Posts Tagged ‘ acidjack ’

Yo La Tengo: December 8, 2012 Maxwell’s (Hanukkah Night 1) – Flac/MP3/Streaming

December 9, 2012
By


[photo by acidjack]

The Yo La Tengo Hanukkah shows at Maxwell’s have always been an eight-day embarrassment of riches — we’ll readily admit to being spoiled over the years with the openers, the guests, and the many special moments that we’ve been fortunate to witness and to capture. Last year, despite a serious health scare Ira played all eight shows, sometimes confined to a chair on stage. This year the obvious concern is the massive storm damage to Hoboken itself — the charity for Night 1 was the Rebuild Hoboken Relief Fund. Sometimes we forget that the centerpiece of it all, the band themselves, are really the greatest gift of all. On this first night, their set was a subdued affair but that’s not to say its wasn’t special. The opener of a fifteen-minute tribute to the city “Night Falls on Hoboken” was both poignant and intense. Yo La Tengo is releasing a new album in January, Fade on January 15, and we also saw a couple of the new songs, one a live premiere. Of course this wouldn’t be Hanukkah without at least one guest appearance and on this night it was the opener Raybeats guitarist Jody Harris who played on both the Richard Hell cover and an intense “Pass The Hatchet” that we’re streaming below. This performance of Hatchet rivals any of previous years and offered a glimpse of what can expect over the next week. Happy Hanukkah indeed!

We recorded this show in the usual manner, with microphones mounted in the front corner of the soundboard and mixed with an outstanding feed provided by longtime YLT FOH Mark and Maxwell’s house sound tech Carson. This is the first year that we’re using the new Sennheiser Cards in this room and I’m quite pleased with its handling of this small room. The results are superb. Enjoy!

We are asking that if you download this recording, that you visit the Rebuild Hoboken Relief Fund website and contribute to this worthy cause. Many parts of the metro area were hit hard by the Storm, but Hoboken was one of the hardest hit. While a contribution is not a strict requirement for download, please just do it. Hoboken needs it.

Stream “Pass The Hatchet, I Think I’m Goodkind”:

Download the Complete show [MP3] / [FLAC]

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Yo La Tengo
2012-12-08
Hanukkah Night 1
Maxwell’s
Hoboken, NJ USA

Digital Master Recording
Soundboard + Audience Matrix

Soundboard + Sennheiser MKH 8040s > Edirol R-44 (Oade Concert Mod) > 2 x 24bit 48kHz wav files > Soundforge (level adjustments, set fades, downsample) > CDWave 1.95 (tracking) > TLH > flac (320 MP3 and Tagging via Foobar)

Recorded and Produced
by nyctaper
2012-12-09

Setlist:
[Total Time 1:23:59]
01 Night Falls on Hoboken
02 Eight Day Weekend
03 The Evil That Men Do
04 [banter – tech]
05 Stockholm Syndrome
06 [banter – soft roll out]
07 Paddle Forward
08 Before We Run
09 Beanbag Chair
10 [banter – thanks]
11 Big Day Coming (for Jesse)
12 Satellite
13 Tom Courtenay
14 Artificial Heart
15 The Kid With the Replaceable Head [Richard Hell]
16 Pass the Hatchet I Think I’m Goodkind
17 [encore break]
18 Drug Test
19 Take A Giant Step
(Thanks Jesse for the setlist)

If you download this recording from NYCTaper, we expect that you will PLEASE SUPPORT Yo La Tengo, visit their website, and pre-order the new album Fade from Matador Records [HERE].

Dinosaur Jr.: December 1, 2012 Terminal 5 – FLAC / MP3 Downloads + Streaming Songs

December 7, 2012
By


[Photos courtesy of Dana (distortion) Yavin.  See more of her excellent work HERE.]

Here at NYCTaper, we have a special place in our hearts for Dinosaur Jr. Not only do they make outstanding music and have chops second to none but they have long supported the taping community, making several appearances on this website including one of the first recordings posted here. We were particularly ecstatic when the original lineup of J Mascis, Lou Barlow and Murph reunited in 2005 and have since released three superb albums. In the interim, we have done our best to capture as many of their concerts as we can but none of us grasped the full extent of what we were in for when they announced this celebratory show marking the 25th anniversary of the seminal and influential ‘You’re Living All Over Me‘ album. In addition to playing the disc in its entirety, allusions were made to many other tracks and “special friends” making an appearance. We wound up being clobbered with a setlist and guest lineup worthy of an alt/indie-rock uber fan’s wet dream: Lee Ranaldo and Kim Gordon of Sonic Youth, Frank Black from the Pixies, Johnny Marr of The Smiths, Dale Crover from the Melvins, Tommy Stinson of The Replacements, Kyle Spence from Harvey Milk, Kurt Vile, Al Cisneros from Sleep, Kevin Drew of Broken Social Scene, Suzanne Thorpe of Mercury Rev, Don Fleming, Dante Ferrando, John Petkovic and Fred Armisen. On a night with more highlights and jaw-dropping performances than one can count, there was a wonderful interplay between all the artists and a realization by the crowd that this concert was to be savored. Thank you J, Lou and Murph for the awesome holiday gift you honored us with. It was an extraordinary way to begin drawing this year to a close.

Thanks to Dinosaur Jr.’s management and the team at Terminal 5, we were given the opportunity to set up and record from the dead-center spot towards the back of the floor. With such an ideal location, acidjack and I ran three distinctly different microphone configurations in an effort to ensure the best possible recording we could make: Milab VM-44 Links (DIN) and AKG C 414 B-XLS’s in both Blumlein and M/S configurations. The results are uniformly excellent so we are offering all three sources for download. We certainly hope you like what you hear as much as we did. Enjoy!

Special thanks to Dinosaur Jr., Brian Schwartz and Daniel Mapp for making this recording possible, and to Mike and the staff at Terminal 5 for their courtesy and cooperation.

Stream “Tarpit” (Source 1): 

[audio:https://www.nyctaper.com//D6540Dinosaur_Jr6738/Dinosaur_Jr_-_Tarpit.mp3]

Stream “Alone” (Source 2): 

[audio:https://www.nyctaper.com//D6540Dinosaur_Jr6738/Dinosaur_Jr_-_Alone.mp3]

Stream “Don’t” (Source 3): 

[audio:https://www.nyctaper.com//D6540Dinosaur_Jr6738/Dinosaur_Jr_-_Dont.mp3]

Source 1: Milab VM-44 Link (DIN)
Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

Source 2: AKG C 414 B-XLS (Blumlein)
Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

Source 3: AKG C 414 B-XLS (M/S)
Direct download of the complete show in MP3 [HERE]
Direct download of the complete show in FLAC [HERE]

If any of the links are no longer working, email nyctaper with a request for the download location of the files.

Follow Johnny Fried Chicken Boy on Twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense.  The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission.  Please respect our request.

Dinosaur Jr.
Saturday, December 1, 2012
Terminal 5
New York, NY, USA
(opener: Kurt Vile and the Violators)

Source 1: AUD > Milab VM-44 Links (cardioid DIN) > Edirol R-44 (WAV @ 24-bit/48kHz)
Source 2: AUD > AKG C 414 B-XLS’s (Blumlein) > Edirol R-44 (WAV @ 24-bit/48kHz)
Lineage for Sources 1&2: R-44 > PC > Adobe Audition (mixdown, downsample, dither, tracking) > WAV (16-bit/44.1kHz) > TLH (check/fix SBE’s, FLAC conversion) > FLAC ( level 8 )

Source 3: AUD > AKG C 414 B-XLS (FOB, DFC, M/S) > Sound Devices USBPre2 > Edirol R-44 [OCM] > 24bit/48kHz WAV > Izotope Ozone 5 (EQ, exciter) > Adobe Audition CS 5.5 (decode M/S, adjust levels) > Audacity 3.0 (set fades, tracking, amplify, balance, downsample) > FLAC ( level 8 )

Recorded and produced by: acidjack and Johnny Fried Chicken Boy

SETLIST:
[Total time: 2:17:43]
01. [intro]
02. Thumb [Suzanne Thorpe (flute)]
03. Little Fury Things [Lee Ranaldo (additional vocals)]
04. Kracked
05. Sludgefeast
06. The Lung
07. [banter]
08. Raisans
09. Tarpit
10. In a Jar
11. Lose
12. [banter]
13. Poledo
14. [banter]
15. Almost Fare [Frank Black (vocals/additional guitar)]
16. [banter]
17. Tame [Pixies] [Frank Black (vocals/additional guitar), Kyle Spence (drums)]
18. [banter]
19. Alone [Kurt Vile (additional guitar), Al Cisneros (bass), Kyle Spence (drums)]
20. [banter]
21. Don’t Pretend You Didn’t Know
22. Watch the Corners
23. [banter]
24. The Wagon [Kevin Drew (vocals), Johnny Marr (additional guitar)]
25. The Boy with the Thorn in His Side [The Smiths] [Johnny Marr (additional guitar), Dale Crover (drums)]
26. Training Ground [Deep Wound] [Dale Crover (drums)]
27. tuning > jam
28. Gargoyle [Al Cisneros (bass)]
29. Crucified [Iron Cross] [Don Fleming (vocals), Dante Ferrando (drums), Graham Clise (additional guitar)]
30. Don’t [Kim Gordon (vocals), Don Fleming (additional guitar)]
31. [encore break]
32. T.V. Eye [The Stooges] [John Petkovic (vocals), Tommy Stinson (bass), Fred Armisen (drums)]
33. Start Choppin’ [Kevin Drew (additional vocals)]
34. Freak Scene

If you download this recording, we expect that you will PLEASE SUPPORT Dinosaur Jr., visit their website, visit their Facebook and MySpace pages, and purchase their official releases and merchandise [HERE], at Amazon and at iTunes.

Kurt Vile: December 1, 2012 Terminal 5 – FLAC/MP3/Streaming

December 6, 2012
By


[Photos courtesy of Dean Keim. See his Flickr stream [HERE]]

It is hard not to be overshadowed a bit when you have the task faced by Kurt Vile and the Violators, who opened the epic Dinosaur Jr. 25th Anniversary Show last weekend at Terminal 5. But, even facing an expectant crowd yearning for J. Mascis’ guitar shredding (and that of a slew of special guests, including Kurt himself), Vile was not to be outdone so easily.  Since we last caught one of his sets opening for Yo La Tengo at Maxwell’s last year, Kurt has continued to rack up accolades for his Matador-released Smoke Ring For My Halo and continued to improve and develop his live sound. That was on full display here, as the band’s psychedelic guitar pyrotechnics on songs like “Jesus Fever” from Halo dominated the room. The Violators on this night included a second guitarist from another Philly band and site favorite, Purling Hiss frontman Mike Polizze, who added his own unique style to this seven-song set. Getting to check out a set from Kurt Vile before an epic two-hour plus Dinosaur Jr. show was just the first of this night’s many awesome moments.

Johnny Fried Chicken Boy and I recorded this set from the floor in front of the soundboard, in a designated taping section graciously arranged for us by Dinosaur Jr. The microphones used were AKG 414s in the “mid/side” configuration, which allows the user to vary the amount of room reflections, and gave some nice clarity to the sound of this often-boomy room. Enjoy!

The Dinosaur Jr. set was recorded and will be posted on the site shortly.

Stream “Jesus Fever”

Download the MP3 files [HERE] | Download the FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Kurt Vile and the Violators
2012-12-01
Terminal 5
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

AKG C 414 B-XLS (FOB, DFC, M/S)>Sound Devices USBPre2>Edirol R-44 [OCM]>24bit/48kHz WAV>Izotope Ozone 5 (EQ, exciter)>Adobe Audition CS 5.5 (decode M/S, adjust levels)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Hunchback
02 Monkey
03 Jesus Fever
04 On Tour
05 Ghost Town
06 Freeway
07 [banter]
08 Smoke Ring for My Halo

If you enjoyed this recording, PLEASE SUPPORT Kurt Vile, visit his website, and purchase Smoke Ring For My Halo from Matador Records [HERE].

David Bazan (playing Pedro the Lion’s “Control”): November 15, 2012 Music Hall of Williamsburg – FLAC/MP3/Streaming

December 4, 2012
By


[Photos courtesy of flávio oota]

David Bazan’s 2002 album Control marked what became his second concept album as a recording artist. His first full-length effort as Pedro the Lion, 2000’s Winners Never Quit, told the story of the corruption and redemption of a politician, and was a favorite of mine at the time. Despite its intensely personal lyrics, capable songwriting and obvious ambivalence toward Christianity, a particularly agenda-laden Pitchfork review savaged the record and derisively called Bazan a “Christian rocker”. Control is a dark, brooding album that tells the tale of the dissolution of a modern marriage that ends, ultimately, in murder, the downward spiral all rendered in Bazan’s mournful tones. Control did well with critics and fans. But, ten years later, how has it worn?

David Bazan is a different artist today. His struggles with alcohol – and Christianity – are in the rearview, and as he told the crowd this night at Music Hall of Williamsburg, he is a better musician.  After abandoning the Pedro moniker in 2006, he has produced two excellent solo albums under his own name that stand in their own right. This tour was designed to promote the high-quality vinyl reissues of the Pedro the Lion catalog, including Control, and tonight found David and his band (Alex Westcoat and Andy Fitts, who play on both Bazan “solo” albums) playing each of the LP’s sides with a mix of Pedro and Bazan solo tracks sandwiched in the middle. Along with getting to enjoy Control classics like “Penetration” and “Rejoice” (introduced, to close out the set, as “a bummer”), Bazan played some other favorites mid-set, including “Eating Paper” from his latest solo record, Strange Negotiations, and “When They Really Get to Know You They Will Run” from Pedro’s first album, It’s Hard to Find A Friend.  So how did Control sound ten years on?  It may be a “bummer” emotionally, but it continues to stand as a musical success.

I recorded this set with Schoeps MK41 supercardiod microphones inside the soundboard cage, with an excellent soundboard feed mixed by the band’s touring engineer Brad Lightfoot.  The sound is excellent.  Enjoy!

Special thanks to Bob Andrews and Caleb Palma at Undertow Music for permitting the making and sharing of this recording, and Ryan and Nick of MHOW for their kind assistance.

Stream “Penetration”

Stream “Eating Paper”

Download the MP3 files [HERE] | Download the FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

David Bazan
2012-11-15
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (DFC, SBD cage, PAS)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Brad Lightfoot)>> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Adobe Audition CS 5.5 (mix down, align, adjust levels)>Izotope Ozone 5 (EQ, exciter tube effect)>Audacity 3.0 (set fades, tracking, amplify, balance)>FLAC (level 8 )

Tracks [Total Time: 1:11:59]
Side A of “Control”
01 Options
02 Rapture
03 Penetration
04 Indian Summer
05 Progress

Mid-Set Other Songs
06 [banter/band intro (Q&A portion deleted at artist request]
07 Gas & Matches
08 The Devil Is Beating His Wife
09 Transcontinental
10 People
11 How I Remember
12 Eating Paper
13 When They Really Get To Know You

Side B of “Control”
14 Magazine
15 Rehearsal
16 [banter]
17 Second Best
18 Priests & Paramedics
19 Rejoice

Players:
David Bazan – Guitar, Vocals
Alex Westcoat – Drums
Andy Fitts – Bass

If you enjoyed this recording, please support David Bazan, visit davidbazan.com, and buy his records from Undertow Music [HERE]

Rhyton: November 27, 2012 Union Pool – FLAC/MP3/Streaming

December 4, 2012
By


[Photos by acidjack]

After their thrilling performance at the NYCTaper Northside Festival Showcase back in June, I couldn’t wait for Rhyton to hit Union Pool last week so I could see them perform songs from their latest, The Emerald Tablet.  Or at least, I assumed that would be the case, seeing that the record just dropped in September. But frontman/guitarist/other instrumentalist Dave Shuford, bassist Jimy Seitang and drummer Spencer Herbst aren’t the sort of musicians to “tour an album” or pause their creative process. So, instead of Emerald tracks, the band gave us a completely new pair of free-flowing compositions that are so new they only have working titles. These compositions are more of a piece stylistically with the band’s previous record, Rhyton, with a noisier, less Eastern-influenced feel than The Emerald Tablet. But, when you are dealing with a trio of improvisers like the Rhyton gang, it’s never correct to say anything is exactly like the past.

I recorded this set with Schoeps MK5 cardiod microphones from the center of the balcony, augmented by a soundboard feed from the house engineer, Doug.  The sound is excellent.  Enjoy!

Stream “Spirit Gum”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Rhyton
2012-11-27
Union Pool
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK5 (DFC, at SBD, DIN)>KCY>Z-PFA + Soundboard (engineer: Doug)>>Edirol R-44 [Oade Concert Mod]>Adobe Audition CS 5.5 (mix down, adjust levels)>Izotope Ozone 5 (light EQ, exciter)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Grokked in the Alleyway
02 Spirit Gum

If you enjoyed this recording, please support Rhyton, visit their page on Thrill Jockey Records, and purchase The Emerald Tablet LP directly from Three Lobed/Divide By Zero [HERE].

Starring: November 9, 2012 Knitting Factory – FLAC/MP3/Streaming

December 3, 2012
By


[Photos by acidjack]

The Brooklyn band Starring, fairly new darlings of the avant garde Northern Spy label,  have made significant sonic evolutions since their 2010 release Wife of God.  With the addition of Matt Mehlan – best known for his work as Skeletons – to the already-talented roster of players, the band’s sound has moved away from their more kraut and punk-leaning earlier material toward the type of longer-form prog-psych compositions that Mehlan is known for. This year’s ABCDEFG-HIJKLMNOP-QRSTUV-WXYZ (a keyboard’s worth of an album title), which was played almost in its entirety at this show at the Knitting Factory, places Starring most closely in tradition of great current New York bands like Oneida and Black Dice and classic acts like Neu! and Sun Ra.  You can hear the range of ideas and influences at work in the song “best”, where a driving backbeat and accompanying violin build blends with trippy organ, guitar and flute parts, and frontwoman Clara Hunter’s most obvious lyric is the borrower chorus of the Tina Turner classic, “Simply the Best”. There is a lot going on in this and most of the band’s other songs, and for fans of post-structuralism, there is almost as much to like about the mere attempt as there is about the result. That said, the night’s most accessible number, “aphonia”, which reminded me a bit of late period Battles, may have been more straightforward, but well might have been a stronger demonstration of the band’s chops. Starring is the type of band that refuses to remain static, and I’m sure by the next time I see them, there will be yet more dimensions to explore.

I recorded this set with MBHO KA200N microphones and an excellent soundboard feed by the Knit engineer, Rob.  The sound quality is outstanding. Enjoy!

Stream “aphonia”

Download the MP3 files [HERE] | Download the FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Starring
2012-11-09
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603>Sound Devices USBPre2 + Soundboard (engineer: Rob) >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition (mix down)>Izotope Ozone 5 (EQ)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 ———-oooooooooooooo
03 best
04 ie
05 aphonia
06 …7…

If you enjoyed this recording, please support Starring, like them on facebook, and buy ABCDEFG-HIJKLMNOP-QRSTUV-WXYZ directly from Northern Spy Records [HERE]

Death Blues: September 6, 2012 Hopscotch Music Festival, Lincoln Theater (Raleigh, NC) – FLAC/MP3/Streaming

November 28, 2012
By

http://farm9.staticflickr.com/8170/7972813588_746b640998_z.jpg
[Photos courtesy of Abby Nardo Photography]

After witnessing the majesty of drummer Jon Mueller’s new project Death Blues just two nights before at Glasslands in NYC, I was ready to witness the spectacle again on the bigger stage of Raleigh, North Carolina’s Lincoln Theater for the band’s Hopscotch Music Festival debut. While this set more or less mirrored the Glasslands show note for note, the bigger room gave the performance a different, more dramatic flavor. Mueller also felt that this recording (which was done by local taper Brian Claude) gave a better representation of the band’s difficult-to-capture upright bass. Death Blues is less a “band” in many respects than an interdisciplinary music project of Mueller’s; he teams with a variety of like-minded artists to produce music that is disconnected from pop convention. The ostensible focus of Death Blues is the inevitable approach of death, which comes across in the tone and evolution of the set. The music is dark, but transporting, with tribal, haunting vocals and guitars played like percussion instruments, all led by Mueller on the drums. Death being a large and complicated subject – too great for one piece of music – Mueller and his bandmates have posted additional writings and meditations on the topic on the project’s website.

Mueller has just released the sequence you will hear on this recording as Death Blues: The Album on his bandcamp page via Hometapes and Taiga Records, with vinyl to follow in January 2013. The record, like the band’s live performances, is revelatory. Give it a spin.

This set was recorded by NC-based taper Brian Claude with Avantone CK-1 microphones from the ideal spot in the Lincoln.  The sound is excellent. Enjoy!

Stream “Acceptance”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Check out all of NYCTaper’s Hopscotch Festival recordings

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

http://farm9.staticflickr.com/8314/7972809570_f2eff49bf6_z.jpg

Death Blues
2012-09-06
Hopscotch Festival
Lincoln Theater
Raleigh, NC USA

Hosted at nyctaper.com
Recorded by Brian Claude
Produced by acidjack

Avantone CK-1c>Edirol UA-5 [Busman]>Roland R-05>24bit/48kHz WAV>Izotope Ozone 5 (light EQ and tube effects)>Audacity (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Impatience
02 Death Blues
03 Acceptance
04 Impermanence
05 Iron String

PLEASE SUPPORT Death Blues, visit their website, follow them on Twitter, and purchase Death Blues in digital format (and on vinyl in January 2013) [HERE].

http://farm9.staticflickr.com/8313/7972806302_1d5c6daf0b_z.jpg

 

 

Psychic Ills: November 9, 2012 Knitting Factory – FLAC/MP3/Streaming

November 26, 2012
By


[Photos by acidjack]

The Brooklyn band Psychic Ills hit the Knitting Factory a few weeks ago along with compadres Guardian Alien (recording HERE)  and Starring (recording coming soon) in preparation for the wide-ranging tour of China they have now embarked upon. By the look and sound of things, the foursome were ready to go, as they weaved together the druggy, deep grooves they have become known for under hushed lights. The band’s most recent effort, and first for Sacred Bones, Hazed Dream, was the most-represented on this night, with the band leading off with three fifths of that record’s excellent A side, including their most “poppy” (by their standards) number, “Mind Daze”. Along with the Hazed Dream material, the other half of the set touched down at various points from the band’s back catalog, with two songs from 2006’s Dins, “Diamond City” from their 2005 Mental Violence II EP, and “Way Of” from the largely misunderstood Mirror Eye joining the band’s most recent single, “Take Me With You”, which they released on a split 7-inch with Moon Duo earlier this year. While the “psychedelic rock” genre (massively broad as it now is) usually relies upon setting a mood, the Ills take things further in that direction than most, serving up the set as a more or less unified piece of music with guitar transitions instead of stage banter, substituting their songs’ evolutions and contrasts in tone and tempo for big, room-rocking singles. Expect a new record from the Ills next year, which we hope to continue with the strong style established on Hazed Dream. 

I recorded this set with MBHO KA200N cardiod microphones and an excellent soundboard feed by Rob from the Knitting Factory.  The sound is excellent.  Enjoy!

Stream “Take Me With You”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Psychic Ills
2012-11-09
Knitting Factory
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

MBHO KA200N>MBP603>Sound Devices USBPre2 + Soundboard (engineer: Rob) >> Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audition (mix down)>Izotope Ozone 5 (EQ)>Audacity 3.0 (set fades, tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 [intro]
02 Midnight Moon
03 Mind Daze *
04 Incense Head
05 Electriclife
06 The Way Of
07 January Rain
08 Ring Finger *
09 Diamond City
10 Take Me With You
11 I’ll Follow You Through The Floor

If you enjoyed this recording, PLEASE SUPPORT Psychic Ills, visit their website, and purchase Hazed Dream from Sacred Bones Records [HERE]

Port St. Willow: October 18, 2012 NYCTaper CMJ Day Show, Cake Shop – FLAC/MP3/Streaming

November 20, 2012
By


[Photos courtesy of MaryAnne Ventrice]

The documented connection between Port St. Willow frontman Nick Principe and childhood friend Peter Silbermann of The Antlers goes beyond their shared background. Both have a grandiosity and mournfulness to their sounds; both share a similar vocal style – a soaring falsetto that is its own instrument, at times obscuring the lyrics themselves. But where The Antlers lean more toward narrative storytelling and show a continued passion for rock dynamics, Principe is more comfortable in the realm of more obtuse, atmospheric composition. The songs on his debut record, Holiday, offer a variety of textures to plumb; some have described the record as “airy”. After catching an impressive set opening for The Antlers this summer at Glasslands, Port St. Willow was right at the top of the list of bands to play our unofficial CMJ Day show at Cake Shop, and this set delivered on the promise of that earlier experience. Principe, backed by his touring live band, played a set of six songs in a near-seamless 35-minute set. Even in mid-afternoon, the 10+ minute opener “Hollow” wowed the sizable crowd as Principe & Co. built his delicate compositions from scratch before our eyes. The recording that you have here is arguably the best quality of all that we recorded during this show, and other than a couple of spots where the vocal mic distorted during “Tourist”, it is virtually flawless. We hope that you enjoy, and head to Port St. Willow’s bandcamp page to check out Holiday in its full glory.

Stream “Hollow”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Port St. Willow
2012-10-18
NYCTaper CMJ Day Show
Cake Shop
New York, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Soundboard (engineer: Justin) + Schoeps MK5>KCY>Z-PFA>>Edirol R-44 [OCM]>Adobe Audition CS 5.5 (split and edit SBD tracks, mix down, fades, align, adjust levels)>Izotope Ozone 5 (EQ, thicken, exciter)>Audacity 3.0 (tracking, amplify, balance, downsample)>FLAC ( level 8 )

Tracks
01 Hollow
02 Amawalk>
03 On Your Side
04 Five Five Two Five>
05 Tourist

If you download this recording from NYCTaper we expect that you will PLEASE SUPPORT Port St. Willow, and visit the Bandcamp page to purchase Holiday [HERE].

Widowspeak: November 3, 2012 Music Hall of Williamsburg – FLAC/MP3/Streaming

November 15, 2012
By


[photos by P-Squared Photography]

Among us, we have seen Brooklyn’s Widowspeak at least seven times in the past couple of years, including hosting them at last year’s NYCTaper CMJ Day Show. What we have seen each time is a band that keeps getting better and, most crucially, continuing to write great new songs. True to form, half of the songs played during this opening set for Woods at Music Hall of Williamsburg were new (relative to their LP), and they stood up well alongside some of the best numbers from their 2011 self-titled LP like “In the Pines”. Of the newer material, four of these songs will appear on the band’s second Captured Tracks LP, Almanac, which comes out on January 22.  I continue to be amazed at the depth added to the band’s sound by the addition of Pamela Garabano-Coolbaugh on bass, as it gives lead guitarist Robert Thomas and singer/guitarist Molly Hamilton more room to focus on their own guitar work. Sonically, Widowspeak is a moody, downbeat band, but they are clearly enjoying the ride; even if they don’t sound like it, they look like they’re having a lot of fun up there. With the band’s next NYC show scheduled for their record release date of January  22 at Mercury Lounge, we have plenty to look forward to from Widowspeak in 2013.

nyctaper and I recorded this set with my Schoeps MK41 microphones and an excellent soundboard feed by the house engineer, Ian, at MHOW.  The sound is excellent. Enjoy!

Stream “Sore Eyes”

Direct download of MP3 files [HERE] | Direct download of FLAC files [HERE]

If the FLAC link is no longer working, email nyctaper for the FLAC files

Follow acidjack on twitter

Note: All of the material on this site is offered with artist permission, free to fans, at our expense. The only thing we ask is that you download the material directly from this site, rather than re-posting the direct links or the files on other sites without our permission. Please respect our request.

Widowspeak
2012-11-03
Music Hall of Williamsburg
Brooklyn, NY USA

Exclusive download hosted at nyctaper.com
Recorded and produced by acidjack

Schoeps MK41 (DIN, DFC)>KC5>CMC6>Sound Devices USBPre2 + Soundboard (engineer: Ian)>>Edirol R-44 [OCM]>2x24bit/48kHz WAV>Audacity 3.0 (mix down, set fades, tracking, amplify, balance, light EQ)>FLAC ( level 8 )

Tracks
01 Perennials
02 Devil Knows
03 Gun Shy
04 7 Minutes
05 Harsh Realm
06 Ghost Boy
07 Sore Eyes
08 Spirit is Willing
09 In the Pines
10 Nightcrawlers

If you enjoyed this recording, PLEASE SUPPORT Widowspeak, visit their Facebook page, visit their Bandcamp page, and purchase their LP Widowspeak from Captured Tracks.

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