Without
24. Pollyanna
25. [banter]
26. A World of Hurt
27. Back of a Bible
28. Bulldozers and Dirt

If you download this recording, we expect that you will PLEASE SUPPORT Patterson Hood and his related projects, visit his website, visit his Facebook and MySpace pages, and purchase his official releases and merchandise, including the new album ‘Heat Lightning Rumbles in the Distance‘, [HERE], at Amazon and at iTunes.

Oren Ambarchi: September 8, 2012 Hopscotch Festival, Memorial Auditorium (Raleigh, NC) – Streaming Full Set

September 27, 2012
By


[Photo by Jeremy D Larson. See his Flickr stream [HERE]]

Oren Ambarchi was a very special pickup for this year’s Hopscotch Music Festival. The world-renowned electronic guitarist and percussionist not only doesn’t spend a ton of time touring stateside, but is an especially rare sight in North Carolina. A frequent collaborator with the band sunn O))), Ambarchi’s work stretches the limits of music and the guitar as conventionally understood, with stretched-out song structures that are more dissonant soundscapes than proper songs. Coming on at Memorial Auditorium just before sunn O)))’s festival-closing set was an appropriate slot for Ambarchi and a logical move in terms of fan base; most who showed up in the hall knew what to expect (as much as anything that Ambarchi does is “expected”).  This 32-minute improvisation is classic Ambarchi, and an excellent introduction to his work for those hearing him for the first time.

I recorded this set with Schoeps MK5 microphones in the cardiod setting from the optimal position in the venue. The sound is excellent. Enjoy!

Stream the entire set:

Please note, at the artist’s request, no downloading of this set is permitted.

Follow acidjack on twitter

Check out all of NYCTaper’s Hopscotch Festival recordings

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Oren Ambarchi
Hopscotch Music Festival
Memorial Auditorium
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (cardiod, DFC, 10ft, DIN)>KC5>CMC6>Sound Devices USBPre2>Edirol R-44 [OCM]>24bit/48kHz WAV>Audacity (light eq, set fades, amplify, balance, downsample)>FLAC

Tracks
01 improvisation

If you enjoyed this recording, PLEASE SUPPORT Oren Ambarchi, visit his website, and buy his releases from Touch music [HERE]

Young Magic: September 6, 2012 Hopscotch Festival (Raleigh, NC) – FLAC / MP3 / Streaming

September 26, 2012
By


[not very good photos by acidjack]

Young Magic’s grab-bag of influences – West African rhythms, shoegaze textures, hip hop beats, a smattering of witch house – makes them an almost-impossibly current-sounding band, whose sound is as easy to locate in the modern present as their auditorium-shaking bass was in your throat. The band kicked off the opening night of the Hopscotch Music Festival at Raleigh, NC’s cavernous Memorial Auditorium, and rose to the occasion despite being one of the smaller acts, personnel-wise, to take the festival’s biggest stage. The opening chants and dense sonics of “You With Air” set the tone for a set that made it clear how the Brooklyn (via Australia and Indonesia) act had gotten that billing in such short time.  This is the sort of dance-ish music that you probably don’t actually dance to; like Tricky and Massive Attack before them, Young Magic’s game is to hypnotize its audiences with their dark atmospherics. The band included a couple of new numbers not on their 2012 Carpark Records debut, Melt, which could well see some action on best-of lists at year-end.

I recorded this set with Schoeps MK41 microphones from the ideal location in the venue. The venue’s rather boomy acoustics are reflected in the recording, though with some additional editing, I think it is a solid capture. Enjoy!

Stream “Night In the Ocean”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]
If the FLAC link is no longer working, email nyctaper for the FLAC files

Check out all of NYCTaper’s Hopscotch Festival recordings

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Young Magic
2012-09-06
Hopscotch Festival
Memorial Auditorium
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41>KCY>Z-PFA>Sound Devices USBPre2>Edirol R-44 [OCM]>24bit/48kHz WAV>Izotope Ozone 5 (EQ)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC (level 8 )

Tracks
01 intro>You With Air
02 The Dancer
03 Sparkly
04 Slip Time
05 [unknown]
06 [unknown2]
07 Night In the Ocean

If you enjoyed this recording, PLEASE SUPPORT Young Magic, like them on Facebook, and buy Melt from Carpark Records [HERE]

Hans Chew also playing the NYCTaper CMJ Day Party at Cake Shop (Thursday Oct 18)

September 25, 2012
By

Yesterday we posted about our first CMJ show of 2012, the day party on Thursday October 18, 2012 at Cake Shop. We revealed two artists for this amazing bill, with clues about the other five acts. Today, we’re filling in another name — the inimitable Hans Chew. A little bio about Hans:
“Hans Chew’s 2010 debut album, Tennessee and Other Stories…, received four-stars from Rolling Stone Magazine who called it “fantastic… timeless…”. Uncut Magazine included the record in their Top 50 Albums of the Year and their list of the 20 Best Americana Albums, while also nominating Hans for their highest honor, The Uncut Music Award. Hans Chew is alive and kicking in New York City. He is currently working on his next record, due in 2012.”

Yesterday, Hans revealed his appearance at our show with this tumblr post:

We’re all set to play the @nyctaper @cmj 2012 day party at @cakeshopnyc !!!
This show is sure to be a highlight of CMJ 2012 in October…our band is like a bunch of rabid thoroughbreds kicking in their stalls raring to rock and roll a New York City crowd after a long local hiatus…not to be missed… Also on the bill are New Orleans’ own Hurray For the Riff Raff, who recently appeared on HBO’s Treme, and have been touring Europe extensively, and recently played a spectacular show in Brighton, UK promoted by our European management company Brighthelmstone Promotions. Plus Merge Records’ act Mount Moriah, and more TBA…
https://www.nyctaper.com/2012/09/nyctaper-at-cmj-2012-first-show-thursday-october-18-day-party-at-cake-shop/

We’re all set to play the @nyctaper @cmj 2012 day party at @cakeshopnyc !!!

This show is sure to be a highlight of CMJ 2012 in October…our band is like a bunch of rabid thoroughbreds kicking in their stalls raring to rock and roll a New York City crowd after a long local hiatus…not to be missed…
Also on the bill are New Orleans’ own Hurray For the Riff Raff, who recently appeared on HBO’s Treme, and have been touring Europe extensively, and recently played a spectacular show in Brighton, UK promoted by our European management company Brighthelmstone Promotions. Plus Merge Records’ act Mount Moriah, and more TBA…

So now the bill looks like this:
6:00 – Hurray For The Riff Raff
5:15 – [awesome all female quartet]
4:30 – Hans Chew
3:45 – [female folk singer extraordinaire – after year playing keys for BK indie vets]
3:00 – Mount Moriah
2:15 – [talent-rich songscape creator – childhood friend of nyctaper faves]
1:30 – [irresistable Michigan-based pop trio]

Wooden Wand: September 7, 2012 Three Lobed/WXDU Day Show and Berkeley Cafe (2 shows! Hopscotch Festival (Raleigh, NC) – FLAC/MP3/Streaming

September 25, 2012
By


[Photos by acidjack]

Back when he was in law school, my college buddy Cory Rayborn decided to put out a 10″ record for the band Bardo Pond, on a new imprint he called Three Lobed Recordings. Cory didn’t have any grand cred-building mission or even a firm direction in mind; he just wanted to give wider exposure to the outsider music he held dear. So after the Bardo Pond release came another, then another, then many others, until the tiny North Carolina label that my friend founded as a hobby suddenly found itself compiling a tenth anniversary vinyl-only box set – which sold out in a matter of days. And at this year’s Hopscotch Music Festival, Three Lobed and the Durham, NC-based WXDU (nominally Duke’s college radio station, but staffed almost completely by locals) brought together an incredible lineup of artists who have released records on Three Lobed, together with other artists who are friends and admirers.

James Jackson Toth, aka Wooden Wand, first joined the Three Lobed family on the label’s 14th release, with the Wooden Wand and the Vanishing Voice album l’un marquee contre la moissoneuse. Toth has a staggering catalog of releases to his name, including everything from homemade tapes and CD-Rs to the recent deluxe version of his current record Briarwood (which, if you Kickstarter funded enough money, included a USB drive filled with over 100 demos, live recordings, alternate mixes, and outtakes). While Briarwood and Toth’s other most recent material could be best described as country-driven rock, Toth’s work has taken many twists and turns, with deep dives into free jazz, noise and acid folk. Toth has a new album on the way by the name of Blood Oaths of the New Blues, which promises to continue in the extremely accessible (and well-produced) vein of Briarwood. Here at the WXDU/Three Lobed Day Show at Raleigh’s King’s Barcade, we had the pleasure of seeing Toth take the stage to perform a short-but-satisfying set that included several of the new Blood Oaths tunes.

After a heartfelt thank you to Rayborn and his accomplishments with Three Lobed, Toth dug right in with “Mother Midnight”, from his 2006 record Second Attention, a mid tempo rocker that showcases the deep soul in Toth’s voice. You’d never know, from listening, that he is originally from upstate New York. From there, the new material began with the brooding “Southern Colorado Song”, one of several of Toth’s new songs that demonstrates the further refinement to his songwriting even as it stays true to his essential aesthetic.  Perhaps the most moving song of the set was the new “Dungeon of Irons”, whose lyrics were culled by Toth from a compilation of the actual last words of death row prisoners. In Toth’s hands, these scattered musings become a profound statement about mortality and the essential unfairness that plagues both life and death. As this set wound down with the new song “Jhonn Balance” (in tribute to the lead singer of the experimental band Coil), Toth’s day was just beginning; Wooden Wand played Berkeley Cafe down the street later that night.

For this post we are offering both the Three Lobed/WXDU Day Show set that I recorded, as well as a partial recording of the Berkeley Cafe set that was recorded by a local taper Evan Lamb. While the Berkeley recording was done with less complicated equipment, Toth felt that this was the better of the two performances, and this recording adds an extra song not played at the earlier show.

Thanks to James Toth for allowing us to post these sets.

Stream “Dungeon of Irons” from the Three Lobed/WXDU Day Show:

Stream “Eagle Claw” from Berkeley Cafe:

Download the WXDU/Three Lobed set [MP3] | [FLAC]

Download the Berkeley Cafe set [MP3] | [FLAC]

If the FLACs link are no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Check out all of NYCTaper’s Hopscotch Festival recordings

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Wooden Wand
2012-09-07
WXDU/Three Lobed Hopscotch Day Party
Kings Barcade
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard + Schoeps MK5 (omni, onstage)>KC5>CMC6>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition (mixdown)>Izotope Ozone 5 (EQ, effects)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Mother Midnight
03 Southern Colorado Song
04 Winter In Kentucky
05 [banter]
06 Dungeon of Irons
07 Days This Long
08 Jhonn Balance
______________________

Wooden Wand
2012-09-07
Hopscotch Music Festival
Berkeley Cafe
Raleigh, NC USA

Exclusive download hosted at nyctaper.com
Recorded by Evan Lamb
Produced by Dan Schram and acidjack

AKG Perception 170>unknown recorder + soundboard>unknown recorder>unknown processing>WAV>Audacity (tracking, set fades, amplify)>FLAC ( level 8 )

Tracks [Total Time 22:53]
[set cuts in]
01 Days This Long
02 [banter]
03 Mother Midnight
04 [banter]
05 Winter In Kentucky
06 [banter]
07 Eagle Claw
08 Jhonn Balance

If you enjoyed these recordings, PLEASE SUPPORT Wooden Wand, visit his website, and buy Briarwood and the forthcoming Blood Oaths of the New Blues from Fire Records [HERE]

SUPPORT NYCTaper




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